Drissa Kone is the djembefola i look upon to. I have the feeling of hearing something ancient when i listen to him. His musicalship and knowledge are so inspirational!
Ése cambio de ternario a binario me dejó todo loco cuando lo descubrí por primera vez, y desde entonces me lo aprendí, y he intentado de mil maneras convencer a amigos para intentarlo, y nadie se anima... ¡Saludos!
Thanks for sharing this video, I think it's the only one that clearly helps to understand the full sandia in traditional khassonke style. The base for the second part (if I have correctly analysed it) (since 2: 20) is on the right side (konkoni): padam pampam...padam pampam. The man in white goes with the konkoni : tada toudou ta... tada toudou ta... The two first slaps (tada) go with the padam of the konkoni. The main djembefola after the padam of konkoni sounds with this accompagnement : taga tougou taga... Pou taga tougou taga... Now the khassonke dundun : when the konkoni has done "padam pampam... padam... " (1 and half of a cycle) dun kha enters " Bim... ton.. toton....... Bim... toto toton.... Bim" etc (bim is the closed strike on the skin). How to start ? Main djembefola (Drissa Kone) : Call : Pra tro tro tro tro Accompagnement (starts with the tones): tougou daga...Pou Taga dougou taga...Pou taga dougou taga... The konkoni enters after the first tougou daga of the main djembe : pampam... Padam pampam... Wich means that the second djembe starts with the konkoni like this : toudou ta... tada toudou ta... Voilà (correct me if I'm wrong)
Because I'm a fan and I was learning from these guys. We payed money to get them playing for video recordings. And since I profited myself a lot from other good shares on youtube, I decided to share as well.
Drissa Kone is the djembefola i look upon to. I have the feeling of hearing something ancient when i listen to him. His musicalship and knowledge are so inspirational!
4:18 "Och, cwaniaki przy bębnach!" 🤣
0:00 Sandia lent (ternario)
2:20 Sandia (binario)
Ése cambio de ternario a binario me dejó todo loco cuando lo descubrí por primera vez, y desde entonces me lo aprendí, y he intentado de mil maneras convencer a amigos para intentarlo, y nadie se anima... ¡Saludos!
Thanks for that!
fantastic
Thanks for sharing this video, I think it's the only one that clearly helps to understand the full sandia in traditional khassonke style.
The base for the second part (if I have correctly analysed it) (since 2: 20) is on the right side (konkoni): padam pampam...padam pampam.
The man in white goes with the konkoni : tada toudou ta... tada toudou ta... The two first slaps (tada) go with the padam of the konkoni.
The main djembefola after the padam of konkoni sounds with this accompagnement : taga tougou taga... Pou taga tougou taga...
Now the khassonke dundun : when the konkoni has done "padam pampam... padam... " (1 and half of a cycle) dun kha enters " Bim... ton.. toton....... Bim... toto toton.... Bim" etc (bim is the closed strike on the skin).
How to start ?
Main djembefola (Drissa Kone) :
Call : Pra tro tro tro tro
Accompagnement (starts with the tones): tougou daga...Pou Taga dougou taga...Pou taga dougou taga...
The konkoni enters after the first tougou daga of the main djembe : pampam... Padam pampam...
Wich means that the second djembe starts with the konkoni like this : toudou ta... tada toudou ta...
Voilà (correct me if I'm wrong)
Waw, onomatopeic language!
@@ganjalfelverde1910 yeah !
Magnifique, je taime!!!!!!!
the best
yeahhhh
They are awesome. As far as the label though, Lamban doesn't start till 2:20
+TheTrapperjaw You can say that again!
+yerodins That's what I learnt as Sanja. Where as others say lamba/sanja/djelidon are same thing
As it was explained to me Sandia is the rhythm. The instrumentation is what gives it the name Lamban
so many good shares. thanks, man! why did you make all of these videos? just learning or making a documentary or somehitng?
Because I'm a fan and I was learning from these guys. We payed money to get them playing for video recordings. And since I profited myself a lot from other good shares on youtube, I decided to share as well.
again
how can I get in touch with them to arrange a visit to learn?
I'm sorry, I don't have any contact to Drissa Kone anymore. Would be glad, if somebody else would post any news from Drissa here ...
Contact Jeremy at Djembe hotel in Bamako. He probably can connect you
whats the time signature of this??
Starts in 12/8 time, then after around 2:20 it transitions into 4/4 time
.fados