It has always been a characteristic of film that saturation is counter to luminance. Increase the sat and the luma naturally goes down; and, visa versa. So, if you're looking for a film look and not a video look, try reducing luminance to make some colors appear more saturated. I'm not so sure the color warper works in this way.
I'm currently 2 nodes with gammas set to HSL/HSV to get a similar effect. Set the gain on the HSL node to .5 and the HSV gain to 2. Then dial the HSV node to taste. I've also got a secondaries node prior to these for Hue vs Sat, Lum vs sat and Sat vs Sat
I saw two movies on Netflix where the saturation was increased to the level of having artifacts on the cheeks of the people. The lips of men were as red as those of women with lipstick. Completely artificial and unprofessional. I hate this oversaturated look, but I can tolerate it if it at least does not create artifacts. Your method is way better.
I would suggest, to always have the scopes displayed (vectorscope included), if you are on the color page, this preferably in a separate window. If you have an old monitor, you could use it only for that.
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It has always been a characteristic of film that saturation is counter to luminance. Increase the sat and the luma naturally goes down; and, visa versa. So, if you're looking for a film look and not a video look, try reducing luminance to make some colors appear more saturated. I'm not so sure the color warper works in this way.
This.
I'm currently 2 nodes with gammas set to HSL/HSV to get a similar effect. Set the gain on the HSL node to .5 and the HSV gain to 2. Then dial the HSV node to taste. I've also got a secondaries node prior to these for Hue vs Sat, Lum vs sat and Sat vs Sat
@@WhatTheFDRCan you increase specific color saturation using hsl curves upstream of hsl/hsv nodes?
Your channel is fast becoming my favourite for developing as a Resolve user. Clear and focussed, there's always something useful to take away here.
You say a lot in a very short time. A person needs to decompress what you are saying, but this is a good thing. Thanks so much.
World Class Video. Thank you so much. NO IDEA YOU COULD AUTO CORRECT THE COLOR TOO WHAT
This is great Alex and very insightful.
This man is a real pro !!
You are a lifesaver for these videos!
thats really good idea thanks
Great video sir... Love from kolkata INDIA 🇮🇳 ❤
How to do this in Gimp?
To me, this is the best tutorial of the year on saturation in Davinci. Thank you and happy new year 2022
Nice. Great video! You can use circle selection, btw. It's really fast and working nice.
Wow, this made a huge difference, thanks!
Very useful tutorial
Как всегда, очень здорово объяснено. Кратко, наглядно. Полезно. Сохраню в закладках.
Wow! That was amazing. I could have figured this out myself, but I would be as old as Methuselah by the time I got there 🙃
I can't thank you enough Master ❤
I miss the holiday bundle when does it come back? I like your tips and tricks
Awesome stuff 👍
Interesting, so to cross discipline terminology, you made the colours louder. Nice
Great tip. Thx
Hi .. Please do one video for ACES Workflow Flow..
Is your sale over?? Wanted to purchase the color grading course!
I saw two movies on Netflix where the saturation was increased to the level of having artifacts on the cheeks of the people. The lips of men were as red as those of women with lipstick. Completely artificial and unprofessional. I hate this oversaturated look, but I can tolerate it if it at least does not create artifacts. Your method is way better.
Cool!
is your course useful for sony 10 bit 422 colour graders?
Also, please do a video on HDR scopes...
Genius
I can't get used to the idea a stiil is connected with a node.
how can you achieve this with premiere pro ?
I call it the "three-strip-technicolor" look.
Is the effect the same as using selective saturation ?
Where's the Vibrance tool at?
Hi Sir .. if i want to contrast a footage.. is there any "right contrast level" .. what is "right contrast" anyway !!
Is there an option to do this in FCPX?
can you please explain like you explain to a baby . Thxx
Would it be helpful to do this with both the color warper and vectorscope open?
I would suggest, to always have the scopes displayed (vectorscope included), if you are on the color page, this preferably in a separate window. If you have an old monitor, you could use it only for that.
The egos trip me out below...crazy
Are there any necessary actions to do before applying Color Warper?
hello i have a question, why when I grabstill my image and export it to jpeg, the color will desaturate and the gamma will just go down a bit
Can you show how to do this in premiere?