Ustad Amir Mohammad Khan |Side A| (امیر محمد خان کست اول (کابل

Song List Side A : فهرست آهنگهائ سمت اول
1. Angoor Bodi Sharab | 0:15 | ۱. انگور بودی شراب شدی ماشالله
2. Shodam Bod Parast | 03:46 | ۲. شدم بت پرست تو
3. Sandil Akhir Mara | 07:52 | ۳. سنگدآخر مرا رسوا کدیکابل
4. Meri Meri Jan Thoo| 12:52 | ۴. میری میری جان تو میری
5. Dukhtar Hamsaye Man | 18:00 | ۵. دختر همسائ من میروی
6. Waqte Shonidam Amadi| 22:00 | ۶. وقت شنیدم آمدی
7. Aah miyaye | 26:11 | ۷. آه مییائ بجانه مانده
8. Music ... Saaz ... Surood| 30:11 | ۸. نغمه ... ساز... سرود
کست به آواز استاد محبوب وه با استاد .. یکی از آواز خانئ کلاسیک شهر کابل ... استاد امیر محمد خان
First release of one of Kabul's classical and most loved musical guru, Ustad Amir Mohammad Khan
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About Ustad Amir Mohammad Khan
Amir Mohammad ( Persian استاد امیر محمد) (* 1931 in district Deh Sabs the province of Kabul , 1997 in western exile) was one of the most famous Afghan singer in Kabul .
Ustad Amir Mohammad went to school in the village of Khadja Rawash. With his father, Feis Mohammad, a hairdresser, he learned the Rubab game. Feis Mohammad was a disciple of Ustad Aga Mohammad Qenahatt, the father of Ustad Mussa e Qasemi and grandson of the legendary musician Qasem Jo (Ustad Qasem, 1878-1957) was. He was considered a sàzandeh, a professional musician in family tradition (as a general term: male musicians in cities). Two well-known brothers of his father were the Rubab master Ustad Mohammad Omar (1980) and Ustad Mashin, a sarangi player.
Amir Mohammad became a disciple of Mohammad Omar and sang Dari poems by Rudaki , Dschami and others. He set the ghazal seal in the tradition of Qasem Jo, the classical Afghan music with a North Indian influence . In a concert he sang the following poem from Persian literature :
This night, these witnesses, this candle, this wine and this loveliness
It is a stroke of luck that I Dostan ( Persian دوستان) see.
He also sang Kiliwali ("from the village"), Pashtun folk music and ragas derived from Indian music . Its center was the music district Charabat in Kabul. In the 1970s, he was regularly in Herat for several months a year , when there were enough performances. His family stayed in Kabul during this time. The earnings were cheaper for him in Herat, as there was less competition from Khyal and Ghazal singers than in Kabul. Amir Mohammad had formed a solid band in Herat and made music tours in almost all provinces of the country, where he met the audience in the cities at weddings, especially in the month of Ramadannumerous evening events and at Nouruz feasts enthusiastic. His band included in the 1970s the Rubāb player Rahim Khushnawaz, the Dutā player Gada Mohammad and Fazl Ahmad, Tabla . Occasionally, the band was supplemented by the North Indian string instrument Dilruba , a sormandel (simple zither as Borduninstrument ) and the same purpose Tanpura . He achieved a more Indian-classical sound of his music.
Amir Mohammad left Afghanistan in 1993 and exiled to Quetta in the Pakistani province of Balochistan . In 1997 he got an invitation to a music tour to the US and Europe. He also guested in Germany.
Aziz Mohammad has become a musician of his 14 children.