A call for adventure, the lure of the mysterious, a cautionary tale which equally warns and also fascinates, Wojciech Kilar's masterfully builds in 4 minutes a beautiful tale which leaves us ambivalent to the true nature of danger. The harpsichord sparkles guarded by solemn and unflinching piano chord. We are aware that we are thrust in world that spiritual forces are in motion. It is the sound of an old world knocking back at our doors. Old Europe in its former Baroque decadence , Medieval Europe in all its obsessive pursuit either with the expression of the divine through its cathedrals or morbid fear of a seductive Lucifer. Then comes the voice. Classic, feminine, non threatening but unsettling, strong but not motherly, mysterious but somewhat too familiar. What is this thrill? We listen to the melody which comes to us in waves, relenting, retreating, circling us, caressing us, then leaving us only when we admit not being ready to part with it yet. At first we are not necessarily stricken by an overwhelmingly beautiful melodic device but our defense bow down to its relentless nature. It build and builds and never allows us to breath nor to wonder where it is taking us. By the time we get to the second phase of the Vocalise at 1:30 we are not only eager to give ourselves to the music but we are equally curious. The melody has just changed rising higher and higher. What is happening we ask. Vocalise stands as the musical expression of how even the strongest of us will fall to the seduction of what might even seem simple, banal, unassuming, harmless. It's not its sheer power that finally defeats us. It is its relentless nature that little by little chips away our mental resistance. The bakery on our way to work which after 6 months of smiling at us finally serves the doughnut we once laugh at, this sitcom based on ridiculous premises which grows on us by the 10 episodes. I could be the embrace or the kiss which we never aimed for that once entertained in a moment a levity leave deep roots which blossomed in indestructible obsession. By the time we succumb to the temptation, the true nature of what we've given ourselves to reveals itself fully. at 3:33 the dark change of chord expresses amazingly the realization that we've opened the flood gates, that while we are basking in pleasure we are fully aware that we are signing away ourselves to an unbeatable force. We've been deceived and now suffocating in this fragrant powdery coat of danger we are too weak to say no. We have been deceived and maybe we yearned for that thrill.
Escuché esta música en la novela de Montecristo, una novela de Pablo Echarri que emitió por Telefé. Durante años, la estuve buscando hasta que finalmente la encontré
I LOVE this song. Pure magic and a fitting choice for the end of such a mystical movie. I've seen it so many times. I'll think about it, then put it on just for a nice background mood while I cook or draw, but end up spending more time watching it than not, even though I've seen it at least 100 times. I've never seen a Polanski film I didn't like (granted I haven't seen The Pianist, seems like it'll be preachy) but The Ninth Gate is his best in my opinion. It's beautifully shot, the lighting and locations are are perfect. The cast, the BOOKS, the music... Just the overall mise en scene really captures a particular essence, makes deals with Satan and his crew plausible and awfully tempting. It's even funny. Overall I give it 10/10. No one asked but, there it is.
I heard this soundtrack. Aa a musician, I probably pay more attention to the soundtrack than the average viewer. But I thought "I have heard this before. But where?" Then I realized it sounds so much like Coppolla's Bram Stoker's Dracula. And sure enough Kilar wrote that marvelous soundtrack too. Too bad he wasnt recruited to perhaps be the high point in one of the terrible and recent Star Wars films!?. Kilar has since died. Damn.
I'm the same way! I realized that the sad swamp music in The Neverending Story sounded uncannily similar to the sad music in Scarface. Sure enough... same composer
![[UNCUT] “อภิสิทธิ์” ครม.อุ๊งอิ๊ง แย่งเก้าอี้กันฝุ่นตลบ “ทักษิณ” บงการเอง Iคนดังนั่งเคลียร์I 21ส.ค.67](http://i.ytimg.com/vi/a_b-kItw2jY/mqdefault.jpg)
Highest in the room
I was lookin for this comment 😂
One of the most underrated films in history.
Yes! A masterpiece!💙💙💙
Every frame is burned into my memory.
Loved every minute ❤
Only thing that doesn't stand up is the use of unnecessary CGI such as the motercycle helmet.
Just such a huge shame it was made by a Prado (Roman Polanski)
Probably one of the best themes I have ever heard.
Everytime I Hear This I get tears in my eyes because it's so damn Beautiful 🔥❤️
Magnificent. The beauty of her voice is overwhelming
💙💙💙
Found her - Sumi Jo from Korea
A call for adventure, the lure of the mysterious, a cautionary tale which equally warns and also fascinates, Wojciech Kilar's masterfully builds in 4 minutes a beautiful tale which leaves us ambivalent to the true nature of danger.
The harpsichord sparkles guarded by solemn and unflinching piano chord. We are aware that we are thrust in world that spiritual forces are in motion. It is the sound of an old world knocking back at our doors. Old Europe in its former Baroque decadence , Medieval Europe in all its obsessive pursuit either with the expression of the divine through its cathedrals or morbid fear of a seductive Lucifer. Then comes the voice. Classic, feminine, non threatening but unsettling, strong but not motherly, mysterious but somewhat too familiar. What is this thrill?
We listen to the melody which comes to us in waves, relenting, retreating, circling us, caressing us, then leaving us only when we admit not being ready to part with it yet. At first we are not necessarily stricken by an overwhelmingly beautiful melodic device but our defense bow down to its relentless nature. It build and builds and never allows us to breath nor to wonder where it is taking us. By the time we get to the second phase of the Vocalise at 1:30 we are not only eager to give ourselves to the music but we are equally curious. The melody has just changed rising higher and higher. What is happening we ask.
Vocalise stands as the musical expression of how even the strongest of us will fall to the seduction of what might even seem simple, banal, unassuming, harmless. It's not its sheer power that finally defeats us. It is its relentless nature that little by little chips away our mental resistance.
The bakery on our way to work which after 6 months of smiling at us finally serves the doughnut we once laugh at, this sitcom based on ridiculous premises which grows on us by the 10 episodes. I could be the embrace or the kiss which we never aimed for that once entertained in a moment a levity leave deep roots which blossomed in indestructible obsession.
By the time we succumb to the temptation, the true nature of what we've given ourselves to reveals itself fully. at 3:33 the dark change of chord expresses amazingly the realization that we've opened the flood gates, that while we are basking in pleasure we are fully aware that we are signing away ourselves to an unbeatable force. We've been deceived and now suffocating in this fragrant powdery coat of danger we are too weak to say no. We have been deceived and maybe we yearned for that thrill.
so great! I love it! donuts...
that was beautiful. I read it as I heard the melody and finished when it ended. Well done
Holy crap, you should write song reviews for a living. At least, I would pay you.
Bravo, Gérard.
The power and emotion in her voice makes me want to cry ...her voice is beautiful
💙💙💙💙💙
Escuché esta música en la novela de Montecristo, una novela de Pablo Echarri que emitió por Telefé.
Durante años, la estuve buscando hasta que finalmente la encontré
Yo la descubrí ayer por resistiré con Echarri 😂😂😂😂
A very special movie with a killer soundtrack... sets the mood perfectly. Like the Tristram theme in Diablo 1.
Cudowności . Wojciech Kilar
I can't stop listening to this music...thank you for sharing.
Haunting. 💙💙💙💙💙
I have listened to other singers but no one has ever come close to this performance. It’s like this was made for her.❤❤🎉
I LOVE this song. Pure magic and a fitting choice for the end of such a mystical movie.
I've seen it so many times. I'll think about it, then put it on just for a nice background mood while I cook or draw, but end up spending more time watching it than not, even though I've seen it at least 100 times. I've never seen a Polanski film I didn't like (granted I haven't seen The Pianist, seems like it'll be preachy) but The Ninth Gate is his best in my opinion. It's beautifully shot, the lighting and locations are are perfect. The cast, the BOOKS, the music... Just the overall mise en scene really captures a particular essence, makes deals with Satan and his crew plausible and awfully tempting. It's even funny.
Overall I give it 10/10. No one asked but, there it is.
Tylko jedno słowo pasuje: Geniusz!
Bellissima
IM THE HIGHEST IN THE ROOOM
I open Sumi Jo for my self... Outstanding!
project pat sample right here 0:18
Legendary
@@djfelaXD lol
Absolutely Beautiful
Por los dioses!!! que belleza de piezas!!! tiemblo de solo escuchar la última vocalización!!!!
Que vozźzzz por Dioooosss
Que vozźzzz por Dioooosss
travis knew what he was doing when he sampled this
This is the most gorgeous vocalise since Anna Moffo recorded the one by Sergei Rachmaninoff.
If you aint from my hood you can get from round here!!!
Beautiful
وَكَم سَلَّيتُ بِالأوهامِ نَفسي
وَغَطَّيتُ الحَقيقَةَ بِالخَيالِ
خَطَطتُ عَلى الرِّمالِ مُنى فَلَمّا
تَطامى السَّيلُ سِلنَ مَعَ الرِّمالِ.
I heard this soundtrack. Aa a musician, I probably pay more attention to the soundtrack than the average viewer.
But I thought "I have heard this before. But where?"
Then I realized it sounds so much like Coppolla's Bram Stoker's Dracula.
And sure enough Kilar wrote that marvelous soundtrack too.
Too bad he wasnt recruited to perhaps be the high point in one of the terrible and recent Star Wars films!?.
Kilar has since died. Damn.
I'm the same way! I realized that the sad swamp music in The Neverending Story sounded uncannily similar to the sad music in Scarface. Sure enough... same composer
stunning
If you ain’t from my hood you can get from round here🤷🏽♂️🤷🏽♂️
Beautiful💚💚
Perfection
Müzikler iyi ama film çerez gibiydi sanki abi ne dersin ?
Haklısın Kadirim haklısın. Diğer hiçbir şeyde olamadığın o haklılığını belki de Allah bu yoruma saklamıştır.
Excellent !
Meravigliosa!!!
Sumi Jo ❤❤❤❤
Amazing
Green Eyes!!💚💚
Me encantó el libro, amo la película, pero esto es lo mejor.
If You Ain't From My Hood.. You Can Get The Hell From Round Here.. #MistaDontPlay
Tema do Filme O Último Portal, vocal e instrumental lindo, que voz linda.
A 'masterpiece'
Literally the only thing I remember about this movie.
Bellissimo brano musicale
Green Eyes!🐍🐍♥️🔥
Immaculate.
love it$$$$$$$
Super
Project Pat
When does she take a breathe?!!!!!!!
💚💚💚💚
Why did they remove this whole album from spotify goddamn
💚💚💚💚💚💚💚💚
Very good
i got room
❤
Montecristo!!!
Sağlam cidden
i got room in my funes
cant believe travis sampled this
Initially intriguing but ultimately just a ludicrous throwaway MacGuffin from Polanski. The soundtrack is its only saving grace.
Why does the voulume go down at about 3:23 for about 10 seconds?
I came here because of aquino cojuangco
Same XD
Who is the singer?
Lenr Man Sumi Jo
This is beautiful but it is a complete plagiarism of Arno Babajaryan’s Elegy In Memory of Khachaturian.
No.
Hail Satan!
💙