留意到莊生對梁生, 劉生及其他人既尊重! P.S. I learned a lot from 莊生 and really enjoyed 金生's interview! Now I'm expert of nothing. To be simplistic, the core reason of why Barbie and Oppenheimer speak to millions of North American movie goers is that they are both extremely true to the vision of the directors. No one could have predicted (in fact create) the viral power and success of Barbenheimer but it was fun to be part of it. I for one ended up watching Barbenheimer 4 times in total (including Oppenheimer once in 1570 IMAX which HK has none showing (if I understand correctly)) to try to learn more about them and even talked about the films on a local radio show. Plus watched many filmmakers interviews on TH-cam, for Barbie (Writer/director Greta Gerwig, Producer/Star Margot Robbie, etc) and Oppenheimer (Christopher Nolan, Cillian Murphy). Of special note is the lovely Variety Actors on Actors chat between Cillian Murphy & Margot Robbie! P2.S. Thanks to Felix's above discussion, I looked up Tokyo Raiders (2000) (Director Jingle Ma, Writers Susan Chan. Felix Chong) online to watch!
Thank you indeed🙏🏻 I really love to watch every single interview you have. This interview with Felix Chong was impactful and meaningful. His scripts are kind of breathtaking in rhythm, very attractive ❤
莊導堪稱絕世複製大師, 不枉你出身戲院世家, 戲睇得係copy易d, 真有才, 高手.
上一套我記得嘅鬼片係殭屍
精彩訪問。
香港的電影質素越來越強
云云莊文強/金手指的訪問，金成這個最高質，引導嘉賓分享更多戲以外的故事。看過一位業界”老前輩”訪問莊文強，自己講嘢多過嘉賓，仲有幫嘉賓答埋個問題⋯⋯🤦🏻♂️
嗰條能樣老前輩，無料扮四條
何必比較。
😂過氣藝人，無料扮四條
M先生果個呀嘛。無疑佢真係好熟電影圈，但係都唔好下下搶注講，比嘉賓講多D啦
欣賞這個主持，有準備，冇廢話⋯⋯
訪問非常有質素👍🏻
希望有機會金成可以請到爾冬陞導演做訪問。
真係一個好好睇好有質素嘅訪問! nice!
主持訪問的問題很有質量
呢個訪問實在太好喇❤
身為大前輩嘅莊導演,
好清楚知道現在港產片欠缺什麼,
就係唔可以炒冷飯,走回頭路！
非常有國際視野👍
又一個好睇嘅訪問！
就如訪問所講，觀眾好多時都只能夠睇到演員！但當近年，眼見相同嘅演員，喺不同導演之下竟然有咁不同嘅演出，就慢慢知道好導演除咗掌控整部電影嘅節奏，係真係可以令演員演得更好！
呢個訪問確實令觀眾更了解電影幕後嘅呢位大功臣，即係導演。
多謝金成、多謝莊導！
近年新導演的港產片，你唔可話佢唔好，但總係好醃悶，但為表支持有含淚入場之感；莊導演說出重點~你可以乜乜乜 物物物但唔該你 entertain觀眾；啱！唔該導演做自已想做之餘都諗吓觀眾會想睇乜。
好多創作人嘅心得同經歷，真係好具份量。眼見港產片呢廿年着重返個劇本同製作質素，條路係就係難行，但始終開始健康返起嚟。
問心，港產片業界真係要珍惜更多有才能嘅創作人，希望唔好俾商業因素完全綁死。唔只大型，中小型成本電影要出產更多，觀眾先有更多選擇，提升到觀賞品味同推動到業界繼續創作落去，咁樣對幕前幕後、出資者、觀眾同戲院先會雙贏。
多謝金成先生同莊導演呢一篇極具份量嘅訪問。
多謝金成！同其它訪問比較，每次都可以問到好多唔同嘅回答。
正.莊文強
呢個訪問莊生明顯比在文生個訪問自在好多
留意到莊生對梁生, 劉生及其他人既尊重! P.S. I learned a lot from 莊生 and really enjoyed 金生's interview! Now I'm expert of nothing. To be simplistic, the core reason of why Barbie and Oppenheimer speak to millions of North American movie goers is that they are both extremely true to the vision of the directors. No one could have predicted (in fact create) the viral power and success of Barbenheimer but it was fun to be part of it. I for one ended up watching Barbenheimer 4 times in total (including Oppenheimer once in 1570 IMAX which HK has none showing (if I understand correctly)) to try to learn more about them and even talked about the films on a local radio show. Plus watched many filmmakers interviews on TH-cam, for Barbie (Writer/director Greta Gerwig, Producer/Star Margot Robbie, etc) and Oppenheimer (Christopher Nolan, Cillian Murphy). Of special note is the lovely Variety Actors on Actors chat between Cillian Murphy & Margot Robbie!
P2.S. Thanks to Felix's above discussion, I looked up Tokyo Raiders (2000) (Director Jingle Ma, Writers Susan Chan. Felix Chong) online to watch!
ming 仔那個訪問最出色
其實內地巿場係針對題目及港產導演有冇做自己
鄧麗君
五台山
李小龍
王家衛
四大家族
香港小姐
寵物奇緣
也是好可以考慮的高淨利及有價值的題材
開始說的是恩師，中段說的是電影 ，尾段說的是人生😊
很有深度和啓發性的訪問
原來「未出發先興奮」係出自莊生手😮
Thank you indeed🙏🏻 I really love to watch every single interview you have. This interview with Felix Chong was impactful and meaningful. His scripts are kind of breathtaking in rhythm, very attractive ❤
多謝推介talk to me! 又係A24作品，雖然都係碟仙鬼上身橋但劇本寫得好，略嫌中段節奏有D慢，呢D唔係傳統荷里活劇本，學到野多謝！
希望《金手指》大卖！
很好的访问，谢谢了!
好睇❤❤
宜新實業4440推一個。
其實廿年前都知追趕跑跳碰爆炸唔得，點解仲繼續？韓國片點解咁得？因為劇本得囉
莊文強
莊文強的水平如果是在国外够钱拍电影，可以是一个华人之光。有些人说抄袭。我可以说，人类文明就是互相交流后又互相抄袭最好的行为。但是，抄袭也是看个人水平高低做出来是不同的。抄袭多些好作品，反正现在都没有人会看1950年前的东西。这叫做流传下一代。
我反而覺得 barbie 嘅成功係因為 marketing , 好識得營造全球氣氛，製造潮流，但故事內容其實真係一般。至於鬼戲，依家已經唔入流聲效同突然驚嚇，觀眾需要嘅係心寒嘅內容。
好明顯好多場口抄華爾街之狼
仲要抄完唔應果下先慘
你睇左喇？ 柒頭未來人😂
佢前作 無雙 已經係咁😊
@@BAMBINOHIM 無雙嘅主題係講抄襲，佢問嘅問題係「究竟抄襲係咪藝術」，而劇中嘅主角係以抄畫為生嘅人，而莊文強係一定知會俾人發現呢套戲係抄Usual Suspects，畢竟套戲係以扭橋為聞名，而佢親自拍一套戲嚟問觀眾：「係，我抄咗套戲返嚟，咁我想問：究竟抄襲係咪藝術呢？」呢個問題同主角問嘅係一樣；而明知會俾人發現同diu嘅情況下都照拍，呢個先係佢同套戲最勁嘅地方，所以真正嘅「畫家」唔係郭富城，而係莊文強本人。
利申：唔係要說服你覺得套戲好睇 或者 認同抄襲 點點點，純粹覺得有時從作者出發睇故事，個作品會有趣得多。
天下文章一大抄,問題係点抄法,好聽的話是靈感來源,不是照搬便可以了,識偷穚人然后溶入自己的風格就係高手.