@ peak controller is a ECG machine for sound , so using the reading patterns and variables we can automate sounds dynamically without tweaking every detail manually and also has different LFO Shapes to play with it ! ❤️
I use this trick with peak controller too, but instead of having it control the wet knob, i control the sidechain signal of a seperate bus which i put the reverb on by itself, so i can control (eq) the reverb and such there.
Im not a fl user so im not sure if i have understood. My way is to have my Lead Bus, and I send that lead to a 100% wet reverb, which has a compressor who squash the reverb when lead plays, and when lead is gone, reverb comes. In which way this method is different? Thanks in advance!
@ not that I know of , the thing is factory presets are extremely processed to sound good as a standalone sound , in which layering doesn’t need over processed sounds as they stack up they sound full and processed , making a detuned saw is fairly simple , select an oscillator and turn up the saw voices to max ( available voices) and increase the detune rate , that’s it ! ❤️🫶
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Having the daw do the automation for you, genius really.
100% ❤️😎
Didn't even know Reverb2 could sound that good lol
Always sounds good 😩❤️
This is sick man
❤️🥰
its okay it gives a lot of echo
kinda like when we use patterns... other than that its okay
I always use the peak controller since i founded out last year and I have been using it since then
Awesome !great advantage for fl studio users 😎
@@subtraqxhrdstyl can you tell me what the peak controller does ? is it like sidechain compression?
@ peak controller is a ECG machine for sound , so using the reading patterns and variables we can automate sounds dynamically without tweaking every detail manually and also has different LFO Shapes to play with it ! ❤️
I use this trick with peak controller too, but instead of having it control the wet knob, i control the sidechain signal of a seperate bus which i put the reverb on by itself, so i can control (eq) the reverb and such there.
Im not a fl user so im not sure if i have understood.
My way is to have my Lead Bus, and I send that lead to a 100% wet reverb, which has a compressor who squash the reverb when lead plays, and when lead is gone, reverb comes.
In which way this method is different? Thanks in advance!
Yes the compressor way has more control but still this is a quick way
This is essentially the same as in the video. I also prefer a compressor over Peak Controler, but Peak Controler is overall easier to understand
Sooo awesome!!!!!♥️♥️
⚡️😇
This is sick!
⚡️⚡️
1:48 can you tell which preset you used for the chords in viper
I don’t use presets ! it’s a 8 voices Detuned saw with attack and noise with little bit noise pulse ❤
@subtraqxhrdstyl is there some factory preset in the factory that sound like that?
@ not that I know of , the thing is factory presets are extremely processed to sound good as a standalone sound , in which layering doesn’t need over processed sounds as they stack up they sound full and processed , making a detuned saw is fairly simple , select an oscillator and turn up the saw voices to max ( available voices) and increase the detune rate , that’s it ! ❤️🫶
@@subtraqxhrdstyl how much ott you use 100 wet?
nice info mate
Thanks for the visit
❤️❤️❤️
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Coool! Thx u for it tutor
⚡️🎉
Do you have the whole file! Any link!
Yup check the description
And Black Friday deal is also live check it out 🙌!
You don’t recommend using limiter?
I just showed the easy way ! but still limiter is superior cause u can have a lot more control than peak control on the limiter
21:9 😍
Ultra wide goodness 🙌🥰😩