Typically, high notes and ad libs are either Siyeon or Yoohyeon. If it's a title track, it's Siyeon 99% of the time. If it's a b-side it could be either. You'll find all of them doing belts throughout the discography though and that's only getting more common as time progresses.
"Bon Voyage" is the 3rd and final part of the Apocalypse trilogy, which is about the destruction of the environment by humanity. The members have mentioned that it is about giving nature a break. Any encounter between human beings always has separation attached to it as well, just as death is a part of life. SuA also said that the fluffy floating thing that Dami summons from her painting is a cell, representing nature. It has been named "Celly" and is adorable, right? My dark mind believes that they are saying "Have a good trip" to humanity, since we are well on our way of wiping ourselves out. It's like a breakup between humanity and the earth. Once humanity is gone, nature gets the break it needs and the circle will begin again. For me, the key to understanding the lyrics is that they are singing as human beings, not as a single person. And they are singing to nature, confessing their love and the realization that we are not good for nature and that it probably resents us. It could also be the other way round (them singing as mother nature to humanity). SuA jumping out after the dove seem to represent their desire for peace. There are still many things I don't know. For example, why are all three titles in French. 😉 (And why are there 3 Damis with 7 shadows...) The story of the MV seems to be that the rest of humanity has sheltered away under force fields after the apocalypse. This gives nature time to heal. Musically I can already say this is one of their best songs for me. The chorus slaps hard, and the variations between heavy and slow are just beautiful. It has emotion and impact at the same time. Putting JiU's sweet voice together with an acoustic guitar is simply genius. At first glance you could think OOTD is about them being proud and happy with themselves, about confidence. I don't think that is it though. The album is called VersuS VillainS, which makes me think it is not this simple. So I believe this song is meant as a criticism of narcissism, vanity, materialism and also (maybe) the fast fashion industry. "OOTD" stands for "Outfit of the Day" after all, maybe it's about useless instagram fashion-influencers posting videos of their outfit of the day, which also promotes fast fashion. The fact that fashion is moving ever faster makes it the most destructive industry to the planet only outdone by the fossil fuel industry. The Aral lake has all but disappeared because of the cotton industry for example. It would fit to the Villain image, and you can see in the MV that they are acting. It is shown in the scene where Yoohyeon and Handong are fighting, but then the camera is off and Handong helps Yoohyeon up. The main reason why I don't think it is about confidence or their own success is the line "Driving on the highway, drunken everyday, do you feel like a monster?" and the album title. That just doesn't fit. And there was the ymenehcra (arch enemy backwards) account posting about touching a crown is dangerous and other cryptic messages before the comeback. It could also be a big and well-hidden F*U to the Kpop industry, like the Nightmare arc probably was. The narcissism and materialism is definitely criticized here, and Dreamcatcher have been criticized a lot themselves because of their rock/metal concept, while other groups have been celebrated for using a guitar riff once in a song. And Handong standing in front of the camera with bruises all over her legs seems to be a comment on the merciless industry as well. The music is highly interesting as well. The Rock is dirty and distorted. The song structure is not what you'd expect at all, for me it is funk rock meets K-Pop. Not their usual spiel, but a very good progression. It takes a couple of listens to really appreciate it.
Typically, high notes and ad libs are either Siyeon or Yoohyeon. If it's a title track, it's Siyeon 99% of the time. If it's a b-side it could be either. You'll find all of them doing belts throughout the discography though and that's only getting more common as time progresses.
If a high note is involved, 90% of the time, it will be from Siyeon. The high note in Bon Voyage is from Siyeon.
thank you for letting me know ‼️🩵 she be eating those high notes each time then 😭✨ i always wonder whos doing it most of the time
"Bon Voyage" is the 3rd and final part of the Apocalypse trilogy, which is about the destruction of the environment by humanity. The members have mentioned that it is about giving nature a break. Any encounter between human beings always has separation attached to it as well, just as death is a part of life. SuA also said that the fluffy floating thing that Dami summons from her painting is a cell, representing nature. It has been named "Celly" and is adorable, right?
My dark mind believes that they are saying "Have a good trip" to humanity, since we are well on our way of wiping ourselves out. It's like a breakup between humanity and the earth. Once humanity is gone, nature gets the break it needs and the circle will begin again. For me, the key to understanding the lyrics is that they are singing as human beings, not as a single person. And they are singing to nature, confessing their love and the realization that we are not good for nature and that it probably resents us. It could also be the other way round (them singing as mother nature to humanity).
SuA jumping out after the dove seem to represent their desire for peace.
There are still many things I don't know. For example, why are all three titles in French. 😉 (And why are there 3 Damis with 7 shadows...)
The story of the MV seems to be that the rest of humanity has sheltered away under force fields after the apocalypse. This gives nature time to heal.
Musically I can already say this is one of their best songs for me. The chorus slaps hard, and the variations between heavy and slow are just beautiful. It has emotion and impact at the same time. Putting JiU's sweet voice together with an acoustic guitar is simply genius.
At first glance you could think OOTD is about them being proud and happy with themselves, about confidence. I don't think that is it though. The album is called VersuS VillainS, which makes me think it is not this simple. So I believe this song is meant as a criticism of narcissism, vanity, materialism and also (maybe) the fast fashion industry. "OOTD" stands for "Outfit of the Day" after all, maybe it's about useless instagram fashion-influencers posting videos of their outfit of the day, which also promotes fast fashion.
The fact that fashion is moving ever faster makes it the most destructive industry to the planet only outdone by the fossil fuel industry. The Aral lake has all but disappeared because of the cotton industry for example. It would fit to the Villain image, and you can see in the MV that they are acting. It is shown in the scene where Yoohyeon and Handong are fighting, but then the camera is off and Handong helps Yoohyeon up.
The main reason why I don't think it is about confidence or their own success is the line "Driving on the highway, drunken everyday, do you feel like a monster?" and the album title. That just doesn't fit. And there was the ymenehcra (arch enemy backwards) account posting about touching a crown is dangerous and other cryptic messages before the comeback.
It could also be a big and well-hidden F*U to the Kpop industry, like the Nightmare arc probably was. The narcissism and materialism is definitely criticized here, and Dreamcatcher have been criticized a lot themselves because of their rock/metal concept, while other groups have been celebrated for using a guitar riff once in a song. And Handong standing in front of the camera with bruises all over her legs seems to be a comment on the merciless industry as well.
The music is highly interesting as well. The Rock is dirty and distorted. The song structure is not what you'd expect at all, for me it is funk rock meets K-Pop. Not their usual spiel, but a very good progression. It takes a couple of listens to really appreciate it.
Day must end with Night ,
Night must fall with the rise of Day .
But she must go on ,
the one they call Dreamcatcher