@@JoeMcDaniel Bro i'm listening to this again, i managed to get myself a kemper stage. Do you have a performance saved for this song/sound that I could maybe use?
I've been playing on the Gretsch vintage select players edition 59 silver/sparkle jet with the pinned bridge. It is an awesome sounding guitar and I love the pups in it.
Really nice thanks, and helpful to have one guitar left and the other right, have I missed a list of sound / effects settings anywhere ? Still great song and great sounds, love the tele sound
Thanks Colin! Glad it helped. I don't have any settings posted anywhere. Just the gear I used in the description. Sadly, by now I have forgotten just how I would have had my pedals set at the time
I've always been curious about kemper profilers, how do they compare to tube amps in your experience? Tone is absolutely killer by the way! Keep it up bro, God bless!
Hey Jack. When it comes to the Kemper, the hardest thing to get used to is not having a speaker right there in the room. The Kemper is producing the sound of a mic'ed amp, so the tone is more 'produced' sounding IMO. It feels pretty different to play through than an amp in the room, even through a monitor. With that being said, after getting used to everything, the tones you can achieve are incredible and endless. It's an incredible piece of equipment! Blessings to you bro!
Sorry for the late reply. I was using the Mzo.Effects Blue for overdrive here. And also at the time I was using just the Single Delay. One key to getting that lead sound is placing a delay before the amp section. I usually placed a delay before and after.
I don't remember if I was doing that for this video. I do know that I did run reverb in parallel at times, so that could be the case. Another thing I did was put a reverb before the amp stack, that might have made it seem wetter. Also both the guitars were recorded in mono.
There's a parameter in the Kemper delays labeled "flutter intensity" and "flutter rate". I cranked those up, and I got that crazy destroyed delay sound. Sounds killer!!
Sorry I missed your comment Matias! For the intro I used a heavily modulated dotted 8th delay with long repeats. I also used a heavy mix long decay hall reverb.
Thanks Victor! First of all let me just say that you can't go wrong with either, but if I had to pick one, it would be the Gretsch. Mainly because of two reasons: I love having the Bigsby because it allows me to add vibrato to chords. I'd love to slap one on my Tele. Secondly, it sounds so unique and so good. It does both dirty and clean tones so well. I love that great Gretsch sound.
I keep watching over soo many times. You're genius bro!
Thank you man! I'm glad you enjoy it!
Cool!
Thank you!
Keep posting man!! Love to see some new tutorials
For sure! Trying to figure out a place where I can consistently film videos at right now.
I Liked and Subscribed! I love the Gretch! Awesome job dude! 🤘
Thanks so much!
Your tone man🙌🏼💪🏼🔥
Thanks Kevin! 🤜
@@JoeMcDaniel Bro i'm listening to this again, i managed to get myself a kemper stage. Do you have a performance saved for this song/sound that I could maybe use?
Killer parts and tone!
Thanks!
Nice
Appreciate it
I've been playing on the Gretsch vintage select players edition 59 silver/sparkle jet with the pinned bridge. It is an awesome sounding guitar and I love the pups in it.
I would LOVE to own one of those Japanese Gretschs one day. Definitely a sparkle one as well, I love that Gretsch sound.
@@JoeMcDaniel Its so so good! Plays beautifully clean and then can melt your face off with some OD pedals. Lol.
Really nice thanks, and helpful to have one guitar left and the other right, have I missed a list of sound / effects settings anywhere ? Still great song and great sounds, love the tele sound
Thanks Colin! Glad it helped. I don't have any settings posted anywhere. Just the gear I used in the description. Sadly, by now I have forgotten just how I would have had my pedals set at the time
Thanks alot! I am encouraged. +1 subscribed!
Glad you liked it!
Awesome joe +1 subscriber 💖
Thank you for the support Harley!
I have the same tele 👍
Solid guitar for the money!
cool video
Thanks a lot!
Love the video! Are using any pitch shifter in both guitars?
Thanks! No pitch shifter used here
Please write modulation effects(deley reverb and other settings)
Heavy modulated dotted 8th delay, and a darker heavy mix long decay hall reverb.
I've always been curious about kemper profilers, how do they compare to tube amps in your experience? Tone is absolutely killer by the way! Keep it up bro, God bless!
Hey Jack. When it comes to the Kemper, the hardest thing to get used to is not having a speaker right there in the room. The Kemper is producing the sound of a mic'ed amp, so the tone is more 'produced' sounding IMO. It feels pretty different to play through than an amp in the room, even through a monitor.
With that being said, after getting used to everything, the tones you can achieve are incredible and endless. It's an incredible piece of equipment! Blessings to you bro!
It sounds incredible! especially that maxed out shimmer/flutter on the delay
If I were to play this song in the key of F, how do I go about transposing ?
You would need to move everything up by 4 frets
Do I play the notes 2 steps higher?
Great tone! Can I ask if you are using any drives to get that lead tone. Can’t quite get what I want.. also is it the legacy delay? Thanks very much
Sorry for the late reply. I was using the Mzo.Effects Blue for overdrive here. And also at the time I was using just the Single Delay. One key to getting that lead sound is placing a delay before the amp section. I usually placed a delay before and after.
@@JoeMcDaniel thanks very much. Just can’t seem to dial in that lead sound for this one.
What gauge strings do you have on the tele and gretsch respectively?
I was using 10-46 on both at the time
Did you run the reverb in parallel to your dry signal? I can’t get my mix up that high without losing the clarity of the notes which you still have
I don't remember if I was doing that for this video. I do know that I did run reverb in parallel at times, so that could be the case.
Another thing I did was put a reverb before the amp stack, that might have made it seem wetter. Also both the guitars were recorded in mono.
That tone on your tele at the beginning is KILLER. How'd you get it?
There's a parameter in the Kemper delays labeled "flutter intensity" and "flutter rate". I cranked those up, and I got that crazy destroyed delay sound. Sounds killer!!
what kind of delay do you use?
and reverb
how do you use the effects for the squier?
Sorry I missed your comment Matias! For the intro I used a heavily modulated dotted 8th delay with long repeats. I also used a heavy mix long decay hall reverb.
Are those stock pickups in the gretsch?
Yes, those are still the Blacktop Filtertrons. I only just changed the pickup covers.
Nice tone man. If you could buy only one of these 2 guitars. You would take the squier or the gretsch?
Thanks Victor! First of all let me just say that you can't go wrong with either, but if I had to pick one, it would be the Gretsch.
Mainly because of two reasons:
I love having the Bigsby because it allows me to add vibrato to chords. I'd love to slap one on my Tele.
Secondly, it sounds so unique and so good. It does both dirty and clean tones so well. I love that great Gretsch sound.
@@JoeMcDaniel Thanks Joe. Im about to install a bigsby on my squier. Will sound awesome.