In the world of never ending Megapixel arms race. People have completely lost the plot about Photography. This is so refreshing that man is going back to basics...back to romance. This is the art of Photography.
Do you know a good site that talks about all the basics and prices it involves to get started? I would really like to get a camera that is also 100y old with a old lens to get it all down to vintage look :)
@@tubelator You could start with facebook groups. The forums are kind of void these days of any real talk. Get a manual such as John Coffer's manual or Mark Osterman's. There are a couple other good manuals but those are two of the tops. I personally have both and learned most of the things through the Coffer manual but both are good and have different information.
That was a heck of a run to and from the darkroom. I had a pull behind trailer for a dark room also. It makes things nice. I never done a shoot that far from it but I can attest to how nice it is having a dark room like that over a dark box.
I love the idea of using a trailer as your portable darkroom. After composing for the pic you have to leave your camera unattended while you prepare the plate and then leave it when you develop the plate the camera is left unattended. Do you have someone watching it or are trusting it will still be there? Great pic
Heck of a work everything was back then. Now its just in your fingertips. How hard things were and it tells about where we have came from. Absolutely amazing 😍
From the people in the comments saying this looks better than digital, it does allow me to explain. When taking these pictures you are exposing the silver nitrate to the actual world real light, with a digital you are running sort of like a printer it scans the environment.
What? In my understanding digital is millions of RGB photosensors that capture light and when stitched together create a picture and it's instant. No scan lines like a CRT tv or printing motion. You're replacing photosensitive emulsions with a photosensitive sensor.
@@wuzihuzi There are rolling shutters and global shutters on electronic cameras. Most use a rolling shutter, because its cheaper, and in that process the pixels are scanned like a CRT. So for example during Video recording if you pan the camera very fast, straight objects appear curved.
@@wuzihuzi Thas's the analogue side of digital photography you mentioned. After the sensor received the light, it will transmit it to digital signal. The rest is all data.
Blah. I've shot a 30s 6x9 cam and it's kinda nice. I've shot 35mm ..and it's just. Not that different from digital. I'm better of focussing on light, pose and idea shooting digital. However large format sorta instant things like these are still kinda thrilling to me ...cause I can't afford a din A4 sensor
This is a very well done video, including some backstory, chemistry and a great documentary on the process - the only thing that is missing is "the bit to watch" ;)
When you look into the camera lens why is the view upside down? Its really cool though that it still turns out beautiful! Wow I appreciate how patient photographers were back in the day. Imagine having to reshoot a photograph if they didn’t like the outcome of the photo.
Just like our eyes actually. The lens isn't a window but more like a pinhole. Light rays travel in a straight line towards the lens and from there keeps going the same direction, so the top of a building appears at the bottom and vice-versa. Same happens with left and right.
Digital is going in the direct where every single digital image will be perfect, high resolution, sharp, perfect color, low noise, just perfect. Perfect is boring when it comes to photos. You need some imperfections or mistakes to make the best photographs. That is why film will always be the number one medium for photography. Because it just isn't quite perfect and when you reach your first goals new goal posts are extended as the film world is far more vast than the digital world.
im really thinking about finding a way to adapt wet or dry plates to an instax mini pin hole camera. lol only issue is, i don't have room for developing or making the plates
Hello I am a subscriber to South Korea. There is no information about collodion wet plate in South Korea. So I want to ask you some questions. I am using a poeboy collodion (Cadmium bromide is not available in South Korea ) The picture is still blurry or the contrast is poor. I'm not sure if it's a silver nitrate issue or a developer issue. Collodion was definitely well made. The developer made it well by adding iron sulfate, acetic acid and ethanol. But the picture is blurry. I am doing an ambro type. Is it a problem with silver nitrate? Specific gravity is exactly 1.07. If the pH of silver nitrate is about 5~6, can the picture be blurry or the contrast is weak?
How do you meter and properly expose wet plates? Some people say not to use a light meter some say iso 2 is a good place to start. I'm aware it's most sensitive to blue light.
It's practice. Since you won't be using a mechanically accurate shutter but rather just taking the cap off the lens, you won't be able to be as accurate. But at the same time you won't need to, 1/10 of a second more of exposure doesn't change much if you're around 4 seconds.
It's a little difficult because as far as I know it will mostly (only?) capture UV light, so it depends how much UV light the scene reflects. Sensitivity is around ISO 1. You'd want to meter and make a test exposure and then go from there. It's useful to meter so you can make sure the scene didn't get darker or brighter between the two exposures (not obvious if you're busy preparing and developing plates...), and if it did you can adjust accordingly to the EV value.
Only for the really dedicated film shooters, because doing this requires you to have portable darkroom. Ah I'm happy with the more modern & convenient roll and sheet films :D
Bro imagen being a photographer back than it'd be stressful not to mention a free work out not to sure I'd wanna do all that if I have to run around lol
Oh Boy! taking a chance, that the camera will still be there when you rushed back. Haha! This would be a disaster if you were in the Bronx. Haha!😅 great vlog though, thanks.
![เป็นไปได้ไหม - WanMai [Performance Video]](http://i.ytimg.com/vi/Eh5hItD4Mr0/mqdefault.jpg)
It never gets old. Seeing an image develop on a plate or paper. It's always a zen moment.
In the world of never ending Megapixel arms race. People have completely lost the plot about Photography. This is so refreshing that man is going back to basics...back to romance. This is the art of Photography.
Photos have no compression, they are as sharp as the camera and film will allow. If you've ever seen 16 millimeter film, the resolution is incredible.
The resolution of this is equivalent to 200mpx
"This is the art of Photography." It is. Truly.
true
and the effective resolution of an 8x10 wet plate photograph is roughly 100 megapixel. And people were doing this in 1851!
Never gets old and always feels like magic watching pictures develop.
I practice this myself and I never tire of watching the magic happen.
Do you know a good site that talks about all the basics and prices it involves to get started? I would really like to get a camera that is also 100y old with a old lens to get it all down to vintage look :)
@@tubelator You could start with facebook groups. The forums are kind of void these days of any real talk. Get a manual such as John Coffer's manual or Mark Osterman's. There are a couple other good manuals but those are two of the tops. I personally have both and learned most of the things through the Coffer manual but both are good and have different information.
That was a heck of a run to and from the darkroom. I had a pull behind trailer for a dark room also. It makes things nice. I never done a shoot that far from it but I can attest to how nice it is having a dark room like that over a dark box.
Began working with wet plate collodion photography methods eight years ago and the process continues to amaze me!
I'm actually building a 3D model of a wet plate camera and I needed to know how they worked. Thank you! Very cool.
sounds productive
CRT Mojo hey, did you ever finish it?
Did it work out?
Had the pleasure of photographing Adrian in action today at fotofest 23 in Hastings New Zealand. Incredible process love it.
absolutely beautiful and magical to this day.
I love the idea of using a trailer as your portable darkroom. After composing for the pic you have to leave your camera unattended while you prepare the plate and then leave it when you develop the plate the camera is left unattended. Do you have someone watching it or are trusting it will still be there? Great pic
There has to be someone watching the camera
Heck of a work everything was back then. Now its just in your fingertips. How hard things were and it tells about where we have came from. Absolutely amazing 😍
Beautiful performance.
From the people in the comments saying this looks better than digital, it does allow me to explain. When taking these pictures you are exposing the silver nitrate to the actual world real light, with a digital you are running sort of like a printer it scans the environment.
What? In my understanding digital is millions of RGB photosensors that capture light and when stitched together create a picture and it's instant. No scan lines like a CRT tv or printing motion. You're replacing photosensitive emulsions with a photosensitive sensor.
@@wuzihuzi There are rolling shutters and global shutters on electronic cameras. Most use a rolling shutter, because its cheaper, and in that process the pixels are scanned like a CRT. So for example during Video recording if you pan the camera very fast, straight objects appear curved.
@@wuzihuzi Thas's the analogue side of digital photography you mentioned. After the sensor received the light, it will transmit it to digital signal. The rest is all data.
Blah. I've shot a 30s 6x9 cam and it's kinda nice. I've shot 35mm ..and it's just. Not that different from digital. I'm better of focussing on light, pose and idea shooting digital. However large format sorta instant things like these are still kinda thrilling to me ...cause I can't afford a din A4 sensor
absolutely fantastic...
This is very inspirational. Might be my new hobby.
That is so legit. great piece.
Analog and wet plate and are fantastic ways to shoot...
While partially true, I like many others, prefer the digital wetplate
dictionaryofwords that’s nice well you in joy . Putting your experience Sony Nikon canon , though a chemical bath !!:D
brilliant idea to have the trailer as a darkroom
Looks amazing, I wish I could do that
Amazing technique still alive!
keepin' it alive...!
Wow so beautiful
This is a very well done video, including some backstory, chemistry and a great documentary on the process - the only thing that is missing is "the bit to watch" ;)
When you look into the camera lens why is the view upside down? Its really cool though that it still turns out beautiful! Wow I appreciate how patient photographers were back in the day. Imagine having to reshoot a photograph if they didn’t like the outcome of the photo.
Well, that's just how lenses work
Just like our eyes actually. The lens isn't a window but more like a pinhole. Light rays travel in a straight line towards the lens and from there keeps going the same direction, so the top of a building appears at the bottom and vice-versa. Same happens with left and right.
Amazing
Digital is going in the direct where every single digital image will be perfect, high resolution, sharp, perfect color, low noise, just perfect. Perfect is boring when it comes to photos. You need some imperfections or mistakes to make the best photographs. That is why film will always be the number one medium for photography. Because it just isn't quite perfect and when you reach your first goals new goal posts are extended as the film world is far more vast than the digital world.
Agree, character is important in images and in people, imagine how sterile society would be if everybody was the same..... Same in pghotography.....
Awesome
The inception of photography was by Thomas Wedgewood in late 1778 or 9. Source: Thr History of Photography by Beaumont Newhall.
And how is that useful for this video?
Always amazes me :-)
You and me both!
Also you need to see when it’s ready, during development. It’s not an act of faith. But I still love this video.
im really thinking about finding a way to adapt wet or dry plates to an instax mini pin hole camera. lol only issue is, i don't have room for developing or making the plates
Love it.
where is that? that's a great spot
wendy whitely's secret garden
Dave Carswell thanks Dave
amazing
MAAAGIC :)
Wow
Hello I am a subscriber to South Korea.
There is no information about collodion wet plate in South Korea. So I want to ask you some questions.
I am using a poeboy collodion (Cadmium bromide is not available in South Korea )
The picture is still blurry or the contrast is poor. I'm not sure if it's a silver nitrate issue or a developer issue. Collodion was definitely well made. The developer made it well by adding iron sulfate, acetic acid and ethanol. But the picture is blurry. I am doing an ambro type. Is it a problem with silver nitrate? Specific gravity is exactly 1.07. If the pH of silver nitrate is about 5~6, can the picture be blurry or the contrast is weak?
Hi there, the real expert is Adrian Cook, thestudio.sydney/about
"Why that?" "Sounds romantinc"
That is why I went with dry plate instead. No rush.
can you use the same camera for both?
next time park the caravan bit closer :)
In Sydney.
Lewis Carroll bought me here
How do you meter and properly expose wet plates? Some people say not to use a light meter some say iso 2 is a good place to start. I'm aware it's most sensitive to blue light.
Myron Hensel honestly, I’ve been told that it mainly takes practice, or you do certain calculations to figure out how long to expose.
It's practice. Since you won't be using a mechanically accurate shutter but rather just taking the cap off the lens, you won't be able to be as accurate. But at the same time you won't need to, 1/10 of a second more of exposure doesn't change much if you're around 4 seconds.
It's a little difficult because as far as I know it will mostly (only?) capture UV light, so it depends how much UV light the scene reflects. Sensitivity is around ISO 1. You'd want to meter and make a test exposure and then go from there. It's useful to meter so you can make sure the scene didn't get darker or brighter between the two exposures (not obvious if you're busy preparing and developing plates...), and if it did you can adjust accordingly to the EV value.
Only for the really dedicated film shooters, because doing this requires you to have portable darkroom.
Ah I'm happy with the more modern & convenient roll and sheet films :D
Bro imagen being a photographer back than it'd be stressful not to mention a free work out not to sure I'd wanna do all that if I have to run around lol
😍😍
What was the photographical process in the 1800s where people had to sit very still for a period of time to get a picture?
Oh Boy! taking a chance, that the camera will still be there when you rushed back. Haha! This would be a disaster if you were in the Bronx. Haha!😅 great vlog though, thanks.
It's actually quite safe to submerge the plate in the light.
hello
Hi
Can't hear you over the music.
Heres an idea: PARK CLOSER
Have no idea how he went jogging with that plate and didn’t have silver splashed all over the sides lol
3:57. The boys escape from the meth lab...... I mean darkroom
We need to cook......up some great photos
ยากเกินไป
Must be a safe area to leave his gear a quarter mile away 😂
Nice but I'll stick with digital photography.
My Canon Rebel does this in about a 10th of a second lol
lol imagine shooting canon
No it doesn’t.
And I thought using film cameras was inconvenient
Wow