At 31 minutes in, when speaking about the 1932 Three Strip Technicolor Camera Model D, Mr. Gustavson says, “it exposes three rolls of black and white film simultaneously through red, green, and pardon me cyan, yellow, and and magenta filters. It's a subtractive color process.” He was right before he corrected himself. The camera did indeed expose it’s three rolls of film through red, green, and blue filters, the additive color primaries, which are used when dealing with colors of light (hence the term additive), such as when exposing film. Cyan, yellow, and magenta are the subtractive color primaries, which are used when filtering white light (hence the term subtractive), such as when Technicolor created it’s release prints to be projected with white light.
13:40 The basic mechanism for cameras and projectors the intermittent movement, and shutter - one of the few technologies that remained basically unchanged throughout the glorious history of film - over 120 years.
Fascinating presentation, thank you. I filmed many of my movies on a Canon 1014e with good old Kodachrome Super 8mm. Used to travel to Europe with half a suit case full of film cartridges and then took them all to my local massive Kodak complex in Coburg Australia to get them developed, picked up the next day.
In my collection I have many cameras, projectors of all descriptions, including a Vinten 35mm Normandy camera (still works) and a curious prototype vertical 35mm movie camera that seems to be from the late 1800s - made of wood with a pull down mechanism I've not seen in anything else. How can I submit some photos for your evaluation and possibly I can donate to the museum?
No, Mr. Gustafson. The cinématographe Lumière has a film perforation pitch of 20 mm and the image size is NOT standard. It’s 20 by 25 mm. If your example differs, it was modified.
Do you have a Victor Cine or Victor Ultra Cine 16mm camera in your collection? It was released by A.F. Victor in 1923/1924 to compete with the 1923 Cine Kodak. I would love to see you do a segment on it.
At 31 minutes in, when speaking about the 1932 Three Strip Technicolor Camera Model D, Mr. Gustavson says, “it exposes three rolls of black and white film simultaneously through red, green, and pardon me cyan, yellow, and and magenta filters. It's a subtractive color process.” He was right before he corrected himself. The camera did indeed expose it’s three rolls of film through red, green, and blue filters, the additive color primaries, which are used when dealing with colors of light (hence the term additive), such as when exposing film. Cyan, yellow, and magenta are the subtractive color primaries, which are used when filtering white light (hence the term subtractive), such as when Technicolor created it’s release prints to be projected with white light.
13:40 The basic mechanism for cameras and projectors the intermittent movement, and shutter - one of the few technologies that remained basically unchanged throughout the glorious history of film - over 120 years.
Fascinating presentation, thank you. I filmed many of my movies on a Canon 1014e with good old Kodachrome Super 8mm. Used to travel to Europe with half a suit case full of film cartridges and then took them all to my local massive Kodak complex in Coburg Australia to get them developed, picked up the next day.
In my collection I have many cameras, projectors of all descriptions, including a Vinten 35mm Normandy camera (still works) and a curious prototype vertical 35mm movie camera that seems to be from the late 1800s - made of wood with a pull down mechanism I've not seen in anything else. How can I submit some photos for your evaluation and possibly I can donate to the museum?
No, Mr. Gustafson. The cinématographe Lumière has a film perforation pitch of 20 mm and the image size is NOT standard. It’s 20 by 25 mm. If your example differs, it was modified.
Do you have a Victor Cine or Victor Ultra Cine 16mm camera in your collection? It was released by A.F. Victor in 1923/1924 to compete with the 1923 Cine Kodak. I would love to see you do a segment on it.
Perfectly boring !