@@ericlohk Thanks so much for taking the time to share this information about Mr. Zhang Xinhua. I'm so impressed by this maestro's wonderful technique and musicality, and the orchestra is also top-notch. I also did not realize that he is the player who premiered this concerto (I had assumed Liu Xing was the original performer), nor that it was composed as far back as 1987.
@@ericlohk It seems, based on what you say and in light of the time period, that these three gentlemen are the modern traditional music equivalent of Cui Jian (for Chinese rock) or Du Yinjiao (for Chinese jazz). Perhaps not entirely coincidentally, Liu Xing's work does incorporate some phrases and playing techniques that seem characteristic of rock guitar playing.
![[UNCUT] เพื่อไทยดันอุ๊งอิ๊งนั่งนายกฯ หลังเศรษฐาถูกถอดถอน | คนดังนั่งเคลียร์ | 15 ส.ค. 67](http://i.ytimg.com/vi/SpprmDJ6QEE/mqdefault.jpg)
最後一個笛子 快笑死
最後一秒的那個笛子下去會被罵喔...
我最喜欢的歌手之一，我真的很喜欢你的声音😊
Excellent ... No words can describe my amusement ... Kind reminder to Berliner Philharmoniker that Sun rises from East ...
我至今最愛的還是張鑫華老師首演後隔天的那一版錄音，極品啊！
好想聽聽看啊！！不知道能不能跟樓主拿一份 >
有影片嗎？
笛子.....
OMG啊
聽完崔燦版本再來聽這，只能說大師真是大師啊，氣勢已經不同層次。
耶穌!
大師級的演奏，不同凡響。
Fantastiiiikk..
Oh my God. wished the pipe organ was used too..... really is stunning
where....
嗩吶1:52秒一起出來的聲音挺嚇人的
定音鼓在緊要關頭的鼓點居然不準, 唉.............
大師
@TheSopastar 不客氣！^^
這個笛子，哈哈
1:50唢呐太恐怖了！！！
覺得伴奏蓋掉老師了
笛子和嗩吶到底在幹嘛
@TheSopastar 我有買福懋出的錄音帶和後來黃鐘出的CD（同一個錄音只是轉成CD這樣），並沒有聽說那個首演有實況錄影，youtube上可能找不到吧...........
= =笛子有一個小放槍了
扬琴放弃了？怎么没有扬琴伴奏？
总谱本来就没有扬琴，自然不用扬琴伴奏
Can you tell us more about the zhongruan soloist?
mark
張鑫華，1961年生於上海，著名柳琴、中阮演奏家。12歲開始學月琴、秦琴，後改學柳琴，師從高華信先生，15歲任上海電台少兒民樂團首席柳琴，17歲考入中央民族樂團，任首席柳琴。後受聘於中國音樂學院附中、大學教柳琴、中阮。
現為中央民族樂團彈撥樂聲部聲部長，國家一級演員。任教於中央音樂學院、中國音樂學院、中央戲曲學院、中央民族大學，教授柳琴、中阮專業。在20多年的演出生涯中，張鑫華積累了許多寶貴經驗，演奏風格細膩優雅，音色甜美。1987年，他在首屆中國藝術節上首演了中阮協奏曲《雲南回憶》，使中阮這種只能演奏小曲的伴奏型樂器提高到可以獨奏的地位。
@@ericlohk Thanks so much for taking the time to share this information about Mr. Zhang Xinhua. I'm so impressed by this maestro's wonderful technique and musicality, and the orchestra is also top-notch. I also did not realize that he is the player who premiered this concerto (I had assumed Liu Xing was the original performer), nor that it was composed as far back as 1987.
1987年的一天，一位25歲的青年，帶著他的作品來到了中央民族樂團，找到了指揮閻惠昌（現任香港中樂團藝術總監），希望能夠排練他的作品，當大家打開樂譜的時候，一下子就蒙了，篇幅如此之長，技巧如此之難，編配如此之複雜，大量非常規性的過弦和蹩手蹩腳的和弦，難度幾乎被認爲是不可超越，大多數人都放棄了。但事情總是會出現轉機，因爲有人堅持了，難度再大，也並非不可攻克，關鍵得看人，其中有兩位青年，用手中的中阮，帶給了世人新的認知。一件樂器，一首曲子，一位作曲家，兩位演奏家，在特定的時空相遇，終將劃出一道閃亮的光芒，照亮了整個天空。
這首曲子就是《雲南回憶》，這位作曲家就是劉星老師，兩位演奏家就是魏育茹老師和張鑫華老師，這件樂器就不必說了，當然是中阮。
@@ericlohk It seems, based on what you say and in light of the time period, that these three gentlemen are the modern traditional music equivalent of Cui Jian (for Chinese rock) or Du Yinjiao (for Chinese jazz). Perhaps not entirely coincidentally, Liu Xing's work does incorporate some phrases and playing techniques that seem characteristic of rock guitar playing.