His ability to play at Paco’s pace but without capo on 2nd fret as Paco performed it is even more amazing, The extra reach required is significant, hands from the all high 👏👏👏
Yes, the fret spacing increases up the neck, although not a huge increase with 2 more fret spaces it increases the required finger reach, increasing the difficulty of precisely fretting each string (more space also fractionally lengthens the time to make the placement). Grisha is able to accomplish at speed and accuracy comparable to Paco with capo at 2nd. I think Grishas' fingers may be just a little longer which helps him. Both of them play this piece superbly, both are available on youtube, track down and watch successively, it will be enjoyable. Both have unbelievably fast picaddo which makes it possible. Samulito also has excellent picaddo and I think have seen him perform on youtube. Be well my friend ✌
I agree, it is very hard, I have been working on also, have small parts (the easier ones) and doubt will ever manage to achieve. Good luck to you, I hope you manage to 🤞🤞🤞
@@sepehr-di6rx i thought you will say that the other one could be Samuelito, but luciano, i don't think hes comparable to Grisha, i saw him on youtube he plays well but pieces like Impetu, Guarijas de lucia will be very hard for him.
samuelito is good too he is better than grisha ....grisha is just a machine for me ... i dont feel that passion when i listen to him and i think its beacuse he is a classical guitarist deep inside so he changes the accents of flamenco pieces when he play maybe even unconsciously
@@sepehr-di6rx He's definitely not a machine, Grisha puts feeling and thought into each note in my opinion. He might accent things a bit differently, but wouldn't it be boring if he just played everything the "standard" way? He plays according to how he feels the music and puts his own individuality into it, which is correct.
Very well played Grisha, and excellent technique. Congratulations. Paco´s version of the piece is excellent, but one day I hope to hear guitarrists play the piece with the final alzapua the way my father componed it!
@@claudiogonzalez3278 Hi Claudio and thank you for your question. Yes, I do, but I unfortunately do not have it handy right now. However, if helpful, I send you a TH-cam link to my father playing it himself, and you will see that Paco made a couple of changes (mainly one chord in the beginning, the arpeggio my father does is more similar to Villa-Lobos famous Etude #1 than to Paco´s, and obviously the alzapua and final rasgueo. Besides that, as is very obvious from his interpretation of his own work, is that he, as did my godfather Sabicas, did not believe in faster is better...My godfather loved to go to the horse races and both he and my father used to refer to those who were only or primarily interesed in showing their speed as "toque Acelerado, Agresivo y Arrogante". I think the símile is gráfic, as the best jockey does not let a fast Horse go as fast as he can go during the entire race, but rather controls him until the moment of truth calls for it. Technique, sound color, Tone, feeling, emphasis, etc. are, in my Limited opinion, as important as having the ability to round up the wagons and run, but only when it is called for. Musicality comes first. Best. th-cam.com/video/hEbFuVo7SBM/w-d-xo.html
@@marioescudero1562 muchas gracias!!! Me encantó todo, Sin dudas Mario Escudero jamás dejará de sorprenderme ☺️ conozco la alzapua original, solo que no soy muy hábil copiando de vista y oído pero me tomaré el tiempo, ojalá me pudiera facilitar alguna transcripción de la forma del arpegio original de Ímpetu que usted me menciona, me interesó mucho y quiero tocarlo como verdaderamente es, le puedo pasar algún correo para estar en contacto?
@@marioescudero1562 ojalá que se pudiera en el futuro, ojalá usted pueda encontrar esa transcripción, me sería de mucha utilidad, le mando un abrazo y por mientras estaré lentamente estudiando la versión original del vídeo que me mandó, muchas gracias ☺️
@@marioescudero1562 Your father was a genius and an incredible artist! I wish I could have known him personally as well as your godfather. Spending time in their company would have been a dream come true. I want to learn this piece the way your father composed, along with a few others. God bless!
Seeing this makes me appreciate Paco that much more! He (Paco) never once loses sight that this is music to be danced to. This is what sepearates even the best guitarists from born & bred Flamenco artists.
TropicIslandpopartist nonsense. Nobody could dance to Paco’s “greatest hits”. This is concert hall flamenco. Grisha is way more varied and better sound than paco. Paco is authentic for sure but I’d rather listen to grisha except a couple of paco performances.
@@kbkesq I'm not talking about tempo. I'm talking about control and feel of the pulse. Non flamenco artists just don't have it as you can clearly hear here.
LOL I respect Grisha's artistry and amazing technique but thats a pretty ignorant statement. PdL and Sabicas are also composers and all time greats. Grisha is great at what he does - flamenco guitar interpretation.
the way it works in Spain is you grow up learning essentials and then you accompany singer and dancers and then after doing that for a great amount of time you gain experience and then if you are able you play solo .... you cant become a flamenco composer simply by covering other guitarists pieces its a path you have to go to be able to compose like Paco or others
While Paco may appear to have more fire, this day and age has no forgiving recording methods. It is harder today to make it sound, on record, as good as Paco did. Also, even if you find it less fiery than Paco's performance, that does not mean it is thin on itself.
![[UNCUT] เก็บ "สจ.โต้ง" เอี่ยวมาเฟีย รู้ตัวคนบงการ ก่อนสั่งลั่นไก I คนดังนั่งเคลียร์ I 13 ธ.ค.67](http://i.ytimg.com/vi/o-J_p62D40w/mqdefault.jpg)
If you enjoyed this performance, check out our performance from Andrea De Vitis: ddar.io/AndreaDeVitis
I realize it's kinda off topic but do anybody know of a good place to watch new movies online ?
@Leandro Gage I would suggest flixzone. You can find it on google :)
@Cristiano Brayden Yup, have been watching on FlixZone for months myself =)
@Cristiano Brayden thank you, I went there and it seems like a nice service =) I really appreciate it!
@Leandro Gage no problem :)
Amazing Grisha!
His ability to play at Paco’s pace but without capo on 2nd fret as Paco performed it is even more amazing, The extra reach required is significant, hands from the all high 👏👏👏
Is it more difficult this way?
Yes, the fret spacing increases up the neck, although not a huge increase with 2 more fret spaces it increases the required finger reach, increasing the difficulty of precisely fretting each string (more space also fractionally lengthens the time to make the placement). Grisha is able to accomplish at speed and accuracy comparable to Paco with capo at 2nd. I think Grishas' fingers may be just a little longer which helps him. Both of them play this piece superbly, both are available on youtube, track down and watch successively, it will be enjoyable. Both have unbelievably fast picaddo which makes it possible. Samulito also has excellent picaddo and I think have seen him perform on youtube. Be well my friend ✌
@@rickandrew6397 I’m learning this piece, really difficult to play haha. Luciano Ghosn also plays this very well!
I agree, it is very hard, I have been working on also, have small parts (the easier ones) and doubt will ever manage to achieve. Good luck to you, I hope you manage to 🤞🤞🤞
@@rickandrew6397 thanks, you too. :)
BRAVO. GRISHA , TOCAS. DIVINAMENTE BIEN ,ERES UN GRAN.GUITARRISTA......
so amazing..
Brilliant!
Esta es una excelente interpretación de Grisha, para la hermosa bulería del maestro Mario Escudero. Congratulaciones.
Grisha looks as powerful as his music sounds!
Grisha estás entre los más grandes. Gracias por tocar con gran genialidad la guitarra española
Amazing Grisha!!!
Very strong rhythm- anyone who says that he couldn’t accompany signers or dancers is a fool.
Wouldn't want a singer or dancer getting in the way of this
Grisha is the best non Spanish artist that plays flamenco, no one can top him
Great job
luciano ghosen .... check him out he plays with more passion
@@sepehr-di6rx i thought you will say that the other one could be Samuelito, but luciano, i don't think hes comparable to Grisha, i saw him on youtube he plays well but pieces like Impetu, Guarijas de lucia will be very hard for him.
samuelito is good too he is better than grisha ....grisha is just a machine for me ... i dont feel that passion when i listen to him and i think its beacuse he is a classical guitarist deep inside so he changes the accents of flamenco pieces when he play maybe even unconsciously
You guys all forget about Jin Oki, and please dont compare anyone they are all world class player!
@@sepehr-di6rx He's definitely not a machine, Grisha puts feeling and thought into each note in my opinion. He might accent things a bit differently, but wouldn't it be boring if he just played everything the "standard" way? He plays according to how he feels the music and puts his own individuality into it, which is correct.
belissima apresentação!!!
Bravo Un pur chef d'oeuvre
Absolutely outstanding performance
About as good as can be.
can someone tell the name of the guitar support he is using?
Beautiful, wow
Very well played Grisha, and excellent technique. Congratulations. Paco´s version of the piece is excellent, but one day I hope to hear guitarrists play the piece with the final alzapua the way my father componed it!
Hola, usted tendrá la transcripción de la alzapua original de Ímpetu? ☺️
@@claudiogonzalez3278 Hi Claudio and thank you for your question. Yes, I do, but I unfortunately do not have it handy right now. However, if helpful, I send you a TH-cam link to my father playing it himself, and you will see that Paco made a couple of changes (mainly one chord in the beginning, the arpeggio my father does is more similar to Villa-Lobos famous Etude #1 than to Paco´s, and obviously the alzapua and final rasgueo. Besides that, as is very obvious from his interpretation of his own work, is that he, as did my godfather Sabicas, did not believe in faster is better...My godfather loved to go to the horse races and both he and my father used to refer to those who were only or primarily interesed in showing their speed as "toque Acelerado, Agresivo y Arrogante". I think the símile is gráfic, as the best jockey does not let a fast Horse go as fast as he can go during the entire race, but rather controls him until the moment of truth calls for it. Technique, sound color, Tone, feeling, emphasis, etc. are, in my Limited opinion, as important as having the ability to round up the wagons and run, but only when it is called for. Musicality comes first. Best. th-cam.com/video/hEbFuVo7SBM/w-d-xo.html
@@marioescudero1562 muchas gracias!!! Me encantó todo, Sin dudas Mario Escudero jamás dejará de sorprenderme ☺️ conozco la alzapua original, solo que no soy muy hábil copiando de vista y oído pero me tomaré el tiempo, ojalá me pudiera facilitar alguna transcripción de la forma del arpegio original de Ímpetu que usted me menciona, me interesó mucho y quiero tocarlo como verdaderamente es, le puedo pasar algún correo para estar en contacto?
@@marioescudero1562 ojalá que se pudiera en el futuro, ojalá usted pueda encontrar esa transcripción, me sería de mucha utilidad, le mando un abrazo y por mientras estaré lentamente estudiando la versión original del vídeo que me mandó, muchas gracias ☺️
@@marioescudero1562 Your father was a genius and an incredible artist! I wish I could have known him personally as well as your godfather. Spending time in their company would have been a dream come true. I want to learn this piece the way your father composed, along with a few others. God bless!
Increíble. Olé
I'm glad that he did not stay in Russia thanks to Paco de Luсia! His talent would have died here((
Excepcional
😍🔥🔥🔥
De que nacionalidad es este magnífico guitarrista.
Thumbs down? Are you people nuts?
I'm in lust over that guitar oh my....
maquina
La Corona de Paco es para Grisha. Bravo Master
Paco De Lucia
Seeing this makes me appreciate Paco that much more! He (Paco) never once loses sight that this is music to be danced to. This is what sepearates even the best guitarists from born & bred Flamenco artists.
TropicIslandpopartist nonsense. Nobody could dance to Paco’s “greatest hits”. This is concert hall flamenco. Grisha is way more varied and better sound than paco. Paco is authentic for sure but I’d rather listen to grisha except a couple of paco performances.
@@kbkesq I'm not talking about tempo. I'm talking about control and feel of the pulse. Non flamenco artists just don't have it as you can clearly hear here.
A 9 ANS IL JOUAIT TICO TICO AVEC SON PERE lui et Samuelito sont les successeurs de Paco
Grande guitarrista de los mejores del mundo eres un máquina
Very impressive but can you play have you ever seen the rain?
Nice guitar...
It's a Lester DeVoe, isn't it?
это не Гриша это грэгори, ГРЭГОРИ НА, КАКОЙ ОН ГРИША ?
He suffers with alzapúa
Grisha doesn't need capo!
Un monstre... Mais pas de style propre dommage
I think Grisha has surpassed Paco de Lucia and even Sabicas 🤟🏻
Mike Rassilyer????? Please.
LOL I respect Grisha's artistry and amazing technique but thats a pretty ignorant statement. PdL and Sabicas are also composers and all time greats. Grisha is great at what he does - flamenco guitar interpretation.
Sorry Mike! That means you don't realise the real level reached by the maestros paco and sabicas.
wtf ?!
the way it works in Spain is you grow up learning essentials and then you accompany singer and dancers and then after doing that for a great amount of time you gain experience and then if you are able you play solo .... you cant become a flamenco composer simply by covering other guitarists pieces its a path you have to go to be able to compose like Paco or others
Thin. Lacks fire, passion. Listen to Paco play it.
you cruelly critisizing artist!!. we are waiting for better performances that you send to you tube.
While Paco may appear to have more fire, this day and age has no forgiving recording methods. It is harder today to make it sound, on record, as good as Paco did. Also, even if you find it less fiery than Paco's performance, that does not mean it is thin on itself.
He's young. Give him time.