Jenny, the name of George Cruz's first wife who died young, may allude to heroine of famous movie LOVE STORY. Jenny was mother of Andy/Andres, adopted son of George Cruz (did Andy's biological father also die--or will he re-appear later in Parientes a la Fuerza?) As I mentioned in comments on Episode 10, I already recognized some clever allusions in PALF to now-classic romantic comedies, very fitting for story about Hollywood screenwriter. Way my brain works helps me see patterns & make associations most people may not be able to do. Inclusion of psychologist in original CAFE CON AROMA DE MUJER alerted me to how telenovela incorporated theories of Freud & Jung, free association, symbolism, archetypes, etc. Romantic lead in LOVE STORY, actor Ryan O'Neal, reminds me of other off-beat movies now considered classics, like PAPER MOON. which followed film inspired by popular movies of 1930's, WHAT'S UP DOC? (Wikipedia lists details unnoticed by casual average viewer, which add to the fun, enriching it further.) DOC'S chase scene thru San Francisco reminds me a bit of one at end of CAFE; 2nd FANTASTIC BEASTS movie may riff on Chinese Lion in parade. I'm sure J.K. Rowling watches telenovelas: I made chart of many similar unusual elements shared by a hit telenovela with message on human exploitation and one of JKR's lesser-known novels for adults. (I've spotted inspiration from many books she's transformed in her unique way, not mentioned in studies of her work I've read, as most are not fantasy or classical literary adult canon). Stanley Kubrick's film BARRY LYNDON (also starring Ryan O'Neal) and Steven Spielberg's MEMOIRS OF A GEISHA show similar visual appeal, something I also enjoy in novelas such as original CAFE & LA MENTIRA. (BTW, do you realize latter was inspired by Shakespeare's OTHELLO and MIDSUMMER NIGHT'S DREAM?) Viewers who lack knowledge/experience/maturity to make connections might be helped by book READING THE SILVER SCREEN by Thomas C. Foster. Haven't yet read book THE SILVERING SCREEN by Sally Chivers, with focus on topic PALF may also touch on. Also enlightening for both viewers and aspiring script writers: THE WRITER'S JOURNEY by Christopher Vogler, and A NATURAL HISTORY OF THE ROMANCE NOVEL by Pamela Regis. Thought of starting a blog, but health problems make difficult for me to write all I'd like to say.
Esa protagonista es muy infantil muy simple, por todo se pone brava con George y corre a los brazos de su hijo que está enamorado de ella ya está novela no me está gustando. El hijo de Georgia sabe dónde está Carmen y le miente porque esa simplona está con el.
Wow this is insane!!
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Y el capitulo 13?
super bro
Se me hace reconocida la chica creo que rosario
Si es Rosario Tijeras.
Muy buena.
Omg😱😱😱😱
En el primer capítulo cuando vi a VERÓNICA MONTES le cambie lo siento por Guy Ecker y Zerboni
Jenny, the name of George Cruz's first wife who died young, may allude to heroine of famous movie LOVE STORY. Jenny was mother of Andy/Andres, adopted son of George Cruz (did Andy's biological father also die--or will he re-appear later in Parientes a la Fuerza?) As I mentioned in comments on Episode 10, I already recognized some clever allusions in PALF to now-classic romantic comedies, very fitting for story about Hollywood screenwriter.
Way my brain works helps me see patterns & make associations most people may not be able to do. Inclusion of psychologist in original CAFE CON AROMA DE MUJER alerted me to how telenovela incorporated theories of Freud & Jung, free association, symbolism, archetypes, etc. Romantic lead in LOVE STORY, actor Ryan O'Neal, reminds me of other off-beat movies now considered classics, like PAPER MOON. which followed film inspired by popular movies of 1930's, WHAT'S UP DOC? (Wikipedia lists details unnoticed by casual average viewer, which add to the fun, enriching it further.)
DOC'S chase scene thru San Francisco reminds me a bit of one at end of CAFE; 2nd FANTASTIC BEASTS movie may riff on Chinese Lion in parade. I'm sure J.K. Rowling watches telenovelas: I made chart of many similar unusual elements shared by a hit telenovela with message on human exploitation and one of JKR's lesser-known novels for adults. (I've spotted inspiration from many books she's transformed in her unique way, not mentioned in studies of her work I've read, as most are not fantasy or classical literary adult canon).
Stanley Kubrick's film BARRY LYNDON (also starring Ryan O'Neal) and Steven Spielberg's MEMOIRS OF A GEISHA show similar visual appeal, something I also enjoy in novelas such as original CAFE & LA MENTIRA. (BTW, do you realize latter was inspired by Shakespeare's OTHELLO and MIDSUMMER NIGHT'S DREAM?) Viewers who lack knowledge/experience/maturity to make connections might be helped by book READING THE SILVER SCREEN by Thomas C. Foster. Haven't yet read book THE SILVERING SCREEN by Sally Chivers, with focus on topic PALF may also touch on.
Also enlightening for both viewers and aspiring script writers: THE WRITER'S JOURNEY by Christopher Vogler, and A NATURAL HISTORY OF THE ROMANCE NOVEL by Pamela Regis. Thought of starting a blog, but health problems make difficult for me to write all I'd like to say.
A qué hora la podemos ver ahora?
Esa protagonista es muy infantil muy simple, por todo se pone brava con George y corre a los brazos de su hijo que está enamorado de ella ya está novela no me está gustando. El hijo de Georgia sabe dónde está Carmen y le miente porque esa simplona está con el.
que pereza con la Regil
Pésima la protagonista no tiene Angel