Hurwitz is a bit hit and miss; when he’s good, he’s very good, but when he’s bad, he’s terrible. Also of course, he is often out of tune with European critics, which means sometimes, US viewers to his channel are subjected to some pretty non-mainstream and often US-centric views.
... oh man, was macht das eine Freude, Euch, das hr-Sinfonieorchester zu hören und zu sehen! Einfach herrlich musiziert, mitreißend, in allen vier Sätzen und allen Orchestergruppen! Top und danke, das und wie Ihr das macht!
The flexibility of tempo in this performance, especially the Allegretto, is unique. While somewhat disorienting at first, it is fresh and exciting. Kudos to the orchestra for following the conductor in perfect ensemble.
Wer hätte nicht bei 8:15 darauf gewettet, der erste Satz ist finished? Die Generalpause als Haydenscher Joke für den Bären zum Durchatmen. Die ganze Sinfonie ist reinstes Vergnügen und klanglich wie immer vom Feinsten. Herzliche Grüße an den Dornbusch-Sendesaal und seine Teams.
Great orchestra, great symphony. Very charming conductor! Love how he brings out and emphasizes the many surprised in this symphony. Much more so than many other conductors do.
Brilliant! Lively, engaging, tantalizing, dramatic and all around wonderful composition and a jubilant, enthusiastic performance. Haydn was a trickster! LOL
There’s no such thing as ‘best’ symphony, but of its type - C major, trumpets and drums - you’re right, it’s a very fine work. Worth remembering too that this is the *last* of the six ‘Paris’ symphonies, not the first, and rather like Mozart with 39, 40, 41, both composers wanted to go out with a big bang in C major. The familiar sequence of 82-87 which unfortunately has stuck was an entirely arbitrary decision by Haydn’s Viennese publisher Artaria who ignored Haydn’s specific instruction [extant letter] that the six symphonies should be published thus: *87, 85, 83, 84, 86, 82,* Haydn’s sequence* makes both musical and artistic sense, whereas the 82-87 sequence - which makes no sense at all - is as absurd as messing with Mozart’s last three, or put another way, reading the last six chapters of a book in the wrong order. * Haydn’s sequence is also chronologically correct.
The entire last movement is full of fake endings for basically the last 10 minutes straight. The ending chords too are a practical jone by haydnbut its rare that a conductor embraces the sillyness of haydn that much
Super!!! Having viewed three different orchestras play No. 82 on TH-cam, I now have to see it live (this one would have been great, as I love Frankfurt, Germany). Someone should create a worldwide calendar of scheduled concerts of Haydn symphonies allowing Haydnites to plan their vacations,business trips, etc.
Wunderschöne und lebhafte Aufführung dieser perfekt komponierten Sinfonie mit gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der zweite Satz klingt echt schön und auch beruhigend. Der dritte Satz klingt besonders schön und echt elegant. Im Kontrast klingt der letzte Satz echt lebhaft und auch begeisternd. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit möglichst effektiver Dynamik. Wundervoll vom Anfang bis zum Ende!
Whew! I'm speechless! I feel as if I've been assaulted by this nervous, even angry, fussy, irritating overly-interpreted performance, phrases pushed and pulled, lightning-fast tempos, etc. I was so aware of conductor Spinosi that I could hardly enjoy Haydn. Or am I being totally unfair, and was this just a spirited and idiomatic realization of the music that Haydn would have heartily approved of? I only know I need to relax.
I totally agree, I had to stop listening. Some conductors seem intent on making the music "exciting" and only succeed in giving everyone headaches. Also I do wish that orchestras would be correctly sized for Haydn symphonies. Mahlerian proportions just do not work. I think Haydn would have been reaching for 18th century aspirin after just 4 bars. Here is a version of this symphony which is beautifully vibrant and much better balanced. The orchestra is still too large imo but it´s a lovely performance th-cam.com/video/83aje5_O1OM/w-d-xo.html
When you don't know what music to play or what you want to listen to, choose Haydn. It always works
For a moment I thought that Carlos Kleiber was alive
Me too hahaha
Omg same…. 😂 even their conducting look somewhat similar
I came here exactly for this comment 🙌
What a great series of fake endings! I really enjoyed this performance! Thanks for sharing and All the Best from Washington, DC!
I want Dave Hurwitz to react to this performance!
Hurwitz is a bit hit and miss; when he’s good, he’s very good, but when he’s bad, he’s terrible.
Also of course, he is often out of tune with European critics, which means sometimes, US viewers to his channel are subjected to some pretty non-mainstream and often US-centric views.
... oh man, was macht das eine Freude, Euch, das hr-Sinfonieorchester zu hören und zu sehen! Einfach herrlich musiziert, mitreißend, in allen vier Sätzen und allen Orchestergruppen! Top und danke, das und wie Ihr das macht!
Vorher unter anderem Namen da? Grüße
Большое спасибо за чудесный концерт!
Haydn is a joker !!! This last moviment so Nice
ジャンクリフトフ＝スピノシの指揮は見ていて楽しい。いい映像。
Jean-Christophe-Spinossi's conducting is a joy to watch. Good footage.
The flexibility of tempo in this performance, especially the Allegretto, is unique. While somewhat disorienting at first, it is fresh and exciting. Kudos to the orchestra for following the conductor in perfect ensemble.
Wer hätte nicht bei 8:15 darauf gewettet, der erste Satz ist finished? Die Generalpause als Haydenscher Joke für den Bären zum Durchatmen. Die ganze Sinfonie ist reinstes Vergnügen und klanglich wie immer vom Feinsten. Herzliche Grüße an den Dornbusch-Sendesaal und seine Teams.
Great orchestra, great symphony.
Very charming conductor! Love how he brings out and emphasizes the many surprised in this symphony. Much more so than many other conductors do.
Did the conductor make up the ending? Pretty bold, but I'm laughing my ass off.
Una joya de la música de Haydn.
Excelente interpretación
"The Bear". Masterful.
Voller Temperament, eine Freude.
Ⅰ. 0:04 Vivace assai
Ⅱ.12:16 Allegretto
Ⅲ.19:41 Menuet-trio-Menuet
Ⅳ.23:48 Finale. Vivace
Outstanding. I always love when a conductor brings out the best from this marvelous orchestra. You can see and hear the joy. Thank you!
Incredibile performance!!!!! That' s a genius one. Haydn at his best! Letzter Satz unglaublich!! Bravo... Kleiber!
A very free interpretation, especially in the finale. I wonder what Haydn would think of it, as he was quite the jokester himself.
Thank you for uploading this. Really enjoyed the performance - very uplifting and the conductor's added humour is much appreciated!!
Who knew Haydn could be so fun! Thank you from the wilds of Salem, State of Oregon, where bears abound.
Brilliant! Lively, engaging, tantalizing, dramatic and all around wonderful composition and a jubilant, enthusiastic performance. Haydn was a trickster! LOL
Carlos Kleiber conducting, Claude Debussy on the flute. A real all-star team here!
The Best Haydn Symphony?
There’s no such thing as ‘best’ symphony, but of its type - C major, trumpets and drums - you’re right, it’s a very fine work.
Worth remembering too that this is the *last* of the six ‘Paris’ symphonies, not the first, and rather like Mozart with 39, 40, 41, both composers wanted to go out with a big bang in C major.
The familiar sequence of 82-87 which unfortunately has stuck was an entirely arbitrary decision by Haydn’s Viennese publisher Artaria who ignored Haydn’s specific instruction [extant letter] that the six symphonies should be published thus:
*87, 85, 83, 84, 86, 82,*
Haydn’s sequence* makes both musical and artistic sense, whereas the 82-87 sequence - which makes no sense at all - is as absurd as messing with Mozart’s last three, or put another way, reading the last six chapters of a book in the wrong order.
* Haydn’s sequence is also chronologically correct.
Absolutely demented Haydn....but in an incredibly fun way XD
29:08 fake ending | 31:25 fake endings |
Never heard rubato like this. But I liked it. Bravo, maestro. And bravissimo Haydn.
Interesting and beautufull as anything composed by haydn , but sometiimes toooo much idiomatic.
아름다운 연주 감사합니다♡
Eine sehr schöne Inzenierung dieser liebevollen Sinfonie! Bravo!
Una interpretación única, que he visto frecuentemente desde su publicación. Gracias.
Love it and the references to Carlitos Kleiber!
Bravo 👏👏Excelentes orquesta y director de una obra maestra de todos los tiempos,gracias.
erstaunlich : je toller das orchester spielt - umso mehr bewundert man das stück...
Wspaniały koncert. Dziękuję bardzo.
Please educate me someone. Is the conductor meant to do that at the end? Dud Haydn score in that little practical joke? I love it either way.
The entire last movement is full of fake endings for basically the last 10 minutes straight. The ending chords too are a practical jone by haydnbut its rare that a conductor embraces the sillyness of haydn that much
@@femboyorganist
Сомнительная похвала дирижерам:исполнять музыку Гайдна и быть менее глупым, чем Гайдн!)))
Super!!! Having viewed three different orchestras play No. 82 on TH-cam, I now have to see it live (this one would have been great, as I love Frankfurt, Germany). Someone should create a worldwide calendar of scheduled concerts of Haydn symphonies allowing Haydnites to plan their vacations,business trips, etc.
thanks , very good
Bravo! Fantastic! Thanks.
j'adore
Really nice. BRAVO
日本にこないかな！
Maravilhoso!
Carlos Kleiber back from the dead?
Wonderful!!!
Wunderschöne und lebhafte Aufführung dieser perfekt komponierten Sinfonie mit gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der zweite Satz klingt echt schön und auch beruhigend. Der dritte Satz klingt besonders schön und echt elegant. Im Kontrast klingt der letzte Satz echt lebhaft und auch begeisternd. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit möglichst effektiver Dynamik. Wundervoll vom Anfang bis zum Ende!
Whew! I'm speechless! I feel as if I've been assaulted by this nervous, even angry, fussy, irritating overly-interpreted performance, phrases pushed and pulled, lightning-fast tempos, etc. I was so aware of conductor Spinosi that I could hardly enjoy Haydn. Or am I being totally unfair, and was this just a spirited and idiomatic realization of the music that Haydn would have heartily approved of? I only know I need to relax.
I totally agree, I had to stop listening. Some conductors seem intent on making the music "exciting" and only succeed in giving everyone headaches. Also I do wish that orchestras would be correctly sized for Haydn symphonies. Mahlerian proportions just do not work. I think Haydn would have been reaching for 18th century aspirin after just 4 bars. Here is a version of this symphony which is beautifully vibrant and much better balanced. The orchestra is still too large imo but it´s a lovely performance th-cam.com/video/83aje5_O1OM/w-d-xo.html
Yes, sleep would do you well. I hope your sensibilities are improved in the morning.
I think you need to relax.
Preposterous