What an peerless, wonderful man he is! I adore the music of Bach, it has something to say at the deepest level every time. Like Shakespeare, his music has a universal, timeless quality that reflects us back to ourselves. Even God Himself finds a partial description of Himself within Bach. Soli Deo Gloria.
Ha ha! You sound like me. Bach is the objective and indisputable culmination of musical science. But therein is still so much humanness... Sometimes in the midst of Bach I just have to laugh out loud in sheer bewilderment upon the witness of such genius. German: ? How is this significant? Think of the panoply of famous German composers: it seems what they could not express in text they expressed in music.
Maravilha !!! Uma das melhores versões dessa que é uma das cantatas mais expressivas de todas...fica mais claro que, realmente, foi feita por Deus e trazida para a Humanidade por Bach !!!
5:27 you’ve all come for when the 5-stringer double bassist drops the B at the final cadence 🤤😍 n.b. Listen with the best pair of earphones/stereo you can access
Je ne comprends pas ce qu'on reproche à Helmuth Rilling. Son enregistrement des Cantates est excellent. Et la BWV 4 par Rilling est sublime, elle ne ressemble à aucune autre avec son démarrage en trombe, même si j'aime aussi beaucoup Herrweghe, Koopman, Pierlot et plus récemment Pichon
A belíssima cantata BWV 4 tem nessa uma esplêndida gravação! A dramática tensão pontuada pela orquestra alternada com as vozes do coro e a capacidade dos solistas gera o clima dessa obra maravilhosa!
Yes, it's splendid. But I grew up on the old Felix Prohaska, with a beautiful slow opening and a transcendent bass baritone, Hans Braun, plus that incomparable chorus. I still have it on a homemade CD & if I ever figure out how to mount something on TH-cam, I'll post it. For my taste, the Riling is a little cold but it is musically perfect.
He's thought to be cold, I think, because he is so very precise and his approach to the music is aggressive. This can be mistaken for "coldness," but in fact it is its opposite.
@@joshsussman9432 *Ulysses* is pluralistic in style. I am referring to that *first sentence*, which I happen to quote, where the words "majestic" and "crossed" appear, being the action sacramental, although Joyce gives it a pagan twist later.
Having just listened to the Gardiner version, I much prefer Helmut Riling's version. I also always prefer to hear women singing, rather than boy choristers, which the Brits are so enamored of. Better timing for the "hallelujahs" in the first movement. The soloists are wonderful as well.
Wonderful record!. Is Christine Schaffer the fantastic soprano ?. Still I would advise to listen also the old masterpiece of Kurt Thomas with the Gewandhaus Leipzig O., and Marga Hoffgen-Agnes Giebel duo.
@@ianmko1776 oh shit....bach would be devastated. good you pointed it out though. we were all wondering when the chairman of the dumb brigade would step in
rating your obnoxious comment: as sh*t and daft as last time, overall rating -3098970/10. subject not fit to rate even bieber. appears his ears are made of mouldy cheese and brain consists of porridge that went bad 10 years ago
Bach is the most wonderful composer. Beautiful music of mathematical structure with sublime human expression.
I'm on my way to listen to EVERY GODAMN Bach composition
Hi, how is it going? With my 30 years I heard a lot already, but many pieces I have still to listen.
@@MrAgnostizist Listening to one piece a day will guarantee you will finish the collection in 3 years
Same lol
Hallelujah Jesus Christus❤❤❤Bach Love Music ❤❤❤
What an peerless, wonderful man he is! I adore the music of Bach, it has something to say at the deepest level every time. Like Shakespeare, his music has a universal, timeless quality that reflects us back to ourselves. Even God Himself finds a partial description of Himself within Bach. Soli Deo Gloria.
Ha ha! You sound like me. Bach is the objective and indisputable culmination of musical science. But therein is still so much humanness... Sometimes in the midst of Bach I just have to laugh out loud in sheer bewilderment upon the witness of such genius. German: ? How is this significant? Think of the panoply of famous German composers: it seems what they could not express in text they expressed in music.
Wolfgang1782 yeah... behind all that is a bunch of inbreeding and marrying his cousin. Not much of a genius...
@@MichaelCWBell not humannes.... its godness
I think he has many peers, many students manage to get to his level through training and working hard
5:40 mvt 3
9:00 mvt 4
16:40 mvt 7
Amazingly, BWV 4 is generally considered either Bach's earliest or 2nd earliest known cantata. Just another example of Bach's supernatural genius.
Maravilha !!! Uma das melhores versões dessa que é uma das cantatas mais expressivas de todas...fica mais claro que, realmente, foi feita por Deus e trazida para a Humanidade por Bach !!!
Una obra maravillosa de Bach.Una interpretaciòn de excelencia:orquesta,coro y solistas del coro de excepciòn.
Un sentito e affettuoso ringraziamento a chi ha realizzato questi Video. Che Dio vi Benedica 😊🙏🌌🌅
Día 31 marzo 2019 la sentiré junto a la BWV 18 y BWV 131 en el festival música antigua de Sevilla. Contando los días...
9:00 is versus 3 in case someone is looking for that
Spherica thanks man!
Johann Sebastian Bach, the best!
yes
5:27 you’ve all come for when the 5-stringer double bassist drops the B at the final cadence 🤤😍 n.b. Listen with the best pair of earphones/stereo you can access
love Rilling. good Baroque tempos!!! Bach is better not belabored.
For fuck sake, the final cadence is gorgeous.
Pese a su enorme tensión dramática una de mis cantatas favoritas...acaso la favorita.
Rilling,enorme en la interpretación de J.S. Bach.
Con la 106, también es mi favorita. Las dos de juventud del divino Bach
Absolument magnifique de bount en bout.
Wunderschön
Je ne comprends pas ce qu'on reproche à Helmuth Rilling. Son enregistrement des Cantates est excellent. Et la BWV 4 par Rilling est sublime, elle ne ressemble à aucune autre avec son démarrage en trombe, même si j'aime aussi beaucoup Herrweghe, Koopman, Pierlot et plus récemment Pichon
C'est mon preferie!
The King .
9:02 11:03 W.A.Mozart Concierto para 2 pianos y orquesta- 3er movimiento- 2do tema.
Very good!
A belíssima cantata BWV 4 tem nessa uma esplêndida gravação!
A dramática tensão pontuada pela orquestra alternada com as vozes do coro e a capacidade dos solistas gera o clima dessa obra maravilhosa!
Yes, it's splendid. But I grew up on the old Felix Prohaska, with a beautiful slow opening and a transcendent bass baritone, Hans Braun, plus that incomparable chorus. I still have it on a homemade CD & if I ever figure out how to mount something on TH-cam, I'll post it. For my taste, the Riling is a little cold but it is musically perfect.
Perry Weiner I also find it a little cold. I have Ton Koopman, whose rendition has more soul, in my opinion.
+Élie de Combys Love him!
He's thought to be cold, I think, because he is so very precise and his approach to the music is aggressive. This can be mistaken for "coldness," but in fact it is its opposite.
I wish the Vanguard recording of 1960 were on YT. Dark, passionate, but not drippy.
In which language are they singing the song?
Sublime
really powerful stuff
Like a March: "Stately, [Bach] Mulligan came from the stairhead,
bearing a bowl of lather on which a mirror and a razor lay crossed."
I cannot imagine two works further from one another than this Cantata and Ullyses.
@@joshsussman9432 *Ulysses* is pluralistic in style. I am referring to that *first sentence*, which I happen to quote, where the words "majestic" and "crossed" appear, being the action sacramental, although Joyce gives it a pagan twist later.
As musicas iniciais são demais.
Having just listened to the Gardiner version, I much prefer Helmut Riling's version. I also always prefer to hear women singing, rather than boy choristers, which the Brits are so enamored of. Better timing for the "hallelujahs" in the first movement. The soloists are wonderful as well.
Gardiner does not use boy choristers. It's a similar setup as rilling.
I like the Gardiner, but for some reason the TH-cam video is well below pitch as written.
Great
Wonderful record!. Is Christine Schaffer the fantastic soprano ?. Still I would advise to listen also the old masterpiece of Kurt Thomas with the Gewandhaus Leipzig O., and Marga Hoffgen-Agnes Giebel duo.
whats the name of the bass singer in mvt 6?
Wolfgang Schöne
so wunderschöne Musik und so schreckliches Vibrato
Класс
Olağanüstü
period instruments make all the difference
Soli DEO Gloria
1:00
4:34
11:17
18:34
The intro is played like MIDI
1:00 Versus1
Dejlig let glidende smuk melodisk musik og smuk finurlig sang med fine variationer ……
you know it's getting serious when bach's third chin comes out
anglosaxons music Christian juice from middle eastern europe in england
0:11. 1:02
SUBLIME ******
So mechanical! Especially the Alto-Soprano duet.
+Ian Overton - and therefore quite expressive?
Tom Fisher nope. Exactly the opposite. Dead.
@@ianmko1776 oh shit....bach would be devastated. good you pointed it out though. we were all wondering when the chairman of the dumb brigade would step in
@@ianmko1776 It seems that Bach is not for you, then. That’s okay, though.
Just goes to show that not every brain is "tickled" by Bach's musical intellect and complexity.
The real pity is that it has been performed with modern instruments instead of baroque ones
BWV 4:
Better than 3, though not amazing. Again, very similar to the last three.
Rating: 7.8/10
You couldn't get more insolent and surface-level than this pathetic attempt to rate Bach's works in a cursory fashion one-by-one.
rating your obnoxious comment:
as sh*t and daft as last time, overall rating -3098970/10. subject not fit to rate even bieber. appears his ears are made of mouldy cheese and brain consists of porridge that went bad 10 years ago
@@chaitanya7 this work : 11/10 rating
you ignorant
Do better, I’ll wait
Number 2 sounded completely different from the rest. It sounded much darker.
Awful performance, brrrrrr
Yes I agree, although the musical writing of Baroque will somehow break through the bonds of inferior performance. Bach always wins.
why awful?
But the most awful performance of a piece from J S Bach sounds 1.000.000 times better than one piece of Olivier Messiaen!
Sublime