@@Fran-pd8df El concepto de "tempo" de una obra está demostrado musicológicamente que se ha ido acelerando con el paso de los Siglos. Por tanto está velocidad es excesiva para una interpretación lo más fiel posible a cuando se escribió.
No. Remember that it is a grande DUO concertante, so the piano is not just an accompaniment it has an equal part with the clarinet. The quaver pulse from the piano is where you should look to judge the tempo in this case, which very cleverly gives the long note melodic line from the clarinet an almost adagio feel with the opening line. However there are plenty of semiquaver sections to come - which in this performance is actually rushed a little and is played at a faster tempo than the start ( an easy mistake to make) but a controlled tempo brings out much more anticipation and beauty in these sections I have found, but one must be mindful of the tendency to rush in these sections. Musically speaking it really needs to be slow enough to balance the other 2 movements which are very fast in this case.
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I. 0:00
II. 8:16
III. 14:27
Nice sound really, but don't do so many vibratos
And watch the tempo,in general it should be the same
Bravo bravo bravo
Nice, I’m preparing for my LT
15:28
La gara di chi arriva primo
2’23 ２カッコ
Buff.... Demasiado deprisa, creo que el tiempo es excesivamente rápido.
@@Fran-pd8df El concepto de "tempo" de una obra está demostrado musicológicamente que se ha ido acelerando con el paso de los Siglos. Por tanto está velocidad es excesiva para una interpretación lo más fiel posible a cuando se escribió.
This sounds a lot like brahms
I think Brahms sound like Weber, HAHAHA
Weber composed this a couple of decades before Brahms was born.
Wtf this sounds nothing like Brahms
Well Carl Maria Von Weber was a German composer of the Early Romantic Era
Anyone think the player’s second movement is a little too slow?
No, it's meant to be that slow
No. Remember that it is a grande DUO concertante, so the piano is not just an accompaniment it has an equal part with the clarinet. The quaver pulse from the piano is where you should look to judge the tempo in this case, which very cleverly gives the long note melodic line from the clarinet an almost adagio feel with the opening line.
However there are plenty of semiquaver sections to come - which in this performance is actually rushed a little and is played at a faster tempo than the start ( an easy mistake to make) but a controlled tempo brings out much more anticipation and beauty in these sections I have found, but one must be mindful of the tendency to rush in these sections.
Musically speaking it really needs to be slow enough to balance the other 2 movements which are very fast in this case.
If this was funeral music💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀
Too slow ...
its supposed to be like this...😂