I really admire the interpretation of this, but do believe we should have control over more complex note passages without the reliance of movement in the head/upper body. With that being said, I also see a lot of tension in the neck and shoulders. I also think this is the fastest version I've ever heard; it seems frantic. 😬
Totally agree with the bit about the neck and shoulders situation. And the upper body/head movement seems so silly considering how thin the sound is that is coming out.
@@HeldenDey Sorry, but I have heard many versions since Janet Baker did it on TV when I was a teenager and i fell in love with the piece. This is very good, not thin at all. And who are we to tell her how to hold her head.
Anthony Clark interesting to comment after a comment from over a year ago. Did you have any plans on commenting on the original poster’s comment as well? Especially seeing as my comment was simply agreeing with hers. Lol all the best to you!
I love this version. what a voice!
Bravissimi! Grazie
Super 💕
I really admire the interpretation of this, but do believe we should have control over more complex note passages without the reliance of movement in the head/upper body. With that being said, I also see a lot of tension in the neck and shoulders. I also think this is the fastest version I've ever heard; it seems frantic. 😬
Totally agree with the bit about the neck and shoulders situation. And the upper body/head movement seems so silly considering how thin the sound is that is coming out.
@@HeldenDey Sorry, but I have heard many versions since Janet Baker did it on TV when I was a teenager and i fell in love with the piece. This is very good, not thin at all. And who are we to tell her how to hold her head.
Anthony Clark interesting to comment after a comment from over a year ago. Did you have any plans on commenting on the original poster’s comment as well? Especially seeing as my comment was simply agreeing with hers.
Lol all the best to you!