I have really really enjoyed this and could easily watch you talk about your process for hours. Interested in how you’re using Sherman Filterbank, eg do you record tweaking it, do you use any triggers, cv or midi etc to control it etc? Thanks
@@piotr803 yeh lots of live recordings, tweaking stuff which then i might just end up using a tiny bit. Its quite unpredictable but can capture some nice moments. i connect the kick from Tanzbar and use it as a gate basically, so can get a kind of side chain effect combining patterns.
Great track, sound, approach. When I was buying PRO 3, I was often asked why am I not selling PRO 2... guess this video is one of the answers. Quite often staple of the track. I know I would be super sad for letting it go, especially after some time. I love my PRO 3, its a monster synth, but PRO 2 is totally unique.
awesome video! enjoying your sound so much lately. I am wondering, you only have the stem of the drum group as a total ? how do you mix them without individual tracks ?
For something like that yes, as it's not primary a main snare or something, its more a percussion/texture layer, so all these separate sounds get grouped via the FX chain + then the Morph.
@@sudbenzer6603 Ableton is independent from the mixer. The soundcard/Ableton is basically an instrument taking up a stereo channel on the mixer. The mixing process is all inside Ableton. The mixer levels are used for recording, testing stuff out etc before going into a track in progress
@@rhyw3183 so how do you record what’s coming out of the mixer? Do you use direct outs? And are your pedals plugged in the table or in your sound card?
I used the CV Clock Out device from CV tools pack (Max for live) and an external instrument. Connected the adv/clock of the DFAM to the soundcard, so you get the audio and trigger. There are a couple v helpful videos on here (slightly different methods) just search DFAM/ ableton sync etc :)
The full EP is out now: feveram.bandcamp.com/album/the-devils-in-the-dlzlzlz
Thanks for watching - Happy to answer any questions, process related, gear, whatever.
🔥🔥🔥
I have really really enjoyed this and could easily watch you talk about your process for hours.
Interested in how you’re using Sherman Filterbank, eg do you record tweaking it, do you use any triggers, cv or midi etc to control it etc? Thanks
@@piotr803 yeh lots of live recordings, tweaking stuff which then i might just end up using a tiny bit. Its quite unpredictable but can capture some nice moments. i connect the kick from Tanzbar and use it as a gate basically, so can get a kind of side chain effect combining patterns.
@@rhyw3183 nice, cheers! That's a neat trick with the Tanzbar kick!
How’d you come to using audacity and why?
Awesome, we need more of these in the studio type videos.. I always find them the most interesting
Thanks for that! What an artist 💪🏻
Love this - more Rhyw please!
Special sauce goes on everything
Interesting sounds! I like that approach of beats convoluted with textures.
Super super cool! The way you arranging is so useful. Nice tricks. Nice interview !
Great guy, great music, great video !
thank you
Great track, sound, approach. When I was buying PRO 3, I was often asked why am I not selling PRO 2... guess this video is one of the answers. Quite often staple of the track. I know I would be super sad for letting it go, especially after some time. I love my PRO 3, its a monster synth, but PRO 2 is totally unique.
very nice studio!
You made me buy the Morph 2 - from Zynaptiq ... and ...just....WOW ! ;-)
awesome video! enjoying your sound so much lately. I am wondering, you only have the stem of the drum group as a total ? how do you mix them without individual tracks ?
For something like that yes, as it's not primary a main snare or something, its more a percussion/texture layer, so all these separate sounds get grouped via the FX chain + then the Morph.
Strange spagetti in a solemn city
Probably the most boring question under this video but what synth/keyboard stands are you using for the Pro-2 and the one right next to it?
mildly dissapointed it wasn't tom cardy - read between the lines
What kind of stand is he using on the Pro 2? Looks like a laptop stand, but for synths?
Like a laptop stand yes but wider, cant find the specific link rn
Nice one! Much inspo in here and a nice guy. Would've loved to see his routings because there's gear all over the place. Does he use a patchbay?
Most things are going directly in to the mixer, not every single thing is plugged in, a few things i'll swap around
@@rhyw3183 thank u! It seems that you‘re controlling the volumes inside ableton with the mixer as well? Some kinda hybrid setup?
@@sudbenzer6603 Ableton is independent from the mixer. The soundcard/Ableton is basically an instrument taking up a stereo channel on the mixer. The mixing process is all inside Ableton. The mixer levels are used for recording, testing stuff out etc before going into a track in progress
@@rhyw3183 appreciate ya! Nice stuff
@@rhyw3183 so how do you record what’s coming out of the mixer? Do you use direct outs? And are your pedals plugged in the table or in your sound card?
Hi! I love the rhythm. How do you sync the dfam in the setup? Thanx for share!!! I Really appreciate it
I used the CV Clock Out device from CV tools pack (Max for live) and an external instrument. Connected the adv/clock of the DFAM to the soundcard, so you get the audio and trigger. There are a couple v helpful videos on here (slightly different methods) just search DFAM/ ableton sync etc :)
@@rhyw3183 thanks! Since I saw this video I'm listening to your music EVERY DAY. I love it!!
Rhyw is the welsh word for sex
You unraveled the mystery!
How do you approach the mixing process for live performances and « complete tracks » is it the same mix ?
Do you mean mixing levels for a live set? Or recording and mixing stuff that is played live in the studio?