What a great place for recording. I’m a new-ish fan wondering where have I been all your life! 😄 Looking forward to your CD and hope to see you live some time!
This is a really nice tribute project. 👍👍👍 You opened with Elizabeth Cotten's wonderful Freight Train and then went to Maybelle Carter. It makes me wonder if a Sister Rosetta Tharpe song appears on your album too. Your guitar sounds great. You certainly covered your bases and what a really unusually cool place to record. I have to put your One Woman Guitar album on my wish list. 🎸🎸🎸
Your album is just wonderful ! Was surprised at first that you used this nylon string guitar but it sounds amazing on teh record. I'm wondering why you choose nylon instead of a regular folk guitar with metal strings ?
The Spanish guitar is where the guitar began; there's also a Spanish/Mexican cultural influence in Texas. There are two songs on the album that are Spanish songs, so it makes sense to use the Castillo on those songs. Maybe she wanted the guitar to be consistent across all of the songs. A Spanish guitar (classical guitar really) has a really nice sound that lends itself to Sue's energetic playing. One Christmas, I played a slow Christmas Carol for my family on a Spanish guitar. It was just so special and soulful. 🎸🎸🎸
Hi Sue, the location looks fabulous, but i cant help noticing you dont seem your normal self. Lacking your usual smile and sparkle, look a bit flat, or maybe im reading too much into it. Love your talent and musicianship and am always on the look out for new posts by you. Hope to see you Tour Australia some day in the not too distant future, take care, keep up the good work, Adam....🙏
Life has its challenges, and the world really isn't a happy place right now. I sense a lot of concern and worry in people. Women tend to be very sensitive to these things, because it's important for them to feel safe. Regardless, she's fine and as lovely as always when you think about the state of the world. Her music is certainly helping us all get through.
I would be incredibly fascinated to find out one of the women she's covering is,,, is,,, my forgetfulness of late I give to my ascendant age is crippling me now as a matter of fact. The woman was a great devotee of the Blues standards, of other African American women Blues singers, and men. She was slash is of course non African American. I can say the star of whom I speak was especially dedicated to Mississippi Delta Blues - always want to capitalize the 'B' in Blues for some reason - I hold it so highly in the hallmark of Americana, Yes. But I cannot remember the gal's name for the life of me. She was awkwardly a high end soprano, almost screeched sometimes when she sang, but was so, so dedicated to her craft she required admiration - am struggling to come up with her name if I can just say enough but it's not coming to me. It would seem all the women she covered were contraltos for sure - at least that's what I recall or that's the way their 78 discs made them all sound - all that old portable, carried in the trunk of a car recording equipment of the 1930s and 40s. Obviously it's gone, my one memory cell, and she's gone too, cuz cannot remember her name, but, But, BUT She was Great!!! So am confident Ms. Foley didn't forget her and look forward to getting her new "One Guitar Woman (Session!?!)" CD when it comes out.
What a nice place.... love your record.
Sue Foley just makes me smile😊
Didn't know this was out. Listening now and it sounds great. Nice space to record.😄🥰❤
Best wishes and Godspeed, sister-in-guitar. Always moved by what you bring to your art.
Love from Australia.
Thank you for sharing this.
Beautiful place - thanks for doing this vid. It adds a lot to the listening experience. Central Texas is home.
As a former recording engineer, a long time ago, I gotta say, what a beautiful space.
What a great place for recording. I’m a new-ish fan wondering where have I been all your life! 😄
Looking forward to your CD and hope to see you live some time!
Very nice.
What a wonderful environment!
I want to live surrounded by music😊
wonderful blues lady 💞💫
What an excellent room to record an acoustic guitar!
Yeah, can you imagine what a Marshall stack and a Les Paul would sound like in there? 🤣
This sounds like perfect album for you to make. I sure enjoyed your performance when you were in West Kelowna a few years ago.
I was just about to comment how much you sound like mother Maybell, when you mentioned the Carter scratch.
This album will be great!👍🎸
It’s a great album and you are so talented love your work
Beauty and talent
Very cool video, Sue, I LOVED IT!
Hi Sue, really nice tone on that guitar..sweet!
So happy for you. You're so talented and authentic. Good work and dedication. Keep us posted
Excellent video! New subscriber and first like of many! 🎉🎉🎉
Fantastic!
Thats great Sue! Come back to Oklahoma soon!
This is a really nice tribute project. 👍👍👍 You opened with Elizabeth Cotten's wonderful Freight Train and then went to Maybelle Carter. It makes me wonder if a Sister Rosetta Tharpe song appears on your album too. Your guitar sounds great. You certainly covered your bases and what a really unusually cool place to record. I have to put your One Woman Guitar album on my wish list. 🎸🎸🎸
Nice place ❤
Nice place for record a good album .
Thank you for sharing! I'm sure the results will be outstanding.
The album is out now and you can hear it on YT in it's entirety and buy it. It's excellent, up to Sue's high standards.
Inspiring!
👌👌
Beautiful eyes
Your album is just wonderful ! Was surprised at first that you used this nylon string guitar but it sounds amazing on teh record. I'm wondering why you choose nylon instead of a regular folk guitar with metal strings ?
The Spanish guitar is where the guitar began; there's also a Spanish/Mexican cultural influence in Texas. There are two songs on the album that are Spanish songs, so it makes sense to use the Castillo on those songs. Maybe she wanted the guitar to be consistent across all of the songs. A Spanish guitar (classical guitar really) has a really nice sound that lends itself to Sue's energetic playing. One Christmas, I played a slow Christmas Carol for my family on a Spanish guitar. It was just so special and soulful. 🎸🎸🎸
You should come to North Carolina and record with Mitch Easter. Fidelitorium Recordings.
Hi Sue, the location looks fabulous, but i cant help noticing you dont seem your normal self. Lacking your usual smile and sparkle, look a bit flat, or maybe im reading too much into it. Love your talent and musicianship and am always on the look out for new posts by you. Hope to see you Tour Australia some day in the not too distant future, take care, keep up the good work, Adam....🙏
Life has its challenges, and the world really isn't a happy place right now. I sense a lot of concern and worry in people. Women tend to be very sensitive to these things, because it's important for them to feel safe. Regardless, she's fine and as lovely as always when you think about the state of the world. Her music is certainly helping us all get through.
Right On. And Touring is
Not Easy. Compassion
Is Key. Right Now. This too
Shall Pass. And Something
Better Is Coming. ⭐️⭐️⭐️⭐️🇺🇸💞
Beautiful environment. It would've been nice to actually hear you perform a song or two. ❤
I would be incredibly fascinated to find out one of the women she's covering is,,, is,,, my forgetfulness of late I give to my ascendant age is crippling me now as a matter of fact. The woman was a great devotee of the Blues standards, of other African American women Blues singers, and men. She was slash is of course non African American. I can say the star of whom I speak was especially dedicated to Mississippi Delta Blues - always want to capitalize the 'B' in Blues for some reason - I hold it so highly in the hallmark of Americana, Yes. But I cannot remember the gal's name for the life of me. She was awkwardly a high end soprano, almost screeched sometimes when she sang, but was so, so dedicated to her craft she required admiration - am struggling to come up with her name if I can just say enough but it's not coming to me. It would seem all the women she covered were contraltos for sure - at least that's what I recall or that's the way their 78 discs made them all sound - all that old portable, carried in the trunk of a car recording equipment of the 1930s and 40s. Obviously it's gone, my one memory cell, and she's gone too, cuz cannot remember her name, but, But, BUT She was Great!!! So am confident Ms. Foley didn't forget her and look forward to getting her new "One Guitar Woman (Session!?!)" CD when it comes out.