OMG I clicked on your chanel few hours ago and I was like "I wonder if Cathy is okay and if there is a new vid coming any time soon....?" and here we are! I am super excited to see you work on a project again :D
A tailoring hack I learned on men's historical clothing and using iron on interfacing. Trim your interfacing to be at the seam allowance BEFORE adhering your interfacing. ie 1/2 or 3/4 inch etc. This will allow your seams to lay flat after you sew your pieces together. This will seem absolutely magical and give your garment the look you desire without any bulkiness in your seems.
Hi Kathy, Back in the 1970's I made a velvet jacket out of a cotton/silk blend velvet. It was heavier than the 1940's velvet jacket I was copying. It embroidered beautify. Not sure if they still make that fabric anymore.
It is so good to hear from you! Very much looking forward to this! This will be quite the departure from the common Covid wardrobe of “swishing around the house”- flannel comfy pants and boxy top! Let’s go, Cathy♥️
I agree! We should all elevate our house clothes! My husband wants me to make him a smoking jacket (he doesn't smoke! Lol) to lounge around the house in!!
I don't sew, but I love any sort of well-researched deep-dive that also shows you how someone got their information. Your videos are so comforting and interesting!
This was absolutely PLATINUM content!!!! To have the honor to have you describe your thought & decision process in such detail when you are reconstructing an unique historical garment is mind-blowing. The intricate details you explained as you looked at just photos & patterns that were only similar in the fact that it depicted how garments in that era were made but weren't very close to the piece in full was such an absolute gift. It gave a novice like me hope that maybe I don't have to settle with just 1 pattern that isn't exactly what I would like to make. This also inspired me to dream up my perfect piece of clothing.
You've probably already thought of this, but the first Victorian Dressmaker book has a tea gown from 1890's that might be useful to you. I'm excited to see this project unfold.
I have stood in front of this coat in the V&A so many times over the years, it’s just astonishing. The velvet is in brilliant condition but I too didn’t realise the flowers had faded! Think it may look better as it is! Thank you for the video, how clever!
Oh definitely! I'd keep to this cream, pale gold embroidery, it's much less...garish? To each their own but purple and yellow are complimentary colours therefore no wonder this "faded" colour palette is so,so,so delightfull.
Even if I disagree with your decision regarding the peacock dress, I am so very happy to see you again I'm so so so excited to see this new project come to life and enjoy just you being a creator in your own comfort zone
I love how you use the word "evidence", because you do have to be a detective and investigate the components of the garment to create the whole. Between you and Ms. Banner, my pocketbook is lighter after procuring some of the resource books that both of you have shared, adding to my own investigative arsenal. I'm enjoying the journey towards your completed coat!
Thank you so much for taking us through the process. I don't need to see it started and finished in the one video - there are plenty of those around. I was gutted when I saw your video to let us know you weren't continuing with the peacock dress but understand your reasoning. I'm so glad you've found another beautiful replacement.
It is great to see these wonderful garments brought back in the modern era. The Victorian era offered that feminine touch that modern garments often lack. I have always loved this historical era. It was a simpler way of life, yet offered uniquely hand made garments & gorgeous embroidery. (Although I would not miss wearing heavy undergarments & long dresses in todays California heat.) Purple with gold embroidered velvet denotes Royalty. An excellent choice for your Victorian coat! I love the process!
I don’t sew at all, and have little interest in really learning to do it super well. But listening you talk us through this process so calmly and gently with such a passion in your voice reminds me of listening to my great grandma teach me about her plants when I was little. She’s been gone for close to 10 years now. Your videos aren’t even the content I’m interested in personally, but your videos feel like home. Thank you, dearest Cathy. 💚
Cathy thanks for showing how to find and to use your resources in the internet and the tools in your computer. Today, I learned with you about "note pad" - "google arts & cultures" - "internet archive". I have to tell you that you are not only talking about your projects to inspire us but teaching much more. Thank you so very much. You are fantastic and generous.
Thank you for walking us through getting started. I had no clue where to begin! That coat is so stunning as it is now, but to see it as it was when it was new will be just mind blowing. I can’t wait to see the next step!
I absolutely love the fact you are making this coat! Not only is it my favorite color, the embroidery is superb. It will be beautiful on you. I can’t wait to go along on your wonderful journey. I absolutely love how you begin to research your new projects. It is so much fun learning about every part of the project before you even begin. Ty for inspiring us and for teaching us new skills.
I love the way you revive history in your small workshop. To me, you are like the calmer, more composed version of Bill Nye if he was into teaching about fashion history. Not only is it so heartwarming to be let into the process with so much access and encouragement to seek information about the topic but your passion is so clear that its hard not to fall in love with the story you are discovering. Plus, it doesn't hurt that your voice is so beautiful to listen to. I've loved watching you over the last few years and im so excited to watch you complete this project. Cross your fingers for me I think I'm going to try to follow along with your guide this time :))
Hi, Cathy. Love your new project idea. The coat looks gorgeous and if anyone can make it work, it's you! Just discovered the horrible controversy surrounding your previous project. I think it's BS and supported you completely on that quest.. Hope you get a chance to show us more of this coat! Can't wait for the embroidery part! Kindest regards!
Cathy, I have been sewing for more than 50 years, and making quilts for much of that time, including lots and lots of hand work and embroidery. In approximately my 4 other sewing friends have discovered that when we have any embroidery work in a quilt, on a garment we use a backing. The backing for the most part is white, cream, or black flannel, and sometimes organic cottons. For two reasons, to support and make hand sewing smoother, and for lining when fabrics are thin. It ultimately was a great idea, the results are consistently nicer and much more professional result. Might be helpful when you select some sort of interfacing. Definitely I would use a natural woven fabric regardless of what I selected.
While this is not the type of sewing I do I find the process is fascinating, and you describe it so clearly. It helps me look at modern patterns differently and to look at existing garments in a way that I’m beginning to think that I want to learn some pattern drafting. Thank you for sharing your love of historical garments and your knowledge and wisdom.
I adore coats. Winter fashion is my favorite! I can't wait to see the completed project, but I am also looking forward to learning by seeing you work with velvet, which is both beautiful and irksome.
Really appreciate your why's, how's, and wherefores of where to go, what to look both for and at, what decisions you're making...! The decisions many (novices) may make, but you also give them permission to make their own choices.
I've always wanted to sew something grand and amazing based on historical fashion and never really knew where to start. Until now! I've subscribed and will be following to learn as much as I can. Thank You!!!!!!
I adore your videos! Watching you investigate and dig into the patterns is really inspiring, especially to someone who has almost no sewing experience. You make me want to try again!
Watching someone so passionate like you work on a project that inspires them is an absolute delight. Thank you for sharing this with us Cathy, I can't wait to tag along for the rest of this journey 🥰
Hi Cathy, so happy to see you have a new project on the go. Can't wait to see it all unfold. I love watching your videos, not only do they inspire me they also soothe my soul.
Hey Cathy, I love your videos and love watching you break down a garment into pieces to see how it was created. I happened to notice that the hem is listed at 108 inches on the arts and culture site, but saw at the end of the video you have it listed at 106 inches. I know it's not a lot but I also know it could change the pattern/finished product for a less desired/accurate result.
I came across your website quite by accident and I am so glad i did. Watching you work and listening to your voice is very relaxing and I am learning new techniques as an added bonus. I am anxious to watch you start this velvet coat and the doing the embroidery as well.
Cathy, STOP ITTTTT. I've been eyeing this coat for a few months now as an inspiration source but I had no idea how to go about it. I am so so excited for this, oh my god, thank you.
This video made my heart sing! I had the opportunity to see this coat in person - through the glass of course - and it's a STUNNER. What the flat pictures don't really tell you is how three-dimensional the flowers are. In some places, they stand away from the velvet ground by nearly 10 cm! I'm so very excited to watch the progress of this amazing costume - thank you for sharing your costuming adventures with us all!
This is such an intriguing project. I am in love with that coat, I would have bought it immediately if i had seen that in a shop or catalogue! Good luck with all the ironing of interfacing, sounds like its going to be a big job!! Can't wait for next months update!
Remember to cut the seam allowances wide so you can sew sturdy canvas wide stripes (I always use 2 separate lines of stitches because it's easier if the fabric is very taut when embroidering) to them without it being anywhere near the actual seam allowances or seams themselves as most silk velvets have delicate chiffon backing. I, too, had been dying to make a similar coat, but I would opt for cotton velvet - easier to work with and embroider, much less delicate pile (remember to always iron your velvets pile side on special board or..another, scrap piece of velvet so it doesn't smoosh together. The embroidery over seam lines could have been done using different technique rather than sewing canvas and stretching it over a frame (you cannot hoop it, it will dent the pile permanently), such as stuffing the sleeve with tissue paper but it's by far easier using frame. I hope to do my "reproduction" soon but I plan on butchering and "modernizing" the pattern by adding a waist seam, using 1 1/2 circle pattern for the skirt without the insertions and using a 3 piece close fitting sleeve and low standing collar. In black cotton velvet and silver thread with some goldwork wires in silver or silver beads. I plan on canvassing the bodice (or using a stiff interfacing), using silk taffeta for lining and stiff double organza for skirt interfacing (and maybe even horsehair for the hem? ) - I've been lusting over full skirted coats for a while, but the fabric cost...
I am a fashion student in Denmark with intention to specialice in costumes. My teachers keep telling me to find inspiation in modern designers and shows but I am just so in LOVE with the history of fashion. How is a coat like this not as important to understand as contemporary pieces?! I find so much comfort and inspiration in your videos! It kinda feels like you’re a secondary teacher with the interest and passion you have for your projects :)
Yay! You’re back! -I started working with velvet for the first time this month. It’s cotton velvet and a low like so I’ve been able to iron it and it’s not to fidgety when I cut it, but I haven’t put it to my machine yet… 🤞🏻 I’m excited to see whether you recreate the coat using the original colors or choose your own color palette. (Purple is my favorite, though.)
Thank you so much for these videos, Cathy. Sitting back and listening to your gorgeous voice telling me so knowledgably about everything you've found and the ideas you get from the evidence of this coat makes me feel like I'm your student, learning from a master how to create such gorgeous garments. Your videos let me step into a warm, safe, comforting world. Thank you.
Hello so good to see you at your detective work on this dress construction mystery. I don’t do this kind of sewing but I love mysteries. It is beautiful. Look forward to the adventure.
That was very ineresting. I loved learning about the process of looking an extant garment for clues on how it was made. It is a very beautiful garment and will be very luxurious.
I'm only part way through and I had to stop to say thank you for sharing those resources!! The super high res imagery option... MIND BLOWN🤯 Also, thanks for sharing your creative process, I find it fascinating. I'm new to your channel, but every video I've watched so far has drawn me in and made me smile.
Presently taking down sleeves on velvet riding jackets for daughter in Vermont. One waistcoat is green panne velvet which I doubt was riding gear. Be well lovely.
I remember Marshall and Snelgrove! I went there during the sales with my grandmother. It might even have been the closing down sale because they disappeared in the early 1970s.
I also find it helpful to understand the construction of an original, even when I'm only using it as inspiration. When I come up with an idea for a metal sculpture, I grab the cardboard and try to re-create the original (even if it needs to be a scaled-down version). That informs me when I "think" something is cut into one shape but is really a different shape, where I need to put connections and supports, and where things will want to bend. Cardboard is much cheaper than metal. 🙂
Your channel came to me last night during wee-hours insomnia. Not wanting to disturb my sleeping beloved, the sound was off and the captions were on. I clicked on "subscribe" at 48 seconds in, when the caption read "reassuring forget-about-pandemics music." No, your video did anything but put me to sleep. Now looking forward to my next bout with insomnia.
I am so happy happy happy that you have a project to work in and you are taking us on your journey !!!! I missed you calmness and the inspiration you provide
I love your videos Cathy, you go about this exactly as I would, getting all the details and loving the whole creation process. I just wish I had the time!! I can't wait to retire in a couple of months and can go back to my love of creating patterns and garments. Yippee!
I hasten to add, I've never looked at the intricate vintage pieces you show us Cathy, they are fabulous, and I can't wait to see this beautiful coat come into being!
My wife, a C&G fiber artist, worries how well the silk velvet will take to the embroidery, even with the innerfacing helping to approach the weight of the period velvet. We're excited to see how this comes along! OMG THANK YOU FOR INTRODUCING US TO GOOGLE ARTS AND CULTURE!!! Really wishing they'd scan the lining!...but simply amazing!
Yes! Creators may think this is not interesting but it is! And, if a viewer wants to learn how they may want to tackle a big project, this will guide them or give them ideas for themselves of how they may want to expand or do things differently. Excellent.
A lot of people like this coat - I don't want my doing it to stop you! I'm hoping that I can do enough legwork that it makes it easier for whoever else wants one to make their own version too!
How exciting that we get to see your entire thought process from start to finish. I am on tenterhooks to see how you draft your pattern! I've been wanting to make an 1890's walking dress for a Victorian fair here in the Bay Area (The Great Dickens Christmas fair, like a Rennaisance Faire only Victorian!) and I am really enjoying seeing how you think about approaching this type of recreation from start to finish. Looking forward to using this thinking in my own work. Thank you!
Because of this exciting video, I've had a very productive sewing day 🤣 I now have a new skirt and dungaree dress, thank you Cathy for being so inspirational xxx
Cathy, you mentioned you feel the cold? I do too. Cashmere is the answer! ‘Cos it’s awesome, it’s warm, light, layerable and workable. Could you interline the coat with cashmere fabric? Could you stitch together old cashmere jumpers, to make a big enough patchwork piece, to cut out the actual pattern? or just interline the upper bodice, sleeves and down to thigh/knee length on the skirt, with pieces of individual jumpers/ cardigans etc? Yes, it would be bulkier, but given that the fabric you’re working with is so much finer & lighter weight, even with the iron on interfacing, than the original (which looks more like a modern, light weight upholstery velvet) it could give the modern velvet the bulk it actually needs? Alternatively, just get yer cashmere vest on, pet! Layers are your friend😉. Good luck, from Annie, in chilly Cornwall,🌸
Love how you analyze and decipher the clues from the photos and then find the right pattern ideas to use as jumping off points. Very interesting to watch this process!
Excitement is bubbling over for this project. The coat is so lovely and I bet it will be so nice to wear during winter having a cup of hot tea and sitting by a window and watching the snow fall. Looking forward to your next video on this new sewing journey.
I have visons of being sat in big deep cushioned window sill. Snow falling from an evening sky. Skirt of the coat pooling around the feet. Hot chocolate in hand, hair down, candle light. Gazing out of the window.
Thank you Cathy, for sharing your process and the thought behind it. I find that I learn so much and am so thankful that you take the time to share the details ❤️🥰 Wishing you all the best, Lynne
I think this coat is going to be as gorgeous as the peacock dress and a sight more practical. Projects are much more fun when you know you will get to wear them more than once. I can't wait to see you swishing around in it.
Wow very detailed. Thank you. I don't see much, my grandaughter does, so when I saw the coat I knew it was something she would like. I wasn't expecting so much. Very interesting.
I just saw this and immediately decided this coat needs to be in my wardrobe. There's no way in hell I'll be able to make it any time soon, I've struggled over making a top and a pair of trousers... but I can dream.
In this time of fast content and short form I'm enjoying seeing something unfold gradually in real time!
Thank you very much, I appreciate that!
@@CathyHay yes, the more realistic pace is so soothing, Cathy. Love your content!
I agree completely. 👍
Very exciting cant wait to see it begin 😍 I love the detective work 😉
It gives me something to look forward to
OMG I clicked on your chanel few hours ago and I was like "I wonder if Cathy is okay and if there is a new vid coming any time soon....?" and here we are! I am super excited to see you work on a project again :D
I thought the same thing its lovely to see her work after a break
A tailoring hack I learned on men's historical clothing and using iron on interfacing. Trim your interfacing to be at the seam allowance BEFORE adhering your interfacing. ie 1/2 or 3/4 inch etc. This will allow your seams to lay flat after you sew your pieces together. This will seem absolutely magical and give your garment the look you desire without any bulkiness in your seems.
Hi Kathy, Back in the 1970's I made a velvet jacket out of a cotton/silk blend velvet. It was heavier than the 1940's velvet jacket I was copying. It embroidered beautify. Not sure if they still make that fabric anymore.
It mist have been beautiful !!!!!
@@michellegordon6586 Wish I still had it.
It is so good to hear from you! Very much looking forward to this! This will be quite the departure from the common Covid wardrobe of “swishing around the house”- flannel comfy pants and boxy top! Let’s go, Cathy♥️
I agree!
We should all elevate our house clothes!
My husband wants me to make him a smoking jacket (he doesn't smoke! Lol) to lounge around the house in!!
@@lestrada1351 what a romantic! I’m thinking you should indulge him - sounds like a sweetie ❤️
I don't sew, but I love any sort of well-researched deep-dive that also shows you how someone got their information. Your videos are so comforting and interesting!
This was absolutely PLATINUM content!!!! To have the honor to have you describe your thought & decision process in such detail when you are reconstructing an unique historical garment is mind-blowing. The intricate details you explained as you looked at just photos & patterns that were only similar in the fact that it depicted how garments in that era were made but weren't very close to the piece in full was such an absolute gift. It gave a novice like me hope that maybe I don't have to settle with just 1 pattern that isn't exactly what I would like to make. This also inspired me to dream up my perfect piece of clothing.
You've probably already thought of this, but the first Victorian Dressmaker book has a tea gown from 1890's that might be useful to you. I'm excited to see this project unfold.
I love how the collar is (kind of) in the shape of a flower to match the embroidery. ( when looking from the front)
I'm so excited! That coat looks beautiful! And I wonder how you're going to do the embroidery
Sewstine has an article in Victoria magazine. She might be able to guide you Cathy 😉
I have stood in front of this coat in the V&A so many times over the years, it’s just astonishing. The velvet is in brilliant condition but I too didn’t realise the flowers had faded! Think it may look better as it is! Thank you for the video, how clever!
Oh definitely! I'd keep to this cream, pale gold embroidery, it's much less...garish? To each their own but purple and yellow are complimentary colours therefore no wonder this "faded" colour palette is so,so,so delightfull.
@@mariaduszak9064 it might look something like a pansy with vibrant gold and green, it could be very nice either way.
Even if I disagree with your decision regarding the peacock dress, I am so very happy to see you again
I'm so so so excited to see this new project come to life and enjoy just you being a creator in your own comfort zone
What was the decision?
@@JulietteReacts it was decided to not continue making the peacock dress
@@kylegaspar6081 thank you for telling me. :)
I love how you use the word "evidence", because you do have to be a detective and investigate the components of the garment to create the whole. Between you and Ms. Banner, my pocketbook is lighter after procuring some of the resource books that both of you have shared, adding to my own investigative arsenal. I'm enjoying the journey towards your completed coat!
Thank you so much for taking us through the process. I don't need to see it started and finished in the one video - there are plenty of those around. I was gutted when I saw your video to let us know you weren't continuing with the peacock dress but understand your reasoning. I'm so glad you've found another beautiful replacement.
It is great to see these wonderful garments brought back in the modern era. The Victorian era offered that feminine touch that modern garments often lack. I have always loved this historical era. It was a simpler way of life, yet offered uniquely hand made garments & gorgeous embroidery. (Although I would not miss wearing heavy undergarments & long dresses in todays California heat.)
Purple with gold embroidered velvet denotes Royalty. An excellent choice for your Victorian coat! I love the process!
I don’t sew at all, and have little interest in really learning to do it super well. But listening you talk us through this process so calmly and gently with such a passion in your voice reminds me of listening to my great grandma teach me about her plants when I was little. She’s been gone for close to 10 years now. Your videos aren’t even the content I’m interested in personally, but your videos feel like home. Thank you, dearest Cathy. 💚
Seeing your process is such a help to us. I look at pictures, but never know where to start. Thank you!
Cathy thanks for showing how to find and to use your resources in the internet and the tools in your computer. Today, I learned with you about "note pad" - "google arts & cultures" - "internet archive". I have to tell you that you are not only talking about your projects to inspire us but teaching much more. Thank you so very much. You are fantastic and generous.
Thank you for walking us through getting started. I had no clue where to begin! That coat is so stunning as it is now, but to see it as it was when it was new will be just mind blowing. I can’t wait to see the next step!
I LOVE the way the collar mimics the cut flowers on the robe.
I fell in love with this coat the first time I saw it. It is breathtaking. Watching you do it may give me the nudge to make one.
I absolutely love the fact you are making this coat! Not only is it my favorite color, the embroidery is superb.
It will be beautiful on you. I can’t wait to go along on your wonderful journey.
I absolutely love how you begin to research your new projects. It is so much fun learning about every part of the project before you even begin.
Ty for inspiring us and for teaching us new skills.
I love the way you revive history in your small workshop. To me, you are like the calmer, more composed version of Bill Nye if he was into teaching about fashion history. Not only is it so heartwarming to be let into the process with so much access and encouragement to seek information about the topic but your passion is so clear that its hard not to fall in love with the story you are discovering. Plus, it doesn't hurt that your voice is so beautiful to listen to. I've loved watching you over the last few years and im so excited to watch you complete this project. Cross your fingers for me I think I'm going to try to follow along with your guide this time :))
Great video Cathy. Thank you for describing everything in detail. I miss this kind of video. It is becoming more rare these days.
Lovely to hear your voice come back from your last couple of videos. Your enthusiasm for this new project is also most welcome. 🙋🏽♀️💜🇦🇺
I love your research process. I'm going to share it with my high school students as a real world example of using evidence to support their work.
Hi, Cathy. Love your new project idea. The coat looks gorgeous and if anyone can make it work, it's you! Just discovered the horrible controversy surrounding your previous project. I think it's BS and supported you completely on that quest.. Hope you get a chance to show us more of this coat! Can't wait for the embroidery part! Kindest regards!
I've been eying this type of coat/robes since I was a kid runner go around in flimsy fabrics. I'm so grateful to be able to see your process 🖤
Cathy, I have been sewing for more than 50 years, and making quilts for much of that time, including lots and lots of hand work and embroidery. In approximately my 4 other sewing friends have discovered that when we have any embroidery work in a quilt, on a garment we use a backing. The backing for the most part is white, cream, or black flannel, and sometimes organic cottons. For two reasons, to support and make hand sewing smoother, and for lining when fabrics are thin. It ultimately was a great idea, the results are consistently nicer and much more professional result. Might be helpful when you select some sort of interfacing. Definitely I would use a natural woven fabric regardless of what I selected.
While this is not the type of sewing I do I find the process is fascinating, and you describe it so clearly. It helps me look at modern patterns differently and to look at existing garments in a way that I’m beginning to think that I want to learn some pattern drafting. Thank you for sharing your love of historical garments and your knowledge and wisdom.
I adore coats. Winter fashion is my favorite! I can't wait to see the completed project, but I am also looking forward to learning by seeing you work with velvet, which is both beautiful and irksome.
Really appreciate your why's, how's, and wherefores of where to go, what to look both for and at, what decisions you're making...! The decisions many (novices) may make, but you also give them permission to make their own choices.
Having a rough day at work. This was the perfect way to spend my lunch break. Thank you Cathy! I can't wait for more!
I have seen this coat in the Victoria and Albert museum and it is one of the most beautiful garments I've ever seen.
I've always wanted to sew something grand and amazing based on historical fashion and never really knew where to start. Until now! I've subscribed and will be following to learn as much as I can. Thank You!!!!!!
I adore your videos! Watching you investigate and dig into the patterns is really inspiring, especially to someone who has almost no sewing experience. You make me want to try again!
Watching someone so passionate like you work on a project that inspires them is an absolute delight. Thank you for sharing this with us Cathy, I can't wait to tag along for the rest of this journey 🥰
Hi Cathy, so happy to see you have a new project on the go. Can't wait to see it all unfold. I love watching your videos, not only do they inspire me they also soothe my soul.
I love she's just calmly explaining how she does it, no rush
“Reasuring-Forget-about-pandemic-music” just thanks, exactly what I need
Oh be still my beating heart!! 🌺💐🌺💐 this is simply divine! So very lovely Ms. Cathy.
Hey Cathy, I love your videos and love watching you break down a garment into pieces to see how it was created. I happened to notice that the hem is listed at 108 inches on the arts and culture site, but saw at the end of the video you have it listed at 106 inches. I know it's not a lot but I also know it could change the pattern/finished product for a less desired/accurate result.
Came here to say the same thing - I hope Cathy sees this.
I’ve missed my Cathy fix. Glad you are back .
I love coming here and find fellow old creative souls and coming along into their craft and talents. Love these videos!
How much I appreciate your determination with vigor and joy starting a new project..I am excited for you !!🥰
I came across your website quite by accident and I am so glad i did. Watching you work and listening to your voice is very relaxing and I am learning new techniques as an added bonus. I am anxious to watch you start this velvet coat and the doing the embroidery as well.
Cathy, STOP ITTTTT. I've been eyeing this coat for a few months now as an inspiration source but I had no idea how to go about it. I am so so excited for this, oh my god, thank you.
This video made my heart sing! I had the opportunity to see this coat in person - through the glass of course - and it's a STUNNER. What the flat pictures don't really tell you is how three-dimensional the flowers are. In some places, they stand away from the velvet ground by nearly 10 cm! I'm so very excited to watch the progress of this amazing costume - thank you for sharing your costuming adventures with us all!
This is such an intriguing project. I am in love with that coat, I would have bought it immediately if i had seen that in a shop or catalogue! Good luck with all the ironing of interfacing, sounds like its going to be a big job!! Can't wait for next months update!
Swishing round the house. I would be wearing it to the shops everyday.
Omg omg omg Cathy on my first day off in 10 days 😍😍😍 SEWING DAY!!!!!
Remember to cut the seam allowances wide so you can sew sturdy canvas wide stripes (I always use 2 separate lines of stitches because it's easier if the fabric is very taut when embroidering) to them without it being anywhere near the actual seam allowances or seams themselves as most silk velvets have delicate chiffon backing. I, too, had been dying to make a similar coat, but I would opt for cotton velvet - easier to work with and embroider, much less delicate pile (remember to always iron your velvets pile side on special board or..another, scrap piece of velvet so it doesn't smoosh together. The embroidery over seam lines could have been done using different technique rather than sewing canvas and stretching it over a frame (you cannot hoop it, it will dent the pile permanently), such as stuffing the sleeve with tissue paper but it's by far easier using frame. I hope to do my "reproduction" soon but I plan on butchering and "modernizing" the pattern by adding a waist seam, using 1 1/2 circle pattern for the skirt without the insertions and using a 3 piece close fitting sleeve and low standing collar. In black cotton velvet and silver thread with some goldwork wires in silver or silver beads. I plan on canvassing the bodice (or using a stiff interfacing), using silk taffeta for lining and stiff double organza for skirt interfacing (and maybe even horsehair for the hem? ) - I've been lusting over full skirted coats for a while, but the fabric cost...
Oh the many things I should have taken the time to learn when I was younger.
Just got back from a family funeral, very relieved to have a few calming moments with you and a very pretty coat.
Very excited to see this project unfold ♥
I am a fashion student in Denmark with intention to specialice in costumes. My teachers keep telling me to find inspiation in modern designers and shows but I am just so in LOVE with the history of fashion. How is a coat like this not as important to understand as contemporary pieces?! I find so much comfort and inspiration in your videos! It kinda feels like you’re a secondary teacher with the interest and passion you have for your projects :)
The coat is stunning! I'm very much looking forward to the journey with you and this beauty.
Yay! You’re back! -I started working with velvet for the first time this month. It’s cotton velvet and a low like so I’ve been able to iron it and it’s not to fidgety when I cut it, but I haven’t put it to my machine yet… 🤞🏻
I’m excited to see whether you recreate the coat using the original colors or choose your own color palette. (Purple is my favorite, though.)
That waistcoat and those French cuffs are so beautiful. I presume you made them. Gorgeous.
I remember in the 60s my mother buying cotton "street velvet" which was quite substantial, and her commenting that it was now hard to find.
Thank you so much for these videos, Cathy. Sitting back and listening to your gorgeous voice telling me so knowledgably about everything you've found and the ideas you get from the evidence of this coat makes me feel like I'm your student, learning from a master how to create such gorgeous garments. Your videos let me step into a warm, safe, comforting world. Thank you.
Hello so good to see you at your detective work on this dress construction mystery. I don’t do this kind of sewing but I love mysteries. It is beautiful. Look forward to the adventure.
How cool to go through this process with you and see how you gather ideas before designing. Thanks!
I absolutely love this coat and I am excited about the beautiful embroidery of flowers
You sound better, so glad to see you back! That coat is the bomb!!!!!
Wow that was immensely informative and interesting and what a stunning coat it is and will be! Looking forward to the process
That was very ineresting. I loved learning about the process of looking an extant garment for clues on how it was made. It is a very beautiful garment and will be very luxurious.
So glad you're back. I've been waiting for you to upload as I like to do my embroidery while listening to you talk.
I'm only part way through and I had to stop to say thank you for sharing those resources!! The super high res imagery option... MIND BLOWN🤯 Also, thanks for sharing your creative process, I find it fascinating. I'm new to your channel, but every video I've watched so far has drawn me in and made me smile.
Been waiting to see an update on this project and happened to see this video update. So exciting!!!!
Glad to see you back! Can you imagine the gown to go with this coat!!??
So excited to see the entire process! Thanks for sharing all these details with us.
Presently taking down sleeves on velvet riding jackets for daughter in Vermont. One waistcoat is green panne velvet which I doubt was riding gear. Be well lovely.
I remember Marshall and Snelgrove! I went there during the sales with my grandmother. It might even have been the closing down sale because they disappeared in the early 1970s.
I also find it helpful to understand the construction of an original, even when I'm only using it as inspiration. When I come up with an idea for a metal sculpture, I grab the cardboard and try to re-create the original (even if it needs to be a scaled-down version). That informs me when I "think" something is cut into one shape but is really a different shape, where I need to put connections and supports, and where things will want to bend. Cardboard is much cheaper than metal. 🙂
Your channel came to me last night during wee-hours insomnia. Not wanting to disturb my sleeping beloved, the sound was off and the captions were on. I clicked on "subscribe" at 48 seconds in, when the caption read "reassuring forget-about-pandemics music." No, your video did anything but put me to sleep. Now looking forward to my next bout with insomnia.
Welcome back...what a fantastic planning video...I have missed your chats 😀
Lord, have mercy! Pretty lady, your sweater is faaaaaaaabulous!!! Wow!! Gosh, if I had half your talent.
I am so happy happy happy that you have a project to work in and you are taking us on your journey !!!! I missed you calmness and the inspiration you provide
I love your videos Cathy, you go about this exactly as I would, getting all the details and loving the whole creation process. I just wish I had the time!! I can't wait to retire in a couple of months and can go back to my love of creating patterns and garments. Yippee!
I hasten to add, I've never looked at the intricate vintage pieces you show us Cathy, they are fabulous, and I can't wait to see this beautiful coat come into being!
My wife, a C&G fiber artist, worries how well the silk velvet will take to the embroidery, even with the innerfacing helping to approach the weight of the period velvet. We're excited to see how this comes along!
OMG THANK YOU FOR INTRODUCING US TO GOOGLE ARTS AND CULTURE!!! Really wishing they'd scan the lining!...but simply amazing!
I love your explanation of the investigation you do when coming up with the pattern!
Yes! Creators may think this is not interesting but it is! And, if a viewer wants to learn how they may want to tackle a big project, this will guide them or give them ideas for themselves of how they may want to expand or do things differently. Excellent.
I’m so delighted that you’re making this stunning garment! What a magnificent choice. I’m looking forward to seeing this come to life so very much 🥰
Oh, I'm super excited! Been waiting all month for this!! I can't wait to see what you've got done!
That’s awesome you said the word Sicily I’m hoping to get a job running an Airbnb in Sicily!
I'm very excited to see a new project!
Yes yes yes yes yes. I have eyed this coat for years. MAKE IT. MAKE IT HARDCORE!
I would love to make one too. But you are an artist that can't be stopped.
A lot of people like this coat - I don't want my doing it to stop you! I'm hoping that I can do enough legwork that it makes it easier for whoever else wants one to make their own version too!
I love your analysis of the garment. Thanks for sharing Google Arts, as I didn't know about the site. Can't wait to see your pattern draft and toile.
How exciting that we get to see your entire thought process from start to finish. I am on tenterhooks to see how you draft your pattern!
I've been wanting to make an 1890's walking dress for a Victorian fair here in the Bay Area (The Great Dickens Christmas fair, like a Rennaisance Faire only Victorian!) and I am really enjoying seeing how you think about approaching this type of recreation from start to finish. Looking forward to using this thinking in my own work. Thank you!
Because of this exciting video, I've had a very productive sewing day 🤣 I now have a new skirt and dungaree dress, thank you Cathy for being so inspirational xxx
I love your projects and I am very excited to watch this one unfold........it is going to be magical!
Fabulous! Another magical journey...
Cathy, you mentioned you feel the cold? I do too. Cashmere is the answer! ‘Cos it’s awesome, it’s warm, light, layerable and workable. Could you interline the coat with cashmere fabric? Could you stitch together old cashmere jumpers, to make a big enough patchwork piece, to cut out the actual pattern? or just interline the upper bodice, sleeves and down to thigh/knee length on the skirt, with pieces of individual jumpers/ cardigans etc? Yes, it would be bulkier, but given that the fabric you’re working with is so much finer & lighter weight, even with the iron on interfacing, than the original (which looks more like a modern, light weight upholstery velvet) it could give the modern velvet the bulk it actually needs? Alternatively, just get yer cashmere vest on, pet! Layers are your friend😉. Good luck, from Annie, in chilly Cornwall,🌸
Love how you analyze and decipher the clues from the photos and then find the right pattern ideas to use as jumping off points. Very interesting to watch this process!
Excitement is bubbling over for this project. The coat is so lovely and I bet it will be so nice to wear during winter having a cup of hot tea and sitting by a window and watching the snow fall. Looking forward to your next video on this new sewing journey.
Ooh I like that visual!
I have visons of being sat in big deep cushioned window sill. Snow falling from an evening sky. Skirt of the coat pooling around the feet. Hot chocolate in hand, hair down, candle light. Gazing out of the window.
Good to see you back on form Kathy, interesting how you’ve selected your pattern pieces looking forward to see you making a start on the coat!
Thank you Cathy, for sharing your process and the thought behind it. I find that I learn so much and am so thankful that you take the time to share the details ❤️🥰 Wishing you all the best, Lynne
This is fascinating. I love seeing your process. And the coat is to die dramatically for!
I think this coat is going to be as gorgeous as the peacock dress and a sight more practical. Projects are much more fun when you know you will get to wear them more than once. I can't wait to see you swishing around in it.
Wow very detailed. Thank you. I don't see much, my grandaughter does, so when I saw the coat I knew it was something she would like. I wasn't expecting so much. Very interesting.
I just saw this and immediately decided this coat needs to be in my wardrobe. There's no way in hell I'll be able to make it any time soon, I've struggled over making a top and a pair of trousers... but I can dream.