I'm a blues-rock guitar player, but the last year or so I've been playing primarily acoustic in alternate tunings. I find that it has seemed to help my ear training and understanding of jazz structure better. I just discovered your channel. You have a very smooth teaching style making the subject matter easier. Listening to your extended jams helps me feel the changes better than a guitar teacher would.
I'm learning so much from your vids, thank you! Your triad idea here reinforces a comment I heard about forming extended chord tones (9 11 13 ) using the minor triad 1 whole step up from the root. That idea has been very useful for me and your video here builds on that. Thanks again.
It is fun to spend time exploring how different pairing change the color, like Eb/F on F7 or F/G on F7. In minor can use Bb/C over Gm, or if you want to bend some ears, a Bb (m3, 5, 7) and an A triad (9th, #11, 6th) is really cool. Your channel is such good clean fun!
Thank you, Dave. This explains a lot. When you play, do you try to always play one complete triad followed by another, or do you mix them up, like two notes of one then one note of the other, etc?
Dave this is a great video, Coltrane played this way!!! You have unlocked this for so many sax players. Jerry Bergonzi used to teach triad pairs in Boston.
Thank you so much! I know this isn't a new concept, but I wanted to break it down to a simple concept for people to first dive into. I'll get a little more in-depth in a later video about different triads over different chords!
hello, it seems that under the link with free pdf is the masterclass and not pdf with triad pairs. Can you please check? Thank you for your very informative videos 💕
criminally underrated channel 😭
I appreciate that!
I'm a blues-rock guitar player, but the last year or so I've been playing primarily acoustic in alternate tunings. I find that it has seemed to help my ear training and understanding of jazz structure better. I just discovered your channel. You have a very smooth teaching style making the subject matter easier. Listening to your extended jams helps me feel the changes better than a guitar teacher would.
I appreciate that!
Thanks Dave, a great lesson! Would love to see a lesson and exercises on Triton substitution - if possible.
Now all is left is to practice...
Thanks! And I did a video on that, you can watch it here: th-cam.com/video/ah-f-eTCiWw/w-d-xo.html
I just started sax this year for highschool and your videos are so helpful.
So glad to hear that!
Excellent video Dave very helpful...great playing very impressed. Thanks.
I appreciate that 🙏
So beautifully done! The best teaching videos on the Internet!🎷🎷🎷
another banger 🔥 saw jerry bergonzi teaching triad pairs a while back. you explain it in such an easy to understand way
I appreciate that! That's my goal - teach these concepts in a simple and clear way. It doesn't need to be overly complicated!
I'm learning so much from your vids, thank you! Your triad idea here reinforces a comment I heard about forming extended chord tones (9 11 13 ) using the minor triad 1 whole step up from the root. That idea has been very useful for me and your video here builds on that. Thanks again.
Thanks! I did another video awhile back about using a triad to create color over dominant chords - check that out if you haven’t.
Brilliant player, brilliant educator! Thanks for posting. As always your tips show results so quickly.
Holy shit! So happy for this video, thanks Dave
It is fun to spend time exploring how different pairing change the color, like Eb/F on F7 or F/G on F7. In minor can use Bb/C over Gm, or if you want to bend some ears, a Bb (m3, 5, 7) and an A triad (9th, #11, 6th) is really cool. Your channel is such good clean fun!
Thank you so much!
FANTASTIC lesson! Looking forward to a similar one, but on minor triads and maybe diminished also?
Yes! I'll dive into those different types of triads and how to use them in pairs in a later video.
Love triad pairs. Great explanation and video!
Thanks so much!
Great lesson
Thanks!
Thank you, Dave. This explains a lot. When you play, do you try to always play one complete triad followed by another, or do you mix them up, like two notes of one then one note of the other, etc?
Cool ideas!
Thanks!
Thank you sir
You're very welcome!
Awesome simple concept, inspiring. Also made me remember that i have the Patterns For Jazz book. Thank you for the inspiration.
You’re welcome! Glad you dig it.
Dave this is a great video, Coltrane played this way!!! You have unlocked this for so many sax players. Jerry Bergonzi used to teach triad pairs in Boston.
Thank you so much! I know this isn't a new concept, but I wanted to break it down to a simple concept for people to first dive into. I'll get a little more in-depth in a later video about different triads over different chords!
Wow!! Thank you!
You're so welcome! Really glad you liked it.
that you dave.
hello, it seems that under the link with free pdf is the masterclass and not pdf with triad pairs. Can you please check? Thank you for your very informative videos 💕
There are 2 links in the description, 1 for the masterclass and 1 for the triad pairs. Are you sure you clicked the correct one?
Yes, both links go to the masterclass pdf at the moment.
Great video! Question, how closely does this relate to hexatonics? This concept sounds very similar
pretty closely I think
Art Pepper vibes
Would sound so much better with a good horn.
What is a good horn to you?
Muito bom!!!
you should triad!
Love it
🎉🎉
but but but........ isn't the 11 (4) famous AVOID NOTE!?!?!??!