Pandit jis rendering especially of ,Mai to tumro dass, is heavenly. Once you hear it it grows on you and cant get it out of your system. We are blessed.
All alone in my flat. It is Dec 1993, and the year is coming to close. Place: IAS Academy campus, Mussoorie India Weather: light snow falling outside, leaving faint sound of falling snow on the tall pine trees all around Flat #3 Himachal House Time: past 10 pm On my window sill is playing my tape recorder, and on it, I am hearing Shudh Kalyan followed up by Ramkali sung by Pandit ji of the recordings gifted to me by my colleague Dr Rajnish Kaki and his wife Manisha. With my bedroom window just measly open to allow streak of fresh air sneak in as otherwise a bukhari in the flat is keeping the flat really warm; the Happy Valley reverberates with the echo of the singing of Pandit ji in that otherwise still winter night! Eternal heavenly feeling gives a Devine pleasure. The only word that comes on my lips whenever I hear Pandit ji is: SUBHAN ALLAH! ❤❤❤❤🇮🇳🇮🇳🇮🇳
I don't understand why the crowd ( I will not call them listeners because they do not allow the music to penetrate in them)clap after such a heavenly music. Such singing one has to take it with him and remember atleast for some days.Though now,I donot attend SGM,due to old age I listened to old recordings.Even, to listen to his SAAA,alapi at the start of RAAG is worth listening many times and store in the memory.Anil Jambhekar,mumbai,last day of 2017.
This habit of clapping in the midst of a taan or piece of tabla is an obstacle in the enjoyment of such serene music. It is probably adopted from light music and is highly deplorable. They probably think that the artist craves for such immediate response, which a mature artist never seeks. Pt. Shivakumar Sharma often tells the audience at the beginning of a concert to desist from clapping in the middle. The crowd also invariably claps before the artist concludes his last alap.
I think the 'daad' of the audience also gives the artist an idea of how good ( in terms of understanding classical music) is. Its the way of Hindustani classical maifil. The audience is never passive. It reacts to every taan, sam or jaaga taken by the artist. Its a very interactive space, unlike western classical concerts. It's not only about listening, its also about understanding the skill of the artist and responding to him/her.
@@nishad6536 I agree with you for the reasons mentioned in the reply 100% . However it is part of the mehfill where the audience is deeply engrossed in setting up of the Raag by the Artist it comes as a spontaneous reaction by the listeners at some beautiful placings.
Are you sure this was recorded in the 1992 Savai Gandharva because he sang this at the 1982 Sawai Gandharva as well. I was there in person to listen to him.
Likely of 1992.In 1982 he was younger and had more hair on his head.I know because I used to attend SGM.almost every year. Now I am 75.So do not go. Have listened a lot since the age of 5.Anil Jmabhekar,Mumbai.Last day of 2017.
![เบิ้ล ปทุมราช - สาวสอง ( มีมี่ของอ้าย ) ft. ตาต้า,ต้องเต [OFFICIAL MV]](http://i.ytimg.com/vi/mqlMjnP08XI/mqdefault.jpg)
Pandit jis rendering especially of ,Mai to tumro dass, is heavenly. Once you hear it it grows on you and cant get it out of your system. We are blessed.
मनुष्य जातीके भाग्यसे ऐसा गायन सुननेको मिलता है। देवताभी ऐसा गायन
सुननेको तरसते होगे।
100 and 200 percent yupt. Catecat 🌹🙏
The insurmountable genius of Pandit Bhimsen Joshi. What an exquisite rendition !!!
All alone in my flat. It is Dec 1993, and the year is coming to close.
Place: IAS Academy campus, Mussoorie India
Weather: light snow falling outside, leaving faint sound of falling snow on the tall pine trees all around
Flat #3 Himachal House
Time: past 10 pm
On my window sill is playing my tape recorder, and on it, I am hearing Shudh Kalyan followed up by Ramkali sung by Pandit ji of the recordings gifted to me by my colleague Dr Rajnish Kaki and his wife Manisha. With my bedroom window just measly open to allow streak of fresh air sneak in as otherwise a bukhari in the flat is keeping the flat really warm; the Happy Valley reverberates with the echo of the singing of Pandit ji in that otherwise still winter night!
Eternal heavenly feeling gives a Devine pleasure. The only word that comes on my lips whenever I hear Pandit ji is:
SUBHAN ALLAH!
❤❤❤❤🇮🇳🇮🇳🇮🇳
in greece we say[ den pezete o tipos]that means that he is the voice of a mountain. i agree with all of you. he is complitly devine.
The pride of india😊
Trying to express feelings while listening Panditji is like an ant trying to climb Mt.Everest.
Thank you for sharing!
Tansen of this century.
My best Hindusthani Classical Vocalist
Awesome Main ne to ab Rona hee shuru kar diya hai Eeshwar Bhakti Kya Hoti Hai Pata Chal Gayaa!!!
By listing to BSJ he takes us near to God.👍
Thrilled hearing. In my late nintees to all sangats full of minds and kans in all the layas. Congrets to you
Bhavana, swara, feelings, vichara, de votional, output is expelled in this programme !
Haert touching Tans.Ever remembering Surawat.Drut rendering ever remembering.13.9.22.Shirhatti.Karnatak.
अप्रतिम अद्वितीय, अजोड गायकी, स्वर्गीय गायन!!
Hi. Ye. Tho Bagvan ka awaj hai. Ye awaj pahadi hai jaisa ye swar pahadse ata hai. Very. Very fanthastic n daivic sound 🌹🙏
Bhimsen a real Bharataratna of Indian classical music
Title of this Raga is supposed to be कोमल रिषभ आसावरी as read on Panditji's Audio Record taken out by HMV many years ago
कोमल रिषभ आसावरी आणि आसावरी तोडी ही एकाच रागाची दोन वेगळी नावे आहेत.
Komal Rishabh Aasavari and Aasavari Todi are one and same.
Swataha Panditji ek kaliyugatleMahan Pandit Aahet,,,,
I don't understand why the crowd ( I will not call them listeners because they do not allow the music to penetrate in them)clap after such a heavenly music. Such singing one has to take it with him and remember atleast for some days.Though now,I donot attend SGM,due to old age I listened to old recordings.Even, to listen to his SAAA,alapi at the start of RAAG is worth listening many times and store in the memory.Anil Jambhekar,mumbai,last day of 2017.
This habit of clapping in the midst of a taan or piece of tabla is an obstacle in the enjoyment of such serene music. It is probably adopted from light music and is highly deplorable. They probably think that the artist craves for such immediate response, which a mature artist never seeks. Pt. Shivakumar Sharma often tells the audience at the beginning of a concert to desist from clapping in the middle. The crowd also invariably claps before the artist concludes his last alap.
I think the 'daad' of the audience also gives the artist an idea of how good ( in terms of understanding classical music) is. Its the way of Hindustani classical maifil. The audience is never passive. It reacts to every taan, sam or jaaga taken by the artist. Its a very interactive space, unlike western classical concerts. It's not only about listening, its also about understanding the skill of the artist and responding to him/her.
@@nishad6536 I agree with you for the reasons mentioned in the reply 100% .
However it is part of the mehfill where the audience is deeply engrossed in setting up of the Raag by the Artist it comes as a spontaneous reaction by the listeners at some beautiful placings.
Bhimasn Joshi ❤ 😂❤namaste 👍
Great rendition by the master...Simply Divine!!
Outstanding
स्वर्गीय गाणे.
वासुदेव शाळीग्राम
best collection man
It's year 1991! He sang Ramkali raag in 1992!
Amazing vocal strength.
साष्टांग प्रणिपात ... 🙏🌹💐
अत्यंत प्रभाव शास्त्रीय संगीताचे मानवी जिवनावर होतात.आणि इतके प्रतिभावंत गायक असल्यास स्वर्गीय सुख होते.
Good
Like a painting !!!!
....Masha-alllah kya baat hai
divine RENDITION
Superb
Listing to BSJ he takes us near to God
Veri fentasitik
Isn't this Raag Komal Rishabh Asavari?
Yes
There is one more recital, can you post it?
🙏🙏🙏
❤️
Are you sure this was recorded in the 1992 Savai Gandharva because he sang this at the 1982 Sawai Gandharva as well. I was there in person to listen to him.
Likely of 1992.In 1982 he was younger and had more hair on his head.I know because I used to attend SGM.almost every year. Now I am 75.So do not go. Have listened a lot since the age of 5.Anil Jmabhekar,Mumbai.Last day of 2017.
Devine
..
R
पंभिमसेनजोशी 4:30
And classical yane SHASTRIYA SANGEET IS NOT A CIRCUS.Anil Jambhekar,Mumbai.
Hi. Ye. Tho Bagvan ka awaj hai. Ye awaj pahadi hai jaisa ye swar pahadse ata hai. Very. Very fanthastic n daivic sound 🌹🙏