Ah! Thank you for what you taught between 12:45 to 13:21. I always would say to my fellow singers how singing for me is not effortless compared to themselves.
Hello! Mr. Trimble, I have just recently understood not using my throat when singing. I sung pop/rock music before, however, I always had an interest in opera and also studying the voice. I have a question, it has been a week since I have eliminated the constriction of larynx while singing, my chest voice sounds clearer and my falsetto is recovering but it is very collapsed and my voice tries to get constricted in higher range. Stopping and doing lip trills helps me to regain ease in higher range. How should I continue to develop my voice? Should I isolate chest voice and falsetto and develop them individually? What would you recommend?
I actually sing a lot better on little air, or on exhalation otherwise said. Spinto? Lyric? Either one, all I know its how hard my body works for most notes and how much I forget about the throat
Hi Mr.Trimble! Thank you for your informative videos! I just wanted to ask on the lower jaw and sustaining for high notes because when I attempt to relax my jaw and sustain a high note it starts to tense up. Are there any tips to thwart this such as breathing exercises or relaxation exercises. Thank you so much & have an awesome day!
The old solution to tension in the jaw was to exaggerate the deep breathing in the lower back as much and as often as possible. Yoga, long distance swimming, playing a good, resistant wind or brass instrument, hiking the famous "Caruso breathing walk" (10 steps inhaling, 10 steps holding, 10 steps exhaling, and 10 steps holding emptiness). Repeat for 11/2 hours per day. The tension in the jaw just means that the breath strength is not strong enough and the muscles in the throat, jaw, and tongue try to help. It will require some time and enthusiasm but it will also be a lot of fun! Michael t
Hi Michael, I believe I heard you say in previous videos that the key is to inhale as much as you can and then exhale as little as possible. Does this mean that your lungs are always between 90-100% inflated? This can't be right
Caruso described his breathing method as "the massive power of the respiration required for great singing". Manuel Garcia ll described the breathing process he taught his students as "the super-abundance of the breath required for beautiful singing". If you will read my book, you will get a general idea of how the greatest singers breathed. There was a general agreement among the greatest singers about how to breathe and some tried to put into practice the historical method handed down by the greatest singers of the Bel Canto era. Certain sayings became the backbone of the most fantastic support and breathing methods practiced by the greatest singers in history. THE BIGGER THE DRUM, THE BIGGER AND RICHER THE SOUND. FILL THE LUNGS FROM THE BOTTOM TO THE TOP. THE BREATHING DOES EVERYTHING.... THE VOICE DOES NOTHING. CARUSO, CORELLI, SUTHERLAND, MELBA, AND FLAGSTAD WERE LONG-DISTANCE OCEAN SWIMMERS, EXCEPT FLAGSTAD, WHO SWAM LONG DISTANCES IN THE LAKES OF NORWAY. GIGLI PLAYED SAXOPHONE. MARTINELLI PLAYED CLARINET AND GHIAUROV PLAYED CLARINET AND TROMBONE. WUNDERLICH PLAYED FRENCH HORN. So, there is a history of exaggerated breathing described by the greatest singers in history. it is certainly something to think about today. In my own case, i played tuba and harmonica and the exaggerated breath activity has made singing very easy for me. i'm 83 and still sing all day every day without any vocal problems. Helge Rosvaenge did Yoga 3 hours every day for 55 years. Robert Merrill did Yoga 2 hours per day for over 60 years. Both singers swore that the exaggerated breathing they practiced as part of advanced Yoga was the secret to their fantastic singing. Merrill performed until he was 88! and Rosvaenge died at age 71 still an active performer. I hope this info will help you find your own successful method of singing. I'm convinced that breathing deeply into the lower back as described by Caruso, Lilli Lehmann, Tetrazzini and many others is the secret to great singing. Good luck in your search for the truth. I hope I've been helpful to you. Michael t
@@Tenoretrimble Hi Micheal, Thank you for your reply. The method you describe of inhaling as deeply as possible is in fact the way I used to do it; however, I am a pop/rock/blues/jazz singer. While I believe this method allowed me to produce tremendous power (perhaps because it automatically engaged my mask as opposed to my nose with all of that force behind it, or because of the force itself causing everything to resonate more), I found I had very poor dexterity. My song repertoire was therefore severely limited, as I was mainly only able to sing songs that I could belt, while songs that required dexterity (i.e., changes notes rapidly) were off limits to me. Is it possible that the technique of fully inflating the lungs is only good for opera and pop songs that can be belted? I have a feeling that singers who sing smooth and soft jazz for example do not fully inflate their lungs, and instead keep their lungs hovering around 50% -- or wherever they are most compliant -- as I suspect this would make stopping the air flow during staccato, or just not sounding forceful, would be easier. Is this correct? Thanks again
![ILLSLICK - KILLSHOT REMIX [FULL VERSION]](http://i.ytimg.com/vi/RIK8RrqIAzE/mqdefault.jpg)
Being so elated I'd like very much to thank you!!
Ah! Thank you for what you taught between 12:45 to 13:21. I always would say to my fellow singers how singing for me is not effortless compared to themselves.
Namaste Beloved Master Trimble 🙏 Can you please speak more on laughing technique?
Hi Michael, please make a video lesson to increase singing stamina/endurance. I can't sing more than 3 songs
A good cord closure and a pressurised stream of air will do it, to sum it up
Hello! Mr. Trimble, I have just recently understood not using my throat when singing. I sung pop/rock music before, however, I always had an interest in opera and also studying the voice. I have a question, it has been a week since I have eliminated the constriction of larynx while singing, my chest voice sounds clearer and my falsetto is recovering but it is very collapsed and my voice tries to get constricted in higher range. Stopping and doing lip trills helps me to regain ease in higher range. How should I continue to develop my voice? Should I isolate chest voice and falsetto and develop them individually? What would you recommend?
Following...
I actually sing a lot better on little air, or on exhalation otherwise said. Spinto? Lyric? Either one, all I know its how hard my body works for most notes and how much I forget about the throat
Hi Mr.Trimble! Thank you for your informative videos! I just wanted to ask on the lower jaw and sustaining for high notes because when I attempt to relax my jaw and sustain a high note it starts to tense up. Are there any tips to thwart this such as breathing exercises or relaxation exercises. Thank you so much & have an awesome day!
The old solution to tension in the jaw was to exaggerate the deep breathing in the lower back as much and as often as possible. Yoga, long distance swimming, playing a good, resistant wind or brass instrument, hiking the famous "Caruso breathing walk" (10 steps inhaling, 10 steps holding, 10 steps exhaling, and 10 steps holding emptiness). Repeat for 11/2 hours per day. The tension in the jaw just means that the breath strength is not strong enough and the muscles in the throat, jaw, and tongue try to help. It will require some time and enthusiasm but it will also be a lot of fun! Michael t
@@Tenoretrimble Thank you so much for your advice! I look forward to future videos from you! Have a wonderful day!
Sama seperti cara Anda menyandarkan tangga ke dinding
Dan mulailah bernafas di sana
Hi Michael,
I believe I heard you say in previous videos that the key is to inhale as much as you can and then exhale as little as possible. Does this mean that your lungs are always between 90-100% inflated? This can't be right
Caruso described his breathing method as "the massive power of the respiration required for great singing". Manuel Garcia ll described the breathing process he taught his students as "the super-abundance of the breath required for beautiful singing". If you will read my book, you will get a general idea of how the greatest singers breathed. There was a general agreement among the greatest singers about how to breathe and some tried to put into practice the historical method handed down by the greatest singers of the Bel Canto era. Certain sayings became the backbone of the most fantastic support and breathing methods practiced by the greatest singers in history. THE BIGGER THE DRUM, THE BIGGER AND RICHER THE SOUND. FILL THE LUNGS FROM THE BOTTOM TO THE TOP. THE BREATHING DOES EVERYTHING.... THE VOICE DOES NOTHING. CARUSO, CORELLI, SUTHERLAND, MELBA, AND FLAGSTAD WERE LONG-DISTANCE OCEAN SWIMMERS, EXCEPT FLAGSTAD, WHO SWAM LONG DISTANCES IN THE LAKES OF NORWAY. GIGLI PLAYED SAXOPHONE. MARTINELLI PLAYED CLARINET AND GHIAUROV PLAYED CLARINET AND TROMBONE. WUNDERLICH PLAYED FRENCH HORN. So, there is a history of exaggerated breathing described by the greatest singers in history. it is certainly something to think about today. In my own case, i played tuba and harmonica and the exaggerated breath activity has made singing very easy for me. i'm 83 and still sing all day every day without any vocal problems. Helge Rosvaenge did Yoga 3 hours every day for 55 years. Robert Merrill did Yoga 2 hours per day for over 60 years. Both singers swore that the exaggerated breathing they practiced as part of advanced Yoga was the secret to their fantastic singing. Merrill performed until he was 88! and Rosvaenge died at age 71 still an active performer. I hope this info will help you find your own successful method of singing. I'm convinced that breathing deeply into the lower back as described by Caruso, Lilli Lehmann, Tetrazzini and many others is the secret to great singing. Good luck in your search for the truth. I hope I've been helpful to you. Michael t
@@Tenoretrimble Hi Micheal, Thank you for your reply. The method you describe of inhaling as deeply as possible is in fact the way I used to do it; however, I am a pop/rock/blues/jazz singer. While I believe this method allowed me to produce tremendous power (perhaps because it automatically engaged my mask as opposed to my nose with all of that force behind it, or because of the force itself causing everything to resonate more), I found I had very poor dexterity. My song repertoire was therefore severely limited, as I was mainly only able to sing songs that I could belt, while songs that required dexterity (i.e., changes notes rapidly) were off limits to me. Is it possible that the technique of fully inflating the lungs is only good for opera and pop songs that can be belted? I have a feeling that singers who sing smooth and soft jazz for example do not fully inflate their lungs, and instead keep their lungs hovering around 50% -- or wherever they are most compliant -- as I suspect this would make stopping the air flow during staccato, or just not sounding forceful, would be easier. Is this correct? Thanks again
Master of breathing 😁
Dan kemudian isi paru-paru dari bawah ke atas
Isi bagian belakang Mulailah dengan sudut terendah paru-paru Anda
Namedroper!😂😂
Isi bagian belakang dengan
Dan kemudian condongkan napas ke dada Anda ke tulang dada