At 415htz, on a copy of an old instrument, in an old palazzo, a piece by D'Anglebert played freely and emotionally by Mencoboni - "What else do you need?" - I need to hear it again and again...
sospiri profondi............... bravo! Nous vivons dans un temps difficile - et tes contributions musicales nous remplissent de joie, d'espoir, et de satisfaction profonde. Merci Marco! :)
THIS ANGLEBERT IS VERY TOUCHI9NG AND ALMOST HYPNOTIC, BUT ANGLEBERT HAS NO THEMES TO DEVELOP, IT IS JUST A MEANDERING THOUGH THE VARIOUS KEYS AS HE PLEASES. IMAGINE IF BACH OR SCARLATTI WOULD JUST DOODLE AT THE KEYBOARDS WITHOUG ANY DEVELOPMENTS OR EVENTS?
I've recently understood French Baroque as being more akin to rhetoric than singing (German or Italian would be more like singing). Particularly so for a tombeau which is to me more a eulogy in music than a "song without words". The hypnotism for me is the amazing ability for the phrasing and harmony to convey sighs, lamentations, and all sorts of emotion without the idea of developing a common motif
Absolute musical illiteracy! Here the notes are collected individually. The harpsichord sings and does not breathe! Assoluta analfabetismo musicale! Qui le note sono "raccolte" singolarmente. Il clavicembalo non canta e non respira!
At 415htz, on a copy of an old instrument, in an old palazzo, a piece by D'Anglebert played freely and emotionally by Mencoboni - "What else do you need?" - I need to hear it again and again...
Absolutely moving! I just want to hear it again and again. Oh my goodness the music is so deep and the way he plays...simply no words
Excellent performance of one of the most touching harpsichord pieces ever written. Bravo Maestro!
sospiri profondi............... bravo! Nous vivons dans un temps difficile - et tes contributions musicales nous remplissent de joie, d'espoir, et de satisfaction profonde. Merci Marco! :)
Une interprétation sublime et à la fois sensuelle! Merci pour ce moment divin.
Marco: It's a pleasure to see you back! More, please!
What a nice coincidence. For the first time in a while I look for some D'Anglebert pieces and I see this upload from 15 minutes ago!
Un raffinato interprete per un brano davvero notevole!
Maravilloso
Perfect!
Ma non esistono cd di questa musica o della musica francese del maestro Mencoboni ?
@cantarlontano how can I study with you?
I teach on line write me marco@elucevanlestelle.com
THIS ANGLEBERT IS VERY TOUCHI9NG AND ALMOST HYPNOTIC, BUT ANGLEBERT HAS NO THEMES TO DEVELOP, IT IS JUST A MEANDERING THOUGH THE VARIOUS KEYS AS HE PLEASES.
IMAGINE IF BACH OR SCARLATTI WOULD JUST DOODLE AT THE KEYBOARDS WITHOUG ANY DEVELOPMENTS OR EVENTS?
I've recently understood French Baroque as being more akin to rhetoric than singing (German or Italian would be more like singing). Particularly so for a tombeau which is to me more a eulogy in music than a "song without words". The hypnotism for me is the amazing ability for the phrasing and harmony to convey sighs, lamentations, and all sorts of emotion without the idea of developing a common motif
Absolute musical illiteracy! Here the notes are collected individually. The harpsichord sings and does not breathe! Assoluta analfabetismo musicale! Qui le note sono "raccolte" singolarmente. Il clavicembalo non canta e non respira!
He follows the french voice tune. What do you want?
@@martinh1277 Yes - "what else do you need?!?"
@@youexx Now, now, children!