Maravillosa interpretación estoy mas que emocionado escuchando esta hermosa musica y verlos tocar tan bellos instrumentos... ka viola de gamba, suena maravillosa en las manos del maestro y el violoncelo suena magistral y tu querido Didier tienes un don en tus manos tocando el Nyckelarpa, realmente estoy maravillado
That permanent P↑P↑ I↓M↓ playing action on some parts in the Tarantella reminds me of todays Buleria style of playing in Flamenco guitar. So by listening and watching the ancient stuff we discover that what we have today is often a derivative of what was there long before us.
Rolf Lislevand est un luthiste et théorbiste né à Oslo le 30 décembre 1961. Il a commencé par étudier la guitare classique à l'Académie de musique d'État de Norvège, avant d'intégrer la Schola Cantorum de Bâle en Suisse, école comportant un important département de musique ancienne et où il étudie le luth et le théorbe avec Eugène Dombois et Hopkinson Smith. En 1991, il participe à l'enregistrement sonore de Tous les matins du monde, film d'Alain Corneau sur la vie de Jean de Sainte-Colombe et Marin Marais. Lors d'un séjour en Italie, il forme un ensemble spécialisé dans la musique italienne de la première moitié du xvie siècle avec lequel il enregistre un disque entièrement consacré au compositeur italien Kapsberger. Ce disque remporte un Diapason d'or de l'année 1994, et le titre de Meilleur disque de musique instrumentale d'avant 1650 lui est attribué par le MIDEM la même année. Il a depuis enregistré d'autres disques de musique baroque avec son ensemble Kapsberger : Encuentro, Codex et Alfabeto, et a collaboré avec de nombreux musiciens et formations baroques (Hespérion XXI avec Jordi Savall, Montserrat Figueras...).
Hace años, descubrí a Kapsberger( Johannes Hieronimus/Giovanni Girolamo), gracias a una impresionante grabación de Rolf Lyslevand, al que conocía por sus grabaciones con Jordi Savall.. Ya era un enorme músico, y veo que sigue siéndolo. Magnifico
As opposed to a bowed hurdy gurdy? In all seriousness, the wheel of the hurdy gurdy effectively makes it a bowed instrument with an "infinite bow". There is a huge variety between hurdy gurdies and things you can do to change the tone, some of which sound more like this nyckelharpa than others. Thus saying "sounds better than 'the' hurdy gurdy" is ridiculous to me. Main difference being the hurdy gurdy is designed for its ability to keep a drone sound coming with a monotonous or harmonical melody and later on with a rythm too with the buzzing bridge, which is not possible with the nyckelharpa. Just because the nyckelharpa and the hurdy gurdy have a keyboard doesn't really make them interchangable. Both have different limitations and are used for different purposes.
What about this funny « Hurdy-Gurdy » from 1830 I had the pleasure to restore ? (Link above) Great music from this Kapsberger Ensemble. Everywhere Mr Listlevand is involved into is beautifull!
Back in the day, when Rolf put up that famous chaconne by de la Visee, wasn't it Andre that wrote, years later, how that is his dad and he was proud of him?
@@悪臭-p9p To me it seems like Jazz: There are fixed melodic themes that they can play in unison and also fixed harmonic structures and arrangements but within this frame they are improvising. Like in the Real Book: The lead sheet has only one page, but the groups sometimes make 20 minutes music with this material. I´m only wondering because I never heard improvisation in this style and with such instruments.
It is very similar to jazz. They improvise on popular (at the time) tunes and sometimes all they have is a harmonic progression. I recommend their CD "Alphabetto" as a good example.
They play sometimes pieces in particular, such as an arciliuto ground and i think a tarantella on guitar, but i guess they also improvise a little. Greetings!
Så otroligt vackert... Vilken enastående ljudbild... Ett framträdande som fick mig att tappa andan... 💙🎼🎶🎵🎶🙏🏻
Maravillosa interpretación estoy mas que emocionado escuchando esta hermosa musica y verlos tocar tan bellos instrumentos... ka viola de gamba, suena maravillosa en las manos del maestro y el violoncelo suena magistral y tu querido Didier tienes un don en tus manos tocando el Nyckelarpa, realmente estoy maravillado
Vakkert, dynamisk og det swinger jo! Herlig spillestil, så livfullt. 🙏❤️🌞
Ja, vi skandinaver kan også være med.
Ah, c'est beau, c'est grand !
⭐️⭐️⭐️⭐️⭐️
Divine., three geniuses at work!
Ich habe dich vor einiger Zeit live sehen dürfen, das Beste überhaupt!
That permanent P↑P↑ I↓M↓ playing action on some parts in the Tarantella reminds me of todays Buleria style of playing in Flamenco guitar. So by listening and watching the ancient stuff we discover that what we have today is often a derivative of what was there long before us.
Beautiful! Thanks for making this music available. Please continue to share lovely performances like this with us.☺️🎵🎶
Rolf Lislevand est un luthiste et théorbiste né à Oslo le 30 décembre 1961. Il a commencé par étudier la guitare classique à l'Académie de musique d'État de Norvège, avant d'intégrer la Schola Cantorum de Bâle en Suisse, école comportant un important département de musique ancienne et où il étudie le luth et le théorbe avec Eugène Dombois et Hopkinson Smith.
En 1991, il participe à l'enregistrement sonore de Tous les matins du monde, film d'Alain Corneau sur la vie de Jean de Sainte-Colombe et Marin Marais.
Lors d'un séjour en Italie, il forme un ensemble spécialisé dans la musique italienne de la première moitié du xvie siècle avec lequel il enregistre un disque entièrement consacré au compositeur italien Kapsberger. Ce disque remporte un Diapason d'or de l'année 1994, et le titre de Meilleur disque de musique instrumentale d'avant 1650 lui est attribué par le MIDEM la même année.
Il a depuis enregistré d'autres disques de musique baroque avec son ensemble Kapsberger : Encuentro, Codex et Alfabeto, et a collaboré avec de nombreux musiciens et formations baroques (Hespérion XXI avec Jordi Savall, Montserrat Figueras...).
Hace años, descubrí a Kapsberger( Johannes Hieronimus/Giovanni Girolamo), gracias a una impresionante grabación de Rolf Lyslevand, al que conocía por sus grabaciones con Jordi Savall.. Ya era un enorme músico, y veo que sigue siéndolo. Magnifico
Lislevand such a great exponent of Kapsberger i have most of his CDs but now seeing him live is such a thrill😋😋😎🎶🎶
thank you! If you wish to hear more check out our latest video on this channel! have a great day!
Absolutely fantastic . I also love their Vivaldi’s Converto in C minor and will serach for more . Thanks a lot :)
thank you! If you wish to hear more check out our latest video on this channel! have a great day!
It´s fantastic. Wonderful. This music comes from heaven!
Fantastic music!!
Just try to sit still listening to this!
Tried. Not possible. 🕊🌹🕊🌹🕊🌹🕊🌹🕊🌹🕊🌹🕊
une pure merveille!!!!
Would love a list of the music! Wonderful performance!!
Simply marvelous!
thank you! If you wish to hear more check out our latest video on this channel! have a great day!
Siempre❤
16:11 - as played by Rolf on a Strad guitar - lucky fella!
Amazing!!!
Very very cool modern approach
Lovely to see a Swedish folk instrument playing southern European music. I have to say it sounds far better than the non-bowed hurdy-gurdy.
As opposed to a bowed hurdy gurdy?
In all seriousness, the wheel of the hurdy gurdy effectively makes it a bowed instrument with an "infinite bow". There is a huge variety between hurdy gurdies and things you can do to change the tone, some of which sound more like this nyckelharpa than others. Thus saying "sounds better than 'the' hurdy gurdy" is ridiculous to me.
Main difference being the hurdy gurdy is designed for its ability to keep a drone sound coming with a monotonous or harmonical melody and later on with a rythm too with the buzzing bridge, which is not possible with the nyckelharpa. Just because the nyckelharpa and the hurdy gurdy have a keyboard doesn't really make them interchangable. Both have different limitations and are used for different purposes.
th-cam.com/video/CV_BJiUwbP0/w-d-xo.html
What about this funny « Hurdy-Gurdy » from 1830 I had the pleasure to restore ? (Link above) Great music from this Kapsberger Ensemble. Everywhere Mr Listlevand is involved into is beautifull!
@@Cemballo Very interesting:)
First time I hear that Gianoncelli’s corente played by anyone. Amazing
Back in the day, when Rolf put up that famous chaconne by de la Visee, wasn't it Andre that wrote, years later, how that is his dad and he was proud of him?
Glorious!
thank you! If you wish to hear more check out our latest video on this channel! have a great day!
Magic!
thank you! If you wish to hear more check out our latest video on this channel! have a great day!
Lieber Rolf, gibt es dich noch und deine geniale Musik?
Oh yes!!!
Playlist???😶...
Great! Is this improvised music?
@@悪臭-p9p To me it seems like Jazz: There are fixed melodic themes that they can play in unison and also fixed harmonic structures and arrangements but within this frame they are improvising. Like in the Real Book: The lead sheet has only one page, but the groups sometimes make 20 minutes music with this material. I´m only wondering because I never heard improvisation in this style and with such instruments.
It is very similar to jazz. They improvise on popular (at the time) tunes and sometimes all they have is a harmonic progression. I recommend their CD "Alphabetto" as a good example.
@@mathieulamaure1487 thank you merci for the recommendation have taken note !!! Am in Heaven !!!
They play sometimes pieces in particular, such as an arciliuto ground and i think a tarantella on guitar, but i guess they also improvise a little. Greetings!
@@thomasszejnmann3917 It has nothing to do with jazz
Never seen a violin possessed 😮
😘💓👋
the place gives too many reverberations...
Deine Toccata mag ich besonders
thank you! If you wish to hear more check out our latest video on this channel! have a great day!