Hey man! Thanks so much! It's all about getting it right in camera (exposure + white balance) and then just applying the LUT's I've created and making any necessary corrections in exposure/saturation/contrast. www.proluts.com - developed for Sony color science, but seen them used with different results on others.
Cleanest mask transitions I'VE EVER SEEN. I've always avoided those b/c they can come off so unnatural, but holy goodness....Also pleaseeee do a tutorial on those noise transitions - such a cool signature style to your films
@@BrothersMartens Dang! Thanks for the tip on CineGrain! I've been using Tropic Colour's texture assets, but definitely going check these out! Add that affiliate link 😂
Wow, thanks! Lowel Pro light w/250W bulb - no affiliate link, but here you go: www.bhphotovideo.com/c/product/284755-REG/Lowel_P2_10_Pro_Light_Focus_Flood_Light.html
Absolutely loved this! Pacing and grading was on point. So you’re not using the original a7s anymore? And is it the Zeiss Batis line of glass that you’re utilising?
Thank you, very much appreciated! Not using A7s1 for this film, correct. We just love the IBIS of the newer models. And no, this is not Batis line - we're not the biggest fans of that line of Zeiss. It's better than Sigma, but not as good as their other glass IMO.
Brothers Martens If I remember correctly from your interview with Tom Antos you adapted the Milvus line with Nikon mount? Sorry to pester you about gear btw; it’s you’re talent and skills that make the video what it is. I’m curious because I remember from that interview there’s particular gear you swear by
Honestly you are the best Wedding filmmaker !
Thanks so much!!!!
Awesome bro! U shoot 4k 24fps, or 1080p 60fps?
So good, brother! Love the transition sequence from 1:00 - 1:06. So clean!
Much appreciated! :)
wait what, 4 uploads at once!!?? This feels like christmas in February!
Hahaha we're going to start pushing some YT content so made a couple films public here that are private on our vimeo :) Thanks for watching!
So amazing, would love to see your process on how you color your wedding films!
Hey man! Thanks so much! It's all about getting it right in camera (exposure + white balance) and then just applying the LUT's I've created and making any necessary corrections in exposure/saturation/contrast. www.proluts.com - developed for Sony color science, but seen them used with different results on others.
@@BrothersMartens Thank you! How much of the LUT (intensity) do you usually apply for your wedding films? Assuming you're using sony profiles.
Cleanest mask transitions I'VE EVER SEEN. I've always avoided those b/c they can come off so unnatural, but holy goodness....Also pleaseeee do a tutorial on those noise transitions - such a cool signature style to your films
Thanks so much! Riccardo Fasoli has a video on how to make them in Motion, check it out. And the noise transitions are CineGrain, great product!
@@BrothersMartens Dang! Thanks for the tip on CineGrain! I've been using Tropic Colour's texture assets, but definitely going check these out! Add that affiliate link 😂
@@TheOliveBungalow I'm not special enough to have any affiliate links yet :)
Jesus you guys killed it again!! wondering what lights do yall use for the reception?
Wow, thanks! Lowel Pro light w/250W bulb - no affiliate link, but here you go: www.bhphotovideo.com/c/product/284755-REG/Lowel_P2_10_Pro_Light_Focus_Flood_Light.html
@@BrothersMartens really appreciate that! I live in Houston but in Austin a lot. hope to meet you guys!
What was the light you used at the end during the dancing. I’ve been considering using a small light that doesn’t flood the dance floor
Lowel Pro, maneeee
Absolutely loved this! Pacing and grading was on point. So you’re not using the original a7s anymore? And is it the Zeiss Batis line of glass that you’re utilising?
Thank you, very much appreciated! Not using A7s1 for this film, correct. We just love the IBIS of the newer models. And no, this is not Batis line - we're not the biggest fans of that line of Zeiss. It's better than Sigma, but not as good as their other glass IMO.
Brothers Martens If I remember correctly from your interview with Tom Antos you adapted the Milvus line with Nikon mount?
Sorry to pester you about gear btw; it’s you’re talent and skills that make the video what it is. I’m curious because I remember from that interview there’s particular gear you swear by
@@jaikavi5464 It's all good and yes, love the Milvus glass particularly. We have both some Canon and Nikon mount.
@@jaikavi5464 But also, that video is kinda old. We'll get around to doing a proper update :)
Amazing How can i buy your Luts?
Thnks
Aww, thanks! www.proluts.com
what’s your camera guys ? It’s such a genius style that i fell in love fantastic!
This was filmed on the a72ii and a73 with all Zeiss glass! Thanks for the kind words!
@@BrothersMartens Thanks for answering this question.