Excellent! A very good explanation of this part of the voice, with sound tangible examples. Thank you once again John Paul for illuminating so clearly what, for so many, seems mysterious and ellusive.
I don't recommend the use of scales. Before the voice is built repetitive scales are dangerous and once the voice is built then why not sing songs? I recommend my '4 Octave Scale' video for more information on this subject. th-cam.com/video/kLiMNu0mweY/w-d-xo.html
Paul Sir... Im back here with you & you really are one of the very best i believe... I am ready to start singing now And would love to start lessons with you ,... Could i first have a 30 minute talk (paid) with you due to my unique Goals about singing..... I do live in London myself .... THANK YOU .
I don't teach in London anymore but we can start on Skype and hope for better times in the future. You can email me via my website or send me a message on facebook.
I guess my Dear Jussi that's why you applied to my Channel .sandoor Konya had an excellent Passage...and a Legato. He mentioned that often in Interviews that the " aufsteigende Mittellage" ( upraising Middle Register if I translate this correctly) is one of the Key Point of a Lyrical Spinto Tenore....you explain that wonderfully in this section...Thank you.
Yes, Konya is one of my favourite tenors. I was lucky enough to speak with Maestro Frisell before he died and the few things he said helped me to find my high notes correctly.
I know exactly what you mean as i can get this happening and its amazing to hear high notes in full voice. But . Yes but, it's evasive at times . Especially after singing mixed pub rock songs. It gets fuzzy and doesn't turn at times.
I did not really grapsed the order of practicing with those higher tones. I am trying to work on my Passaggio tones at the current time and I tend to constrict when getting to G4. Should I start with the Ou falseto exercise?
Hello Jussi, you seem to be one of the best opera singing teachers in youtube, do you have any quick tip conscerning my Bb4-C5 area (its in the second half of this video th-cam.com/video/KY7chmDRux0/w-d-xo.html ), on how to make it sound more operatic? Also, do you believe I sound more like a baritone or tenor? Thank you very much in advance.
Wow! That's quite a range you have! You certainly sound like a tenor in the high notes though to my ears the vibrato is a little fast which could mean there's a little constriction. I'd need to hear the notes around middle C to be sure of your vocal fach. Do you have a link to those notes?
@@JussiPaul thanks Jussi! Here I go from the middle C to F4, gonna upload here to go faster. I did without vibrato to make it a bit clearer: voca.ro/19YajvRvnJuS
@@rafaeljannotti3002 You certainly have an impressive voice! I really couldn't say for sure what your vocal fach is but I would guess that you were either baritone or dramatic tenor from what I can hear. I would be very happy to do a lesson with you if you have the interest? I can usually tell within a few minutes what vocal fach a student is. It is only when I hear the student's falsetto register that I can make a definite decision as to the vocal fach. Let me know if you would be interested in taking a lesson.
Sorry about the ads! I've always refused to monetize my channel but it looks like this is TH-cam's new policy unfortunately!
De los mejores canales de canto que he visto en mi vida. Gracias maestro!!
Gracias!
Excellent! A very good explanation of this part of the voice, with sound tangible examples. Thank you once again John Paul for illuminating so clearly what, for so many, seems mysterious and ellusive.
You're welcome!
I liked so much this technique. Could you make a video with vocalizes with these examples, please ? Bravo !!!
I don't recommend the use of scales. Before the voice is built repetitive scales are dangerous and once the voice is built then why not sing songs? I recommend my '4 Octave Scale' video for more information on this subject.
th-cam.com/video/kLiMNu0mweY/w-d-xo.html
Have been waiting a long time for a new video of yours. Thanks for sharing!
I've been busy writing my book but will now try to post a few videos. Did you see the new passaggio video too?
@@JussiPaul When is it going to be published? and is there an ebook option?
@@bigpiglove As soon as possible and yes, there will be an ebook option.
@@JussiPaul Great, extremely looking forward to it;)
Thank you , this video is so powerful and clear ❤️
Thank you.
You're welcome!
Paul Sir...
Im back here with you & you really are one of the very best i believe...
I am ready to start singing now
And would love to start lessons with you ,...
Could i first have a 30 minute talk (paid) with you due to my unique
Goals about singing.....
I do live in London myself ....
THANK YOU .
I don't teach in London anymore but we can start on Skype and hope for better times in the future. You can email me via my website or send me a message on facebook.
Very nice technique!
Thanks for your video.
Thanks for the feedback!
I guess my Dear Jussi that's why you applied to my Channel .sandoor Konya had an excellent Passage...and a Legato. He mentioned that often in Interviews that the " aufsteigende Mittellage" ( upraising Middle Register if I translate this correctly) is one of the Key Point of a Lyrical Spinto Tenore....you explain that wonderfully in this section...Thank you.
Yes, Konya is one of my favourite tenors. I was lucky enough to speak with Maestro Frisell before he died and the few things he said helped me to find my high notes correctly.
Love your vídeo. Help me much. Thanks!
I know exactly what you mean as i can get this happening and its amazing to hear high notes in full voice. But . Yes but, it's evasive at times . Especially after singing mixed pub rock songs. It gets fuzzy and doesn't turn at times.
Good vid!
Thanks!
I loved this video, thank you sir!!
You're welcome!
Can we have a Skype lesson sir?
This is astonishing....
I did not really grapsed the order of practicing with those higher tones.
I am trying to work on my Passaggio tones at the current time and I tend to constrict when getting to G4.
Should I start with the Ou falseto exercise?
It would be a blessing to have a skype lesson with you, I hope you see this comment!
Thank you for these video, you've changed my perspective.
Yes
Hello Jussi, you seem to be one of the best opera singing teachers in youtube, do you have any quick tip conscerning my Bb4-C5 area (its in the second half of this video th-cam.com/video/KY7chmDRux0/w-d-xo.html ), on how to make it sound more operatic? Also, do you believe I sound more like a baritone or tenor?
Thank you very much in advance.
Wow! That's quite a range you have! You certainly sound like a tenor in the high notes though to my ears the vibrato is a little fast which could mean there's a little constriction. I'd need to hear the notes around middle C to be sure of your vocal fach. Do you have a link to those notes?
@@JussiPaul thanks Jussi! Here I go from the middle C to F4, gonna upload here to go faster. I did without vibrato to make it a bit clearer:
voca.ro/19YajvRvnJuS
Also,.some sustained notes from G#4 to C5:
voca.ro/1d8x4R3XbiH7
@@rafaeljannotti3002 You certainly have an impressive voice! I really couldn't say for sure what your vocal fach is but I would guess that you were either baritone or dramatic tenor from what I can hear. I would be very happy to do a lesson with you if you have the interest? I can usually tell within a few minutes what vocal fach a student is. It is only when I hear the student's falsetto register that I can make a definite decision as to the vocal fach. Let me know if you would be interested in taking a lesson.
@@JussiPaul I am interested in taking a lesson, how do we proceed?