Herzlichen Dank allen Akteuren und besonders dem unermüdlichen Rudolf Lutz, der einmal mehr eine grandiose Aufführung abgeliefert hat. Ich habe viele Konzerte von Anfang an mitverfolgt und bin begeistert von der Präzision des Chores und der Solisten. Mitreißend!
Cantata sobrecogedora, como todas ....un encanto para el alma....se contó con la presencia del maestro japonés Masaki Suzuki, el más grande experto en Bach....sus interpretaciones son bellísimas!!!....
the shoutout to Suzuki at the beginning was sweet and tells how far the Bachstiftung has come if it had such esteemed director as guest. I'm wondering if Lutz felt especially energised by his presence because the first (great) choir bristles with excitement, and it's very easy to make it howling, which doesn't happen here. I love the contrast between the powerful choir and chorale with the chiselled and very difficult arias. The soloists perform very well, although Poplutz occasionally veils his voice and that makes him feel a bit 'tired', which is not my favourite effect. Julia Doyle is impeccable. The orchestra is great as usual -love the oboes in the first aria. A good choice of tempos (I might have done with a smidgen less rushed first choir but that's details) round up a delightful performance.
Georg Poplutz's rendition of the greatest ever Bach -aria alongside Patrick Hendrichs's interjections with the eschatological Johannes Passion Choral can only be summarised thus : Ministry to the fellow-human. Perhaps the answer to the question "Why a trumpet "- because it will signal the Resurrection . ".....He will wipe away every tear from their eyes , and death shall be no more ...." (Rev. 21:4)
@herrickinman9303 Many thanks for your appreciation - however , I feel this forum is not for people's linguistic skills , but for Bach and Bach Stiftung- eschatological is Greek , denoting the prophecies considered by the Church not fulfilled yet , like the Resurrection , referred to in the St. John Passion's final chorale.
Thank you for your beautiful words! We're thrilled to know that our music resonates so deeply with you. It's an honor to inspire happiness and bring a sense of divine perfection through our work. We hope this cantata continues to uplift and inspire you. Your support means the world to us!
Sublime. Bach was my dad's favorite composer. As I grow older, I really hope GenX and younger find a large place for Baroque and Classical music on our playlists. Bleibt Ihr Engel... translation: Abide, you angels, abide with me. Guide me on both sides So that my foot may not slip. But teach me to sing also here [on earth] Your great “Holy” And to sing thanks to the Most High. Abide, you angels, abide with me.
Esta cantata es un ejemplo de la IDENTIDAD Y CULTURA ALEMANAS....donde la suma armoniosa de cantantes e instrumentistas en manos del GRAN JUAN SEBASTIAN hacen posible esta "maramillosa catedral sonora"...muy dificil de encontrar algo similar en otro pais....
Maestro Lutz, aunque conozco a BACH desde niño, es la primera vez que escucho esta cantata. Felicitaciones a usted y su maravilloso Coro y Orquesta. Cuando DIOS expulsó del cielo a satanás, la batalla fue breve. Que EL SEÑOR JESUCRISTO bendiga a 🇨🇭 y toda Europa. Desde Colombia 🇨🇴 oramos por ustedes amados hermanos. DIOS bendiga a 🇮🇱 y venga su REINO. Amén. Mi canal es Ricky y giovy son de vida.❤😊🇮🇱🇨🇭🇨🇴
Bach en 300 años no ha sido superado.Su música transmite todos los sentimientos que invaden el alma humana. El maestro Lutz sabe hacerla llegar a nosotros de una manera inigualable.
Eine faszinierend schöne Wahnsinns Bachkantate voller musikalischer Kontraste: erst der rasante Eingangschor über die kämpfenden Engel, in der Mitte die zauberhafte Tenorarie, schützende Engel besingend, und dann der krönende Abschlusschoral, einfach nur himmlisch schön.
In the hands of Rudolf Lutz c. s. BWV 19 becomes a true feast. In the opening choir the sparks are flying, the end of the bass recitativo and the aria for tenor are warm blankets for everyone who feels cold. The bravoure and the virtuosity of the soprano show that she is not afraid of anything or anyone and the trumpet in the tenor aria is not made by men, but dropped from heaven, perhaps on purpose.. I would say to Rudolf Lutz and all his friends: "Bleibt, ihr Engel, bleibt"!
Bravo tutti!. This was a short, but difficult canrata. The opening chorus was excellent, and full of energy, and enthusiasm. No introduction made starting a challenge. The Soprano had a crisp and clear melodious tone and a beautiful line. I’d love to hear her with more solo work perhaps from Cantata #51 , or the Passions. Even though the Bass had little to sing, his recit. set the tone for the triumphant resolution between God, Satan,and Man. I very much enjoyed the Tenor aria. It was one of the most difficult Bach Tenor arias I’ve ever heard. The breath control for the extremely long phrases, and the vocal line with seemingly unending bel canto like melismas were beautifully sung. Such a pleasure to hear this work.
In case you didn't notice, the conductor counted them in, making starting no challenge to these professional musicians, even in the absence of an "introduction," whatever that means.
The opening chorus of Cantata 19, as played here, stands out as one of the best I have heard. IThe final choral was majestic as well.I liked that the violin and wind instument players were not sitting; perhaps this contributing to their outstanding performance. The interpretation of the tenor was deep and spiritual. In contrast, the interpretation of the soprano sounded more "secular" to my ears (sometimes I think the choice of children or young singers give to the Cantatas a purity and a delicacy they deserve). The playing of the 2 oboes was fresh and invigorating. Overall, a great-sounding ensemble and a very satisfying result.
Und besonders erfreulich Herr Poplutz; zuerst denkt man: Wie soll das denn funktionieren, dieses herrliche Siciliano ohne Daniel Johannsen. Aber er macht das großartig.
Cantata BWV 19 Es erhub sich ein Streit English Translation in Interlinear Format Cantata BWV 19 - There arose a strife Event: Cantata for the Feast of St Michael and All Angels Readings: Epistle: Revelations 12: 7-12; Gospel: Matthew 18: 1-11 Text: Christian Friedrich Henrici (Picander) (Mvts. 1-6); Anon (Mvt. 7) Chorale Texts: Herzlich lieb hab' ich dich, o Herr | Freu dich sehr, o meine Seele 1 Chorus [S, A, T, B] Tromba I-III, Timpani, Violino I e Oboe I all' unisono, Violino II e Oboe II all' unisono, Viola e Taille all' unisono, Continuo Es erhub sich ein Streit. There arose a strife. Die rasende Schlange, der höllische Drache The raging serpent, the dragon of hell Stürmt wider den Himmel mit wütender Rache. storms against heaven with furious revenge. Aber Michael bezwingt, But Michael conquers, Und die Schar, die ihn umringt and the host which surrounds him Stürzt des Satans Grausamkeit. overthrows Satan's cruelty. 2 Recitative [Bass] Continuo Gottlob! der Drache liegt. God be praised! the dragon lies vanquished. Der unerschaffne Michael The uncreated Michael Und seiner Engel and his host of angels Heer hat ihn besiegt. have conquered him. Dort liegt er in der Finsternis There he lies in the darkness Mit Ketten angebunden, bound with chains, Und seine Stätte wird nicht mehr and his place is no more Im Himmelreich gefunden. found in the kingdom of heaven. Wir stehen sicher und gewiß, We stand safe and sure, Und wenn uns gleich sein Brüllen schrecket, and even when his roar terrifies us, So wird doch unser Leib und Seel then still our body and soul Mit Engeln zugedecket. are protected by angels. 3 Aria [Soprano] Oboe d'amore I/II, Continuo Gott schickt uns Mahanaim zu; God sends us to Mahanaim; Wir stehen oder gehen, whether we stand or go, So können wir in sichrer Ruh we can in safety and peace Vor unsern Feinden stehen. stand before our enemies. Es lagert sich, so nah als fern, Encamped both near and far Um uns der Engel unsers Herrn around us is the angel of our Lord Mit Feuer, Roß und Wagen. with fire, horse and chariot. 4 Recitative [Tenor] Violino I/II, Viola, Continuo Was ist der schnöde Mensch, das Erdenkind? What is despicable humanity, the child of earth? Ein Wurm, ein armer Sünder. A worm, a wretched sinner. Schaut, wie ihn selbst der Herr so lieb gewinnt, See, how the Lord himself falls in love with him, Daß er ihn nicht zu niedrig schätzet that he does not value him too lowly Und ihm die Himmelskinder, and for him places the children of heaven Der Seraphinen Heer, the host of Seraphim Zu seiner Wacht und Gegenwehr, to watch and fight on his behalf, Zu seinem Schutze setzet. to protect him. 5 Aria (and Chorale) [Tenor] Tromba, Violino I/II, Viola, Continuo Bleibt, ihr Engel, bleibt bei mir! Stay, you angels, stay with me! Führet mich auf beiden Seiten, Guide me on both sides, Daß mein Fuß nicht möge gleiten! so that my foot may not slip! Aber lernt mich auch allhier But teach me even here Euer großes Heilig singen to sing of your great holiness Und dem Höchsten Dank zu singen! and to sing thanks to the Highest! 6 Recitative [Soprano] Continuo Laßt uns das Angesicht Let us love the sight Der frommen Engel lieben of the holy angels Und sie mit unsern Sünden nicht and let us not with our sins Vertreiben oder auch betrüben. drive them away or even grieve them. So sein sie, wenn der Herr gebeut, So they may be, when the Lord bids us Der Welt Valet zu sagen, to say farewell to the world, Zu unsrer Seligkeit Auch unser Himmelswagen. our heavenly chariot also to our life of bliss. 7 Chorale [S, A, T, B] Oboe I e Violino I col Soprano, Oboe II e Violino II coll'Alto, Taille e Viola col Tenore, Tromba I-III, Timpani, Continuo Laß dein' Engel mit mir fahren Let your angel travel with me Auf Elias Wagen rot on Elias' red chariot Und mein Seele wohl bewahren, and preserve my soul Wie Lazrum nach seinem Tod. like Lazarus after his death. Laß sie ruhn in deinem Schoß, Let my soul rest in your bosom Erfüll sie mit Freud und Trost, fill it with joy and consolation Bis der Leib kommt aus der Erde until my body comes from the earth Und mit ihr vereinigt werde. and is united with it.
And, to think that not one positive comment about Bach's Cantatas has come down to us from any one at any of the four Leipzig churches during Bach's tenure there as Thomaskantor. The town Council complained frequently and was not very supportive of their Kantor. A fitting metaphor would be the throwing of pearls before swine.
Two remarks: 1) contemporary judgements are not necessarily right, especially not those from people with political power. 2) Thanks to Felix Mendelssohn we know about Bach. He was a sort angel sent by haven. Badly treated by people with political power later in history.
This Is simply not true. There are different positive comments about Bach's cantatas and vocal works, from the time spent in Weimar to Leipzig. The Town council had all their reasons not to be Happy with Bach's work as a cantor, since he was really "incorriggible" and didn't respect all his duties
Not true. Picander, the librettist of the St. Matthew Passion and Bach's frequent collaborator in Leipzig, published a cycle of cantata poetry and in the preface wrote, "I flatter myself that the lack of poetic charm may be compensated for by the loveliness of the music of our incomparable Capellmeister Bach."
The Ara tenor definitely sat on the song too long. Less is better, more is worse. But Julia Doyle she is magnificent. That lady amazes me with her heavenly voice.
This is truly outstanding -- one of the finest performances of any baroque music I've ever heard. The expression and clarity are wonderful.
Greatest composer Johan Sebastian Bach, thank you from Namibia!
Special congratulations to M. Georg Poplutz! His sensitivity and emotion are perfect in this so difficult aria. 👏👏👏
Julia Doyle - a voice like sunshine
One of the best Bach sopranos we have today/
Julia Doyle joins the chorale at the end. What beauty.
And why not - Bach at his full-on best.
Absolut wunderbar! Gänsehaut gleich zu Beginn mit dem Choral.
Bach hits the ground running and blows the doors off the church!
Lutz opens the Heavens with this final Choral. 🙌 Eternal
Breathtaking
I'm hypnotized by this performance
Wow Julia Doyle! This is incredibly beautiful. Thank you🙏🏻
Man I just love that arpeggio at 9:29
Herzlichen Dank allen Akteuren und besonders dem unermüdlichen Rudolf Lutz, der einmal mehr eine grandiose Aufführung abgeliefert hat. Ich habe viele Konzerte von Anfang an mitverfolgt und bin begeistert von der Präzision des Chores und der Solisten. Mitreißend!
Magnificent performance and interpretation!! the Choral takes you straight to heaven
オルガン・チェンバロ奏者であり、バッハ・コレギウム・ジャパンを設立してバッハの教会カンタータ全曲録音をした鈴木雅明氏と、現在バッハ・コレギウム・ジャパンを引き継いだ主席指揮者である鈴木雅明の子、鈴木優人氏が演奏前に紹介された。
偶然このyoutubeで見つけて驚きです。
"Bleibt ihr Engeln" was such a strong aria I adored it, wonderfully sung.
Cantata sobrecogedora, como todas ....un encanto para el alma....se contó con la presencia del maestro japonés Masaki Suzuki, el más grande experto en Bach....sus interpretaciones son bellísimas!!!....
Beautiful!
Musica para el alma. Hermosa ❤
the shoutout to Suzuki at the beginning was sweet and tells how far the Bachstiftung has come if it had such esteemed director as guest. I'm wondering if Lutz felt especially energised by his presence because the first (great) choir bristles with excitement, and it's very easy to make it howling, which doesn't happen here. I love the contrast between the powerful choir and chorale with the chiselled and very difficult arias. The soloists perform very well, although Poplutz occasionally veils his voice and that makes him feel a bit 'tired', which is not my favourite effect. Julia Doyle is impeccable. The orchestra is great as usual -love the oboes in the first aria. A good choice of tempos (I might have done with a smidgen less rushed first choir but that's details) round up a delightful performance.
I share every word!
We are always happy when people take the time to leave a detailed comment. Thank you for that!
@@Bachstiftung no, thank YOU for this treasure trove of performances that you regularly give us!
😊
Georg Poplutz's rendition of the greatest ever Bach -aria alongside Patrick Hendrichs's interjections with the eschatological Johannes Passion Choral can only be summarised thus :
Ministry to the fellow-human.
Perhaps the answer to the question
"Why a trumpet "- because it will signal the Resurrection .
".....He will wipe away every tear from their eyes , and death shall be no more ...." (Rev. 21:4)
Patrick Henrichs. Not Patrick Hendrichs. Oooh: "interjections" and "eschatological" and "summarised thus" We're so impressed.
@herrickinman9303 Many thanks for your appreciation - however , I feel this forum is not for people's linguistic skills , but for Bach and Bach Stiftung- eschatological is Greek , denoting the prophecies considered by the Church not fulfilled yet , like the Resurrection , referred to in the St. John Passion's final chorale.
Perfection. And perfection is God. Thats why this is a blessed cantata! Thank you for make me feel happy and inspired somewere!
Thank you for your beautiful words! We're thrilled to know that our music resonates so deeply with you. It's an honor to inspire happiness and bring a sense of divine perfection through our work. We hope this cantata continues to uplift and inspire you. Your support means the world to us!
Sublime.
Bach was my dad's favorite composer. As I grow older, I really hope GenX and younger find a large place for Baroque and Classical music on our playlists.
Bleibt Ihr Engel... translation:
Abide, you angels, abide with me.
Guide me on both sides
So that my foot may not slip.
But teach me to sing also here [on earth]
Your great “Holy”
And to sing thanks to the Most High.
Abide, you angels, abide with me.
Esta cantata es un ejemplo de la IDENTIDAD Y CULTURA ALEMANAS....donde la suma armoniosa de cantantes e instrumentistas en manos del GRAN JUAN SEBASTIAN hacen posible esta "maramillosa catedral sonora"...muy dificil de encontrar algo similar en otro pais....
Thank you for taking the time to comment, thank you!
Impresionante y excelente interpretación
Increíble
Maestro Lutz, aunque conozco a BACH desde niño, es la primera vez que escucho esta cantata. Felicitaciones a usted y su maravilloso Coro y Orquesta. Cuando DIOS expulsó del cielo a satanás, la batalla fue breve. Que EL SEÑOR JESUCRISTO bendiga a 🇨🇭 y toda Europa. Desde Colombia 🇨🇴 oramos por ustedes amados hermanos. DIOS bendiga a 🇮🇱 y venga su REINO. Amén. Mi canal es Ricky y giovy son de vida.❤😊🇮🇱🇨🇭🇨🇴
Bach en 300 años no ha sido superado.Su música transmite todos los sentimientos que invaden el alma humana. El maestro Lutz sabe hacerla llegar a nosotros de una manera inigualable.
Sehr schon!!
Eine faszinierend schöne Wahnsinns Bachkantate voller musikalischer Kontraste: erst der rasante Eingangschor über die kämpfenden Engel, in der Mitte die zauberhafte Tenorarie, schützende Engel besingend, und dann der krönende Abschlusschoral, einfach nur himmlisch schön.
Das finden wir auch.
Great!
Eine hervorragende Leistung!
danke!
Feels like flying
Georg and the trumpeter were spectacular!
In the hands of Rudolf Lutz c. s. BWV 19 becomes a true feast. In the opening choir the sparks are flying, the end of the bass recitativo and the aria for tenor are warm blankets for everyone who feels cold. The bravoure and the virtuosity of the soprano show that she is not afraid of anything or anyone and the trumpet in the tenor aria is not made by men, but dropped from heaven, perhaps on purpose.. I would say to Rudolf Lutz and all his friends: "Bleibt, ihr Engel, bleibt"!
The flower arrangements are particularly beautiful (!) as was the performance !
Bravo tutti!. This was a short, but difficult canrata. The opening chorus was excellent, and full of energy, and enthusiasm. No introduction made starting a challenge. The Soprano had a crisp and clear melodious tone and a beautiful line. I’d love to hear her with more solo work perhaps from Cantata #51 , or the Passions. Even though the Bass had little to sing, his recit. set the tone for the triumphant resolution between God, Satan,and Man. I very much enjoyed the Tenor aria. It was one of the most difficult Bach Tenor arias I’ve ever heard. The breath control for the extremely long phrases, and the vocal line with seemingly unending bel canto like melismas were beautifully sung. Such a pleasure to hear this work.
In case you didn't notice, the conductor counted them in, making starting no challenge to these professional musicians, even in the absence of an "introduction," whatever that means.
21:21 - La Mariona i l'Ignasi (de Music&Text) aplaudint al fons, a la dreta
The opening chorus of Cantata 19, as played here, stands out as one of the best I have heard. IThe final choral was majestic as well.I liked that the violin and wind instument players were not sitting; perhaps this contributing to their outstanding performance. The interpretation of the tenor was deep and spiritual. In contrast, the interpretation of the soprano sounded more "secular" to my ears (sometimes I think the choice of children or young singers give to the Cantatas a purity and a delicacy they deserve). The playing of the 2 oboes was fresh and invigorating. Overall, a great-sounding ensemble and a very satisfying result.
Bravíssimo!
Nächste Aufführung bitte in St.Pius Lohr-Lindig Deutschland.
Grandios!
What a perfect beginning for the Lord's day, every day ❤
Das hebt sich angenehm ab von anderen online zugänglichen Interpretationen!
Danke für das Feedback. Wie genau meinen Sie es, dass sich unsere Interpretation von anderen abhebt?
Outstanding piece and rendition. Maybe I would open full speed like Lutz but from the second bar, using the first bar as an acceleration
Und besonders erfreulich Herr Poplutz; zuerst denkt man: Wie soll das denn funktionieren, dieses herrliche Siciliano ohne Daniel Johannsen. Aber er macht das großartig.
😊
Cantata BWV 19
Es erhub sich ein Streit
English Translation in Interlinear Format
Cantata BWV 19 - There arose a strife
Event: Cantata for the Feast of St Michael and All Angels
Readings: Epistle: Revelations 12: 7-12; Gospel: Matthew 18: 1-11
Text: Christian Friedrich Henrici (Picander) (Mvts. 1-6); Anon (Mvt. 7)
Chorale Texts: Herzlich lieb hab' ich dich, o Herr | Freu dich sehr, o meine Seele
1
Chorus [S, A, T, B]
Tromba I-III, Timpani, Violino I e Oboe I all' unisono, Violino II e Oboe II all' unisono, Viola e Taille all' unisono, Continuo
Es erhub sich ein Streit.
There arose a strife.
Die rasende Schlange, der höllische Drache
The raging serpent, the dragon of hell
Stürmt wider den Himmel mit wütender Rache.
storms against heaven with furious revenge.
Aber Michael bezwingt,
But Michael conquers,
Und die Schar, die ihn umringt
and the host which surrounds him
Stürzt des Satans Grausamkeit.
overthrows Satan's cruelty.
2
Recitative [Bass]
Continuo
Gottlob! der Drache liegt.
God be praised! the dragon lies vanquished.
Der unerschaffne Michael
The uncreated Michael
Und seiner Engel
and his host of angels
Heer hat ihn besiegt.
have conquered him.
Dort liegt er in der Finsternis
There he lies in the darkness
Mit Ketten angebunden,
bound with chains,
Und seine Stätte wird nicht mehr
and his place is no more
Im Himmelreich gefunden.
found in the kingdom of heaven.
Wir stehen sicher und gewiß,
We stand safe and sure,
Und wenn uns gleich sein Brüllen schrecket,
and even when his roar terrifies us,
So wird doch unser Leib und Seel
then still our body and soul
Mit Engeln zugedecket.
are protected by angels.
3
Aria [Soprano]
Oboe d'amore I/II, Continuo
Gott schickt uns Mahanaim zu;
God sends us to Mahanaim;
Wir stehen oder gehen,
whether we stand or go,
So können wir in sichrer Ruh
we can in safety and peace
Vor unsern Feinden stehen.
stand before our enemies.
Es lagert sich, so nah als fern,
Encamped both near and far
Um uns der Engel unsers Herrn
around us is the angel of our Lord
Mit Feuer, Roß und Wagen.
with fire, horse and chariot.
4
Recitative [Tenor]
Violino I/II, Viola, Continuo
Was ist der schnöde Mensch, das Erdenkind?
What is despicable humanity, the child of earth?
Ein Wurm, ein armer Sünder.
A worm, a wretched sinner.
Schaut, wie ihn selbst der Herr so lieb gewinnt,
See, how the Lord himself falls in love with him,
Daß er ihn nicht zu niedrig schätzet
that he does not value him too lowly
Und ihm die Himmelskinder,
and for him places the children of heaven
Der Seraphinen Heer,
the host of Seraphim
Zu seiner Wacht und Gegenwehr,
to watch and fight on his behalf,
Zu seinem Schutze setzet.
to protect him.
5
Aria (and Chorale) [Tenor]
Tromba, Violino I/II, Viola, Continuo
Bleibt, ihr Engel, bleibt bei mir!
Stay, you angels, stay with me!
Führet mich auf beiden Seiten,
Guide me on both sides,
Daß mein Fuß nicht möge gleiten!
so that my foot may not slip!
Aber lernt mich auch allhier
But teach me even here
Euer großes Heilig singen
to sing of your great holiness
Und dem Höchsten Dank zu singen!
and to sing thanks to the Highest!
6
Recitative [Soprano]
Continuo
Laßt uns das Angesicht
Let us love the sight
Der frommen Engel lieben
of the holy angels
Und sie mit unsern Sünden nicht
and let us not with our sins
Vertreiben oder auch betrüben.
drive them away or even grieve them.
So sein sie, wenn der Herr gebeut,
So they may be, when the Lord bids us
Der Welt Valet zu sagen,
to say farewell to the world,
Zu unsrer Seligkeit
Auch unser Himmelswagen.
our heavenly chariot also to our life of bliss.
7
Chorale [S, A, T, B]
Oboe I e Violino I col Soprano, Oboe II e Violino II coll'Alto, Taille e Viola col Tenore, Tromba I-III, Timpani, Continuo
Laß dein' Engel mit mir fahren
Let your angel travel with me
Auf Elias Wagen rot
on Elias' red chariot
Und mein Seele wohl bewahren,
and preserve my soul
Wie Lazrum nach seinem Tod.
like Lazarus after his death.
Laß sie ruhn in deinem Schoß,
Let my soul rest in your bosom
Erfüll sie mit Freud und Trost,
fill it with joy and consolation
Bis der Leib kommt aus der Erde
until my body comes from the earth
Und mit ihr vereinigt werde.
and is united with it.
16:06
And, to think that not one positive comment about Bach's Cantatas has come down to us
from any one at any of the four Leipzig churches during Bach's tenure there as Thomaskantor.
The town Council complained frequently and was not very supportive of their Kantor.
A fitting metaphor would be the throwing of pearls before swine.
An assessment that many probably share.
Two remarks:
1) contemporary judgements are not necessarily right, especially not those from people with political power.
2) Thanks to Felix Mendelssohn we know about Bach. He was a sort angel sent by haven. Badly treated by people with political power later in history.
This Is simply not true. There are different positive comments about Bach's cantatas and vocal works, from the time spent in Weimar to Leipzig. The Town council had all their reasons not to be Happy with Bach's work as a cantor, since he was really "incorriggible" and didn't respect all his duties
Not true. Picander, the librettist of the St. Matthew Passion and Bach's frequent collaborator in Leipzig, published a cycle of cantata poetry and in the preface wrote, "I flatter myself that the lack of poetic charm may be compensated for by the loveliness of the music of our incomparable Capellmeister Bach."
Soprano!
Schitterend
11:59 round here
The Ara tenor definitely sat on the song too long. Less is better, more is worse. But Julia Doyle she is magnificent. That lady amazes me with her heavenly voice.
❤😂
I wonder if this song could be used to describe today's current political climate
how would you interpret it?
How so? Michael, his angels, the dragon, and the believers are metaphors for what?