Thank you! could you please elaborate more on 9:28 ? "level match, AB, Listening in mono, listening to the sides to check tones are matching fairly" ?? Have a great day!
Can you make a video showing the difference in linear phase between the OTT and leapnwing MB comp you talked about? I was a little confused as to how to test this.
People that do this using crazy steep slopes as well without realising that if your slope is anymore than about 12db/Oct you're also boosting at the cutoff frequency too.
Yeap; I think it's a cool way to pay with SHAPING the low-end in some circumstances; but sometimes what digital GUI's show the user isn't actually what's happening to their signal;
all good points. the one about elliptical filters very true. Also re multi band compressors, beyond using ones with non linear crossovers, there is so much bad use of multi band comps out there in mastering, and using them when you don't have to (I'd say they're mainly for correcting poor mixes)...
Great video mate, the whack-a-mole analogy was spot on. I've recently stopped throwing high pass filters on everything and now I'm having to fix my low mids. I wonder what will pop up once I improve on that! Quick question, how do you think your channel has affected your business? large channels always talk about the importance of social media/youtube because it has worked for them, but we don't really get to hear the experience of smaller channels.
Thanks Red, appreciate you connecting with the content! My business mainly revolves around B2B relationships with full-time producers and engineers, this channel has helped improve my value-add and educating a lot of these clients, and also helping bring new ones into my circle. I don't beleive it's the make-or-break crux of my business, but it's a nice side-project which provides unique opportunities. When I was in LA a few weeks back, several big mixers recognised me and introduced themselves, as well as a few companies both software and hardware; So it's proved interesting to see how this is growing;
@@panorama_mastering That's really encouraging. Looking back at your previous videos it's clear that you've put in a lot of effort and have been smart about targeting the right people, so I'm glad that it has provided some opportunities. just a heads up, the links to your socials are broken in the description.
I love sooooo much ur vidéos i like your méthodes on mixing so plz make Vidéo about whay when mixing i like m'y sound and when mastering im confused witch plugins use or whay i dont like m'y sound after limiter and i stuck for months tray to mastering
with oversampling on clippers during mastering, i tend to use zero oversampling so I can effectively shave off transients 100% at the hard clip ceiling so my limiter won’t be working as hard. when i use oversampling, i find that the amplitude of the signal goes past the ceiling. is there a way i can use oversampling without anything going past the hard clip ceiling? (im using StandardCLIP!)
@@panorama_mastering We had recently a self proclaimed EDM-guru announcing that cutting the high of the master can give a "perfect master". I am taught that high cut shall be done track by track, bus by bus due to a need. I must admit that I have talked about the EDM-scene for long now, that there are many talking nonsense there who are not real audio pros.
Thanks for all you hard work, it’s appreciated!
Great video thank you! I’m learning the ropes to self mastering so your focus on some specifics makes it digestible!
You got this! Thanks for dropping by;
Thank you! could you please elaborate more on 9:28 ? "level match, AB, Listening in mono, listening to the sides to check tones are matching fairly" ??
Have a great day!
i like your way of explaining things... and you are right
Thanks mate!
Can you make a video showing the difference in linear phase between the OTT and leapnwing MB comp you talked about? I was a little confused as to how to test this.
No worries; I may definitely do so!
People that do this using crazy steep slopes as well without realising that if your slope is anymore than about 12db/Oct you're also boosting at the cutoff frequency too.
Yeap; I think it's a cool way to pay with SHAPING the low-end in some circumstances; but sometimes what digital GUI's show the user isn't actually what's happening to their signal;
Can you explain the low cut issue in more detail? How does it impact phase
YES ! Future video idea!
Great video again. Thanks Bud
all good points. the one about elliptical filters very true. Also re multi band compressors, beyond using ones with non linear crossovers, there is so much bad use of multi band comps out there in mastering, and using them when you don't have to (I'd say they're mainly for correcting poor mixes)...
Bang on! Thanks for watching!
Great video mate, the whack-a-mole analogy was spot on. I've recently stopped throwing high pass filters on everything and now I'm having to fix my low mids. I wonder what will pop up once I improve on that!
Quick question, how do you think your channel has affected your business? large channels always talk about the importance of social media/youtube because it has worked for them, but we don't really get to hear the experience of smaller channels.
Thanks Red, appreciate you connecting with the content!
My business mainly revolves around B2B relationships with full-time producers and engineers, this channel has helped improve my value-add and educating a lot of these clients, and also helping bring new ones into my circle.
I don't beleive it's the make-or-break crux of my business, but it's a nice side-project which provides unique opportunities.
When I was in LA a few weeks back, several big mixers recognised me and introduced themselves, as well as a few companies both software and hardware;
So it's proved interesting to see how this is growing;
@@panorama_mastering That's really encouraging. Looking back at your previous videos it's clear that you've put in a lot of effort and have been smart about targeting the right people, so I'm glad that it has provided some opportunities.
just a heads up, the links to your socials are broken in the description.
@@RedSpark_ Thanks mate! Appreciate the heads up too!
great info and great video! 🔊
Glad you liked it! Thanks for watching!
I love sooooo much ur vidéos i like your méthodes on mixing so plz make Vidéo about whay when mixing i like m'y sound and when mastering im confused witch plugins use or whay i dont like m'y sound after limiter and i stuck for months tray to mastering
Thanks for watching!
Will definitely consider it!
with oversampling on clippers during mastering, i tend to use zero oversampling so I can effectively shave off transients 100% at the hard clip ceiling so my limiter won’t be working as hard. when i use oversampling, i find that the amplitude of the signal goes past the ceiling. is there a way i can use oversampling without anything going past the hard clip ceiling?
(im using StandardCLIP!)
on inserts i use 2 clippers (2nd one has no oversampling), on master you can have limiter with oversampling after your clipper.
I want to know a good way of doing OTT with a really high quality plugin?
IMO opinion the best MB compressor on the market is Leapwing DynOne! Start there ;)
@@panorama_masteringIt doesn't do upward AND downward compression like OTT does though right?
Bro, you destroy everything I thought to be right!
You’re welcome ;)
I consistently mix bass heavy. The solution for me is to dial in more low end in my monitors to compensate my natural tendencies 🤔
Not a bad idea; tuning your room to help get results!
In my world no one would low-cut a snare at 200-400 Hz. The sub might be removed, but not the low mid of the snare.
In the EDM world it ISN'T uncommon!
@@panorama_mastering We had recently a self proclaimed EDM-guru announcing that cutting the high of the master can give a "perfect master". I am taught that high cut shall be done track by track, bus by bus due to a need. I must admit that I have talked about the EDM-scene for long now, that there are many talking nonsense there who are not real audio pros.
Hey man! Thanks for all the gems. Would you mind giving me feedback about my mixes?
Sure thing! Feel free to email them to me at nicholas@panoramamastering.com.au !
Linear phase is a conspiracy bru. Jk, thanks legend
Sorry the accent , Ethan one is the audio expert?
Ethan Winer, The Audio Expert - Book!