For the annoying post renderer insert, go to the renderer, click on the wench tool icon, you can then add a headphone bus for binaural listening and a Listen Bus for you room correction software. Now you can listen simultaneously to headphones and corrected speakers without touching to your post insert of your main bed.
Thanks for the video. Diving into this to master what I did using the Dolby atmos composer along side my stereo mix. Now I can take my adm file and do final adjustments with a fresh perspective.
@@Michael G Wagner: You can use the Studio One's Mixtool to replace the Plogue Bidule. Mixtool will automatically switch from stereo to 7.1.4 when changing the speakers.
enable the listening bus in s1, set it to 16channel in i\o, and enjoy room correction plugin like sonarworks multichannel. better than placing it post atmos on the master bus
This is exactly what I'm after lol. I have a Scarlett 6i6 and I wanna pair this with Waves NX or SoundID with a 5.1 setup but I can't seem to get it right.
Thank you dear @Michael G Wagner for the great video. 👍 I watched this video several times. Since I faced the decision to upgrade a DAW that has already been used or extend support for a lot of money, I decided to change the DAW and switch to Studio One. With the help of this video, I had successfully managed to get started in a few minutes. 👍 Note: I used the possibility of crossgrade for Studio One and saved around 25% at the price - the price remained well below the upgrade or support price of my old DAW. 😊 Thank you 👍
Wow ! Nice 😃 Hopefully other DAW’s like Nuendo will follow the “easy” setup workflow. This , combined with what Nuendo already does would be perfect. .. waiting for an Nuendo 13 update 😃😃😃 Again - Thanx for a great video 👍
Yes, looking forward to what other DAWs will do now. Unfortunately, the Cubase/Nuendo update seems to be held hostage by Steinberg’s problem with their payment processor. Their webshop is closed for the moment being and they have announced that new products and updates will be delayed. Let’s see how fast they can resolve this.
Very nice overview. But why do you set the output to stereo while using headphones. Wouldn't binaural be the right choice? Also: Haven't you tried to set the sends to pre-fader to disconnect them from muting? Have you tried the Listen-Bus?
Good points. I talked about stereo vs binaural in previous videos. In this video it didn’t make much difference since I was mired in focused on the workflow. The pre-fader setting would solve the muting issue but would introduce other downsides. I would like to see functionality like you have in Fiedler Audio’s Dolby Atmos Composer. Need to look at the listen bus.
Great overview. Bidule is great for matrixing wonky multichannel plugins as you indicate. It has a 16x16 matrix device so makes it really easy to just save a preset for quick corrections.
First Off - 100% Presonus.. We need the linking of planners, our latest project has 139 tracks;) Thanks as always another clear and easy to follow video… I’ve been using Cubase and Live for most of my production work, about 15 years. This shows how far removed Cubase is from simplicity and CX.. I’m loving SO6.5 it’s worth the learning curve which has to said is about half a day of playing around. Well done Presonus, kudos well deserved. Thanks again Modern Music for Funerals
Excellent review! Not even Presonus made such a detailed video! By the way, can the Surround Panner and Spatial Object Panner be automated? I mean their 3D parameters. Thanks a lot!
Thanks for the video. I love the video and the things you point out for improvement. I would love to have some sort of headtracking to. Amazing video. And @presonus you did something amazing, keep up the amazing work
yay! thanks @michaelgwagner for making this video and talking more on #dolbyatmos in this #daw . I'm thinking of switching from #LogicPro since it hasn't had a update in ages, and am thinking of exploring #StudioOne especially this version of 6.5
It is a good alternative to Logic, I think. I doubt that a lot of people will switch from Pro Tools or even Nuendo. But a switch from Logic could make sense imho.
i flopped around for three years between pro tools cubase and studio one. ive stayed with studio one exclusively for about 4 months now and am just starting to dive into the atmos mixing more seriously. what i dont understand is why pro tools is looked at as so much better than s1. they are the slowest to implement new tech like ara for instance. its buggy when they do and lets no forget their going to be controlled by a investment fund thing at the end of the year. @@michaelgwagner
Hi Michael, great video. I am excited to experiment with Atmos. This is why I love Studio One giving us all this for free. Although Atmos songs have to be set up for 48kHz, can I import stereo tracks which were recorded at 44.1kHz?
Good question. Yes, the DAW should be able to transcode the bitrate correctly. If not and you are getting some strange artifacts, you can transcode it in an external editor. Audacity should work for that purpose.
When it come to channel I know there are different layouts for it. I have a 5.1 setup and I use a ITU layout which is L-R-C-LFE-Ls-Rs and a friend uses a Film layout L-C-R-Ls-Rs-LFE. I feel studio one should allow users set their layout. Best way to setup the channel is to go to the audio i/o setup => output then reposition the channels to what ever suit your setup. Still this is an amazing update.
Yes, you can swap the outputs around, but how channel layout is handled internally depends a lot on how plugins deal with channel layouts. The more premium plugins such as the Liquidsonics reverbs should work fine though.
I don't inderstand the reverb routing you describe. Why not use a separate bus for the reverb and route the bus to the bed rather than putting the reverb on the main (master bus) which will cause everything in the bed to pass through the reverb? Thanks
This is primarily because most people use the bed only for the reverb as the bed isn‘t really fully immersive. There is, however, nothing wrong with using a separate bus for the reverb.
Ah, I see. That's Genre specific, because in my work remixing pop music into Atmos, the bed IS used for the elements of the rhythm section and objects for specialized FX or panning FX.
@MrJoshRain You only have two overheads in the bed which limits what you can do. There is a strong movement to avoid beds altogether and use objects only. You can mimic beds with more overheads through objects. Pro Tools now has ready made templates that allow you to do that. It is a bit a matter of personal preference tbh.
Increíble! Sabía que en algún momento podría experimentar en Windows. Tenía ésta versión de Studio One 6 y no había visto la opción. Gracias infinitas! Saludos desde Costa Rica! 🇨🇷
Thanks for the video. S1has the same issue as other DAWs, you can't export Dolby Digital Plus with JOC (Joint Object Coding) for delivering to multiple environments. You need the quirky AWS render.
That “mute object” is actually not a problem I guess (didn’t check it out yet though), maybe you just need to switch a send to prefader position by clicking that little sign on the right side of send fader on the object/channel track in the mixer, then add a vca track for channels you want to mute to level them all to minus infinity before rendering... of coarse you are loosing your send balance if you didn’t think about it ahead, but it can be fixed with a simple math.. the only workaround I could think of...what am I talking about, it is a problem for sure!:)
Thanks Michael for this Video. I'm currently on Cubase Pro12 and I'm agree that Dolby Atmos implementation on Studio One seems more intuitive. I like the comment at 22:00 when you talk about the channel order and flip between Rear and Side channels that could make weird stuff with plugins. I'm currently experiencing this problem with the Supperware Binaural plugin.
HUGE QUESTION: i notice you can export out multiple styles for dolby....Wav,Binaural,7.1.4 etc...but how does this work when Mastering? On the mastering side if you want those different version mastered?
@@michaelgwagner thanks but thats not what im asking.......this is my point...we know Mastering is the Final of music right! not mixing. On the mixing side we can export out these different wonderful options on Dolby also the regular stereo version........But they still need to be mastered "IF IM DOING THE WORK MYSELF" SO WHAT WOULD BE THE BEST WAY TO MASTER THOSE DIFFERENT OPTIONS OF DOLBY? I assumed the only way possible is export them out the regular way and just drag them into the master side 'PROJECT'.....so i was wondering maybe you know a faster way since we do have the option to add song straight to project sided.
@LossLeadas In Dolby Atmos you use the master file as your main deliverable. You do not use any of the downmixes and mastering those therefore does not really make a lot of sense. I can just repeat what i said. In Dolby Atmos music there is no mastering step. You mix your Atmos Master File and deliver that to the streaming services who then encode it for streaming. Totally different workflow.
@michaelgwagner thanks..for info...but when u export each one out they all sound so different.......keep in mind IF IF DIDNT MATTER they wouldn't give us the abilty to export them out .....respectfully it is for a reason. Also, it's getting to a point as far as what I'm reading. Apple is trying to get music platforms to ONLY ACCEPT DOLBY ATMOS MIXES. im sure it's going to happen, maybe not all platforms. This is why i think those different exports matters to give an artist different styles of it song. It will be dope if the same S1 allows us to export the dolby version, give the same option to ADD TO NEW PROJECT along with regular Stereo Mix.
does its native Atmos renderer mix Adm with mp4 video or not? I have a problem with the AWS console. is Studio One is same as Fairlight and Nuendo on this matter?
Depends what you mean by “native” Atmos. All solutions can produce native Atmos Master Files. And DaVinci can create Atmos deliberables for streamimg services like Netflx. But if you want an mp4 quality control deliverable, you currently only have 2 options. Either you use the Atmos Renderer from Dolby, or you run the master file through AWS media convert.
You could use it with Studio One but the issue with the post renderer inserts makes it a bit inconvenient. I’ll probably do a video in the near future. There are workarounds.
Hey Michael, you did not set a headphone output in binaural, so I wonder how can you monitor the actual Dolby Atmos mix !? And also why put the reverb on the main channel instead of a regular FX channel, I'm trying to figure out what you want to demonstrate?
A binaural downmix only makes sense if you listen on headphones and over TH-cam I do not have control how people listen to the audio. If you set the renderer to stereo that does not mean that you do not listen to the Atmos mix. You just listen to the stereo downmix instead of the binaural downmix. If you want to monitor the immersively you would need a multichannel monitoring setup or at least a headtracking setup like the one I showed with the Audio Movers binaural decoder for Apple Music. You can use an FX channel for the reverb. However, since the bed track is not really fully immersive, I usually recommend only sending the reverb into the bed. Many engineers avoid the bed all together. And if all that ever goes into the bed is the reverb anyway, an FX track is not really necessary. But you can use one if you feel more at home with such a workflow, of course.
Hey Michael do you have any idea of what to do once I export the adm BWF... How do I make it sound on a blue Ray? Should simply burn a blue Ray disc with the ADM BWF and the device Will play it? Im looking forward to test my atmos mixes on a friends JBL SDP-75 atmos system... But is connected to a blue Ray player..... So so far the only way I found to play bsck the music is to create a blue Ray but im not sure of how to.... Or if I need a different format to do so like DD+ JOC or 4ac IMS
I dont have the system available for me always... So I need to book it since its actually his own entertaiment center at his house... It is a 11.4.11 system. But I need to make sure to get the stuff done and make sure ill be able to play something jejeje😅
Yes, you need to encode it in different format, but the details of how to create Blurays are outside of my expertise. The standard way of using Masterfiles is as deliverables for streaming services.
@@michaelgwagner Under export spatial audio you can choose different algorithms from a preset meny for the 5.1 and 5.1 to 2.0 downmix and also choose to even tick the manual trimmimg box.So…when wanting to adjust that in real time and to see if one likes the difference or not,it would be good if you then also can monitor that change in your monitors/headphones before you render the ADM BWF file and import it for your own judgement.
Or also…If one choose to even change some project mix setting in the full Atmos (7.4.1 for example) project so it benefits even the resulting downmixws version in 5.1 and 2.0 well that could also be a way of doing things.Do you follow! And then you can value these tweaks also in the different ways the renderer can be set to do a downmix as I mention above here.
@@michaelgwagner I have sent a quick email to Dolby, apparently you can export IMF IAB file from Resolve Studio 18 for Home Cinema not Cinema. You have to pay Dolby to convert your IMF IAB to file compliant with DCPs
For the annoying post renderer insert, go to the renderer, click on the wench tool icon, you can then add a headphone bus for binaural listening and a Listen Bus for you room correction software. Now you can listen simultaneously to headphones and corrected speakers without touching to your post insert of your main bed.
Yes, thanks! I clarified that in an follow up video.
Thanks for the video. Diving into this to master what I did using the Dolby atmos composer along side my stereo mix. Now I can take my adm file and do final adjustments with a fresh perspective.
Yes, that is an interesting and not yet well explored possibility. Finetuning exiting ADM files.
@@Michael G Wagner: You can use the Studio One's Mixtool to replace the Plogue Bidule. Mixtool will automatically switch from stereo to 7.1.4 when changing the speakers.
Great tip! 👍
enable the listening bus in s1, set it to 16channel in i\o, and enjoy room correction plugin like sonarworks multichannel. better than placing it post atmos on the master bus
Yes, that’s how I woild do that for room correction. You still need to check that the channel layout matches though.
This is exactly what I'm after lol. I have a Scarlett 6i6 and I wanna pair this with Waves NX or SoundID with a 5.1 setup but I can't seem to get it right.
Thank you dear @Michael G Wagner for the great video. 👍 I watched this video several times. Since I faced the decision to upgrade a DAW that has already been used or extend support for a lot of money, I decided to change the DAW and switch to Studio One. With the help of this video, I had successfully managed to get started in a few minutes. 👍 Note: I used the possibility of crossgrade for Studio One and saved around 25% at the price - the price remained well below the upgrade or support price of my old DAW. 😊 Thank you 👍
Thanks! Great tip re crossgrade!
@Michael G Wagner: This is a very comprehensive tutorial. It's the best.. thank you so much!
You’re very welcome!
Wow ! Nice 😃 Hopefully other DAW’s like Nuendo will follow the “easy” setup workflow. This , combined with what Nuendo already does would be perfect. .. waiting for an Nuendo 13 update 😃😃😃 Again - Thanx for a great video 👍
Yes, looking forward to what other DAWs will do now. Unfortunately, the Cubase/Nuendo update seems to be held hostage by Steinberg’s problem with their payment processor. Their webshop is closed for the moment being and they have announced that new products and updates will be delayed. Let’s see how fast they can resolve this.
Very nice overview. But why do you set the output to stereo while using headphones. Wouldn't binaural be the right choice?
Also: Haven't you tried to set the sends to pre-fader to disconnect them from muting?
Have you tried the Listen-Bus?
Good points. I talked about stereo vs binaural in previous videos. In this video it didn’t make much difference since I was mired in focused on the workflow. The pre-fader setting would solve the muting issue but would introduce other downsides. I would like to see functionality like you have in Fiedler Audio’s Dolby Atmos Composer. Need to look at the listen bus.
Great overview. Bidule is great for matrixing wonky multichannel plugins as you indicate. It has a 16x16 matrix device so makes it really easy to just save a preset for quick corrections.
Unfortunately, it completely crashes Studio One om a Mac. 😕
First Off - 100% Presonus.. We need the linking of planners, our latest project has 139 tracks;)
Thanks as always another clear and easy to follow video… I’ve been using Cubase and Live for most of my production work, about 15 years. This shows how far removed Cubase is from simplicity and CX.. I’m loving SO6.5 it’s worth the learning curve which has to said is about half a day of playing around.
Well done Presonus, kudos well deserved.
Thanks again
Modern Music for Funerals
Yup, it’s a good one. I have a Studio One 6.6 video coming up this week. ;)
Excellent review! Not even Presonus made such a detailed video! By the way, can the Surround Panner and Spatial Object Panner be automated? I mean their 3D parameters. Thanks a lot!
Thanks! Yes, they can be automated.
Thanks for the video. I love the video and the things you point out for improvement. I would love to have some sort of headtracking to. Amazing video. And @presonus you did something amazing, keep up the amazing work
Thank you for the kind words! Glad this is helpful!
yay! thanks @michaelgwagner for making this video and talking more on #dolbyatmos in this #daw . I'm thinking of switching from #LogicPro since it hasn't had a update in ages, and am thinking of exploring #StudioOne especially this version of 6.5
It is a good alternative to Logic, I think. I doubt that a lot of people will switch from Pro Tools or even Nuendo. But a switch from Logic could make sense imho.
i flopped around for three years between pro tools cubase and studio one. ive stayed with studio one exclusively for about 4 months now and am just starting to dive into the atmos mixing more seriously. what i dont understand is why pro tools is looked at as so much better than s1. they are the slowest to implement new tech like ara for instance. its buggy when they do and lets no forget their going to be controlled by a investment fund thing at the end of the year. @@michaelgwagner
Hi Michael, great video. I am excited to experiment with Atmos. This is why I love Studio One giving us all this for free. Although Atmos songs have to be set up for 48kHz, can I import stereo tracks which were recorded at 44.1kHz?
Good question. Yes, the DAW should be able to transcode the bitrate correctly. If not and you are getting some strange artifacts, you can transcode it in an external editor. Audacity should work for that purpose.
When it come to channel I know there are different layouts for it. I have a 5.1 setup and I use a ITU layout which is L-R-C-LFE-Ls-Rs and a friend uses a Film layout L-C-R-Ls-Rs-LFE. I feel studio one should allow users set their layout. Best way to setup the channel is to go to the audio i/o setup => output then reposition the channels to what ever suit your setup. Still this is an amazing update.
Yes, you can swap the outputs around, but how channel layout is handled internally depends a lot on how plugins deal with channel layouts. The more premium plugins such as the Liquidsonics reverbs should work fine though.
Thanks so much Bro for sharing your knowledge!
You’re very welcome
I don't inderstand the reverb routing you describe. Why not use a separate bus for the reverb and route the bus to the bed rather than putting the reverb on the main (master bus) which will cause everything in the bed to pass through the reverb? Thanks
This is primarily because most people use the bed only for the reverb as the bed isn‘t really fully immersive. There is, however, nothing wrong with using a separate bus for the reverb.
Ah, I see. That's Genre specific, because in my work remixing pop music into Atmos, the bed IS used for the elements of the rhythm section and objects for specialized FX or panning FX.
@MrJoshRain You only have two overheads in the bed which limits what you can do. There is a strong movement to avoid beds altogether and use objects only. You can mimic beds with more overheads through objects. Pro Tools now has ready made templates that allow you to do that. It is a bit a matter of personal preference tbh.
@@Tony_Kosinec Same issue exactly..
Increíble! Sabía que en algún momento podría experimentar en Windows.
Tenía ésta versión de Studio One 6 y no había visto la opción.
Gracias infinitas!
Saludos desde Costa Rica! 🇨🇷
You're very welcome!
Thanks for the video. S1has the same issue as other DAWs, you can't export Dolby Digital Plus with JOC (Joint Object Coding) for delivering to multiple environments.
You need the quirky AWS render.
Yes, I mentioned that towards the end of the video. My understanding is that this is a licensing issue. Not something Presonus can do by themselves.
@25:45 "EDM BWF file". Music preference confirmed. 🙂
😂
That “mute object” is actually not a problem I guess (didn’t check it out yet though), maybe you just need to switch a send to prefader position by clicking that little sign on the right side of send fader on the object/channel track in the mixer, then add a vca track for channels you want to mute to level them all to minus infinity before rendering... of coarse you are loosing your send balance if you didn’t think about it ahead, but it can be fixed with a simple math.. the only workaround I could think of...what am I talking about, it is a problem for sure!:)
Yeah, not a biggie. Just an annoyance.
Thanks Michael for this Video. I'm currently on Cubase Pro12 and I'm agree that Dolby Atmos implementation on Studio One seems more intuitive.
I like the comment at 22:00 when you talk about the channel order and flip between Rear and Side channels that could make weird stuff with plugins. I'm currently experiencing this problem with the Supperware Binaural plugin.
Yes, that happens more often than you think.
HUGE QUESTION: i notice you can export out multiple styles for dolby....Wav,Binaural,7.1.4 etc...but how does this work when Mastering? On the mastering side if you want those different version mastered?
There is no mastering in Dolby Atmos. Everything is done during mixing.
@@michaelgwagner thanks but thats not what im asking.......this is my point...we know Mastering is the Final of music right! not mixing. On the mixing side we can export out these different wonderful options on Dolby also the regular stereo version........But they still need to be mastered "IF IM DOING THE WORK MYSELF" SO WHAT WOULD BE THE BEST WAY TO MASTER THOSE DIFFERENT OPTIONS OF DOLBY? I assumed the only way possible is export them out the regular way and just drag them into the master side 'PROJECT'.....so i was wondering maybe you know a faster way since we do have the option to add song straight to project sided.
@LossLeadas In Dolby Atmos you use the master file as your main deliverable. You do not use any of the downmixes and mastering those therefore does not really make a lot of sense. I can just repeat what i said. In Dolby Atmos music there is no mastering step. You mix your Atmos Master File and deliver that to the streaming services who then encode it for streaming. Totally different workflow.
@michaelgwagner thanks..for info...but when u export each one out they all sound so different.......keep in mind IF IF DIDNT MATTER they wouldn't give us the abilty to export them out .....respectfully it is for a reason.
Also, it's getting to a point as far as what I'm reading. Apple is trying to get music platforms to ONLY ACCEPT DOLBY ATMOS MIXES. im sure it's going to happen, maybe not all platforms. This is why i think those different exports matters to give an artist different styles of it song.
It will be dope if the same S1 allows us to export the dolby version, give the same option to ADD TO NEW PROJECT along with regular Stereo Mix.
@michaelgwagner everything is for a reason and serves a purpose its about figuring out what to use it for
How to do the final rendering of the atmos mix for .wav file?
In the render spatial audio setting, choose whatever rerender format you want to export in addition to the master file.
What the the downsides of studio one over other mainstream DAWs? Will there be plugin compatibility problems?
Apart from the expected “first version problems” I don’t see any downsides.
does its native Atmos renderer mix Adm with mp4 video or not? I have a problem with the AWS console. is Studio One is same as Fairlight and Nuendo on this matter?
No mp4 or video, sorry.
thx, teacher :( what about logic? Do we need to buy a Dolby plugin for it or does its native Atmos encoder do that?@@michaelgwagner
Depends what you mean by “native” Atmos. All solutions can produce native Atmos Master Files. And DaVinci can create Atmos deliberables for streamimg services like Netflx. But if you want an mp4 quality control deliverable, you currently only have 2 options. Either you use the Atmos Renderer from Dolby, or you run the master file through AWS media convert.
yeah . and does Atmos renderer for "Windows" have mp4 conversion too?
@@michaelgwagner
I’m assuming you can’t use the Supperware head tracker with either this or Logic.
You could use it with Studio One but the issue with the post renderer inserts makes it a bit inconvenient. I’ll probably do a video in the near future. There are workarounds.
Hey Michael, you did not set a headphone output in binaural, so I wonder how can you monitor the actual Dolby Atmos mix !? And also why put the reverb on the main channel instead of a regular FX channel, I'm trying to figure out what you want to demonstrate?
A binaural downmix only makes sense if you listen on headphones and over TH-cam I do not have control how people listen to the audio.
If you set the renderer to stereo that does not mean that you do not listen to the Atmos mix. You just listen to the stereo downmix instead of the binaural downmix. If you want to monitor the immersively you would need a multichannel monitoring setup or at least a headtracking setup like the one I showed with the Audio Movers binaural decoder for Apple Music.
You can use an FX channel for the reverb. However, since the bed track is not really fully immersive, I usually recommend only sending the reverb into the bed. Many engineers avoid the bed all together. And if all that ever goes into the bed is the reverb anyway, an FX track is not really necessary. But you can use one if you feel more at home with such a workflow, of course.
I can't find the spatial object panner on my own copy os studio one. is there anything I need to install?
No, you just need to change it to an Atmos project in the surround settings.
@@michaelgwagner can I send you an email with images form my project setup ?
Yes, hop into Discord and DM me.
@@michaelgwagner ok. Thanks.
Great Video
Thanks!! 😊
hi i had the popup Dolby Atmos needs a blocksize of 512. Your audio does not support this blocksize. Change the Audio... How to do this?
You need to set the buffer size of your interface to 512. Depends on the interface you are using.
@@michaelgwagner but not possible with my system i have set Block size 480 to 600 for windows audio, but still same...
You could use ASIO4ALL.
@@michaelgwagner Thanks a lot. This works fine
Do we need to purchase Dolby render still?
Nope.
Lets keep the fingers crossed 😃
Yeah, It's nice to see my friend, but Avid's will be more robust which is coming. STILL very neat how they did this.
Looking forward to the Pro Tools update! This will be interesting!
@@michaelgwagner HERE IS A game changer for me with Audiomovers that I use here. th-cam.com/video/dTvVJNx0xjA/w-d-xo.html
Binaural Renderer for Apple Music
Yes, next week’s video. 😉
Hey Michael do you have any idea of what to do once I export the adm BWF... How do I make it sound on a blue Ray? Should simply burn a blue Ray disc with the ADM BWF and the device Will play it? Im looking forward to test my atmos mixes on a friends JBL SDP-75 atmos system... But is connected to a blue Ray player..... So so far the only way I found to play bsck the music is to create a blue Ray but im not sure of how to.... Or if I need a different format to do so like DD+ JOC or 4ac IMS
I dont have the system available for me always... So I need to book it since its actually his own entertaiment center at his house... It is a 11.4.11 system. But I need to make sure to get the stuff done and make sure ill be able to play something jejeje😅
Yes, you need to encode it in different format, but the details of how to create Blurays are outside of my expertise. The standard way of using Masterfiles is as deliverables for streaming services.
@@michaelgwagner any idea of the encode requiered? Thanks for your help
No, sorry. I’m honestly surprised that people still use Blue Rays. 😳
Whats your PC's specs? Thanks
It's a 13900K with 128GB Ram and an RTX 4070. Screen recording is done externally, so no additional load beyond what is running on the PC.
Hello.If I change the downmix parameters in Studio One…does that directly change what I hear when monitoring a 7.4.1 project in 5.1 and also in 2.0?
Not quite sure what you mean by downmix parameters. Can you clarify?
@@michaelgwagner Under export spatial audio you can choose different algorithms from a preset meny for the 5.1 and 5.1 to 2.0 downmix and also choose to even tick the manual trimmimg box.So…when wanting to adjust that in real time and to see if one likes the difference or not,it would be good if you then also can monitor that change in your monitors/headphones before you render the ADM BWF file and import it for your own judgement.
Or also…If one choose to even change some project mix setting in the full Atmos (7.4.1 for example) project so it benefits even the resulting downmixws version in 5.1 and 2.0 well that could also be a way of doing things.Do you follow! And then you can value these tweaks also in the different ways the renderer can be set to do a downmix as I mention above here.
That will of course change what you hear. ;)
Goodbye Pro Tools. Thank you for another amazing video!
Thanks! There are some interesting developments on the ProTools side though. 😉
So now we have to wait for Dolby to allow us to make DCP variant of IMF IAB
You could do that through DaVinci though, couldn't you?
@@michaelgwagner I have sent a quick email to Dolby, apparently you can export IMF IAB file from Resolve Studio 18 for Home Cinema not Cinema. You have to pay Dolby to convert your IMF IAB to file compliant with DCPs
Arnold? Is that you?
I’ll be back!
@@michaelgwagner Oh, you HAVE to say that sometime in a video. Your accent is very similar.
I have a certain feeling that one is trademarked. ;)
👍👍