Привет! 🐸 Я наконец-то выпустил свой первый шрифт YFF RARE! Вы можете поддержать мои уроки купив его или попробовать бесплатный триал на сайте www.yourfontfetish.com/ А ещё он продаётся на сайте Паратайп: www.paratype.ru/fonts/yff/yff-rare Hello! 🐸 I finally released my first font YFF RARE! You can support my lessons by purchasing it or try a free trial at www.yourfontfetish.com/ It is also sold on the Paratype website: www.paratype.com/fonts/yff/yff-rare
🐯🐯🐯 ВАЖНОЕ ОБНОВЛЕНИЕ: 🐯🐯🐯 Большой бесплатный практический видеокурс "Как сделать свой шрифт в FontLab 8", состоящий из 39 уроков уже доступен на моем канале в плейлисте: th-cam.com/play/PLNgYWGvPybOmNE0BTGMRvJuJniK6PIYw_.html Курс длится 12 часов, поэтому запаситесь терпением. В нём я рассмотрел все этапы создания шрифта от начала до конца. А главное, он доступен бесплатно и без смс. Приятного просмотра и красивых шрифтов! ___________________________________________________
Thanks for the video! Learned some things. I wish strokes had more capabilities, as it limits what features you can use like skin filters, etc. A stroke-based workflow makes a lot of sense to me as you can be more systematic seemingly. But I can't find many other workflows that are based off strokes oddly enough. I'd love to have my root letters be monoline, and every other variable/weight be expanded and thus gain extra features like smart corners, skin filters,, but reference the core monoline weight somehow. I'm such a tinkerer and want to change minor details of certain letters, especially 'a' and 'g', but managing all those minor changes when I have multiple weights seems impossible. Using strokes seems to be a great option for that style of creative process, but given the limitations I'm not sure if that is the right approach at all. Interested if you have any thoughts on that matter! Thanks again for the video.
I don't use this method when drawing. Therefore, I can't help you much with advice. This video was a simple experiment in drawing techniques. I understand how convenient it would be when drawing with a stylus. Read the official Fontlab forum, maybe you'll find some interesting techniques there
![Юрий Ярмола: Новые Инструменты в Fontlab 8 | Урок [Zoom - Шрифтовая Среда]](http://i.ytimg.com/vi/s_96uJUrcRE/mqdefault.jpg)
![Юрий Ярмола: Новые Инструменты в Fontlab 8 | Урок [Zoom - Шрифтовая Среда]](/img/tr.png)
![[1/5] Основы After Effects [Базовый After Effects С НУЛЯ]](http://i.ytimg.com/vi/BDnGqCkqbnc/mqdefault.jpg)
Привет! 🐸
Я наконец-то выпустил свой первый шрифт YFF RARE! Вы можете поддержать мои уроки купив его или попробовать бесплатный триал на сайте www.yourfontfetish.com/ А ещё он продаётся на сайте Паратайп: www.paratype.ru/fonts/yff/yff-rare
Hello! 🐸
I finally released my first font YFF RARE! You can support my lessons by purchasing it or try a free trial at www.yourfontfetish.com/ It is also sold on the Paratype website: www.paratype.com/fonts/yff/yff-rare
🐯🐯🐯 ВАЖНОЕ ОБНОВЛЕНИЕ: 🐯🐯🐯
Большой бесплатный практический видеокурс "Как сделать свой шрифт в FontLab 8", состоящий из 39 уроков уже доступен на моем канале в плейлисте:
th-cam.com/play/PLNgYWGvPybOmNE0BTGMRvJuJniK6PIYw_.html
Курс длится 12 часов, поэтому запаситесь терпением.
В нём я рассмотрел все этапы создания шрифта от начала до конца.
А главное, он доступен бесплатно и без смс.
Приятного просмотра и красивых шрифтов!
___________________________________________________
Thanks for the video! Learned some things. I wish strokes had more capabilities, as it limits what features you can use like skin filters, etc. A stroke-based workflow makes a lot of sense to me as you can be more systematic seemingly. But I can't find many other workflows that are based off strokes oddly enough.
I'd love to have my root letters be monoline, and every other variable/weight be expanded and thus gain extra features like smart corners, skin filters,, but reference the core monoline weight somehow. I'm such a tinkerer and want to change minor details of certain letters, especially 'a' and 'g', but managing all those minor changes when I have multiple weights seems impossible. Using strokes seems to be a great option for that style of creative process, but given the limitations I'm not sure if that is the right approach at all.
Interested if you have any thoughts on that matter! Thanks again for the video.
I don't use this method when drawing.
Therefore, I can't help you much with advice.
This video was a simple experiment in drawing techniques.
I understand how convenient it would be when drawing with a stylus.
Read the official Fontlab forum, maybe you'll find some interesting techniques there