I have listened to this piece many times, rehearsed it for hours, and made many memories because of this piece. It’s because of Bartje Bartmans that I have the chance to listen to my favorite composer, and quartet. This piece never gets old, this will become part of the world’s popular contemporary pieces and it will be studied and listened to for ages to come.
Wunderschöne und detaillierte Interpretation dieses neoklassischen und perfekt komponierten Streichquartetts in verschiedenen Tempi mit seidigen doch gut phrasierten Tönen zweier Violinen, mildem Ton der Bratsche und tiefem Ton des Violoncellos. Der zweite Satz klingt besonders schön und echt beruhigend. Im Kontrast klingt der letzte Satz echt lebhaft und auch überzeugend. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den vier Virtuosen ist wahrhaft eindrucksvoll. Wunderbar vom Anfang bis zum Ende!
This was a marvel of composition. Somehow, I find myself wishing that some enterprising pianist (Alexander Malofeev, for example) would manage to create a piano reduction of this and play it for us.
Except that, for ex., the last movement wouldn't sound like anything agreeable on the piano with those long-drawn-out accords. The organ, perhaps? Challenging Bach? Like Pachelbel's great accords? Hm? ... Just joking, like possibly yourself...
I thought music was supposed to be messy in 1947! Ironically, they do the very same thing with the ‘canon’ as they blame their ‘too conservative’ counterparts for.
@@ryanpmcguire it's funny how you talk to me like you think I haven't spent 50 years obsessed with and studying music. It's, in fact, people like you who turn music needlessly political. You're apparently unaware that this is music of a Soviet composer writing in the 1940s in a style that was in fact deliberately and consciously shaped by politics. Last there is not a single educated person living who says the classical canon is "completely arbitrary, and only for political purposes". I doubt, in fact, you've even heard an uneducated person say something so absolute. Putting aside the fact that that statement is comically paradoxical, it's a strawman, and a stupid one, crafted evidently by someone who would prefer not to consider anything but his own stupidly regressive point of view. I doubt you will ever contribute anything to music equal to the people you mock.
EL COMIENZO DE LA SINFONIA ES MARAVILLOSO UNA VERDADERA OBRA DE ARTE PURO SIN LUGAR A DUDAS. EXTRAORDINARIA .UN FORTÍSIMO APLAUSO 👏👏👏👏👏👏👏👏👏👏🆗🏆🥂🍾
SUBLIME OBRA DE ARTE PURO EN TODOS LOS SENTIDOS GENIAL 🤍💙❤️🇷🇺🎼🎻🆗🏆🌍🌌🕊️🔟🎶
I have listened to this piece many times, rehearsed it for hours, and made many memories because of this piece. It’s because of Bartje Bartmans that I have the chance to listen to my favorite composer, and quartet. This piece never gets old, this will become part of the world’s popular contemporary pieces and it will be studied and listened to for ages to come.
Wow, I did not know Svetlanov as a composer, this is really good just from the first few bars
Complex, dense and Wondrous.....Wow!
Wunderschöne und detaillierte Interpretation dieses neoklassischen und perfekt komponierten Streichquartetts in verschiedenen Tempi mit seidigen doch gut phrasierten Tönen zweier Violinen, mildem Ton der Bratsche und tiefem Ton des Violoncellos. Der zweite Satz klingt besonders schön und echt beruhigend. Im Kontrast klingt der letzte Satz echt lebhaft und auch überzeugend. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den vier Virtuosen ist wahrhaft eindrucksvoll. Wunderbar vom Anfang bis zum Ende!
Très intéressant ! Merci pour cette découverte. La musique néoclassique que j’aime.
Потрясающе,а какое звучание! Спасибо огромное.
danke und alles bestens
So charming!!
Reminds me of the earlier Shostakovich quartets, really reminded me of the 3rd one.
Really does seem right out of early Shostakovich play book. #2,#3,#5. But Hell, it's still good.
Замечательная музыка прекрасного композитора!
Thank you! Great!
Ah, el contraste! La belleza y los tiempos sombríos!
Красота всегда рождается в мрачные времена!
This piece in the last movement reminds me of stravinsky's petrushka
This was a marvel of composition. Somehow, I find myself wishing that some enterprising pianist (Alexander Malofeev, for example) would manage to create a piano reduction of this and play it for us.
Except that, for ex., the last movement wouldn't sound like anything agreeable on the piano with those long-drawn-out accords. The organ, perhaps? Challenging Bach? Like Pachelbel's great accords? Hm? ... Just joking, like possibly yourself...
Where do you have the Score from? Big fan of his music 😍
ur mum
He's enjoyable, but his one idea seems to be abrupt key changes. Although, it's fair to consider this was written by a 20 year old!
Oh my! Where did you take that score?
It reminds me of the Ravel's quartet
Ravels is -- surely? -- less dissonant. But I love the Ravel and also this very Russian Quartet.
I thought music was supposed to be messy in 1947! Ironically, they do the very same thing with the ‘canon’ as they blame their ‘too conservative’ counterparts for.
Who's "they"?
@@ryanpmcguire it's funny how you talk to me like you think I haven't spent 50 years obsessed with and studying music. It's, in fact, people like you who turn music needlessly political.
You're apparently unaware that this is music of a Soviet composer writing in the 1940s in a style that was in fact deliberately and consciously shaped by politics.
Last there is not a single educated person living who says the classical canon is "completely arbitrary, and only for political purposes". I doubt, in fact, you've even heard an uneducated person say something so absolute. Putting aside the fact that that statement is comically paradoxical, it's a strawman, and a stupid one, crafted evidently by someone who would prefer not to consider anything but his own stupidly regressive point of view.
I doubt you will ever contribute anything to music equal to the people you mock.
The "us versus them" toxic paradigm of the arts and the existence of mankind in general.
Were there any european composers like him after the war? Anyone know?
@@porkyminch5131 You mean tonal composers? Try Hovhaness for starters.
27:28 Poulenc?
Where did you get the score from?
Year of recording?
Probably 1976
@@TheodoreServin Thanks
25:44
timestamp for the best climax part
He should next time add some dynamics...
Next time? Svetlanov is long dead.