her German is actually very good, for someone who is not a native speaker. Really! Originally, this piece was written for a man, without the trumpets and trombones, but this arrangement is beautiful. I love it!
I pray this will always be a tribute of remembrance to the great organist Williston Hobbs playing the Conn Organ at the introit every 4th Sunday, Campbell AME Church, Washington DC, from 1960-1974. This was his favorite and he played it to awaken souls to the coming of Messiah. May he rest in peace.
Alles klopt bij dit nummer; een prachtstem als een engel, mooie dame in klasse kleding en een prachtige locatie, met muzikale omlijsting! Wondermooi! Danke, merci, thanks!
Beautiful venue, beautiful voice, wonderful brass, classic interpretation. Sometimes restraining emotion can bring out the beauty of the music. It's not always appropriate, but I think for Bach, it's a good choice - treating the voice as an instrument.
I am a classically trained vocalist. I have toured several countries and performed with some of the best musicians and conductors in the world with my choirs. This performance is beautiful. As far as accuracy goes, she took artistic license and made the piece even better. I would like to hear what you call a good performance of this piece because I thought this was flawless. If she is not a professional singer she should be.
Love the fine brass arrangement; the lady not being a native German speaker gives an excellent, lovely intonation and performance. I've truly enjoyed this!
What a lot of people don't know is, some random guy took it off Bach's harpsichord one morning while he forgot he left it there and put his name on it. Bach later found out about it and went over to his house and hit him with a stick until he agreed to pay him fifty nine cents for the work. True story.
Target Football, indeed, many people do not know this, because it probably did not happen. And in general, little is known about this: "Gottfried Heinrich Stölzel's opera Diomedes was staged in Bayreuth in November 1718. There has been some speculation how one of its arias, "Bist du bei mir", came to be known in the household of the Bachs in mid-1730s Leipzig, when Anna Magdalena Bach, Johann Sebastian's wife, copied an arrangement of the aria in her second notebook. 21st-century scholarship has shown that, mainly in the period from the mid 1720s to the mid 1730s, at least several dozens, maybe even over a hundred, of compositions by Stölzel were adopted by Bach or his family members in their public and private music practices. Only indirect evidence has come to light how such music was transferred from Stölzel to the Bachs. Bach and Stölzel were in the same places at different times, and shared acquaintances, but whether they met in person can only be surmised" (en.wikipedia.org/wiki/Bist_du_bei_mir).
The above comment was intended to be what is known as a joke 😂. Whoever wrote it, it is a lovely aria. And I like this version of it, very nicely done.
@@targetfootball7807 Yes, this is a really great recording--and a real gem of music. But, well, I actually didn't get your joke, either, Target. But since the topic is interesting and serious, I went to do some research, and found that you and both Olga had the right story, minus the stick and money. though the real story is still foggy, apparently. Bach was either the brunt of plagiarism, or was himself guilty of creative theft. The likelihood that plagiarism in some way clouds the world's most revered composer is kinda depressing. Although using other guys' music wasn't quite the horror in the Baroque that we assign to it. Handel did it a lot, too. The important thing is that both Bach and Handel wrote a lot of incredible music that was verifiably their own. Their genius cannot be diminished.
La musique de Bach magnifiée par cette exceptionnelle version. Les paroles disent "Si tu restes avec moi, j'irai en joie ...." sous-entendu, j'irai vers le repos éternel. Et si nous pensions à nos joies terretres auxquelles Bach n'était pas insensible. En ces temps difficiles, adaptons le texte "Si tu restes avec moi, je poursuivrai ma route sur cette terre, fort de l'amour qui nous unit". Dédicace à tous ceux qui aiment la vie plus que tout.
I can fully support your statement, Marianna, but in this case we do not have a composition by J. S. Bach. This incredibly soulful aria was composed by Gottfried Heinrich Stoelzel and is part of his opera "Diomedes". You could check out on Wikipedia ;-) en.wikipedia.org/wiki/Bist_du_bei_mir
This is every brass player's nightmare gig. If these same five guys were accompanying a 60-voice choir the conductor would tell them they are too damn loud. So they recorded an entire album with a soprano soloist. And they don't overbalance her.
"Bist du bei mir" n'est pas de Johann Sebastian Bach, mais de Gottfried Heinrich Stölzel (cf. opéra "Diomedes oder triumphierende Unschuld"). L'arrangement est somptueux et les cuivres sonnent magniquement bien. Bravo.
Some believe that Bach was divinely inspired. We know that he dedicated his work to the Almighty; Soli Deo gloria. It's only fitting then that a woman with the voice of an angel sings it.
It might interest you to learn that the conversation took place between two non-native English speakers. I am Swedish, and Kat Haus almost certainly is a native German speaker. Nice to know that more people than myself can appreciate intelligent, articulate conversation about interesting topics - like quality in music.
Be thou with me and I’ll go gladly To death and on to my repose. Ah, how my end would bring contentment, If, pressing with thy hands so lovely, Thou wouldst my faithful eyes then close.
For Linda Crister When your wedding day comes, make sure the singer has the following wording for the first stanza: Bist du bei mir, geh' ich mit Freuden, Des Lebens Wanderweg mit dir entlang In Freud' und Leid Bis uns der Himmel gibt Bescheid Then for the second one, only change the first word: Bleibst du bei mir ...etc. This sings for the couple to stay together for a while, before they start talking about death. So give them a chance before kicking the bucket. Mit liebsten Grüßen
Cпасибо, я нашла. И BWV 1068, тоже в соборе Петра и Павла. Вообще дудук с органом удивительно звучит! Не так давно была в римско-католическом соборе на подобном концерте - очень впечатлило.
What's surprising to me about this listing is that it continues to attribute the song to J.S. Bach, when it has long been considered not to be his work, but rather likely that of Gottfried Heinrich Stölzel.
Hey, anyone know what key this version is in? I'm trying to find a really good one in B flat to practice with and I like this but i need something that has the same key I'll be performing it in.
her German is actually very good, for someone who is not a native speaker. Really! Originally, this piece was written for a man, without the trumpets and trombones, but this arrangement is beautiful. I love it!
I pray this will always be a tribute of remembrance to the great organist Williston Hobbs playing the Conn Organ at the introit every 4th Sunday, Campbell AME Church, Washington DC, from 1960-1974. This was his favorite and he played it to awaken souls to the coming of Messiah. May he rest in peace.
Wunderschön gespielt und gesungen!! 🌹🌹💖
What a lovely sound from the brass!
If i hear this song, i think on my grandpa. It was he''s favorite number! R.I.P Grandpa 2009! It actually lets me cry.
her tone is so beautiful and full. intonation is right line. i need to see more!! wow!
I love this Bach song, it's so beautiful, so very beautiful, those whom can perform it, god bless them
From the opera Diomedes by Stolzel ( it was just known in 2017 ). Also in the second "Notenbuch " of Anna Magdalena Bach.
genau
Alles klopt bij dit nummer; een prachtstem als een engel, mooie dame in klasse kleding en een prachtige locatie, met muzikale omlijsting! Wondermooi! Danke, merci, thanks!
great key! fits her voice perfectly- beautiful interpretation!
Beautiful venue, beautiful voice, wonderful brass, classic interpretation. Sometimes restraining emotion can bring out the beauty of the music. It's not always appropriate, but I think for Bach, it's a good choice - treating the voice as an instrument.
I am a classically trained vocalist. I have toured several countries and performed with some of the best musicians and conductors in the world with my choirs. This performance is beautiful. As far as accuracy goes, she took artistic license and made the piece even better. I would like to hear what you call a good performance of this piece because I thought this was flawless. If she is not a professional singer she should be.
Such a beautiful performance!
fantastic!! very well pronounced with a wonderful voice 😊👍💕
GORGEOUS !! She's a diva and the partition is so well played!
Love the fine brass arrangement; the lady not being a native German speaker gives an excellent, lovely intonation and performance. I've truly enjoyed this!
PRECIOSA INTERPRETCIÓN, VERY NICE VIDEO . congratulations.
wunderschön!!!!!!!!!!! wunderbar!!!!!
interprétation fine et sensible, très émouvante!
Very well done. I really like the arrangement of brass with solo voice. Well performed
Absolutely lovely!
素晴らしい！Bravo !
Sehr schön! Mit einem sehr guten Geschmack! Was heute selten passiert.
Féicitation c est splendide, l accompagnement aussi, une merveille
Beautiful.
Lovely performance!
행복합니다. 이렇게 아름다운 곡을 들을 수 있어서.
If i hear this sing, i think on my grandpa. It was he''s favorite number! R.I.P Grandpa 2009!
I'm singing this two days from now at a concert.
What a lot of people don't know is, some random guy took it off Bach's harpsichord one morning while he forgot he left it there and put his name on it. Bach later found out about it and went over to his house and hit him with a stick until he agreed to pay him fifty nine cents for the work. True story.
Wow! That's a fascinating bit of music history trivia! Thank you so much for sharing it!
🙏🌿🌻🌿🙏
Target Football, indeed, many people do not know this, because it probably did not happen. And in general, little is known about this: "Gottfried Heinrich Stölzel's opera Diomedes was staged in Bayreuth in November 1718. There has been some speculation how one of its arias, "Bist du bei mir", came to be known in the household of the Bachs in mid-1730s Leipzig, when Anna Magdalena Bach, Johann Sebastian's wife, copied an arrangement of the aria in her second notebook. 21st-century scholarship has shown that, mainly in the period from the mid 1720s to the mid 1730s, at least several dozens, maybe even over a hundred, of compositions by Stölzel were adopted by Bach or his family members in their public and private music practices. Only indirect evidence has come to light how such music was transferred from Stölzel to the Bachs. Bach and Stölzel were in the same places at different times, and shared acquaintances, but whether they met in person can only be surmised" (en.wikipedia.org/wiki/Bist_du_bei_mir).
The above comment was intended to be what is known as a joke 😂. Whoever wrote it, it is a lovely aria. And I like this version of it, very nicely done.
@@targetfootball7807 No worries, mate. I got your joke. Some people just get carried away. I'm pretty sure Mr Bach had a fantastic sense of humour.
@@targetfootball7807 Yes, this is a really great recording--and a real gem of music. But, well, I actually didn't get your joke, either, Target. But since the topic is interesting and serious, I went to do some research, and found that you and both Olga had the right story, minus the stick and money. though the real story is still foggy, apparently.
Bach was either the brunt of plagiarism, or was himself guilty of creative theft. The likelihood that plagiarism in some way clouds the world's most revered composer is kinda depressing. Although using other guys' music wasn't quite the horror in the Baroque that we assign to it. Handel did it a lot, too. The important thing is that both Bach and Handel wrote a lot of incredible music that was verifiably their own. Their genius cannot be diminished.
Meraviglioso !!! Momenti di beatitudine !!!
Wonderful !!! Moments of bliss !!!
Very beautifully done. Well done. Well done. Enjoyed it very much. Bravo!
Lovely, beautifully played!
Wow, that is an enormous performance
Absolutely beautiful. :)
Wunderschön
Sehr fein musiziert!! 👌💖
This was my level IV NYSSMA solo last year and I adored it. Simply a gorgeous and elegant piece.
La musique de Bach magnifiée par cette exceptionnelle version. Les paroles disent "Si tu restes avec moi, j'irai en joie ...." sous-entendu, j'irai vers le repos éternel.
Et si nous pensions à nos joies terretres auxquelles Bach n'était pas insensible. En ces temps difficiles, adaptons le texte "Si tu restes avec moi, je poursuivrai ma route sur cette terre, fort de l'amour qui nous unit". Dédicace à tous ceux qui aiment la vie plus que tout.
The most lilting bell-like clarity ever heard for this work.
BEST VERSION ON TH-cam!
Not by JS Bach. Only noted by Mrs Bach. Actually written by Gottfried Heinrich Stölzel
bravo! maravilhosa! wonderfull!
Bach is what heaven sounds like.
I can fully support your statement, Marianna, but in this case we do not have a composition by J. S. Bach. This incredibly soulful aria was composed by Gottfried Heinrich Stoelzel and is part of his opera "Diomedes". You could check out on Wikipedia ;-)
en.wikipedia.org/wiki/Bist_du_bei_mir
C'est mon aria préféré et de loin.
This is every brass player's nightmare gig. If these same five guys were accompanying a 60-voice choir the conductor would tell them they are too damn loud. So they recorded an entire album with a soprano soloist. And they don't overbalance her.
brass so lovely
Sehr schön, bravo
Lovely
bravo Shigeko , je le chante ce soir en audition
bisous
beautifull!!!!!
Gänsehaut pur
Une merveille !
The instruments... damn it is good
"Bist du bei mir" n'est pas de Johann Sebastian Bach, mais de Gottfried Heinrich Stölzel (cf. opéra "Diomedes oder triumphierende Unschuld"). L'arrangement est somptueux et les cuivres sonnent magniquement bien. Bravo.
Oh, what a voice!...
Some believe that Bach was divinely inspired. We know that he dedicated his work to the Almighty; Soli Deo gloria. It's only fitting then that a woman with the voice of an angel sings it.
Except, disappointingly, it’s not a Bach composition. Check Wikipedia.
Also, it should be sung by a boy, not a woman.
Magnifique version !!
My fiancé will love this version!!!
Ravishing
Hermosa vozz..bella
Just devine!
Wunderbar
magnifique!
A language like a butterfly
Exquisite!
Awesome!
I'm singing this for spring concert
I am doing this for High School audition ...
so schööööööööön
It might interest you to learn that the conversation took place between two non-native English speakers. I am Swedish, and Kat Haus almost certainly is a native German speaker.
Nice to know that more people than myself can appreciate intelligent, articulate conversation about interesting topics - like quality in music.
Bravo!
Why this isn’t Number one result anymore I will never understand. She sings it ten x better then the current 1st result.
Her German pronunciation is marvelous! I can not believe her mother tongue would not be German. I can tell. Mine is.
I have to preform this song for choir
bravo!
Be thou with me and I’ll go gladly
To death and on to my repose.
Ah, how my end would bring contentment,
If, pressing with thy hands so lovely,
Thou wouldst my faithful eyes then close.
¡BELLO!
Divin !
This song reminds me of that castrato in the movie The Duellists
I gotta sing this for my choir final
I am doing this for HIGH SCHOOL AUDITION.
For Linda Crister
When your wedding day comes, make sure the singer has the following wording for the first stanza:
Bist du bei mir, geh' ich mit Freuden,
Des Lebens Wanderweg mit dir entlang
In Freud' und Leid
Bis uns der Himmel gibt Bescheid
Then for the second one, only change the first word:
Bleibst du bei mir ...etc.
This sings for the couple to stay together for a while, before they start talking about death. So give them a chance before kicking the bucket.
Mit liebsten Grüßen
BRAVO
Merci au quintette Magnifica de si bien adapter pour les cuivres les plus belles pages du maître de Leipzig :-D
Mr and my choir sang this for TMEA
Nice👍👏👏👏
Хосров, а Вы не пробовали это на дудуке сыграть?
+Пелагея Тутышкина я это играл уже, в ютюбе есть,с органом и саксофоном
Cпасибо, я нашла. И BWV 1068, тоже в соборе Петра и Павла. Вообще дудук с органом удивительно звучит! Не так давно была в римско-католическом соборе на подобном концерте - очень впечатлило.
Хосров Ману by
pTкян v
Hayley Westenra made a beautiful recording of this. It would be nice if someone could upload it.
Somebody did years ago, it may have been taken down, but not before I had downloaded it. I recently uploaded it again for educational purposes.
I sang this alone 3 days ago!
😍
What's surprising to me about this listing is that it continues to attribute the song to J.S. Bach, when it has long been considered not to be his work, but rather likely that of Gottfried Heinrich Stölzel.
Stoelzl wrote the melody, Bach the harmonization,
Who gives a shit? I don't even know who that nigga is
Indeed...
👏👏👏
Hi I was wondering where I could find the brass quintet accompaniment parts that are played in this recording?
I'm singing this song in Choir
Marissa LePree solo and ensemble?
Good pronounced
Oooh, it's in a singable register
**muffled crying mezzo sounds**
She looks exactly like the first hard crush I had in middle school. Sings different.
Happy
What is her name?
💘💘💘💘💘💘🌷🌷🌷
Hey, anyone know what key this version is in? I'm trying to find a really good one in B flat to practice with and I like this but i need something that has the same key I'll be performing it in.
Madison Scarborough believe it’s in c major
Bach did not compose Bist du bei Mir. It is an aria by Gottfried Heinrich Stoelzel copied into the Notebook of Anna Magdalena Bach, Johann's wife.