Leo Rowsome in "Broth of A Boy" (1959)

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  • เผยแพร่เมื่อ 3 เม.ย. 2009
  • Leo Rowsome playing the Heather Breeze on the Uilleann Pipes in Broth of A Boy (1959)
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ความคิดเห็น • 12

  • @markblack2156
    @markblack2156 5 หลายเดือนก่อน

    The light of heaven to him...master piper

  • @uilleannaddict
    @uilleannaddict 15 ปีที่แล้ว +1

    Wow! That is so wonderful to see Leo Rowsome on film! What a wonderful piper he was!

  • @deterdettol
    @deterdettol 14 ปีที่แล้ว

    Yep.
    They are masters never to be forgotten.

  • @UISTMAN59
    @UISTMAN59 15 ปีที่แล้ว

    Great playing. '59 was a great year :-)

  • @tadhgmulligan
    @tadhgmulligan 3 ปีที่แล้ว

    Top class!

  • @derabes
    @derabes 5 ปีที่แล้ว

    The star of the show IMHO.

  • @Bodhranbeat
    @Bodhranbeat 12 ปีที่แล้ว

    Christ what a film though
    "thats enough children thank you very much"...

  • @deterdettol
    @deterdettol 15 ปีที่แล้ว

    The big 3 uilleann pipers of all time in my opinion:
    Leo Rowsome
    Willie Clancy
    Seamus Ennis

  • @inregionecaecorum
    @inregionecaecorum 15 ปีที่แล้ว

    deterdettol you are not wrong

  • @craigmiller1870
    @craigmiller1870 3 ปีที่แล้ว

    I might be crazy, but something really weird was going on in this video.

  • @piobairesicago
    @piobairesicago 10 ปีที่แล้ว

    Plus ca change...out of tune Highland pipe bands being miscast as "Irish," and dancers who can't dance to the tune as played by a live musician...and ignorant #$%^& being so smitten with the spectacle they can't hear how things aren't meshing up...typical...typical. Nothing changed in 70 years, except that the dancers have gotten more numerous and pushy.

    • @Dayepipes
      @Dayepipes 8 ปีที่แล้ว

      +Piobairesicago --I suspect all the "pipe bands" we hear from Hollywood in old movies are probably one same band from the LA area. My 1950 Scots Guards recording is very well tuned with easy playing of heavy MSR's. But also remember that before the 60's, Highland high G was formally tuned halfway between minor and major, hence the cross-fingering required in pibroch, and both Highland and uilleanns often used somewhat sharp 4th notes (D on Highland, G on u.p.). It's sad about the dancers, I quit playing for them when contests began providing metronomes and requiring musicians to play to the clock.