@UCwvUjyyu5102bBnQ0gPnUlw The reason that lots of cellists like to play this concerto differently is because we don't have a surviving manuscript of this Concerto in Haydn's Hands, but we do have a copy that was found in the 1960s & the one in the video is published by Barenreiter Verlag. The instrumentation from top to bottom in the Score is 2 Oboes, 2 Horns in C (or 2 C Bass Flugelhorns), 2 Violins, Viola, Solo Cello, & Basso Continuo (Cellos, Basses, Bassoon, & Harpsichord).
@UCwvUjyyu5102bBnQ0gPnUlw The reason that lots of cellists like to play this concerto differently is because we don't have a surviving manuscript of this Concerto in Haydn's Hands, but we do have a copy that was found in the 1960s & the one in the video is published by Barenreiter Verlag. The instrumentation from top to bottom in the Barenreiter Score is 2 Oboes, 2 Horns in C Basso (those parts can be played on 2 C Bass Flugelhorns or C Euphoniums), 2 Violins, Viola, Solo Cello, & Basso Continuo (Cellos, Basses, Bassoon, & Harpsichord).
@UCwvUjyyu5102bBnQ0gPnUlw That's really one of my favorite concertos. The Bowing is pretty expressive, & the Music that you have on your stand is a Barenreiter Verlag Score. There's also a Piano Reduction score that's alot easier to read since it shows the Orchestral part in a really compact shape.
Hi Danilo, thanks for watching- I am posting the second half of this lesson in a few minutes. I hope that this second half might clarify some issues. Otherwise, please let me know which passages are you having difficulty with, and how? not in tune?, not clear? not fast enough? I do talk more about left hand and right hand coordination in the second part. You can use the music Haydn wrote as an exercise. There are scales and shifts in the music.
Thanks for the explaining. Can you play the Mozart clarinet concerto with the cello? There are also very fine Vivaldi Basson concertos that can be played with cello. May need some adjusting for the cello. Sergei played the cello concerto you are explaining but with a valve trumpet.
Eric Cheng hi, I once played a Haydn trumpet concerto that was transcribed for cello and that works very well. One could probably play the Mozart clarinet concerto on cello as they have a similar range.
@UCwvUjyyu5102bBnQ0gPnUlw You have to make a video on how to play the Tutti Passages in the Solo Cello part (which are in unison w/ the Continuo Section) which will happen in a new part 3 video.
@@Inbalsegevcello Another piece on our minds is Mozart's 5'th Violin Concerto arranged for Cello by Dennis Parker & the Music is available right here:www.sharmusic.com/Sheet-Music/Cello/w-47-Piano/Mozart-on-Cello---Violin-Concerto-No-5-in-A-Major-K-219---for-Cello---transcribed-and-edited-by-Dennis-Parker---Nucello.axd
@@Inbalsegevcello Another piece on our minds is Mozart's 5'th Violin Concerto arranged for Cello by Dennis Parker & the Music is available right here:www.sharmusic.com/Sheet-Music/Cello/w-47-Piano/Mozart-on-Cello---Violin-Concerto-No-5-in-A-Major-K-219---for-Cello---transcribed-and-edited-by-Dennis-Parker---Nucello.axd
@@Inbalsegevcello Another piece on our minds is Mozart's 5'th Violin Concerto arranged for Cello by Dennis Parker & the Music is available right here:www.sharmusic.com/Sheet-Music/Cello/w-47-Piano/Mozart-on-Cello---Violin-Concerto-No-5-in-A-Major-K-219---for-Cello---transcribed-and-edited-by-Dennis-Parker---Nucello.axd
@@Inbalsegevcello Another piece on our minds is Mozart's 5'th Violin Concerto arranged for Cello by Dennis Parker & the Music is available right here:www.sharmusic.com/Sheet-Music/Cello/w-47-Piano/Mozart-on-Cello---Violin-Concerto-No-5-in-A-Major-K-219---for-Cello---transcribed-and-edited-by-Dennis-Parker---Nucello.axd
@UCwvUjyyu5102bBnQ0gPnUlw Yeah there's actually more than one way to play it. In a concerto if the Soloist is playing Tutti in unison w/ the Orchestra, it should be based on the role of the instrument in the orchestra, like in Haydn's 1'st Cello Concerto the Soloist plays the Tutti passages in unison w/ the Basso Continuo Section.
^ Those are not always played, if I know what you mean correctly. Classical concerto form is typically that there is "main material" played by the orchestra and then solo material played by the soloist in which the orchestra softly accompanies underneath similar to the "chorus" theme versus other part in a popular song. This is likely why she didn't bother to include these passages. Perhaps it was tradition in the past for the soloist to play the tutti passages along with the orchestra but it is seldom done today. Just trust that you have quite enough information to work with already from a master cellist!
@@RockStarOscarStern634 ^ Like you hinted at, it’s subjective. Up to the discretion, preference, and taste of the player and ensemble. There’s no set “rule”.
So which Solo Violin Pieces did you arrange for the Cello? I thought I could use a 5 String Cello and play them down an Octave cause the High E on a 5 String Cello is a Octave below a Violin E String.
@UCwvUjyyu5102bBnQ0gPnUlw My idea was to play Tchaikovsky's Violin Concerto in D major on the Cello & I was wondering if you could try it by playing the Solo Violin part down an entire octave on the Cello.
@@Inbalsegevcello During the Tutti passages the Solo Cello has an option to play in unison w/ the Continuo Section (Cellos, Basses, Bassoon & Harpsichord) because the Tutti passages for the solo parts in Concertos are based on their orchestral role
@@Inbalsegevcello During the Tutti passages the Solo Cello has an option to play in unison w/ the Continuo Section (Cellos, Basses, Bassoon & Harpsichord) because the Tutti passages for the solo parts in Concertos are based on their orchestral role
@@Inbalsegevcello During the Tutti passages the Solo Cello has an option to play in unison w/ the Continuo Section (Cellos, Basses, Bassoon & Harpsichord) because the Tutti passages for the solo parts in Concertos are based on their orchestral role
@@Inbalsegevcello During the Tutti passages the Solo Cello has an option to play in unison w/ the Continuo Section (Cellos, Basses, Bassoon & Harpsichord) because the Tutti passages for the solo parts in Concertos are based on their orchestral role
I’ve been having some trouble with clarity in the 32nd notes, especially at bar 44. I always get the notes in tune, but I feel as if it’s not quite speaking the way it should. Is there anything I could consider doing differently?
Nick Callcut hi, you probably mean bar 46? I will post/talk about how to work on this passage next week. Be sure your left hand is ahead of your right hand when you change positions, in other words-the left hand moves while you are on the “old bow” if that makes sense? Try to work on this passage with the techniques I talk about for bar 34. Also, playing with the bow closer to the bridge can help.
@UCwvUjyyu5102bBnQ0gPnUlw The reason that lots of cellists like to play this concerto differently is because we don't have a surviving manuscript of this Concerto in Haydn's Hands, but we do have a copy that was found in the 1960s & the one in the video is published by Barenreiter Verlag. The instrumentation from top to bottom in the Score is 2 Oboes, 2 Horns in C (or 2 C Bass Flugelhorns), 2 Violins, Viola, Solo Cello, & Basso Continuo (Cellos, Basses, Bassoon, & Harpsichord).
@UCwvUjyyu5102bBnQ0gPnUlw You have to make a video on how to play the Tutti Passages in the Solo Cello part (which are in unison w/ the Continuo Section) which will happen in a new part 3 video.
@UCwvUjyyu5102bBnQ0gPnUlw That's really one of my favorite concertos. The Bowing is pretty expressive, & the Music that you have on your stand is a Barenreiter Verlag Score. There's also a Piano Reduction score that's alot easier to read since it shows the Orchestral part in a really compact shape.
@UCwvUjyyu5102bBnQ0gPnUlw Yeah there's actually more than one way to play it. In a concerto if the Soloist is playing Tutti in unison w/ the Orchestra, it should be based on the role of the instrument in the orchestra, like in Haydn's 1'st Cello Concerto the Soloist plays the Tutti passages in unison w/ the Basso Continuo Section.
@UCwvUjyyu5102bBnQ0gPnUlw My idea was to play Tchaikovsky's Violin Concerto in D major on the Cello & I was wondering if you could try it by playing the Solo Violin part down an entire octave on the Cello.
@@Inbalsegevcello Can you please come to my house? I really wanna play Tchaikovsky's Violin Concerto on the Cello just to impress everyone on social media.
@@Inbalsegevcello Really like, which ones? I found that a 5 String Cello w/ the High E String could work better cause 5 String Cellos with a High E Can cover Violin & Viola Sheet Music sounding an Octave Lower than written.
@UCwvUjyyu5102bBnQ0gPnUlw Yeah there's actually more than one way to play it. In a concerto if the Soloist is playing Tutti in unison w/ the Orchestra, it should be based on the role of the instrument in the orchestra, like in Haydn's 1'st Cello Concerto the Soloist plays the Tutti passages in unison w/ the Basso Continuo Section.
@UCwvUjyyu5102bBnQ0gPnUlw Yeah there's actually more than one way to play it. In a concerto if the Soloist is playing Tutti in unison w/ the Orchestra, it should be based on the role of the instrument in the orchestra, like in Haydn's 1'st Cello Concerto the Soloist plays the Tutti passages in unison w/ the Basso Continuo Section.
Terrific advice once again! Thanks for making this concerto a little less intimidating.
Wow. Fantastic.
I've played the C Bass Horn Parts (sound an Octave lower than written) on 2 C Bass-Tenor Flugelhorns.
Great interpretation 🙌
1:21 1'st Violins Slurs in 1'st Tutti (on Cello)
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
The reason that lots of cellists like to play this concerto differently is because we don't have a surviving manuscript of this Concerto in Haydn's Hands, but we do have a copy that was found in the 1960s & the one in the video is published by Barenreiter Verlag. The instrumentation from top to bottom in the Score is 2 Oboes, 2 Horns in C (or 2 C Bass Flugelhorns), 2 Violins, Viola, Solo Cello, & Basso Continuo (Cellos, Basses, Bassoon, & Harpsichord).
can’t believe all of this is out here for free
ik right?
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
The reason that lots of cellists like to play this concerto differently is because we don't have a surviving manuscript of this Concerto in Haydn's Hands, but we do have a copy that was found in the 1960s & the one in the video is published by Barenreiter Verlag. The instrumentation from top to bottom in the Barenreiter Score is 2 Oboes, 2 Horns in C Basso (those parts can be played on 2 C Bass Flugelhorns or C Euphoniums), 2 Violins, Viola, Solo Cello, & Basso Continuo (Cellos, Basses, Bassoon, & Harpsichord).
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
That's really one of my favorite concertos. The Bowing is pretty expressive, & the Music that you have on your stand is a Barenreiter Verlag Score. There's also a Piano Reduction score that's alot easier to read since it shows the Orchestral part in a really compact shape.
0:58 We don't have a manuscript of the concerto in the composer's hands, we have a copy found in the 1960's.
Barenreiter Verlag has a Piano Reduction Score which is easier to read.
Inbal Segev In the Tutti Passages the Solo Cello can play in Unison w/ the Cello Section.
Thank you so much!
Thank you madam for beautiful explanation
Ah man I was hoping you’d go over measures 39-41,they are really tricky for me :(
Nice class. Thank you so much!
That explains the Music Stand.
Could teaching some exercises for the bow and left hand?
Hi Danilo, thanks for watching- I am posting the second half of this lesson in a few minutes. I hope that this second half might clarify some issues. Otherwise, please let me know which passages are you having difficulty with, and how? not in tune?, not clear? not fast enough? I do talk more about left hand and right hand coordination in the second part. You can use the music Haydn wrote as an exercise. There are scales and shifts in the music.
Te admiro mucho inbal
Could you do the Saint Saëns Cello Concerto and the Rococo Variations?
Ariana Sophia hi, adding them to the list... thanks for watching!!
thank you so much, and I'm looking forward to those videos!@@Inbalsegevcello
love it 😍
Thanks Irmi😊
Thanks for the explaining. Can you play the Mozart clarinet concerto with the cello? There are also very fine Vivaldi Basson concertos that can be played with cello. May need some adjusting for the cello. Sergei played the cello concerto you are explaining but with a valve trumpet.
Eric Cheng hi, I once played a Haydn trumpet concerto that was transcribed for cello and that works very well. One could probably play the Mozart clarinet concerto on cello as they have a similar range.
@@Inbalsegevcello What does the Cello version of the Haydn Trumpet concerto Sound like? Play it & we'll find out.
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
You have to make a video on how to play the Tutti Passages in the Solo Cello part (which are in unison w/ the Continuo Section) which will happen in a new part 3 video.
8:57 was I the only one who noticed the unintentional pun, the laugh and then the cut? 😂 sorry that was toooo funny
Inbal Segev During the Tutti Passages the Solo Cello can play in unison w/ the Continuo Section.
CircuitsAndStrings 2 Mr Stern true that. In fact, I am preparing the CPE Bach cello concerto in A major now and that’s on my mind too.
@@Inbalsegevcello Another piece on our minds is Mozart's 5'th Violin Concerto arranged for Cello by Dennis Parker & the Music is available right here:www.sharmusic.com/Sheet-Music/Cello/w-47-Piano/Mozart-on-Cello---Violin-Concerto-No-5-in-A-Major-K-219---for-Cello---transcribed-and-edited-by-Dennis-Parker---Nucello.axd
@@Inbalsegevcello Another piece on our minds is Mozart's 5'th Violin Concerto arranged for Cello by Dennis Parker & the Music is available right here:www.sharmusic.com/Sheet-Music/Cello/w-47-Piano/Mozart-on-Cello---Violin-Concerto-No-5-in-A-Major-K-219---for-Cello---transcribed-and-edited-by-Dennis-Parker---Nucello.axd
@@Inbalsegevcello Another piece on our minds is Mozart's 5'th Violin Concerto arranged for Cello by Dennis Parker & the Music is available right here:www.sharmusic.com/Sheet-Music/Cello/w-47-Piano/Mozart-on-Cello---Violin-Concerto-No-5-in-A-Major-K-219---for-Cello---transcribed-and-edited-by-Dennis-Parker---Nucello.axd
@@Inbalsegevcello Another piece on our minds is Mozart's 5'th Violin Concerto arranged for Cello by Dennis Parker & the Music is available right here:www.sharmusic.com/Sheet-Music/Cello/w-47-Piano/Mozart-on-Cello---Violin-Concerto-No-5-in-A-Major-K-219---for-Cello---transcribed-and-edited-by-Dennis-Parker---Nucello.axd
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
Yeah there's actually more than one way to play it. In a concerto if the Soloist is playing Tutti in unison w/ the Orchestra, it should be based on the role of the instrument in the orchestra, like in Haydn's 1'st Cello Concerto the Soloist plays the Tutti passages in unison w/ the Basso Continuo Section.
偶然あなたのビデオを見合わせました。
You forgot about the Tutti passages in the solo cello part. We need to know what they sound like
^ Those are not always played, if I know what you mean correctly. Classical concerto form is typically that there is "main material" played by the orchestra and then solo material played by the soloist in which the orchestra softly accompanies underneath similar to the "chorus" theme versus other part in a popular song. This is likely why she didn't bother to include these passages. Perhaps it was tradition in the past for the soloist to play the tutti passages along with the orchestra but it is seldom done today. Just trust that you have quite enough information to work with already from a master cellist!
@@rominn2184 It depends on the concerto but I think playing the Tutti passages throughout would allow us to keep the music going
@@RockStarOscarStern634 ^ Like you hinted at, it’s subjective. Up to the discretion, preference, and taste of the player and ensemble. There’s no set “rule”.
@@rominn2184 True
So which Solo Violin Pieces did you arrange for the Cello? I thought I could use a 5 String Cello and play them down an Octave cause the High E on a 5 String Cello is a Octave below a Violin E String.
👏🏻👏🏻👏🏻👏🏻
Haven't you done the Tutti Passages in the Solo Cello part yet?
Which bows do you recommend in the beginning the violin ones or the first ones you show in the video?
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
My idea was to play Tchaikovsky's Violin Concerto in D major on the Cello & I was wondering if you could try it by playing the Solo Violin part down an entire octave on the Cello.
@UCwvUjyyu5102bBnQ0gPnUlw in 1:20 that to me looks like the Barenreiter Score.
The copy was found in the 1950s.
Question: Where did you get you cello? It has a beautiful sound 😊😊
Leonhard Euler hello and thanks! I am playing on a Francesco Ruggeri cello. It was made in Cremona in 1673.
@@Inbalsegevcello During the Tutti passages the Solo Cello has an option to play in unison w/ the Continuo Section (Cellos, Basses, Bassoon & Harpsichord) because the Tutti passages for the solo parts in Concertos are based on their orchestral role
@@Inbalsegevcello During the Tutti passages the Solo Cello has an option to play in unison w/ the Continuo Section (Cellos, Basses, Bassoon & Harpsichord) because the Tutti passages for the solo parts in Concertos are based on their orchestral role
@@Inbalsegevcello During the Tutti passages the Solo Cello has an option to play in unison w/ the Continuo Section (Cellos, Basses, Bassoon & Harpsichord) because the Tutti passages for the solo parts in Concertos are based on their orchestral role
@@Inbalsegevcello During the Tutti passages the Solo Cello has an option to play in unison w/ the Continuo Section (Cellos, Basses, Bassoon & Harpsichord) because the Tutti passages for the solo parts in Concertos are based on their orchestral role
Inbal segev could you please being more especific about the passages in this peace???
I’ve been having some trouble with clarity in the 32nd notes, especially at bar 44. I always get the notes in tune, but I feel as if it’s not quite speaking the way it should. Is there anything I could consider doing differently?
Nick Callcut hi, you probably mean bar 46? I will post/talk about how to work on this passage next week. Be sure your left hand is ahead of your right hand when you change positions, in other words-the left hand moves while you are on the “old bow” if that makes sense? Try to work on this passage with the techniques I talk about for bar 34. Also, playing with the bow closer to the bridge can help.
Yes, that’s what I meant. Thank you! I will add this to my work. I’m 16 and it’s only my second major concerto I’ve ever worked on
Nick Callcut Good luck and good work(-: thanks for watching. Inbal
"when practice with the piano" HA funny of you to think that I have a teacher :,) Thank you for the guide!
1:21 1'st Violins Slurs in 1'st Tutti (on Cello)
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
The reason that lots of cellists like to play this concerto differently is because we don't have a surviving manuscript of this Concerto in Haydn's Hands, but we do have a copy that was found in the 1960s & the one in the video is published by Barenreiter Verlag. The instrumentation from top to bottom in the Score is 2 Oboes, 2 Horns in C (or 2 C Bass Flugelhorns), 2 Violins, Viola, Solo Cello, & Basso Continuo (Cellos, Basses, Bassoon, & Harpsichord).
That explains the Music Stand.
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
You have to make a video on how to play the Tutti Passages in the Solo Cello part (which are in unison w/ the Continuo Section) which will happen in a new part 3 video.
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
That's really one of my favorite concertos. The Bowing is pretty expressive, & the Music that you have on your stand is a Barenreiter Verlag Score. There's also a Piano Reduction score that's alot easier to read since it shows the Orchestral part in a really compact shape.
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
Yeah there's actually more than one way to play it. In a concerto if the Soloist is playing Tutti in unison w/ the Orchestra, it should be based on the role of the instrument in the orchestra, like in Haydn's 1'st Cello Concerto the Soloist plays the Tutti passages in unison w/ the Basso Continuo Section.
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
My idea was to play Tchaikovsky's Violin Concerto in D major on the Cello & I was wondering if you could try it by playing the Solo Violin part down an entire octave on the Cello.
CircuitsAndStrings 2 Mr Stern you should totally do it! I have arranged a few works for violin that way and it can work beautifully.
@@Inbalsegevcello Can you please come to my house? I really wanna play Tchaikovsky's Violin Concerto on the Cello just to impress everyone on social media.
@@Inbalsegevcello Do you know any violin works you arranged for Cello? Franck's Violin Sonata was arranged for Cello by Jules Delsart.
@@Inbalsegevcello Really like, which ones? I found that a 5 String Cello w/ the High E String could work better cause 5 String Cellos with a High E Can cover Violin & Viola Sheet Music sounding an Octave Lower than written.
@UCwvUjyyu5102bBnQ0gPnUlw in 1:20 that to me looks like the Barenreiter Score.
1:21 1'st Violins Slurs in 1'st Tutti (on Cello)
That explains the Music Stand.
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
Yeah there's actually more than one way to play it. In a concerto if the Soloist is playing Tutti in unison w/ the Orchestra, it should be based on the role of the instrument in the orchestra, like in Haydn's 1'st Cello Concerto the Soloist plays the Tutti passages in unison w/ the Basso Continuo Section.
@UCwvUjyyu5102bBnQ0gPnUlw in 1:20 that to me looks like the Barenreiter Score.
1:21 1'st Violins Slurs in 1'st Tutti (on Cello)
@balsegev
@UCwvUjyyu5102bBnQ0gPnUlw
Yeah there's actually more than one way to play it. In a concerto if the Soloist is playing Tutti in unison w/ the Orchestra, it should be based on the role of the instrument in the orchestra, like in Haydn's 1'st Cello Concerto the Soloist plays the Tutti passages in unison w/ the Basso Continuo Section.
@UCwvUjyyu5102bBnQ0gPnUlw in 1:20 that to me looks like the Barenreiter Score.