It is a chromatic harmonization for transition of „the melody“ between the diatonic chords Em7 an Dm7. Melody meaning the top note of the chords here. You can more or less go from any diatonic chord to any other diatonic chord via inserting such a chromatic approach. Try cmaj7…dbm7-> dm7, or cmaj7… emaj7->Fmaj7 for instance.
![เปิดบ้าน โคตรสวย ป๋องกพล รู้จักตั้งนาน เพิ่งรู้ว่ารวย!!! l [Nickynachat]](http://i.ytimg.com/vi/tmgCF_2HfYI/mqdefault.jpg)
I soooo very much love this masterpiece thank you for sharing your brilliance 🎉
All day long , 🤠 awesome 🎸🎸🥴
Top marks ⭐️⭐️⭐️⭐️⭐️
Thanks for sharing 👍
Nice to have something without a weird bridge. Great job!
amazing bro
Nice track ! Keep them coming , we need more of you out there !
Just stumbled onto you guys tracks. Really superb. Thank you. I'll spread the word.
can anyone explain where the EBm7 comes from ? like music theory wise ? it is out of key but fits so perfectly
It is a chromatic harmonization for transition of „the melody“ between the diatonic chords Em7 an Dm7. Melody meaning the top note of the chords here. You can more or less go from any diatonic chord to any other diatonic chord via inserting such a chromatic approach. Try cmaj7…dbm7-> dm7, or cmaj7… emaj7->Fmaj7 for instance.
Wish I knew what you were talking about 😃 ,
very , very , very useful ! ( f.i. to play over 7 modes ) 👍
beautiful
came by 4 a listen ...........👍👍really niCe........like 265 4 17 22............
Let's hear more.....