I've entered my email a couple of times but never get an email or link to the .pdfs. I appreciate your lessons and would love to et some of the pdf.s I checked my junk mail folder - nothing from you there either. - thank for all you share
As usual, a key to unlocking the mysteries. I've been practising the arpeggios in every key, but it never occurred to me to memorize their names. Thanks so much Jamie for revealing the next step!
I wonder if it might be useful to do the same thing over the harmonic minor scale. That would be harder, but would add some interesting new chords: ImM7, iii#5, V7(b9) (would need to go up to 9 or replace the 3 with the 9 to hit it?) and vii dim. I'm going to try it.
This is great information. Thanks, Jamie! Fire up for soprano saxophones! Btw, I read War and Peace in high school. Thankfully, we read the abridged edition. Have you ever seen an unagridged edition? You could knock somebody out with one!
Thanks Jamie! Good exercise! I was just working on 7th chords in all 12 keys, and trying to learn the inversions so I can automatically play the 3rd, 5th or 7th without having to think so much.
Another great video--a clarified approach to melding what needs to be in our heads to what our fingers need to be doing. A somewhat related question: Is there any advantage to thinking of the C# key as Db? I do the former, but I see you (and others) usually use the latter.
Excellent and right on the money. I get the same issue over and over again. So, I always get students to learn R&R I-IV-V patterns and then the 7 turnarounds and finally, my favourite is to get them to arpeggio over the chords of Hazel O'Connor's 'Will You' (the song's arpeggiated!) ... ... all in the hope they get it and will practice on. Otherwise, it even gets down to well, you need to know your scales ... Okay, well the one's you use most. Okay, C, G, D? Okay, well you're on alto so you'll be in F# and C# a lot ... I give up! :-)
Thanks, Jamie. This is the first video that gives me a sense of *why* it is important to play/learn the major scales and the triads (I'm still at the stage without the 7th.) So if I take the chords of a very simple tune like Let It Be, only play the notes fitting those chords (with the occasional passing note) I'm already halfway there?
Thanks Jamie. Great vid. Quick thought. At first from your pdf it looks like you have to learn 84 different scales (12x7). But actually there is a lot of duplication. E.g E-7 appears three times? So actually you just have to learn 48 arpeggios (4 chords x 12)? Have I got that right?
Get your free PDF chord tones Cheatsheet👉🏻 www.getyoursaxtogether.com/chordtones
I've entered my email a couple of times but never get an email or link to the .pdfs. I appreciate your lessons and would love to et some of the pdf.s I checked my junk mail folder - nothing from you there either. - thank for all you share
As usual, a key to unlocking the mysteries. I've been practising the arpeggios in every key, but it never occurred to me to memorize their names. Thanks so much Jamie for revealing the next step!
Wonderful!
I wonder if it might be useful to do the same thing over the harmonic minor scale. That would be harder, but would add some interesting new chords: ImM7, iii#5, V7(b9) (would need to go up to 9 or replace the 3 with the 9 to hit it?) and vii dim. I'm going to try it.
That’s what I did, sure.
I will do it. Step by step will be the ticket. Thank you for the proper road map.
You can do it!
Interesting method, looks like I started on step 3. But this is more systematic. Thanks!
Glad it was helpful!
Thank you for the lesson. Much. Appreciated
My pleasure!
This is great information. Thanks, Jamie! Fire up for soprano saxophones!
Btw, I read War and Peace in high school. Thankfully, we read the abridged edition. Have you ever seen an unagridged edition? You could knock somebody out with one!
Yeh I read the unabridged War And Peace! 😜
Thanks Jamie, I needed some new exercise's to get back on track. Excellent lesson. 🤓🎷🎷🎷🎷🎷
Happy to help!
What a great resource, thanks. I’ve just started working on this very idea, the PDF will make things move more quickly. Thanks.
Glad it was helpful!
Thanks Mr Anderson, for that great tutorial! i think it's a very important training.
You are welcome!
Thanks for clearing that up for me. Free of charge, very nice my friend, very nice.
You're welcome!
So useful and timely for me as usual 😊
Perfect!
Always great videos and advice which I will use, thank you Jamie
My pleasure!
very helpful, thanks
You're welcome!
Merci beaucoup
De rien 🙏🏻
Thanks! Awesome and soooo helpful 👍
No problem!
Thanks Jamie! Good exercise! I was just working on 7th chords in all 12 keys, and trying to learn the inversions so I can automatically play the 3rd, 5th or 7th without having to think so much.
Perfect!
Another great video--a clarified approach to melding what needs to be in our heads to what our fingers need to be doing.
A somewhat related question: Is there any advantage to thinking of the C# key as Db? I do the former, but I see you (and others) usually use the latter.
Well, not really, it’s just 5 flats or 7 sharps.
Excellent and right on the money. I get the same issue over and over again. So, I always get students to learn R&R I-IV-V patterns and then the 7 turnarounds and finally, my favourite is to get them to arpeggio over the chords of Hazel O'Connor's 'Will You' (the song's arpeggiated!) ... ... all in the hope they get it and will practice on. Otherwise, it even gets down to well, you need to know your scales ... Okay, well the one's you use most. Okay, C, G, D? Okay, well you're on alto so you'll be in F# and C# a lot ... I give up! :-)
Ha! Thanks for commenting.
Thanks, Jamie. This is the first video that gives me a sense of *why* it is important to play/learn the major scales and the triads (I'm still at the stage without the 7th.)
So if I take the chords of a very simple tune like Let It Be, only play the notes fitting those chords (with the occasional passing note) I'm already halfway there?
Yup. Exactly.
Thanks Jamie. Great vid. Quick thought. At first from your pdf it looks like you have to learn 84 different scales (12x7). But actually there is a lot of duplication. E.g E-7 appears three times?
So actually you just have to learn 48 arpeggios (4 chords x 12)?
Have I got that right?
Yes, exactly
❤❤❤❤❤
🙏🏻
Nice haircut!
Thanks!
Whoa, what's with the zooming in and out ????? of your face ? Gives me an instant eye pain
Keeps things interesting!
Thanks for your empathy and concern.
@@younytube aw man, sorry, I’m not trying to be unempathetic, I didn’t realise you were serious. 😮💨
@@GetYourSaxTogether , hah, thanks for replying, I appreciate it. Love your content. 👍👍👍
@@GetYourSaxTogether Hey, just watched your Sax Live TH-cam. Nice, I'll be watching tomorrow with luck. How long is the Black Friday deal on for ?