I feel hugely inspired after watching this video! I think everyone would love a hanon series maybe eventually covering all the three parts of the Hanon 60 exercises book!
This is so helpful! I used to hate Hanon as a kid when I was taking lessons. Now as an adult I finally realize how important posture and warm-ups are. I'm going to start implementing this as part of my routine warm-up every session. Thank you!!
you and I had very different goals in doing Hanon. I did each one (of the first 20) in all twelve keys before moving on to the next (of the first 20), and I usually did just one octave up and down not two octaves. I went around in circle of fourths (C, F, Bflat, Eflat, etc, etc, etc, D, G, C) and by the time I got back to C everything was perfectly smooth no matter how irregular I had started. and I'd do all 20 before calling at a day. Then I went on to doing them backwards as well, in order to get more variations. One thing I did was disregard the fingering notations, and came up with my own strategy, which works for most of them, which is this, only move the hand (change hand positions) when the thumb is on a key, which IMHO eliminates hand position anxiety. I did this because I needed to become more familiar with all 12 keys, and because my fingers are not equally independent (oddly my right hand 4th and 5th fingers are almost inseparable, but not my left hand (I had played some classical guitar before piano)). A side benefit is that I ended up with a much better sense of what piano key would correspond to a melody note I had in mind, something I had almost zero ability before doing Hanon in all 12 keys. So to sum it up, I did not do Hanon for rhythm and articulation practice, I did it for keyboard familiarity in all 12 keys and get better finger independence, and as a side benefit ended up with a better sense of hand-ear coordination (to invent a phrase).
I have been intrigued by the Hanon exercises for many years, and this is a great video which I managed to effortlessly watch straight through. That said, the lack of dotted quavers in exercise 10-12 really threw me at first! Keep up the good work.
I'm so glad you posted this - and are *NOT* LIFTING THE FINGERS HIGH* (per the incorrectly-translated instructions). This is the way I use the the Hanon patterns and find them to actually be useful. Your instructions for these are also great for scale and arpeggio practice as well, and the suggestion to practice the transfer of weight into the fingers in the various patterns away from the keyboard is pure genious! Of course that can be done -- and can be very effective since only the five tingers in sequence are involved. The rhythms become particularly helpful in other keys. Triplets become more interesting when starting on different notes other than the first one. I find playing Hanon in 10ths and 6ths helpful to increase focus and relieve monotony -- especially in other keys. I also find playing the harmonic minors add even more interest (try F# harmonic in 10ths or 6ths ... ). I also sometimes combine Hanon exercises -- for example, one of my favorite combinations is alternating between one measure of exercise #1 and one measure of exercise #5. Perhaps if you do an extended video on Hanon you may want to try some of those ... 🙂
When I was a kid my teacher started me on Hanon. After the first exercise she knew it was the end of that -- but I still start my warm-up 65 years later with that simple C major exercise! At age 72 I can no longer play in one afternoon through Beethoven's Appassionata 3 times -- and then the Brahms F minor sonata 2 times -- and then Beethoven's Pathétique or Moonlight sonata after a warm-up of Brahms op. 79 nos. 1 & 2, Mendelssohn's op. 14 and Schubert's op. 90. no. 2 - all in one practice session. (I suffered a wrist injury from that) -- and then playing Bach and Mozart on the flute a few hours later after my daily drive across the bridge into Canada (where I had a room with perfect acustics to play my flute). Two days ago I played through Beethoven's third movement of the Tempest, Chopin's B flat minor Nocturne -- then six Brahms pieces -- then Mozart's K 332, then Beethoven's Appassionata. Finally I played through Mendelssohn's op. 14 and Brahms op. 79 no. 1. I wanted to play more ( Schubert op. 90 no. 2 and Brahms op. 79 no. 2), but I felt and understood I could not do that. In my heart I want to practice like I did when I was 46, but at 72, I can't do it any more. I try, but I suffer the consequences of overexertion at old age. I take a couple of days break, drink some red wine, and then get back to Mozart, Beethoven, Brahms, Bach, Schubert, and Chopin. Three years of practice after 16 years away from the piano have brought me back to the threshold of playing well again. Since I went 20 years without practice from 1978 to 1998 without practice, I knew already I could do it again even at age 69. My twin brother went 40 years without practice. He expressed doubts that it was possible to play well again at 69 after so many years. I told him he could do it. He kept at it, and started teaching piano to his four year old son. His son, now 8 years old, has progressed way beyond the level we were at his age. I hope my nephew will achieve pianistically what life's circumstances prevented me and my brother from achieving.
Thanks for posting this video. Adding different phrasing,rhythm, and articulation makes the exercise much more beneficial. Would love to see more videos on your practice routine.
I don't know why but I actually sat through all 24 minutes of the exercise. :D. Thank you! This was a very informative tutorial and I have been doing this exercise for the past week. One request: Could you index the different exercises on the timeline? That way we can jump to the specific exercise we want to practice. Thanks again!
Please do a full Hanon series!!! Okay, so I tried the full exercise and it’s harder than it looks 😅 But this is the best warmup I’ve ever tried. My fingers just seemed to glide over the keys after I finished! Thank you!!!
My teacher made me practice all Hanon series of exercises on the black keys, C sharp major. It really help me get a better feeling of the keyboard once I had to study anything back down on the white keys.
This is great, Annique, danke. Yes, seeing a version through all 12 keys could help to target problem areas students might have. Also the unison tuning on C5… 😭😭
Thank you so much for this, so helpful and effective. I particularly liked the continual reminders/encouragement during the exercise. Yes to a video with ALL keys all exercises!
Oh my, that is such an old book. It's the book I used as a kid learning how to play thw puano. I'm 56 now. I still have the book, but I can't find it. I keep coming across the cover. I actually enjoyed doing tese exercises. Maybe I'll go back to them. I know Czerny is good, but I was fond of Hanon.
Thank you for this training routine ☺️ I did it while watching, the hand relaxation is the hardest point for me especially during the last exercises. I’ll try practicing it to see the improvements. 👍
As I learn piano by myself this brings me some good technical training since I don’t (can’t) read sheet music, but I know from other things in life know as important techniques are so I want to improve it. Thank you 🎉😊 I will implement this into my daily practice every morning 😊
My teacher has mentioned to me playing with different rhythms like this to really internalize the exercises but haven’t heard of playing them in different key signatures 😮 I’ll give it a try! Would love to see a Hanon series on the different parts of the book!
@@marciahorton2203 the exercises are the same, just with sharps or flats depending on the key. I’m currently doing them in G major, so I start on G and use F sharp instead of F
I think it's not needed if you hate it. There are plenty of etudes or sonatinas etc. that can be used to train technique which are more musically rewarding.
@@Sibeliu thanks for the reply. I think I just said I hated it because I find it hard. However, you make it look easy so I’m thinking I might just try the first exercise again and see how it goes.
Ex 1: ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩ Feel arm weight in every note; wrist low to high, fast fingers, accented notes, push up from keys. Change keys/exercise day to day. Ex 2: 3:46 ♫ ♩ ♩ ♫ ♩ ♩ Be precise. Relax on slower note. Use wrist + elbow each exercise. Arm weight takes you to next note. Ex 3: 5:46 ♩ ♫ ♩ ♩ ♫ ♩ Relax on longer note. Stable pulse. Move elbows well on long note. Ex 4: 7:40 ♩ ♩ ♫ ♩ ♩ ♫ Keep going, this is the basic warm-up warm-up. Relax long notes, swing thru fast notes. Ex 5: 9:22 ♩ ♩ ♫ ♫ ♩ ♩ Don't rush, 4 notes in one movement. (Can add variations if it feels needed). Ex 6: 11:05 ♩ 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 ♩ 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 (triplets, 3x 𝅘𝅥𝅮 = 1x ♩ ) Each four notes one group; use the elbow for the length of the (long) note. Again, no rushing. Ex 7: 12:14 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 ♩ 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 ♩ (triplets) Still relaxing on long note; check wrist rising during the 4 note sequence. Ex 8: 13:24 ♩ 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 ♩ (still triplets) Use elbows to turn around at the highest note of the group (and lowest going down). Full arm weight into long notes counters any rushing. (PS: I noticed she was playing with small wrist circles too) Ex 9: 14:34 ♩ ♩ ♬♬♫ Use elbow at highest point of group. Play each group clearly to the end and hear each not clearly defined. Ex 10: 15:41 𝅘𝅥𝅮𝅘𝅥𝅯 𝅘𝅥𝅮𝅘𝅥𝅯 𝅘𝅥𝅮𝅘𝅥𝅯 𝅘𝅥𝅮𝅘𝅥𝅯 Each pair of notes in one movement. Go low with wrist before pushing the fast note. Feels heavy-light: heavy on the fast note. Ex 11: 16:35 𝅘𝅥𝅯𝅘𝅥𝅮 𝅘𝅥𝅯𝅘𝅥𝅮 𝅘𝅥𝅯𝅘𝅥𝅮 𝅘𝅥𝅯𝅘𝅥𝅮 Should feel more flexible. OK to exaggerate movement. Ex 12 17:25 𝅘𝅥𝅯𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅯𝅘𝅥𝅯𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅯 Impulse from the up beat. Ex 13 18:34𝅼 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮‿𝅘𝅥𝅮‿𝅘𝅥𝅮‿𝅘𝅥𝅮 Staccato and legato. Prepare on key before each staccato note so pushing away from the key. Right technique important, so take speed slower if needed. Four legato notes in one movement with elbow guiding. Ex 14 19:24 𝅘𝅥𝅮‿𝅘𝅥𝅮𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮‿𝅘𝅥𝅮𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 Relax on legato notes; heavy-light feeling on two legato notes. Ex 15 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮‿𝅘𝅥𝅮 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮‿𝅘𝅥𝅮 (as ex 14) Ex 16 21:08 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅯. 𝅘𝅥𝅯 𝅘𝅥𝅯. 𝅘𝅥𝅯 (dotted note not legato slur) Every impulse starts in the stomach. Prepare each staccato so not falling into the key. Relax on dotted (long) note. Ex 17 22:00 𝅘𝅥𝅯‿𝅼𝅘𝅥𝅰𝅼 𝅀𝄾𝅘𝅥𝅯‿𝅼𝅘𝅥𝅰𝅼 𝅀𝄾𝅘𝅥𝅯‿𝅼𝅘𝅥𝅰𝅼 𝅀𝄾𝅘𝅥𝅯‿𝅼𝅘𝅥𝅰𝅼 𝅀𝄾 Last exercise, cool down. Relax on rest; use wrist to push away from keys. Start group with low wrist, be in position to push down. Focus to the end. (BTW I added quaver rests - I assume this was the intention).
@@aBachwardsfellow Not sure. I was just using unicode music characters and also combining characters in the last few lines. Combining chars I believe may not display properly on some android devices if you are not using the default font (the staccatissimo marks??). But I am not any kind of expert... if you have another solution, put it in a comment and I can paste it in.
@@hippophile I didn't even know you could use the unicode characters. I'm looking at it from a Windows 10 laptop. One kludgy way I've done it is to use the first letter of each note value (w = whole, h = half, q = quarter, e = eighth, s = sixteenth, t -= thirty-second -- followed by a dot when applicable, and dots below on the next line for staccato) and space it out so a sense of the rhythmic proportion is seen. So for example: Ex 2: 3:46: e e q q e e q q Ex 3: 5:46: q e e q q e e q etc. ( .. kludgy ... )
I'm surprised that here in the pianistic environment NOBODY mention transposition of all this Hanon material. I agree that proper exact rhythmical performance of variations has own benefits but for me always worked all keys each exercise. which is key for hand positions and musical pitch practice
As a newbie i think this is the way to build skills to be used later, please continue posting these at least in other scales for this one and all the other hanon routines. It is not fun but i believ eif you master at least this one in all scales you can improve a lot.
Great video again. Thanks Annique! I wanted to say you can try cancan by Jacques Offenbach with Chantal :) another challange with her would be so fun😅❤
The most helpful video about hanon. I’m interested in this exercise in a different key. I can‘t imagine how you play the black keys with your thumb or what fingering you use.
@@christianfischer1029 if you're having difficulty playing thumbs and 5th fingers on black keys, that indicates you have both a challenge and a good opportunity to up your piano technical skills! 🙂
![HANON Piano Excercises - How to practice efficently [TUTORIAL] - Greg Niemczuk](http://i.ytimg.com/vi/Iw5Kq8e6_mQ/mqdefault.jpg)
You know you’re a piano geek when you are fascinated by a 24 minute hanon video
For real 😅
Absolutely !! haha
Wait... 😂
Stop it 🙈
it doesnt hurt she's cute though
The neighbours are going to love these.
Die Nachbarn werden verrückt werden und dann weinen und dann aufgeben und dann ausziehen 😂
Fair to say - that will be same for any serious piano practice.
😂
not mine lol
Yes. A full series on Hanon, please.
Yes please
Yes please on full hanon. Do you change the fingering to the scale fingering or keep the original fingering.
The way she posted this video at the time I was bored with hanon and entered youtube just for scrolling.. xd
3:28 yes please make a full series of hanon
Right? I’d totally be on board and watch. I’ve played Hanon for years and would love insight from other players!
Amazing
seconding this
pretty please
Yes, full Hanon series please！❤
This feels like HIIT for the fingers! And YES to a full series on Hanon!! ❤️
Yes please for the Hanon series! This video was very helpful; thank you!
I feel hugely inspired after watching this video! I think everyone would love a hanon series maybe eventually covering all the three parts of the Hanon 60 exercises book!
This is so helpful! I used to hate Hanon as a kid when I was taking lessons. Now as an adult I finally realize how important posture and warm-ups are. I'm going to start implementing this as part of my routine warm-up every session. Thank you!!
Super helpful - thanks for such a detailed and high production value video. And for making practicing Hanon interesting!
you and I had very different goals in doing Hanon. I did each one (of the first 20) in all twelve keys before moving on to the next (of the first 20), and I usually did just one octave up and down not two octaves. I went around in circle of fourths (C, F, Bflat, Eflat, etc, etc, etc, D, G, C) and by the time I got back to C everything was perfectly smooth no matter how irregular I had started. and I'd do all 20 before calling at a day. Then I went on to doing them backwards as well, in order to get more variations. One thing I did was disregard the fingering notations, and came up with my own strategy, which works for most of them, which is this, only move the hand (change hand positions) when the thumb is on a key, which IMHO eliminates hand position anxiety.
I did this because I needed to become more familiar with all 12 keys, and because my fingers are not equally independent (oddly my right hand 4th and 5th fingers are almost inseparable, but not my left hand (I had played some classical guitar before piano)).
A side benefit is that I ended up with a much better sense of what piano key would correspond to a melody note I had in mind, something I had almost zero ability before doing Hanon in all 12 keys.
So to sum it up, I did not do Hanon for rhythm and articulation practice, I did it for keyboard familiarity in all 12 keys and get better finger independence, and as a side benefit ended up with a better sense of hand-ear coordination (to invent a phrase).
I’ve been wishing for a guide to Hanon for a while, thank you!
This is the first longest video that I have ever seen on TH-cam only for Hannon.👏 Thank you very much for it!❤
I have been intrigued by the Hanon exercises for many years, and this is a great video which I managed to effortlessly watch straight through. That said, the lack of dotted quavers in exercise 10-12 really threw me at first! Keep up the good work.
I'm so glad you posted this - and are *NOT* LIFTING THE FINGERS HIGH* (per the incorrectly-translated instructions). This is the way I use the the Hanon patterns and find them to actually be useful. Your instructions for these are also great for scale and arpeggio practice as well, and the suggestion to practice the transfer of weight into the fingers in the various patterns away from the keyboard is pure genious! Of course that can be done -- and can be very effective since only the five tingers in sequence are involved. The rhythms become particularly helpful in other keys. Triplets become more interesting when starting on different notes other than the first one.
I find playing Hanon in 10ths and 6ths helpful to increase focus and relieve monotony -- especially in other keys. I also find playing the harmonic minors add even more interest (try F# harmonic in 10ths or 6ths ... ).
I also sometimes combine Hanon exercises -- for example, one of my favorite combinations is alternating between one measure of exercise #1 and one measure of exercise #5.
Perhaps if you do an extended video on Hanon you may want to try some of those ... 🙂
When I was a kid my teacher started me on Hanon. After the first exercise she knew it was the end of that -- but I still start my warm-up 65 years later with that simple C major exercise!
At age 72 I can no longer play in one afternoon through Beethoven's Appassionata 3 times -- and then the Brahms F minor sonata 2 times -- and then Beethoven's Pathétique or Moonlight sonata after a warm-up of Brahms op. 79 nos. 1 & 2, Mendelssohn's op. 14 and Schubert's op. 90. no. 2 - all in one practice session. (I suffered a wrist injury from that) -- and then playing Bach and Mozart on the flute a few hours later after my daily drive across the bridge into Canada (where I had a room with perfect acustics to play my flute).
Two days ago I played through Beethoven's third movement of the Tempest, Chopin's B flat minor Nocturne -- then six Brahms pieces -- then Mozart's K 332, then Beethoven's Appassionata. Finally I played through Mendelssohn's op. 14 and Brahms op. 79 no. 1. I wanted to play more ( Schubert op. 90 no. 2 and Brahms op. 79 no. 2), but I felt and understood I could not do that. In my heart I want to practice like I did when I was 46, but at 72, I can't do it any more. I try, but I suffer the consequences of overexertion at old age. I take a couple of days break, drink some red wine, and then get back to Mozart, Beethoven, Brahms, Bach, Schubert, and Chopin. Three years of practice after 16 years away from the piano have brought me back to the threshold of playing well again. Since I went 20 years without practice from 1978 to 1998 without practice, I knew already I could do it again even at age 69. My twin brother went 40 years without practice. He expressed doubts that it was possible to play well again at 69 after so many years. I told him he could do it. He kept at it, and started teaching piano to his four year old son. His son, now 8 years old, has progressed way beyond the level we were at his age. I hope my nephew will achieve pianistically what life's circumstances prevented me and my brother from achieving.
SO awesome to hear! That gives me hope here now in my mid-70's and after 40 years without serious practice ... it is coming back slowly -- very...
Always struggled with Hanon. This video makes it seem doable. Thanks!😊
wow, this is gold
Thanks for posting this video. Adding different phrasing,rhythm, and articulation makes the exercise much more beneficial. Would love to see more videos on your practice routine.
I don't know why but I actually sat through all 24 minutes of the exercise. :D. Thank you! This was a very informative tutorial and I have been doing this exercise for the past week. One request: Could you index the different exercises on the timeline? That way we can jump to the specific exercise we want to practice. Thanks again!
Please do a full Hanon series!!!
Okay, so I tried the full exercise and it’s harder than it looks 😅 But this is the best warmup I’ve ever tried. My fingers just seemed to glide over the keys after I finished! Thank you!!!
I love this so much. I've played this routine everyday for the last 5 days.
I'd love to see more of it. Maybe with arpeggios, octaves, jumps, ...?
"I'm sure some that some of you are watching this video on a special place..."
Me: *on the toilet*
Getting called out lol
I feel so seen
İ’m on my bed.😊
@@onemanfran in a place most ppl don't want to feel seen
Greetings from the beach near Zadar, Croatia
Bring your piano there and play Hanon, so that neighbours could hear you better 😂
More please! Liked it!
Two days and I feel such a difference.
A full Hanon Series please!!! ❤
This right here is pure gold! It's gonna help me a lot! ❤ Thank you! Also exercises 6 to 10 give Family Adams vibes 😂 10 and 11 sound ragtime
My teacher made me practice all Hanon series of exercises on the black keys, C sharp major. It really help me get a better feeling of the keyboard once I had to study anything back down on the white keys.
Your sense of humour is so infectious ❤👍🥁🇬🇧❤️
yesss full hanon series pleasee 😭😭💗💗
I missed these type of videos. Thank you, Annique!
Please make more Hanon videos like this❤ I have just started learning piano and I really really love the way you make everything so fun and clear❤
I get excited everytime you post a video ❤️
You’d be best shifting these exercises into different keys than repeating them all in c major to familiarise yourself with all
Thanks you for this high quality video, as well as all other videos that you published
This is great, Annique, danke. Yes, seeing a version through all 12 keys could help to target problem areas students might have.
Also the unison tuning on C5… 😭😭
Thank you so much for this, so helpful and effective. I particularly liked the continual reminders/encouragement during the exercise. Yes to a video with ALL keys all exercises!
Oh my, that is such an old book. It's the book I used as a kid learning how to play thw puano. I'm 56 now. I still have the book, but I can't find it. I keep coming across the cover. I actually enjoyed doing tese exercises. Maybe I'll go back to them. I know Czerny is good, but I was fond of Hanon.
Simple enough to comprehend and incorporate in my practice time!
I waited so much time for this video 🎉
full series please ❤
Thank you ✨I needed this knowledge🎹
I would absolutely love a full Hanon series!
Wow, that is a hungarian score! :) “Hanon: A zongoravirtuóz” 👍🏻🍷
I would absolutely love a full Hanon series!!! 😊
Thank you very much. I enjoyed playing along with you. ❤
NIce really need this, fits my level well.
Excellent video, and I loved hearing you give instructions all along. Thank you.
Thank you!!! ❤
I really need more of these it's so usefull 😅
Yes, full Hanon exercises please 🙏
Thank you for this training routine ☺️
I did it while watching, the hand relaxation is the hardest point for me especially during the last exercises. I’ll try practicing it to see the improvements. 👍
As I learn piano by myself this brings me some good technical training since I don’t (can’t) read sheet music, but I know from other things in life know as important techniques are so I want to improve it. Thank you 🎉😊 I will implement this into my daily practice every morning 😊
I'd love to practice the full series of Hanon along with you! You are truly amazing! ❤
same here! 🤍
This video is hypnotic.
maybe hanontic? 😂
Bravo!! La importancia de tener un buen profesor. Por desgracia hay profesores que no saben explicar estas cosas
She is so lovely.
I hope you can release a new video about hannon exercises next❤ thank you
My teacher has mentioned to me playing with different rhythms like this to really internalize the exercises but haven’t heard of playing them in different key signatures 😮 I’ll give it a try! Would love to see a Hanon series on the different parts of the book!
Thank you so much for taking the time to put together this video! Will start train out the exercises.
I'd love a full Hanon series!
The special place where I am watching the video is my piano
I would like to see the Hanon exercises in different keys, please.
@@marciahorton2203 the exercises are the same, just with sharps or flats depending on the key. I’m currently doing them in G major, so I start on G and use F sharp instead of F
Genial 👍
woww, didn't expect this
I’ve only been playing for about 18 months but I bought a Hanon book- hated it! After this video I think I may give it another try.
I think it's not needed if you hate it. There are plenty of etudes or sonatinas etc. that can be used to train technique which are more musically rewarding.
@@Sibeliu thanks for the reply. I think I just said I hated it because I find it hard. However, you make it look easy so I’m thinking I might just try the first exercise again and see how it goes.
Great workout for fingers wrists and shoulders :)))) Danke sehr You are a gem!
Thank you, this will be extremely helpful !
Yes!! Please show us more hanon. ❤
Ex 1: ♩ ♩ ♩ ♩ ♩ ♩ ♩ ♩ Feel arm weight in every note; wrist low to high, fast fingers, accented notes, push up from keys. Change keys/exercise day to day.
Ex 2: 3:46 ♫ ♩ ♩ ♫ ♩ ♩ Be precise. Relax on slower note. Use wrist + elbow each exercise. Arm weight takes you to next note.
Ex 3: 5:46 ♩ ♫ ♩ ♩ ♫ ♩ Relax on longer note. Stable pulse. Move elbows well on long note.
Ex 4: 7:40 ♩ ♩ ♫ ♩ ♩ ♫ Keep going, this is the basic warm-up warm-up. Relax long notes, swing thru fast notes.
Ex 5: 9:22 ♩ ♩ ♫ ♫ ♩ ♩ Don't rush, 4 notes in one movement. (Can add variations if it feels needed).
Ex 6: 11:05 ♩ 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 ♩ 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 (triplets, 3x 𝅘𝅥𝅮 = 1x ♩ ) Each four notes one group; use the elbow for the length of the (long) note. Again, no rushing.
Ex 7: 12:14 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 ♩ 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 ♩ (triplets) Still relaxing on long note; check wrist rising during the 4 note sequence.
Ex 8: 13:24 ♩ 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅮 ♩ (still triplets) Use elbows to turn around at the highest note of the group (and lowest going down). Full arm weight into long notes counters any rushing. (PS: I noticed she was playing with small wrist circles too)
Ex 9: 14:34 ♩ ♩ ♬♬♫ Use elbow at highest point of group. Play each group clearly to the end and hear each not clearly defined.
Ex 10: 15:41 𝅘𝅥𝅮𝅘𝅥𝅯 𝅘𝅥𝅮𝅘𝅥𝅯 𝅘𝅥𝅮𝅘𝅥𝅯 𝅘𝅥𝅮𝅘𝅥𝅯 Each pair of notes in one movement. Go low with wrist before pushing the fast note. Feels heavy-light: heavy on the fast note.
Ex 11: 16:35 𝅘𝅥𝅯𝅘𝅥𝅮 𝅘𝅥𝅯𝅘𝅥𝅮 𝅘𝅥𝅯𝅘𝅥𝅮 𝅘𝅥𝅯𝅘𝅥𝅮 Should feel more flexible. OK to exaggerate movement.
Ex 12 17:25 𝅘𝅥𝅯𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅯𝅘𝅥𝅯𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅯 Impulse from the up beat.
Ex 13 18:34𝅼 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮‿𝅘𝅥𝅮‿𝅘𝅥𝅮‿𝅘𝅥𝅮 Staccato and legato. Prepare on key before each staccato note so pushing away from the key. Right technique important, so take speed slower if needed. Four legato notes in one movement with elbow guiding.
Ex 14 19:24 𝅘𝅥𝅮‿𝅘𝅥𝅮𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮‿𝅘𝅥𝅮𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 Relax on legato notes; heavy-light feeling on two legato notes.
Ex 15 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮‿𝅘𝅥𝅮 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮‿𝅘𝅥𝅮 (as ex 14)
Ex 16 21:08 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅮𝅾 𝅘𝅥𝅯. 𝅘𝅥𝅯 𝅘𝅥𝅯. 𝅘𝅥𝅯 (dotted note not legato slur) Every impulse starts in the stomach. Prepare each staccato so not falling into the key. Relax on dotted (long) note.
Ex 17 22:00 𝅘𝅥𝅯‿𝅼𝅘𝅥𝅰𝅼 𝅀𝄾𝅘𝅥𝅯‿𝅼𝅘𝅥𝅰𝅼 𝅀𝄾𝅘𝅥𝅯‿𝅼𝅘𝅥𝅰𝅼 𝅀𝄾𝅘𝅥𝅯‿𝅼𝅘𝅥𝅰𝅼 𝅀𝄾 Last exercise, cool down. Relax on rest; use wrist to push away from keys. Start group with low wrist, be in position to push down. Focus to the end. (BTW I added quaver rests - I assume this was the intention).
EXCELLENT! some of the graphics are not showing -- can that be fixed?
@@aBachwardsfellow Not sure. I was just using unicode music characters and also combining characters in the last few lines. Combining chars I believe may not display properly on some android devices if you are not using the default font (the staccatissimo marks??). But I am not any kind of expert... if you have another solution, put it in a comment and I can paste it in.
@@hippophile I didn't even know you could use the unicode characters. I'm looking at it from a Windows 10 laptop. One kludgy way I've done it is to use the first letter of each note value (w = whole, h = half, q = quarter, e = eighth, s = sixteenth, t -= thirty-second -- followed by a dot when applicable, and dots below on the next line for staccato) and space it out so a sense of the rhythmic proportion is seen.
So for example:
Ex 2: 3:46: e e q q e e q q
Ex 3: 5:46: q e e q q e e q
etc. ( .. kludgy ... )
@@hippophile - so where do you find/generate unicode music characters?
@@aBachwardsfellow Google. A lot!
I'm surprised that here in the pianistic environment NOBODY mention transposition of all this Hanon material. I agree that proper exact rhythmical performance of variations has own benefits but for me always worked all keys each exercise. which is key for hand positions and musical pitch practice
These are great exercises. I used them a lot back in the day. Recommended.
As a newbie i think this is the way to build skills to be used later, please continue posting these at least in other scales for this one and all the other hanon routines. It is not fun but i believ eif you master at least this one in all scales you can improve a lot.
Please, all Hanon!!!🙏
Those exercises have such a harmonious flow that I could spend hours listening to them.
10 years of lessons by three different teachers, but I was never taught the correct way to play the Hanon exercises. Thanks.
Thanks! Definite value from this video!
Thanks practicing with you.
Just nice. Please more Hanon
Please do the full hanon. You’re the best❤
Yes, more Hanon!
More Hanon please! 👏
Full series on hanon! Please🎉
I got back into Hanon’s last week and will use this on my next session.
Great video again. Thanks Annique! I wanted to say you can try cancan by Jacques Offenbach with Chantal :) another challange with her would be so fun😅❤
Second the motion
yup
Would love a full hanon series 😊
Thank you, Annique
Good explanation!
Marvellous. This has really helped me a lot.
Hello!! Could you try Chopin op 48 n 1?? 1 min 10 min 1 hour. 😊
The most helpful video about hanon. I’m interested in this exercise in a different key. I can‘t imagine how you play the black keys with your thumb or what fingering you use.
yes - learn to play the black keys using the thumb ... it helps everything
@@aBachwardsfellow not helpful!
@@christianfischer1029 if you're having difficulty playing thumbs and 5th fingers on black keys, that indicates you have both a challenge and a good opportunity to up your piano technical skills! 🙂
excellent video, I'm going to put it into practice, thank you very much for your contribution
Full hanon series pleeassee!!!
Thank you for the exercise ❤❤❤
I could keep up with 1 to 15 At No. 16 I had to stop the Video and slow down a little bit. Cool work out! Thanx!
Amazing & creative- thank you!!
I like this video. Please make more videos like this.
Thank You!
I would love a separate video of how to do them in different scales!
Thanks for sharing this 🙏💪🎹
I can't believe I watched the whole thing!