The Minneapolis Sound | Full Documentary
ฝัง
- เผยแพร่เมื่อ 9 มิ.ย. 2024
- For the first time since its original run 30 years ago, Minnesota Experience brings back The Minneapolis Sound, Emily Goldberg's first person journey through the vibrant Minneapolis music scene of the 80s. Watch interviews with Jimmy Jam Harris, Morris Day, Jerome Benton, Hüsker Dü, and more.
00:00 What is the Minneapolis Sound?
01:13 Meet the producer of the 1980s documentary, "The Minneapolis Sound," Emily Goldberg and the daughter of The Time's Jellybean, Bianca Rhodes
03:13 "When I say 'Minneapolis,' what do you think of?"
03:58 The many sounds of Minneapolis
04:47 There is no Minneapolis sound without Prince
08:44 Morris Day and The Time
13:29 Flyte Tyme Productions with Jimmy Jam Harris and Terry Lewis
21:46 Alexander O'Neal was kicked out of the purple regime
28:03 Questions with the producer of the 1980s documentary, "The Minneapolis Sound," Emily Goldberg and the daughter of The Time's Jellybean, Bianca Rhodes
30:32 The most famous converted Greyhound station: First Avenue and 7th Street Entry
31:23 The new Minneapolis sound is kicked off by Hüsker Dü
37:34 The Replacements were able to invent themselves in Minnesota
40:46 The Jets and a Twin Cities car dealership
45:41 Other bands that make the Minneapolis music scene great: The Wallets and Ipso Facto
52:39 Questions with the producer of the 1980s documentary, "The Minneapolis Sound," Emily Goldberg and the daughter of The Time's Jellybean, Bianca Rhodes
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#MinneapolisSound #Prince #documentary #FlyteTyme - บันเทิง
That run Alexander O'Neal did was DOPE!!
New jack swing was actually a spin off of the Minneapolis sound. But it was basically hip-hop swing type James brown breakbeats under rnb melodies and chords
you're right!
Gotta disagree on this one...as someone who lived in both Minneapolis and NewYork both a very unique...and jim jam and terry lewis will even tell you that much of Janets breakout Album was influenced by Teddy Riley (the father of new jack swing)...even the hiphop verse was by a new jack swing artist...Heavy D....the Minneapolis sound is very much rock, blues, folk and funk.
You can say you can't believe it.
But I just pulled the page down to write the same thing.
Part of the first phase of the Minneapolis music style was stolen by Bruno Mars (he uses a lot of other sources, too like, Cameo, BarKays, Fatback, One Way, etc.), and others. Not too close to the New Jack Swing stuff...
...but when "Jam" and Lewis started to spread it all over the place, they started to bring the "swing" on their drum machines...
Then, Terry Riley got into the scene, too...
I REMEMBER RECORDING THIS WHEN IT CAME ON CHANNEL 13 IN NYC BACK IN 1989.
It's interesting seeing how much has changed since this was made. Minneapolis is a cultural hotspot, Minnesota and the Twin Cities being the home of so many absolute legends and countless local artists of all kinds. It's one of the things Minnesota does best, creating art and artists. The comments at the beginning thinking of Minneapolis as "farmland" or "boring" sound so silly to me. For people who love live music (or film, or theatre, or comedy), there are few places that could match up to us.
Loved this documentary ❤ The world & music changed with the magical sound off funk🎉. I was only out of primary school when I heard the beautiful sound and I knew the sound was the music I wanted & would also be the sound I’d follow and enjoy for the rest of my life. Then Prince came on the scene and all I can say is Thank you Minneapolis and all the great artists that have came and gone 💜💟💜💟💜
Prince and the Time did that big Tiiiimmmmeeee !!!!!!!!!!👍🍻
The Minneapolis Sound for us outside of US was
Prince and the Time
Janet and Jimmy J & Terry L
That's it!
Everybody else was a foot note internationally!
Boy! Too little time was spent on the Wallets and Ipso Facto. I saw them any chance I could - plus others like the Phones, Shangoya., Flamin' OHs,.... Probably the greatest performances for me were with Ipso Facto - that was like a revival meeting - the power coming off that stage was always incredible and moving.
Watching the Wallets or The Suburbs at The Cabooze was the best...
Ipso Facto was greatly underapprciated in the Twin Cities. I went to see them every chance I could. Their music just moved you, you couldn't stand or sit still while listening to Ipso Facto. They were absolutely fabulous!!!! I have one of their old cassettes that I still listen to.
Husker Du paved the way for Nirvana and Grunge. It's pretty obvious when you hear them.
Yes.
WONDERFUL !!!
I love this
They were recording new edition heartbreak album during this documentary.
Did she really call The Time short lived fortunately for us they got back together and still draw crowds
Sucks I just missed them recently here in vegas...
I know this off the subject, but as an audiophile, why’d ya take the speaker on the mount from the TV area?🧐 Was it to loud for the baby☹️
Uncle Sams club the depot the closing of the greyhound bus station & then First Ave. Watched Priince Turn it up & out !!!!! History facts🍻😎
Didn't interview Andre cymone
Andre was recording with is wife the iconic Jody Watley back then.
Just like Prince, he also was very shy.
My only gripe is why didn't they edited out that dude @ 4:52....
I'm glad they left him in there because he looks so much stupider now
No 94 East?
I surprised the Jayhawks weren't mentioned.
Husker Du is way above. They left out the Suburbs????? WTF?
No mention of Lipps Inc with Steven Greenberg and Cynthia Johnson.
See "Minnesota in the '70s."
There's a lot of hit and miss bands in the documentary in Minneapolis cause a lot of them wasn't hittin on shit. Psych. A lot of interesting bands that needed some serious editing.
How could they leave out the Suburbs?!
You can find more information on The Suburbs in our series Minnesota Hardcore!
@@TwinCitiesPBS so? the suburbs were a big part of the minneapolis scene/sound. it was a dumb oversight.
"The Minneapolis Sound" was never the white bands, it was Prince's music and influence that carried throughout the other musicians. Funk Bass, Rock Guitar, Linn Drum and Synths Imitating horn parts. Subject matter was isolation, wierdness, religion/gospel and Sex, sex, sex.
Minneapolis?
_"C'est le Nord!"_
Comprenne qui pourra.
So, as someone who used to consider themself to be “progressive” I find the end interview insightful. In essence, my interpretation is they seem to find there’s a problem that the Minneapolis sound is either black or white. It’s OK if it’s both but somehow that seems to be a troubling to the interviewer. once you’re free your mind from thinking that there needs to be complete colorblindness and allow people to be truly free. It allows you to think very differently about this. Black folks, do you hear me?
I think I see what you're saying. We do need to be mindful and respectful of *everyone,* but colorblindness leads to different problems, like blinding us to the full picture, per se. Right?
Dang, after the Prince part, I had to turn it off.....