I really like this 10 minutes format for your practice videos, effective and to the point! I'm always thinking of mimicking what a vocal artist would do when using vibrato. It's interesting to listen to how different vocalists use it and how it varies (Ella vs Sarah Vaughn vs Anita O'day for instance). It does bring that human warmth and emotive quality to the sound, but a little goes a long way. Bechet's extremely wide vibrato is definitely part of his signature, and what made his sound so unique. It worked well for him (especially on the soprano sax), I'm not sure everybody can get away with it though! If you don't mind, here are some ideas of topics for your next videos: How do you approach articulation/tonguing - breathing and embouchure tips - phrasing approach. Thanks for being so generous and humble Adrian! I absolutely love these videos!
Hi Adrian, thanks for these practice videos, immensely helpful! Would you mind delve more into the blues itself in another video? what to play on? how to think/create phrases, etc.. You make the days with these materials, many many thanks!
I remember years ago being made by my teacher to play long notes with no vibrato. I guess you need to learn that before being able to add a controlled amount when necessary. I find waggling the tounge can add a little and might be easier for those that can't get the jaw movement.
Great and very helpful! Thank you so much
Acker Bilk Vibes
That was fabulous.
Evan C is so great too. So New Orleans You have a fabulous sound and style !!
Thanks!
I really like this 10 minutes format for your practice videos, effective and to the point! I'm always thinking of mimicking what a vocal artist would do when using vibrato. It's interesting to listen to how different vocalists use it and how it varies (Ella vs Sarah Vaughn vs Anita O'day for instance). It does bring that human warmth and emotive quality to the sound, but a little goes a long way. Bechet's extremely wide vibrato is definitely part of his signature, and what made his sound so unique. It worked well for him (especially on the soprano sax), I'm not sure everybody can get away with it though!
If you don't mind, here are some ideas of topics for your next videos: How do you approach articulation/tonguing - breathing and embouchure tips - phrasing approach.
Thanks for being so generous and humble Adrian! I absolutely love these videos!
We’ll done Adrian love your playing. Have a great week. God bless you
Bill. Uk
Thanks Bill, and you
Just beauuuuuutifully played and explained! Thanks!
Thanks Adrian. I think you’re a fabulous teacher, clear and concise.
Really enjoying your videos.
Hi Adrian, thanks for these practice videos, immensely helpful! Would you mind delve more into the blues itself in another video? what to play on? how to think/create phrases, etc.. You make the days with these materials, many many thanks!
Yes of course, thanks for a wonderful comment
I remember years ago being made by my teacher to play long notes with no vibrato. I guess you need to learn that before being able to add a controlled amount when necessary. I find waggling the tounge can add a little and might be easier for those that can't get the jaw movement.
No vibrato blues challenge
Exactly
By your reed with your down sleep.
Do you know natural vibrato?
Not sure what this means