I saw Swans, with Jarboe, live 3 months after this release. It was at a small venue in Albuquerque, Burt's Tiki Lounge (now closed), and we were so close to Gira and Jarboe that we could reach out and touch them. It's still one of the best experiences of my late twenties. It gladens my soul to see the love and appreciation for Gira and co. 28 years later.
This classic week has been absolute fire. Getting more reviews than usual and the ones you're picking are albums I 100% mess with. Thanks again for the content Anthony.
A lot of people talk up "Helpless Child" and "The Sound", but I think "Animus" has maybe the best melody Gira has ever written. (But I love this entire record! Whenever I go on a long drive by myself, I put this album on.)
This album is visceral, disturbing, in your face, and uncomfortable, yet it manages to hold onto the listener on a level that I haven’t really felt on a record in recent memory.
I don't think the more recent Swans albums surpass this one because I don't think they're trying to. This album has such a unique atmosphere and assortment of sounds and ideas that I think it stands out singularly as a culmination of their sonic experiments at that point in their career, an exploration of new sounds and ideas, and something almost alien. Saying Swans improved on the ideas of this album in future releases, and were more focused on previous releases is almost like comparing a swiss army knife to a chef's knife . Sure, other albums are better in specific areas, but none of them come together the way Soundtracks for the Blind does to create a multi-faceted experience. This argument could be used as an excuse for any unfocused and bloated album to justify its lack of polish, but what I think binds SFTB together is this creepy atmosphere, and almost "lost-footage" like quality.
Couldn’t have said this better myself, this is an amazing comment and I completely agree - this is exactly why I reckon this review to be incredibly reductive and a disservice to a record like SFTB (I would honestly even risk saying Fantano does not understand this record at all tbh).
“Lost-footage” is one of the best ways I’ve heard Soundtracks described, I always like to compare it to a Stanley Kubrick film how on the surface it’s still very unnerving, but there’s this weird sense of foreboding. Like underneath it all there’s something bigger and more haunting at play that truthfully only the people who made the album will ever know the answer to.
Jokes aside, Helpless Child made me cry the first time I listened to it. It feels like experiencing the end of your life, the final moments and all your memories being flashed in front of you, the good, the bad and the horrible. Such a powerful and trascendental song.
When I say I jumped out of my seat and started celebrating that’s no exaggeration. This is literally my all time favorite album. Sometimes it’s hard to even imagine humans created this album, every single emotion and feeling is forced out of me when I give Soundtracks for the Blind a full listen. I haven’t even watched the review yet I’m so excited
@@damando6631Exactly, thoroughly disappointed by this review - especially given that his Abbey Road and Flockaveli reviews in this very same classics week were actually pretty fantastic
Been really enjoying the classic week choices. A bit off-topic, but you've really helped me expand my music tastes, Fantano, thanks for being one of my favorite TH-camrs.
When i graduated from high school my parents offered to buy me a holiday abroad. I declined and asked for a copy of "Soundtracks for the Blind" instead. Somehow it all makes sense: Years of rough studies and training behind me, I was now ready to embrace the real thing. When I got the album I spent several days avoiding the enormousness of it all. At some point I did listen to it and still remember the feeling I got: The world would never be the same again, the naive childhood days of pre-soundtracks era were over.
You don’t know how happy I was when I first saw the thumbnail of this video. The Swans are my favorite group of all time, and this is my favorite from them. Helpless Child truly moved me, Volcano did too but in the opposite way, Animus is almost as beautiful as Helpless Child is, and the 2 1/2 hours feel more like 45 minutes whenever i let this record play. I even wrote an essay for school on Soundtracks. Needless to say, this album is possibly the greatest of all time, and my love for it won’t stop anytime soon.
I absolutely agree, I find albums that run over 90 minutes a bit exhausting but every now and again I’ll just get this pull to re-enter Soundtracks and I just get sucked in from beginning to end
Fun Fact: "The Final Sacrifice" is actually a reworking of a song by World of Skin (Gira/Jarboe's first side project) called "One Small Sacrifice". The WoS version is scary and vampiric, while the Soundtracks version is transcendent and almost sacred feeling.
The cutoff after "You had to call me to come show you-" haunts me TO THIS DAY. What the fvck is the rest of the line??? Also, there are portions of the soundscapes that show up on both discs, i liken each disc to two people running past the same fire in the forest and seeing each other briefly through the smoke.
The Sound still stands as one of the most awe-inspiring things I've ever laid ears on. It feels like something you can't escape from but don't necessarily want to.
Thanks for this review! I've been waiting for it for a very long time, like many on this channel :) I was at their concert in Kyiv and even as a fan and thinking that I am ready for everything that the group has to offer... and it was an absolutely incredible experience that it is impossible to prepare for! During the concert, people literally fell into a trance and got lost in the space of the soundscapes created by Gira and the company. It was as if they were throwing sound drugs off the stage, which seeped through the pores of your body and kept you in a two-hour catharsis. I was 19 years old and I carry this experience in my memory and envy those who are able to hear them live more often or are just discovering their discography. And I can say with confidence that it is better to listen to them in closed venues, because there their sound is fully revealed. And already 10 minutes after the start of the concert, you begin to suffocate and cannot understand whether it is because of the stuffiness in the enclosed space or because of the density of the sound coming from the stage. Love this band!
Soundtracks feels more like a collage, which it is, but it truly manages to coat this collection of tracks with a creepy, sinister cohesive substance which acts as the connecting tissue instead of a more conventional storyline or context. Every track is unique, and some of Swans' best work ever is on the album. It's an album that takes you wherever it wants you to, and you don't get to decide where that is. It doesn't give a f about what the listener wants. It's an amazing experience. An absolute 10/10.
I still don't understand how anybody could think something like To Be Kind is their best if they've heard Soundtracks; it's insane how much better it is (not to talk down upon TBK).
It's a question of your entry point to Swans. If you've been following their career from early days, the amount of growth to Soundtracks is just incomprehensible. There's flavors from the stomp and grind days, but if you were to pull something from Cop and anything from Soundtracks upon an unsuspecting listener and told them they were the same band, they wouldn't believe you. Swans mk ii were certainly more refined in taking Soundtracks' ideas and just redeveloping them. But it starts with Soundtracks. Not to mention Jarboe's touches have been sorely missed.
@@quintessenceSL you're absolutely right. I got into them from hearing Stay Here off of Filth, and I was hooked. Going to their recent releases, it sounded so much different than I expected, so I foolishly stayed away from their newer material for too long.
honestly no, there’s no song on to be kind worse than hypogirl or empathy in my opinion. and i’m not saying this because i think sftb>tbk is a bad take, just that in some aspects tbk is superior (just like sftb is in others)
The first time I listened to this album I was falling asleep to it, when Hypogirl came in I almost fell out of bed. Later STFTB became my favourite album ever.
Absolute masterpice: a journey into the depths of the mind. Even if records like Cop or Filth should also be rediscovered, they made one milestone after another
This album was the most "I get it now" I've ever experienced. Before I heard it, I didn't think there was any way Swans could live up to the hype, but I'm happy that I turned out to be wrong
Perhaps one of his most negative classic reviews, I’d be shocked if the psyched comments didn’t 180 in a few hours. Haven’t heard the album so I can’t comment on it
HOLY SHIT SWANS JUMPSCARE It’s also very surreal seeing albums I’ve heard before on new classics reviews Edit: Holy shit this review sounds like you're going to give it a strong 7 to light 8. I was not expecting that
@@johngerygooz3251 no what I was saying is “I heard the album before the classic review, because I usually hear an album because of a review” So yes I did hear Abbey Road before the review, and it’s weird to see that review
to me it feels like this album has some kind of special cohesion only ones as abstract as Soundtracks have. you do not know what the album's gonna do next for sure, but somehow the overal dynamics of the tracklist feel perfect in their own way
I feel that White Light... and Love of Life don't get the attention they deserve. There's nothing those records even in Swans' discography. Most of the songs are either uplifting or utterly depressing. From one track to the next, it's like, I've found hope! No, it's all over! Now it's hope again! I want to die! I want to live!
Listening to this album is one of the most frightening experiences I have ever had, from the very beginning and until it is over, it makes me feel the creeps, it feels evil, it feels wrong, as if there is something odd around and that feeling does not stop until I pause it. No other album has ever made me feel like that
this is honestly the best album of all time. ive never heard and never will hear anything like this ever. the dark ambient and field recordings give out such an eerie atmosphere ive never heard any album replicate. helpless child and the sound are the greatest songs ever made.
Love the Glenn Branca pfp man :) His sounds pioneered so much of what Gira (and others contemporaries) would then make their own and evolve into the masterpieces we have now. Literally discovered him days ago and fell totally in love with his catalogue.
I adore this album. The Beautiful Days is one of my favourite tracks. The constant repetition of 'It's a beautiful day a sunny day' over the unsettling instrumental and then the contrast with the man at the end. It's really unsettling.
Pink Floyd, Dj Shadow, Lee Perry, The Beatles, Moody Blues, Crystal Method, Uberzone, Laura C, Janine John, Hans Zimmer, Jamine Winans, REM, White Stripes, Steve Miller, Bjork
I just blind bought this 2 weeks ago. I keep going back to it, but don’t understand why I love it so much. It is the shortest feeling 2 hours 22 minutes I’ve experienced
This is the album equivalent of the colours you see when you close your eyes to sleep. A constant, pulsating aura, shifting colours and directions, memories turning themselves over in the dark. You desperately hush all your traumas, pleading for just one night of sleep. You do this every night, forever.
I always found this albums' theme to be a nightmare collage in audio form. You are blind, and can only experience this big, scary world presented to you via hearing it.
melon: i dont want to review old swans cause ive covered a lot of their catalog already also melon: soundtracks for the blind classic review 😃😃 Not complaining tho you should cover their entire discog
I went to see Swans on their To Be Kind tour in 2014. I'm deaf, and got there early to stand in front of the speakers. 3 hour concert, amazing experience. I didn't wear earplugs because tinnitus is like an old friend that can say hello every now and then.
This album just takes me to a weird, dark place that's just nice to be in for a while. It's like chilling in a cave. I will forever regret selling my vinyl set of it.
I used to hate Swans’ music, but after hearing this album for the first time in 2023 I grew to see the hype a little bit better especially with The Seer, To Be Kind and The Glowing Man.
I love this album but it really freaks me out... like, it SOUNDS sinister. like the music itself is out to get you. the best way I can describe it, is when I'm listening to this album I feel like I'm being stalked by ... something.
Of course swans needed another review of a classic record. It would be awesome if you did a non-english record, maybe one of the thousands of classics from brazil?
I genuinely don't know why we are getting *eight* reviews on Classics *Week*, but hey, it's Soundtracks for the f'n Blind, so I'm not gonna complain about it lmao
I totally understand your complaints about the inconsistency of the album, though I’d honestly have to disagree on that. I feel like this album is remarkably consistent in spite of the absurdly wide range of genres it spans, and while out of context, if you were to take songs like Yum Yab Killers, Volcano and The Sound and guess whether or not they were on the same album, or even from the same artist, it probably would not seem that way. However, the way it’s mixed and spliced together is honestly incredibly brilliant and makes it feel like it’s connected by some greater vision, which I believe it is. Sure, it is certainly not connected or coherent in the same way as Swans’ later behemoths, but keep in mind that its compilation-like nature is not only due to the nature of its production, but is also due its concept: a soundtrack for a film which doesn’t exist. I think that through understanding as a series of vignettes that reach a greater point or are a window into something more visual and sinister is the best way to think of it. It’s certainly not random or just thrown together. It’s certainly very esoteric and mysterious, but I’ve always interpreted the album as being a way for Michael Gira to explore the nature of a human relationship, whether that be man and government, the relationships with his father and mother, and the broader subconscious ideas and implications that arrive from these universal human experiences. It’s a beautiful and life-changing album imo and I am genuinely amazed he made it out of outtakes and scraps when he could’ve easily opted for a generic B-sides compilation
Half way through, wondering if you will get to Die Tur ist zu? It's loved as a compendium. Two focused solo albums of new material was released around the same time under gira and jarboe.
Helpless Child came on from a Spotify suggestion while my buddy and i were on acid. I had already heard a few Swans records, but hadn’t gotten around to this one. We both have ADHD and were just talking up a storm until this came on. We sat and listened to the whole, absolutely dumbfounded. When the song had finished i looked over at him and went “what the fuck did i just listen to?” he just stared at me slack jawed as he hit repeat. Will never forget that
The best thing about swans is they never come off as pretentious. In a lot of post-rock I feel like some bands think "Oh yeah, this is important. This is powerful. This is deep." It feels a little fake. Meanwhile, Swans are always pushing their sound towards this indescribable transcendent feeling.
i’m a huge fan of swans and i would personally agree with you, but i just wanted to say that swans are widely regarded to be one of the most pretentious post rock bands by many; both because of their long winded songs and in the case of sftb the vocal samples
i'm so happy you affirmed my thoughts on this record. it's not bad at all, but there's clearly a lot of bloat that makes the album jarring here and there and doesn't work to the fullest. it's still a great listen overall though and i feel that everyone should tune into it, if they have the patience. i would personally give it an 8/10. i feel like to be kind is soooooo much better
Don’t know if you’ve checked out “En Dormir sin Madrid” yet. It’s a colab album between Argentinian producer Bizarrap and Argentinian rapper Milo J. The tracks are really well composed and Milo’s vocal are pretty good especially considering he’s 16. It’s pretty short though but worth a listen. And the music video on Bizarrap’s channel is also pretty well made.
Soundtracks For The Blind is probably the most requested album for a classic review that I’ve seen. I never thought I’d see the day
Only saw so many requests in that stream
Never thought that if it's the most requested? What
never thought id see an Uzi pfp talk about Soundtracks for the Blind
@@carter5325 RB a real one
@@kuppakassia very obvious pun is STARING you in the face
I saw Swans, with Jarboe, live 3 months after this release. It was at a small venue in Albuquerque, Burt's Tiki Lounge (now closed), and we were so close to Gira and Jarboe that we could reach out and touch them. It's still one of the best experiences of my late twenties. It gladens my soul to see the love and appreciation for Gira and co. 28 years later.
YES THIS IS ALL I EVER WANTED! THANK YOU! AHHHHHHHHHHHHHHHHHHHHHHHHHH! AHHHHHHHHHHHHHHHHHHHH
Lmao
I cant believe this
Lil Radish Shifu
OH MY GOD
very happy for ya brad
brad taste in music creaming rn
Creamy ranch dressing
he is
POP CHAMPAGNE OHHHHHHHHHHHH 🍾🍾🍾🍾🍾🍾
mid stream stopped to hear this shit
Lmfao
As a blind man, I can definitely say this is a soundtrack fosho 😎
I hope don't feel under-represented by the sunglasses-emojis provided for use, stay strong brother 🕶
What about QOTSA's Songs for the Deaf tho
@@nicolasriveros943 nah I can hear I’m not gay
🫷🤏👎👉👌👌🤞🤘🫱🫱🙏🤙👇👐
This classic week has been absolute fire. Getting more reviews than usual and the ones you're picking are albums I 100% mess with. Thanks again for the content Anthony.
How on earth did he not mention I Was A Prisoner In Your Skull? That track to me is the heart of the album.
Because everyone knows that *you* are fucked up
Because I know, and you know, that he is fucked up
he forgot one thing.....
Well fUck haha
He posted it on his story shortly after the review if that’s any consolation
A lot of people talk up "Helpless Child" and "The Sound", but I think "Animus" has maybe the best melody Gira has ever written.
(But I love this entire record! Whenever I go on a long drive by myself, I put this album on.)
I also love its lyrics.
>Its not about the lyrics batman.
>Its About the Duality. of. Man.
This album is visceral, disturbing, in your face, and uncomfortable, yet it manages to hold onto the listener on a level that I haven’t really felt on a record in recent memory.
📮
Among us pfp😭😭😭
Giving this a smiley ball, amirite
steal soul
Common redsus W
Helpless child is an incredible song
It is! But I'd argue the live version on "Swans are Dead" is miles ahead.
@@damando6631That version really destroys everything
Helpless Child, Beautiful Child, Children of God, baby heads album cover, etc.
This Michael guy need his hard drives checked.
@@user-ex7yq6xq9s He IS the Helpless Child, though.
The Sound better.
I don't think the more recent Swans albums surpass this one because I don't think they're trying to. This album has such a unique atmosphere and assortment of sounds and ideas that I think it stands out singularly as a culmination of their sonic experiments at that point in their career, an exploration of new sounds and ideas, and something almost alien. Saying Swans improved on the ideas of this album in future releases, and were more focused on previous releases is almost like comparing a swiss army knife to a chef's knife . Sure, other albums are better in specific areas, but none of them come together the way Soundtracks for the Blind does to create a multi-faceted experience.
This argument could be used as an excuse for any unfocused and bloated album to justify its lack of polish, but what I think binds SFTB together is this creepy atmosphere, and almost "lost-footage" like quality.
Couldn’t have said this better myself, this is an amazing comment and I completely agree - this is exactly why I reckon this review to be incredibly reductive and a disservice to a record like SFTB (I would honestly even risk saying Fantano does not understand this record at all tbh).
“Lost-footage” is one of the best ways I’ve heard Soundtracks described, I always like to compare it to a Stanley Kubrick film how on the surface it’s still very unnerving, but there’s this weird sense of foreboding. Like underneath it all there’s something bigger and more haunting at play that truthfully only the people who made the album will ever know the answer to.
W
100 years later this album still hits
Jokes aside, Helpless Child made me cry the first time I listened to it. It feels like experiencing the end of your life, the final moments and all your memories being flashed in front of you, the good, the bad and the horrible. Such a powerful and trascendental song.
damn, thats the exact way i feel about earthmover
Helpless Child and The Sound are two of the best songs ever made
This review is shorter than Helpless Child
The first time I listened to this album was after a snowstorm and I was shoveling my driveway at 7 pm. Truly a transcendental experience.
When I say I jumped out of my seat and started celebrating that’s no exaggeration. This is literally my all time favorite album. Sometimes it’s hard to even imagine humans created this album, every single emotion and feeling is forced out of me when I give Soundtracks for the Blind a full listen. I haven’t even watched the review yet I’m so excited
Its a shame he only spent half the review actually talking about the music
@@damando6631 and judging by what he says its mostlikely a 7 to him lmao
@@damando6631Exactly, thoroughly disappointed by this review - especially given that his Abbey Road and Flockaveli reviews in this very same classics week were actually pretty fantastic
the name being soundtracks for the BLIND surprises me, because i cant imagine how terrifying listening to this being blind would be
wear a blindfold and find out 😈
i listened to it for basically the first time and wore a blindfold, it was awesome and horrifying
@@pk251Good idea
The Sound is such an incredible song.
The live version of Blood Promise is better. Both are incredible though
One time I listened to it lying in bed staring at the full moon through a gap at the top of my curtains, it was life-changing tbh
@@coldercoronet6248"better" that's your opinion
absolutely, the middle section totally crushes me.
@@hyjaph The Sound was life changing as well ngl (also tell Bradcord I said I miss them :( )
Helpless child is easily one of the most beautiful pieces of music I've ever heard.
FINALLY. This album is still the most visceral, uncomfortable, overwhelming listening experience of my life. So happy you reviewed it!
Been really enjoying the classic week choices. A bit off-topic, but you've really helped me expand my music tastes, Fantano, thanks for being one of my favorite TH-camrs.
Brad's life is truly like a video game, he wanted the review to get released and it did
He's truly the main character
all while he was still collecting coins@Jacob_Hingst
When i graduated from high school my parents offered to buy me a holiday abroad. I declined and asked for a copy of "Soundtracks for the Blind" instead. Somehow it all makes sense: Years of rough studies and training behind me, I was now ready to embrace the real thing. When I got the album I spent several days avoiding the enormousness of it all. At some point I did listen to it and still remember the feeling I got: The world would never be the same again, the naive childhood days of pre-soundtracks era were over.
lol nice rym copypasta
amazing chill
You don’t know how happy I was when I first saw the thumbnail of this video.
The Swans are my favorite group of all time, and this is my favorite from them. Helpless Child truly moved me, Volcano did too but in the opposite way, Animus is almost as beautiful as Helpless Child is, and the 2 1/2 hours feel more like 45 minutes whenever i let this record play. I even wrote an essay for school on Soundtracks. Needless to say, this album is possibly the greatest of all time, and my love for it won’t stop anytime soon.
I absolutely agree, I find albums that run over 90 minutes a bit exhausting but every now and again I’ll just get this pull to re-enter Soundtracks and I just get sucked in from beginning to end
If they're your favourite group of all time, why do you call them The Swans instead of their actual name?
@@smoshbooz idk man it just sounds natural plus i say the Swans instead of The Swans bc i’m not referring to that as their actual name
What an album! Can’t wait for “Soundtrack for the Deaf” soon 🔥
Well we have Songs for the Deaf and it would be sick if we got that review too
This is probably gonna have 2k likes tomorrow
by the band Ducks
Swans inspires me.. My parents said if i get 70K followers They'd buy me a professional camera for recording..begging u guys , literally
Begging..
@@shade4835 I've been asking Fantano forever for that one.
Fun Fact: "The Final Sacrifice" is actually a reworking of a song by World of Skin (Gira/Jarboe's first side project) called "One Small Sacrifice". The WoS version is scary and vampiric, while the Soundtracks version is transcendent and almost sacred feeling.
Y'all know the Brad Army gonna go INSANE over this. Also, glad you finally got around to reviewing this after so long Anthony
🍫⭐️🐟 gang
the best day of brad taste in music’s life
All Lined Up is still one of the scariest songs I've ever heard. It's so good.
The cutoff after "You had to call me to come show you-" haunts me TO THIS DAY. What the fvck is the rest of the line???
Also, there are portions of the soundscapes that show up on both discs, i liken each disc to two people running past the same fire in the forest and seeing each other briefly through the smoke.
The Sound still stands as one of the most awe-inspiring things I've ever laid ears on. It feels like something you can't escape from but don't necessarily want to.
Thanks for this review! I've been waiting for it for a very long time, like many on this channel :)
I was at their concert in Kyiv and even as a fan and thinking that I am ready for everything that the group has to offer... and it was an absolutely incredible experience that it is impossible to prepare for! During the concert, people literally fell into a trance and got lost in the space of the soundscapes created by Gira and the company. It was as if they were throwing sound drugs off the stage, which seeped through the pores of your body and kept you in a two-hour catharsis. I was 19 years old and I carry this experience in my memory and envy those who are able to hear them live more often or are just discovering their discography. And I can say with confidence that it is better to listen to them in closed venues, because there their sound is fully revealed. And already 10 minutes after the start of the concert, you begin to suffocate and cannot understand whether it is because of the stuffiness in the enclosed space or because of the density of the sound coming from the stage. Love this band!
Both Kyiv shows were a hell of a ride! Benn there too.
@@Divuar yeah, 100%
Soundtracks feels more like a collage, which it is, but it truly manages to coat this collection of tracks with a creepy, sinister cohesive substance which acts as the connecting tissue instead of a more conventional storyline or context.
Every track is unique, and some of Swans' best work ever is on the album. It's an album that takes you wherever it wants you to, and you don't get to decide where that is. It doesn't give a f about what the listener wants.
It's an amazing experience. An absolute 10/10.
I still don't understand how anybody could think something like To Be Kind is their best if they've heard Soundtracks; it's insane how much better it is (not to talk down upon TBK).
It's a question of your entry point to Swans.
If you've been following their career from early days, the amount of growth to Soundtracks is just incomprehensible. There's flavors from the stomp and grind days, but if you were to pull something from Cop and anything from Soundtracks upon an unsuspecting listener and told them they were the same band, they wouldn't believe you.
Swans mk ii were certainly more refined in taking Soundtracks' ideas and just redeveloping them.
But it starts with Soundtracks. Not to mention Jarboe's touches have been sorely missed.
@@quintessenceSL you're absolutely right. I got into them from hearing Stay Here off of Filth, and I was hooked. Going to their recent releases, it sounded so much different than I expected, so I foolishly stayed away from their newer material for too long.
honestly no, there’s no song on to be kind worse than hypogirl or empathy in my opinion. and i’m not saying this because i think sftb>tbk is a bad take, just that in some aspects tbk is superior (just like sftb is in others)
Stupid comment
TBH i like To Be Kind but it's not my favourite post-reunion Swans album (The Seer is better imo)
The first time I listened to this album I was falling asleep to it, when Hypogirl came in I almost fell out of bed. Later STFTB became my favourite album ever.
hello fellow current 93 enjoyer
It is worthy to be everyone's favorite album.
Absolute masterpice: a journey into the depths of the mind. Even if records like Cop or Filth should also be rediscovered, they made one milestone after another
Helpless Child and The Sound are two of the best pieces of music ever created.
I swear, this year's classic reviews were MADE for me. Thanks!
Your profile pic reminds me that we also need a classic review for the greatest album of all time lol
i thought the same. This week was definitely for the fans :)))
I've been waiting for this review since like 2017
we NEED a classic review of Vespertine!!
@@literally0109 he did like a worst to best so he basically reviewed it
This album was the most "I get it now" I've ever experienced. Before I heard it, I didn't think there was any way Swans could live up to the hype, but I'm happy that I turned out to be wrong
fantano is slowly but surely classic-reviewing the entire /mu/core canon
i mean vast majority of /mu/ IS classics…
We need Pet Sounds, American Football and Merriweather Post Pavillion, and he's done with the 15 core albums.
@@johngerygooz3251He did Merriweather Post Pavilion back when it came out. He just had to delete the video because of copyright concerns.
@@PaulAndroid I know, but the video being deleted could mean he re-reviews it.
Deathconciousness when
You can tell people haven’t watched the video yet since there’s no angry comments about how Melon said the album has flaws.
Perhaps one of his most negative classic reviews, I’d be shocked if the psyched comments didn’t 180 in a few hours.
Haven’t heard the album so I can’t comment on it
I would say that I agree with him tbh, the 20 min epics of the Trilogy are better and the pacing and songwriting was better on The Great Annihilator
HOLY SHIT SWANS JUMPSCARE
It’s also very surreal seeing albums I’ve heard before on new classics reviews
Edit: Holy shit this review sounds like you're going to give it a strong 7 to light 8. I was not expecting that
You haven't heard Abbey Road before?
@@johngerygooz3251 no what I was saying is “I heard the album before the classic review, because I usually hear an album because of a review”
So yes I did hear Abbey Road before the review, and it’s weird to see that review
@@neminem233 I get what you said! I just thought you said it because SFTB's the first time it happened.
@@johngerygooz3251 oh my mistake, no it’s not, just that this is maybe(?) the last one
@@neminem233 We'll see. There's two more this year, right?
to me it feels like this album has some kind of special cohesion only ones as abstract as Soundtracks have. you do not know what the album's gonna do next for sure, but somehow the overal dynamics of the tracklist feel perfect in their own way
That one guy's gonna be super happy.
I feel that White Light... and Love of Life don't get the attention they deserve. There's nothing those records even in Swans' discography. Most of the songs are either uplifting or utterly depressing. From one track to the next, it's like, I've found hope! No, it's all over! Now it's hope again! I want to die! I want to live!
Helpless Child is arguably the Most Beautiful Song ever made..
Along with After the Flood by Talk Talk and Moonchild by King Crimson imo..
I’m touching you
Myrrhman clears!
Lover you should’ve come over by Jeff Buckley is up there
New grass???
Robert fripp: random guitar notes
ah yes very beautiful
Ever since i heard red velvet corridor years ago I've been meaning to look more into swans, i think it's about time i do i love that track so much
Start with the live version of Blood Promise off Swans Are Dead. It’s one of the single greatest pieces of music ever made imo
We need a "swans album bracket" now.
Listening to this album is one of the most frightening experiences I have ever had, from the very beginning and until it is over, it makes me feel the creeps, it feels evil, it feels wrong, as if there is something odd around and that feeling does not stop until I pause it. No other album has ever made me feel like that
I'm glad to see Anthony has found his monogamous soulmate in blue flannel.
this is honestly the best album of all time. ive never heard and never will hear anything like this ever. the dark ambient and field recordings give out such an eerie atmosphere ive never heard any album replicate. helpless child and the sound are the greatest songs ever made.
you stole my pfp >:(
Love the Glenn Branca pfp man :)
His sounds pioneered so much of what Gira (and others contemporaries) would then make their own and evolve into the masterpieces we have now. Literally discovered him days ago and fell totally in love with his catalogue.
@@robertfrippgaming6924 shut up
PSA: NEVER listen to this album before bed.
I tried it once, woke up to "I Love You This Much", and I felt like I was in the middle of a horror movie!
Same experience, worst night I've hard in years lol
I gasped at the sight of a brand new Classics Review
Next year's classics album review should be The Ape of Naples by Coil.
I adore this album. The Beautiful Days is one of my favourite tracks. The constant repetition of 'It's a beautiful day a sunny day' over the unsettling instrumental and then the contrast with the man at the end. It's really unsettling.
OH❗ MY❗ GOD ‼😨 I 🙂 CANNOT ❌ BELIVE 🤔 THIS ‼‼ I 🙅♂ CANNOT 👎 BELIEVE 😱THIS ‼🤯💥
Pink Floyd, Dj Shadow, Lee Perry, The Beatles, Moody Blues, Crystal Method, Uberzone, Laura C, Janine John, Hans Zimmer, Jamine Winans, REM, White Stripes, Steve Miller, Bjork
BTIM right now is probably like, "Im feeling... a 10. 'Cause I'm feelin' like I'm running
And I'm feelin' like I gotta get away, get away, get away"
"The Great Annihilator is one of the best Swans ever" Yeah! *Layne Staley voice*
I just blind bought this 2 weeks ago. I keep going back to it, but don’t understand why I love it so much. It is the shortest feeling 2 hours 22 minutes I’ve experienced
This is the album equivalent of the colours you see when you close your eyes to sleep. A constant, pulsating aura, shifting colours and directions, memories turning themselves over in the dark. You desperately hush all your traumas, pleading for just one night of sleep. You do this every night, forever.
loved Austen’s note in the description. I see u buddy
this is beautifully long week of classics
I always found this albums' theme to be a nightmare collage in audio form. You are blind, and can only experience this big, scary world presented to you via hearing it.
*WHEN THEY GONNA MAKE AN ALBUM FOR ME?!*
*SOUNDTRACKS FOR THE CHUBBY* ☹️
soundtracks for the unfunny
I like you
melon: i dont want to review old swans cause ive covered a lot of their catalog already
also melon: soundtracks for the blind classic review 😃😃
Not complaining tho you should cover their entire discog
Thank you for your incredibly correct opinion on The Great Annihilator
YESSSSS!!! You've no idea how many YEARS I've been waiting for this one!!
Brad taste in music shaking in his boots
Absolutely
shaking his boots live on stream lmao
I went to see Swans on their To Be Kind tour in 2014. I'm deaf, and got there early to stand in front of the speakers. 3 hour concert, amazing experience. I didn't wear earplugs because tinnitus is like an old friend that can say hello every now and then.
Me today. Saw them last night at Lodge Room, then met a guy in a wheelchair and went back to his tent with him. 😮 I'm deaf.
bradley is going to be happy to see this
This album just takes me to a weird, dark place that's just nice to be in for a while. It's like chilling in a cave.
I will forever regret selling my vinyl set of it.
I used to hate Swans’ music, but after hearing this album for the first time in 2023 I grew to see the hype a little bit better especially with The Seer, To Be Kind and The Glowing Man.
I have been waiting for this review since 2011!! I'm so happy
I love this album but it really freaks me out... like, it SOUNDS sinister. like the music itself is out to get you. the best way I can describe it, is when I'm listening to this album I feel like I'm being stalked by ... something.
You are.
Brad said this was THE ONE album he wanted melon to review.
Of course swans needed another review of a classic record.
It would be awesome if you did a non-english record, maybe one of the thousands of classics from brazil?
I hope this double classics week becomes the norm, its been a lot of fun
One of my favourite albums, so glad to finally have my opinion on it :')
I genuinely don't know why we are getting *eight* reviews on Classics *Week*, but hey, it's Soundtracks for the f'n Blind, so I'm not gonna complain about it lmao
Can't believe he's only just listened to this album now, what a plum
I totally understand your complaints about the inconsistency of the album, though I’d honestly have to disagree on that.
I feel like this album is remarkably consistent in spite of the absurdly wide range of genres it spans, and while out of context, if you were to take songs like Yum Yab Killers, Volcano and The Sound and guess whether or not they were on the same album, or even from the same artist, it probably would not seem that way. However, the way it’s mixed and spliced together is honestly incredibly brilliant and makes it feel like it’s connected by some greater vision, which I believe it is. Sure, it is certainly not connected or coherent in the same way as Swans’ later behemoths, but keep in mind that its compilation-like nature is not only due to the nature of its production, but is also due its concept: a soundtrack for a film which doesn’t exist.
I think that through understanding as a series of vignettes that reach a greater point or are a window into something more visual and sinister is the best way to think of it.
It’s certainly not random or just thrown together. It’s certainly very esoteric and mysterious, but I’ve always interpreted the album as being a way for Michael Gira to explore the nature of a human relationship, whether that be man and government, the relationships with his father and mother, and the broader subconscious ideas and implications that arrive from these universal human experiences. It’s a beautiful and life-changing album imo and I am genuinely amazed he made it out of outtakes and scraps when he could’ve easily opted for a generic B-sides compilation
Brad is crying rn, so happy for him
soundtracks for the blind is such a trip. it's an experience, a beautiful, wonderful, frightening, epic, hypnotizing, grand experience..
Do classics week usually last this long? I keep checking thinking it’s a new album lol
No, he usually does 5 classic albums, but seemingly he's doing 2 classic weeks this year so we should get one final(?) review tomorrow
I remember listening to this album in 2009, completely changed my view of music/art. Love this album
Anyone else think yum yab killers is the strangest song on this album?
Masterpiece of an album, I'm so glad I have a signed copy of the 4LP box set. This has been a solid list week dawg
brad is gonna scream with joy
Half way through, wondering if you will get to Die Tur ist zu? It's loved as a compendium. Two focused solo albums of new material was released around the same time under gira and jarboe.
Brad Taste In Music is losing his goddamn mind, I'll bet
That one dude who’s been begging for this is going to be so happy
I put this on for a road-trip my first listen and my girlfriend turned it off because I started driving noticeably more erratically after 2 songs 😅
Helpless Child came on from a Spotify suggestion while my buddy and i were on acid. I had already heard a few Swans records, but hadn’t gotten around to this one. We both have ADHD and were just talking up a storm until this came on. We sat and listened to the whole, absolutely dumbfounded. When the song had finished i looked over at him and went “what the fuck did i just listen to?” he just stared at me slack jawed as he hit repeat. Will never forget that
The best thing about swans is they never come off as pretentious. In a lot of post-rock I feel like some bands think "Oh yeah, this is important. This is powerful. This is deep." It feels a little fake. Meanwhile, Swans are always pushing their sound towards this indescribable transcendent feeling.
i’m a huge fan of swans and i would personally agree with you, but i just wanted to say that swans are widely regarded to be one of the most pretentious post rock bands by many; both because of their long winded songs and in the case of sftb the vocal samples
i'm so happy you affirmed my thoughts on this record. it's not bad at all, but there's clearly a lot of bloat that makes the album jarring here and there and doesn't work to the fullest. it's still a great listen overall though and i feel that everyone should tune into it, if they have the patience. i would personally give it an 8/10. i feel like to be kind is soooooo much better
Brad is crying so hard right now
Don’t know if you’ve checked out “En Dormir sin Madrid” yet. It’s a colab album between Argentinian producer Bizarrap and Argentinian rapper Milo J. The tracks are really well composed and Milo’s vocal are pretty good especially considering he’s 16. It’s pretty short though but worth a listen. And the music video on Bizarrap’s channel is also pretty well made.
That one guy is going to be so excited.
Thank you Fantano for reviewing this album and being inclusive to all disabilities such as Songs for the Deaf, and now Soundtracks for the Blind!