Absolutely refreshing to watch. I also like how subtle the the color grade on this video is. Gives off a calm vibe. I watched the entire thing and I don't usually do that with videos like this.
Great work. So many TH-camrs post BMPCC footage and it is underwhelming because of the color grade or the composition or just using the camera wrong. You nailed it. 🙏🏻
Thanks man! Appreciate the comment. To be honest the colours are pretty much straight out of camera. I only tweak the highlights and shadows. I dropped the saturation in a couple of shots but that's about it.
@@stemandthorn Yup, shooting the Film Log Profile on the BMPCC and shooting in BRAW. My friend Gene told me this tip - when bringing the files into DaVinci Resolve go to the Project Settings and into Colour Management and select DaVinci YRGB Colour Managed and this tells DaVinci what camera the footage is from and how the colours should appear - totally changed my workflow.
This was absolutely stunning and inspiring to watch. I read through the comments and can’t believe the colours were practically straight out of the camera (I don’t like the washed out look that seems to be popular at the moment. Your colours are gorgeous. Could you possibly tell me your settings? Braw? I’m a beginner and I would really appreciate it. Oh- and make more videos! 🙏
Thanks for the kind words Lauren! 🙏 Nice to hear you enjoyed the video and the colours. Yup, I shot in Braw, film log setting at I think from memory 8:1 compression. The other trick is to shoot when the light is nice 😊 A lot of these shots were filmed at dawn or at sunset :)
Hey Adam. You just got a subscriber. Truly one of the best examples of Sigma's footage. Always felt it had flatter dimension than, say the Cookes or the Laica's (though I admit it is an unfair comparison). Your footage makes me want to take another look at the lens. Kudos
Thanks so much Kamran. Really appreciate it and thanks for the kind words. Yeah, it's true, the Sigma doesn't have much in the way of character, but it is sharp and clean and very reasonably priced too.
So many people when they are using bmpcc grade their footage heavily with film grains, unnecessary color contrasts to make it "CINEMATIC" which make the bmpcc looks like a junk camera, as Roger Deakins stated "I like clean image, there must be a reason before you move the camera, etc" though there is no narrative in this video, but it looks very CINEMATIC to me. Loved it very much.
Thank-you so much man. Very nice words to read. I like a clean image too and I don’t mess with the colours too much, if at all. Glad you liked the video :)
@@adambostock5416 For sure, man, to me, the phrase "CINEMATIC" suppose to refer to the lighting and depth of the image but not to the grain or heavy color grading stuff, I know that's just a personal preference but for what I loved the most from Denis Villeneuve's film "PRISONER" "SICARIOS" "ARRIVAL" "DUNE" all look very clean but tons of techniques in lighting and framing wise. I have no problems with fashion commercial films in terms of grainy and heavily color-graded footage. That's something in a different category.
I totally agree man. I don’t mind a stylised look in certain context but as a personal preference I prefer a clean image with natural light or motivated lighting. Denis Villeneuve’s work is great.
Thanks so much man. Appreciate the comment 🙏🙏 I edited and graded the footage in DaVinci Resolve. I didn’t touch the colours much though. Colours are pretty much straight out of camera (shot in BRAW and then used DaVinci to do the colour management).
Hi there! Amazing video mate! I was very excited to see Potato Jet in your video. Why you don’t used his name wuith #? This video easily exceeded 50k views. And most importantly, you made yourself known in the segment of those who use bmpcc. My opinion is to continue, it can be seen that you know what you are doing, honestly you would be very successful.🤗👍
Very kind words thank-you! Glad you liked the video 😊 I love shooting with the bmpcc and I have a few videos I’m wanting to upload soon when I get the chance. Thanks again for the encouragement man, really appreciate it 👍
No colour grade. Colours are straight out of camera. I select DaVinci YRGB Colour Managed in project settings which automatically converts the Log footage to Rec 709 colour space. I only adjusted the highlights and shadows.
This comment makes me feel sad. Sorry you didn’t like the video mate. I’m not trying to be cinematic, it’s not something I’ve said I was trying to do ✌️
@@adambostock5416 Dont´t be sad please! That comment itself tells the level of lack of knowledge about the Cinematic concept: CINEMATIC is of, relating to, suggestive of, or suitable for motion pictures or the filming of motion pictures. There a LOT of slow motion shots in movies, but is not the ONLY feature, there are a LOT of features, that when you put them together, get the final Cinematic look. And obviusly you got very good cinematics shots in your video. I own the BMPCC 6K G2 (the same of the 6K pro without internal nd filters), the same Lens Sigma 18-35mm and I can recognize the value of your job. Finally I can say the the BMPCC 6K, G2 and PRO are classified like a Cinema Camera and obviously can film Cinematic Shots. The name says it all: BMPCC (Black Magic Cinema Camera). Don´t page attention when you hear the voice of the foolishness! Keep walking! Stay strong! And Be successful with the help of God!
Absolutely refreshing to watch. I also like how subtle the the color grade on this video is. Gives off a calm vibe. I watched the entire thing and I don't usually do that with videos like this.
Thanks so much. This is high praise. I appreciate it very much.
Absolutely beautiful colours and beautiful film
Appreciate the kind words 🙏
Great work. So many TH-camrs post BMPCC footage and it is underwhelming because of the color grade or the composition or just using the camera wrong. You nailed it. 🙏🏻
Thanks for the kind words. Appreciate it 🙏
Absolutely STUNNING!!! The color grade is spectacular! I really would love to see your color grade work flow!
Thanks man! Appreciate the comment. To be honest the colours are pretty much straight out of camera. I only tweak the highlights and shadows. I dropped the saturation in a couple of shots but that's about it.
@@adambostock5416 Really!? That's incredible. Are you shooting in Log profile on the BMPCC?
@@stemandthorn Yup, shooting the Film Log Profile on the BMPCC and shooting in BRAW. My friend Gene told me this tip - when bringing the files into DaVinci Resolve go to the Project Settings and into Colour Management and select DaVinci YRGB Colour Managed and this tells DaVinci what camera the footage is from and how the colours should appear - totally changed my workflow.
Images and colour grading are sublime man
Thanks 🙏🙏
Stop being so cool 😎🔥🔥🔥 AMAZING 🤩 you have an amazing eye 👁 in capturing beautiful moments ⚡️keep it up
Haha I will try 😅😂 Thanks for the kind words Thalia 🙏 It was so much fun hanging out in Bali ☺️
Amazing capture 🔥🎥🔥
Alright, I’m ready to switch my setup 😅
I'd like to see that switch happen.
This is the nicest thing I have seen you say Ralph 😂
Ralph you should totally switch up your set up so then we could be Blackmagic and Q2 camera twins! 😎😅
@@labellavidaink1095 😂😂
Lovely footage. Incredible colours. Great job Adam!
Thanks so much Priyaanshu! Very kind words!
This was absolutely stunning and inspiring to watch. I read through the comments and can’t believe the colours were practically straight out of the camera (I don’t like the washed out look that seems to be popular at the moment. Your colours are gorgeous.
Could you possibly tell me your settings? Braw? I’m a beginner and I would really appreciate it.
Oh- and make more videos! 🙏
Thanks for the kind words Lauren! 🙏 Nice to hear you enjoyed the video and the colours. Yup, I shot in Braw, film log setting at I think from memory 8:1 compression. The other trick is to shoot when the light is nice 😊 A lot of these shots were filmed at dawn or at sunset :)
This is the best 😭 Your content inspires such emotion, the way you capture and tell a story with no words is 👌💯 absolutely killed it!!!!🔥
Thanks man 🙏🙏 Really appreciate the kind words dude. Was so great hanging out in Bali. Only wish it was longer 😄
@@adambostock5416 agreeeed!
Hey Adam. You just got a subscriber. Truly one of the best examples of Sigma's footage. Always felt it had flatter dimension than, say the Cookes or the Laica's (though I admit it is an unfair comparison). Your footage makes me want to take another look at the lens. Kudos
Thanks so much Kamran. Really appreciate it and thanks for the kind words. Yeah, it's true, the Sigma doesn't have much in the way of character, but it is sharp and clean and very reasonably priced too.
Absolutely stunning results
🙏🙏
Incredibly well done!
🙏🙏
These look great! How was the autofocus with the Sigma 18-35? (Assuming it's the Art lens, not the cine version, but please correct me if I'm wrong!)
Thanks! I haven't tried the autofocus on the Sigma 18-35 (and yes it's the Art lens not the cine). All the shots were manual focus.
@@adambostock5416 Ah, I see. Thanks!
Yes very nice work👍
Thanks 🙏
Amazing work! Love it!
Thanks 🙏 Glad you enjoyed it!
This is incredible! Did you use any pro mist filter?
Thanks! No pro mist filter 😊
@@adambostock5416 Have you used it with out filter during the day? like mid day? thank you for taking the time
@@dvee8229 I don't use pro mist filter ever. Sorry I'm not very helpful.
@@adambostock5416never ever? interesting. I question myself if i really need it or just focus on getting the best images without
So many people when they are using bmpcc grade their footage heavily with film grains, unnecessary color contrasts to make it "CINEMATIC" which make the bmpcc looks like a junk camera, as Roger Deakins stated "I like clean image, there must be a reason before you move the camera, etc" though there is no narrative in this video, but it looks very CINEMATIC to me. Loved it very much.
Thank-you so much man. Very nice words to read. I like a clean image too and I don’t mess with the colours too much, if at all. Glad you liked the video :)
@@adambostock5416 For sure, man, to me, the phrase "CINEMATIC" suppose to refer to the lighting and depth of the image but not to the grain or heavy color grading stuff, I know that's just a personal preference but for what I loved the most from Denis Villeneuve's film "PRISONER" "SICARIOS" "ARRIVAL" "DUNE" all look very clean but tons of techniques in lighting and framing wise. I have no problems with fashion commercial films in terms of grainy and heavily color-graded footage. That's something in a different category.
I totally agree man. I don’t mind a stylised look in certain context but as a personal preference I prefer a clean image with natural light or motivated lighting. Denis Villeneuve’s work is great.
Beautiful thank you for sharing.
🙏🙏
I think this is one of the best cameras bmpcc6k pro
I agree 😊
Truly amazing and quality video I love it..
Thanks so much. Glad you liked it!
mate thats some amazing footage .. how on earth you only got 74 subs
Thanks mate 🙏 I know 74 subs isn’t a big number but I’m very appreciative of all of them
Great footage! Do you think this camera/lens combination would be of high enough standard to shoot a microbudget movie on?
Thanks 🙏 Depends on the type of movie/shoot but I definitely think this lens and camera combo is high enough for a micro budget movie. For sure.
Can you tell me please the color grade what program you use ? And your work man is amazing 🙏🏼🙏🏼
Thanks so much man. Appreciate the comment 🙏🙏 I edited and graded the footage in DaVinci Resolve. I didn’t touch the colours much though. Colours are pretty much straight out of camera (shot in BRAW and then used DaVinci to do the colour management).
Is that Potato Jet?!
100% and his lady
Man pocket 6k is still king when it comes to image. The look you can get so casually is crazy lol
I totally agree. I’m still blown away at how good the image is out of such a small camera. It’s crazy good haha!
Hi. Did you shoot handheld? Did you use gyro data stabilization? If you used gyro data what was the rolling shutter angle?
Yup all the footage is handheld. Didn’t use gyro data. I used the stabilisation tool in DaVinci Resolve to take out the micro jitters but that’s it :)
👏👏👏👏Muy bello.
Thanks so much 🙏😊
Camera is such a beast!
Such a beast!
Hi there! Amazing video mate! I was very excited to see Potato Jet in your video. Why you don’t used his name wuith #? This video easily exceeded 50k views. And most importantly, you made yourself known in the segment of those who use bmpcc. My opinion is to continue, it can be seen that you know what you are doing, honestly you would be very successful.🤗👍
Very kind words thank-you! Glad you liked the video 😊 I love shooting with the bmpcc and I have a few videos I’m wanting to upload soon when I get the chance. Thanks again for the encouragement man, really appreciate it 👍
Looking good as always.
Thanks man 🙏🙏
POTATTTOOOO JETTTTTT!!!!
Beautiful 😍
🙏🙏
Beautiful ❤️✌️😎
🙏✌️☺️
🔥
🙏🙏
did you record at 30fps? and then you left it at 80% speed?
Hi mate, footage was shot at 50 fps and played back at 25 fps :)
1:35 potato jet
What was your method of grading these shots? Color space transform or lut based?
No colour grade. Colours are straight out of camera. I select DaVinci YRGB Colour Managed in project settings which automatically converts the Log footage to Rec 709 colour space. I only adjusted the highlights and shadows.
Wow
Well done
Thank-you 🙏
Potato Jet !
Beautiful morning
what settings did you use iso etc
Hi mate, I almost always stick to the native iso and shoot wide open but will stop down to f2.8 or f4 if needed. Built in nd’s are a game changer
@@adambostock5416 I have the Poket 6k G2 with a K&F NDfilter I think ND4 or 6 don't remember but I really like the footage
The only thing that would have made this better is if you had Dillon do a voice over. 😂
😂
clicked for the bait. ended up recognizing a notorious japanese potato man
Sigma 18-35?
Yup, Sigma 18-35 👍
Found Potato Jet and his gf :D
What’s the name of the lense?
Sigma 18-35mm f1.8
What's the song playing from 1:44 pls?
Hi, song is called Human Spirit by Hans Johnson, found it on Artlist.
@@adambostock5416 thanks man. Appreciate it
@@kwasiadu-gyamfi6936 no worries man. Thanks for watching
settings?
BRAW 6K 8:1 Log 50fps
8:1 looks good enough. I have to drop to that to shoot slo mo without dropping frames. Images and grading are sublime
Hope no one got infections from getting tattoos at a dirty-a55 beach ;)
Why is slow motion considered cinematic? Try shooting this kind of thing at 24 fps and make it look cinematic..., that's a real challenge.
This comment makes me feel sad. Sorry you didn’t like the video mate. I’m not trying to be cinematic, it’s not something I’ve said I was trying to do ✌️
@@adambostock5416 Dont´t be sad please! That comment itself tells the level of lack of knowledge about the Cinematic concept: CINEMATIC is of, relating to, suggestive of, or suitable for motion pictures or the filming of motion pictures. There a LOT of slow motion shots in movies, but is not the ONLY feature, there are a LOT of features, that when you put them together, get the final Cinematic look. And obviusly you got very good cinematics shots in your video. I own the BMPCC 6K G2 (the same of the 6K pro without internal nd filters), the same Lens Sigma 18-35mm and I can recognize the value of your job. Finally I can say the the BMPCC 6K, G2 and PRO are classified like a Cinema Camera and obviously can film Cinematic Shots. The name says it all: BMPCC (Black Magic Cinema Camera). Don´t page attention when you hear the voice of the foolishness! Keep walking! Stay strong! And Be successful with the help of God!
👏👏👏👏Muy bello.