A real pedagog, thankyou for you strict examination and critique. No dallying or pussyfooting. I understood every intention. Sing your soul! Sing towards the destination of the phrase and know it! Don't hold back sound, only make desired sound with desired strength, maintain support and open throat without tension in tongue, jaw or throat
Excellent teacher! Intentions and pointing in Oper is EVERYTHING! The most of tenors have this tendency to sing always to Forte, they forget the diction! Bravissimo 👏🏻👏🏻👏🏻👏🏻👏🏻❤️💯
Brilliant singer..
Fantastic teacher..
Respect!
Brilliant teacher. Text expression glues great technic together.
First tenor bravo !!
A real pedagog, thankyou for you strict examination and critique. No dallying or pussyfooting. I understood every intention. Sing your soul! Sing towards the destination of the phrase and know it! Don't hold back sound, only make desired sound with desired strength, maintain support and open throat without tension in tongue, jaw or throat
Well done Polenzani!
Excellent teacher! Intentions and pointing in Oper is EVERYTHING! The most of tenors have this tendency to sing always to Forte, they forget the diction! Bravissimo 👏🏻👏🏻👏🏻👏🏻👏🏻❤️💯
Terrific masterclass
Power of the breadth @ 1:28:30. Just unbelievable. An example of connecting the breath with emotion. It's almost an experience.
Felt sorry for the singer, he hasn't loved and lost or smelt the beauty of a rose or taken the time to truly feel emotion.
The difficulty of singing Rossini is that it can sound like a vocal exercise, and that's for the mediocre. Rossini is NOT for the mediocre.
High notes at the end are bad tradition and not what Rossini wanted. Look it up!