Francis Poulenc: Whimsy and Sarcasm [Les Six, Pt. 6/7]

āđāļŠāļĢāđŒ
āļāļąāļ‡
  • āđ€āļœāļĒāđāļžāļĢāđˆāđ€āļĄāļ·āđˆāļ­ 21 āļ.āļĒ. 2021
  • ðŸŽķ Support the channel:
    🎞 lentovivace.bandcamp.com
    🎞 / classicalnerd
    This was requested by Agis Vlaxos, Sean Ramsdell, portwain, Cole Fortier, Magnus Saar, Kevin O'Connor, Sizalyth, UCDrumline77, and Carson Clegg. See all requests at lentovivace.com/classicalnerd....
    📚 Sources/further reading:
    “Poulenc: A Biography” by Roger Nichols (Yale University Press, 2020)
    “Poulenc: The Life in the Songs” by Graham Johnson (Norton, 2020)
    “Les Six: The French Composers and Their Mentors Jean Cocteau and Erik Satie,” edited by Robert Shapiro (Peter Owen Publishers, 2011)
    “Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the MÃĐlodies” by Kirk A. Severtson (DMA thesis, University of Cincinnati, 2005): etd.ohiolink.edu/apexprod/rws...
    “Unifying Devices in Poulenc: A Study of the Cycles BanalitÃĐs and Tel Jour Telle Nuit” by Terence Evan Dawson (DMA thesis, University of British Columbia, 1991)
    “Rhythmic, Phrasing, and Dramatic Concerns in Poulenc’s Tel Jour Telle Nuit” by Wesley B. Morgan (DMA monograph, Temple University, 2019): scholarshare.temple.edu/bitst...
    “A Stylistic Analysis of BanalitÃĐs by Francis Poulenc” by Joy Ann Allen (MM thesis, University of North Texas, 1968): digital.library.unt.edu/ark:/...
    “A Comparative Study of Selected Clarinet Works by Arthur Honegger, Darius Milhaud and Francis Poulenc” by Thomas D. Stirzaker (PhD dissertation, Texas Tech University, 1988): ttu-ir.tdl.org/bitstream/hand...
    “A Historical, Literary, and Musical Analysis of Francis Poulenc’s Dialogues des CarmÃĐlites” by Gail Elizabeth Lowther (MM thesis, Bowling Green State University, 2010): static1.squarespace.com/stati...
    “Cohesion of Composer and Singer: The Female Singers of Poulenc” by Susan Joanne Musselman (DMA document, The Ohio State University, 2007): etd.ohiolink.edu/apexprod/rws...
    “Francis Poulenc’s Sonata for Horn, Trumpet and Trombone: A Structural Analysis Identifying Historical Significance, Form and Implications for Performance” by John T. Cord, (DMA dissertation, University of North Texas, 2009): digital.library.unt.edu/ark:/...
    “A Pedagogical and Performance Analysis of Francis Poulenc’s Works for Two Pianos and Four Hands” by Mai Li (DMA dissertation, University of Kansas, 2019): kuscholarworks.ku.edu/bitstre...
    “An Analysis of Francis Poulenc’s Sextour, First Movement” by Malorie Danielle Jessup (MM research paper, Ball State University, 2009): cardinalscholar.bsu.edu/bitst...
    ----------
    Classical Nerd is a video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
    ----------
    Music:
    - Francis Poulenc: Selections from Nocturnes (1930-8), performed by John Robson (#1, #3) and Monica Hart (#7, #8) [free recordings courtesy pianosociety.com]
    - Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
    - Francis Poulenc: Selections from Improvisations (1932-59), performed by Monica Hart (#5, #7, #10, #13, #15) [free recordings courtesy pianosociety.com]
    - Francis Poulenc: MÃĐlancolie (1940), performed by Dr. David April [free recording courtesy pianosociety.com]
    - Francis Poulenc: Selections from Suite Française (1935), performed by Chris Breemer (#1, #3, #6, #7) [free recordings courtesy pianosociety.com]
    - Francis Poulenc: Sonata for Clarinet and Piano (1962), performed by Michael SchÃķnfelder and Andreas Pfaul [free recording courtesy pianosociety.com]
    ----------
    Contact Information:
    Questions and comments can be directed to:
    nerdofclassical [at] gmail.com
    Facebook:
    / classicalnerd
    Instagram:
    / the_classical_nerd
    ----------
    All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information.

āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļŦāđ‡āļ™ • 58

  • @fredericfreddyfreddo850
    @fredericfreddyfreddo850 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +5

    I love Poulenc so much. He's one of my main influences. Thank you for that amazing video !

  • @musicalintentions
    @musicalintentions 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +5

    I absolutely love his sonatas for flute, oboe, and clarinet. I did not know that Goodman and Bernstein premiered the clarinet sonata.
    I know so much more about Poulenc’s life now. Thank you. 💕ðŸŽĩ💕

  • @thenewhindemithians8629
    @thenewhindemithians8629 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +7

    His flute sonata is a masterpiece.

    • @robertgiles9124
      @robertgiles9124 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

      Along with Rodrigo, one of the best Modern flute works. I think Galway had it orchestrate on his L.P. Saw him perform it around 1981 in Oakland, California. And saw it worked on in a Rampal Master class around the same time in Berkeley.

  • @welldarn5063
    @welldarn5063 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +16

    The one I was waiting for! Can’t wait to watch it tonight after work!

  • @CH3CH2OCH2CH3net
    @CH3CH2OCH2CH3net 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +6

    What an interesting lecture on Poulenc the person, and Poulenc the composer. One of the most enjoyable TH-cam videos I've seen. Thank you!

  • @jenthefwen
    @jenthefwen 9 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™ +1

    My favorite composer! Thank you for this

  • @pianomanhere
    @pianomanhere āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +1

    Thomas: This video represents the manner and breadth of knowledge, research and great effort you exert in the creation of all of your TH-cam postings. This is a magnum opus among all of your work. Just short of reading a biography or taking a course about Poulenc, his life and works, I find it to be the best summary that also encompasses his interactions and relationships with so many important figures of Les Six and the world of music at the time. Many, many thanks to you for this remarkably essential video. 👍 ðŸŽđ 💙 💃 ðŸŽĩ 💊 🎚 🏆 🏅

  • @edwardjohn5
    @edwardjohn5 11 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™ +1

    As an Indonesian who is very fond of both Balinese and Javanese gamelan music, I can say that the pentatonic in finale of the first mvt of his concerto for 2 pianos is recognizable and is closer to the style of typical Balinese style

  • @doricdream498
    @doricdream498 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

    poulencs organ concerto is one of my favorite pieces of all time. it was the first piece of his that i had heard, and when i learned he was moreso known for fun lighthearted works i couldnt believe it. the organ concerto is so heavy and powerful, and to this day its heavily influenced my own output.

  • @scronx
    @scronx 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

    Fantastic -- bravo. A college course packed into one class hour! Nothing nerdish about it either :-)

  • @theponderingplumb9790
    @theponderingplumb9790 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

    My favorite of Les Six. I was introduced to Poulenc as a tenor singing his “Gloria.” His solo piano pieces are transcendent. My tenor range makes most of his MÃĐlodie out of my arena but it is still fun to listen to. I don’t know any music that is so magical and clever! Thanks for the research.

  • @TheDillonCake
    @TheDillonCake 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +3

    Finally the Poulenc episode, well done!!

  • @kenm.3512
    @kenm.3512 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +4

    Wonderful Thomas! I enjoyed this clip very much. I had just happened to be listening to Puolenc's music for the past couple of days. The 6 CD RCA box featuring pianist Eric Le Sage. A wonderful Double PC in this set! I love his characterful sonatas for 2 to 6 instruments. The sextet being a standout piece. Aubade, Les Biches, Chateau, Babar. All that wonderful solo piano music. Of course, his indescribably great choral music create a pinnacle for 20th century vocal music. I have yet to acquire a recording of Dialogue of the Carmelites. I want to remedy that soon.
    As I have grown older, I am finally coming to composers like Poulenc and Milhaud. It's refreshing stuff.
    I love your Poulenc biography on this clip. 50 minutes went by very quickly. I was hoping that you would discuss his choral music more, but no matter. Your description of the subject is highly intelligent, detailed, witty and endearing. Thank you!

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

      Like Holst, Poulenc's choral music is fantastic and perennially underrated. Unfortunately I did not come across much in my sources analyzing that output nearly as much, likely due to analysts focusing their vocal discussion on his songs.

  • @brendaboykin3281
    @brendaboykin3281 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

    Thank you, Maestro ðŸŒđðŸŒđðŸŒđ

  • @grantveebeejay535
    @grantveebeejay535 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

    Bravo Thomas Petit! Merveilleux!

  • @christopherwildman3368
    @christopherwildman3368 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +1

    Very informative. Thank you Mr Nerd,

  • @christianlesniak
    @christianlesniak 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +1

    The concerto for two pianos is such a fantastic work of beautiful and contrasting melodies and moods. Poulenc had this great gift for composing these moments that seem to just float there out of time. The 2nd movement starts with the most beautiful melody Mozart never wrote.
    A video of Poulenc himself performing it with Jacques Fevrier is full of elan and charm, and can be easily found on TH-cam. Too many performers (I'm looking at you, Labeque Sisters!) play it like typewriter music, and drain it of all its wit and color while attaining maximum words per minute.

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +1

      My favorite recording is Gold & Fizdale-they take it a little on the slower side compared to some, but there's a crispness there that I really enjoy.

    • @christianlesniak
      @christianlesniak 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

      @@ClassicalNerd Oooh, I like it! The tempos (which I think are perfect here) are very similar to Poulenc's rendition, but there is a lot more clarity in the recording (probably partly due to the recording, and partly due to Poulenc dropping a few notes here and there (but I'm not judging)). There's something about 2 piano/ 4 hand music that seems to set performers off to the races unnecessarily. Too bad I couldn't locate Gold & Fizdale playing Scarmouche, but I'll have to check their other recordings out. Thanks!

  • @bingbongtoysKY
    @bingbongtoysKY 11 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™

    Britten! a video on Britten!!! I didn't know Poulenc and Britten were close! fantastic! great video Thomas!

  • @coolhandphilip
    @coolhandphilip 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +1

    One of your best, Thomas!

  • @Mackeson3
    @Mackeson3 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +4

    Britten's "Billy Budd" is set in 1797 on a British Man-of-war when The British were at war with France and contains such lines as "Down with The French!" and "I don't like their Frenchified ways!" Maybe that's why Poulenc walked out.😏
    10:04 Charles Koechlin. France's most underrated 20th century composer

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +1

      I don't doubt that Poulenc had his reasons! It was very unlike Britten, though, to let something like that slide.

    • @Mackeson3
      @Mackeson3 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

      @@ClassicalNerd Oh yes BB was notoriously "thin skinned" e.g. please watch this : th-cam.com/video/5YqgiOj54Ko/w-d-xo.html Dudley Moore playing the piano and doing his uncannily accurate Peter Pears ( Britten's life long partner) impression. Pears and Benjamin Britten were actually in the audience. BB stormed out of the theatre and never spoke to Moore again. Pears however thought it was hilarious.

  • @baburton81
    @baburton81 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    Thank you for producing this. Very informative.

  • @matthieu_stefanelli_music
    @matthieu_stefanelli_music 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

    Great ! Poulenc is a great composer ! HÃĐ influences me for my own piano concerto ! ðŸŽđ
    Congratulations 👏

  • @ChopinClassics
    @ChopinClassics 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    Bravo, Classical Nerd! Great to finally watch your video about my favourite Les Six composer.

  • @DavidA-ps1qr
    @DavidA-ps1qr 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    As usual, vastly informative Tom. Have enjoyed this series enormously and learnt so much.

  • @MaestroWenarto
    @MaestroWenarto 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    wow, bravo, thank you, one of my favorite composer...

  • @VallaMusic
    @VallaMusic 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

    Maria Éluard...I salute you

  • @brucebaldy
    @brucebaldy āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    Some beautiful music.

  • @saidtoshimaru1832
    @saidtoshimaru1832 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +5

    His Gloria and his concert champetre are my favourites!

    • @Nooticus
      @Nooticus 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +1

      Theyre amazing!

  • @janneckchristiansen2778
    @janneckchristiansen2778 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

    Do a video on Alan Hovhaness. A greatly underrated composer imo!!

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

      Duly noted: lentovivace.com/classicalnerd.html

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +1

      th-cam.com/video/GKWiuk7i4Ow/w-d-xo.html

  • @ricardocabe
    @ricardocabe 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    Excelente series of videos. Could You please make one about Jean Cocteau. I know he wasn't a composer, but he was a catalyst that allowed for multiple interactions among them and also worked with Satie in Parade.

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

      There isn't much to say about the musical career of Cocteau that isn't covered by this series, I don't think.

  • @Alfonso-mi3np
    @Alfonso-mi3np 3 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™

    Nice book collection, organized by Alphabetical order, nice

  • @cid6994
    @cid6994 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    His name just keeps coming up. Please, you must do Franck!

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

      Duly noted: lentovivace.com/classicalnerd.html

  • @hamidrezahabibi8111
    @hamidrezahabibi8111 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™

    Where’s part 1 and 2 and 3 and 4 and 5?

    • @ClassicalNerd
      @ClassicalNerd  āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™

      ... available?

    • @hamidrezahabibi8111
      @hamidrezahabibi8111 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™

      @@ClassicalNerd what is the link?

  • @asa.pankeiki
    @asa.pankeiki 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

    69th like. Nice

  • @24spoce8
    @24spoce8 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    Wieniawski video?

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

      Duly noted: lentovivace.com/classicalnerd.html

  • @eigenvee
    @eigenvee 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    Does no one know the difference between "flaunt" and "flout"?

  • @TheIncredibleAspie
    @TheIncredibleAspie 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +10

    Proof you don’t need an expensive education to write decent music. It helps but it isn’t needed.

    • @Ncolasg
      @Ncolasg 12 āļ§āļąāļ™āļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē +1

      He was also rich, i think It helps also

  • @alkanista
    @alkanista 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    FWIW - somewhere, long ago, I learned that Poulenc was pronounced "poo- lank", rather than "poo-lonk".

    • @stephenkolarac5305
      @stephenkolarac5305 9 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™

      Yes I agree Poo Lank.

  • @Philrc
    @Philrc 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +3

      You can say what you will about Americans, but I think we have a right to have an accent.

    • @Philrc
      @Philrc 2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§

      @@ClassicalNerd it's pronounced pÃĶrˈɊzɩən . pronouncing it wrongly isn't part of an accent it's just not saying the word correctly. you're talking about French composers in their capital city, at least say the name of their capital correctly.

    • @ClassicalNerd
      @ClassicalNerd  2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ +2

      Accents _are_ subtle differences in pronunciation. That's their dictionary definition. The way I say it here is how I've always heard it pronounced throughout the United States.