Continuing my observation from part one: I'm struck, so to speak, at how Adam Geuttel illustrates the word "pop" by motioning as if playing a kit, left hand on the snare back-beat, right crossed over the left for the hi-hat, without ever verbally mentioning drums at all. He conveys a very particular and specific sense of the term that way, but it's funny how he continually resorts to this sort of thing because he's really not by any means inarticulate.
Continuing my observation from part one: I'm struck, so to speak, at how Adam Geuttel illustrates the word "pop" by motioning as if playing a kit, left hand on the snare back-beat, right crossed over the left for the hi-hat, without ever verbally mentioning drums at all. He conveys a very particular and specific sense of the term that way, but it's funny how he continually resorts to this sort of thing because he's really not by any means inarticulate.