10 Reasons to be a Kinks Fan: 1. They have lots of music: 24 studio albums and 5 live albums. 2. They cover 4 decades: sixties, seventies, eighties, and nineties. 3. They have many popular songs: 26 Top 40 hits. 4. They have a wide variety of music styles: rock, pop, R&B, ballad, music hall, hard rock. 5. They have concept albums! 6. They were key members of the original British Invasion 7. Dave Davies: inventor of the “hard rock guitar riff”. 8. Ray Davies: master of social commentary and hero of the working class. 9. You can dance to The Kinks! 10. They were inducted into the Rock and Roll Hall of Fame in their first year of eligibility.
15.6kHz is a frequency old CRT computer monitors used to produce. You can find it all over the place in 90's and 00's recordings. However it's hard to imagine why there would be a CRT monitor in the mastering studio and how it worked it's way onto the audio.
This means it must be very uncomfortable for the 'younger generation' to listen to, as they can hear the 'whine' such a frequency produces; so I understand. Perhaps it wasn't noticed when it was remastered by those unaffected by the sound? Just a thought!🔊📢
I think i'm a part time missionary/evangelist for the worth of The Kinks music and why they were done so dirty by the music industry at large, so happy to see you talk about them.
To me, the pantheon was always The Beatles, The Stones, The Kinks, and The Who - not necessarily in that order (or in any order), and not necessarily my favorite bands throughout the years, but simply the ultimate important rock bands of the boomer era. The Kinks have spent the most time at the top of that pantheon for me, especially as I've gotten older. Ray wasn't writing music that spoke to the 1960's, he was writing music that spoke to people in their 60's.
Face To Face is a superb LP. Essential Kinks with a lot of terrific tracks and for me, second only to Revolver as British LP of the year. I'm amazed it didn't sell better than it did.
I think it shows what another label would have handled the Beatles. Such great songs by the Kinks but such a toll on Ray and the rest of the band. A hard way to live. Great info Andrew.
@@projectpat006 Gee Mack, The Who is one of the most famous and most highly-praised rock groups of all time: The Who were only the second rock group to grace the cover of TIME magazine in December 1979 at a time when being placed on the cover of TIME was still a big deal in the USA (only The Beatles had achieved this honor prior to '79).
I think The Kinks were a great singles band at first, but it wasn't until "Face To Face" from 1966, that they really hit their stride as a great albums artist. And they continued making albums of the highest standard, from 1966 - 1971. One of the best runs of consecutive albums ever.
Well to be fair, almost nobody (yes to Beatles and Stones) was making.great albums prior to 1966. Record companies pushed 45s and fake live albums loaded with American R&B covers. I've got a few hundred pre-1966 rock albums in my collections.
I really enjoyed this video Andrew. I saw the Kinks three times in the mid-70's mostly during the Misfits/Low Budget era. One show at Orchestra Hall in Minneapolis, Dave was off his rocker drunk and tried to give his guitar away to someone in the front row (probably a gal). So a couple of roadies instantaneously ran out and grabbed it back. I do remember "You Really Got Me" and "All Day and All of the Night" on AM radio in the mid-60's (I was born in 1960 and I also clearly remember the Fab's "Eight Days a Week" when it was a current hit). Schoolboys in Disgrace, Muswell Hillbillies and Lola vs Powerman... are I think my favorite LP's. My late brother's favorite was "A Soap Opera". He saw them perform that in Hopkins, Minnesota before the LP was released. Pretty sure it was presented as a stage show/concert. Must have been amazing. Cannot wait for the rest of this series Andrew!
I grew up in the 80s and didn't start buying Kinks albums until the late 80s, early 90s. For me, the Kinks artistic peak was in the late 60s and mid 70s, prior to them signing with Arista Records, the Misfits/Low Budget era. What I found interesting was that my Mom had a friend who was a huge Kinks fan, but her love for the group mainly came from seeing them in concert in the 70s and from their Arista material (as well as their 60s/early 70s greatest hits). I mean, when I asked my Mom's friend about the albums Something Else and Village Green Preservation Society, she didn't really know much about those albums; she only responded with, "Oh, that's their early stuff." I think it just goes to show how important touring was to the Kinks in America.
Dedicated Follower Of Fashion was covered even in (Soviet) Estonia by a band called Toomapojad and was titled "Pilv puistab lund" ("Cloud is Spreading Snow").Check out.
Great video Andrew! I discovered the Kinks later in life. Although I bought the Kinks Greatest Hits on Rhino record in 1990, I did have much else in my collection until about 8 years ago when I started getting their 1960s albums Face to Face, Something Else and Village Green. I have all of their mono vinyl reissues up through Arthur and they sound great. Thanks for sharing
There seems to have been a ridiculous number of great British bands during the mid 1960s. The Beatles, the Stones, the Who, the Kinks, the Hollies, the Moody Blues, Herman's Hermits, the Animals, the Small Faces, Cream, the Incredible String Band etc Anyway I cant wait for part 2 when the Kinks really take off.
I have got the 15 kHz issue on several recordings too and detected it peaked at 15.625 hz. IMHO it has something to do with the horizontal scan rate of the PAL-system. I am not quite sure and I don't know how this tone is getting on a remastered copy. Besides thanks for your content. Mach weiter so.
Absolutely no reason why it should make it onto an audio remaster, particularly a digital one. The fact it appears even in the rills shows it's not on the masters of the titles themselves and I suspect isn't even on the banded master. It seems to me like bad earthing in the connection between the audio source and the cutting equipment. Very bad form in this day and age really and I bet Ray would kick up a stink when he finds out.
my original 1983 CD copy of Phil Collins Face Value has it all throughout "in the air tonight". and indeed someone must have had a CRT television in the studio
PYE was a record label based in the UK and one of the artists came to the label including Donovan with his first single “Catch The Wind” which was later released in the US on a small Hickory label in the early 1960’s. In the 1970’s, PYE was also a US label outside of the UK where they had “Sad Sweet Dreamer” by Sweet Sensation, “Black Superman (Muhammad Ali)” by Johnny Wakelin and “I’ll Go Where The Music Takes Me” by Jimmy James & The Vagabonds, all were just singles during 1975 to 1977. PYE in the UK also released a soundtrack to “The Muppet Show” and it went to #1 in the UK album charts. It was also released in the US on the Arista label in 1977 with the 2 songs “Hugga Wugga” and “Pachalafaka” were not on a US release.
I always blamed Pye for the limited success of the kinks, they were good with MOR artists, but couldn't handle serious artists like the kinks or status quo, their damage to the reputation of the late 60s kinks and quo, meant both bands never recovered, at least until quo signed with vertigo, but Kinks were finished despite releasing brilliant material
Hopefully a video on the small faces maybe on the horizon? Another great band, fronted by in my opinion one of the greatest singer songwriter of that generation
Very worthy deep dive into The Kinks! Can’t wait to listen to your video on the period 1967-71, my favorite years in The Kinks. I like The Journey, Part 1 very much and appreciate the coming of Part 2 also this year.- I’d like to hear your thoughts on Small Faces and The Moody Blues in future videos.- But please don’t walk away too far from holy Beatles territory. Your Beatles videos are essential!
Hi Andrew! Great stuff for a great group! I did wanna mention that the Kink Kontroversy actually did come out much later in the US on Reprise, with a March 30th, 1966 release date. This was do to many factors but namely Reprise’s inpatients for new material. After the You Really Got Me Reprise album was issued only a month after the UK counterpart, Reprise was keen to have an album to cash in on the All Day and All Of The Night and Tired of Waiting On You singles, so rather than wait, they started to compile their own album. This would be called Kinks-Size was made up of both the As and Bs of the previous mentioned singles and the Kinksize Session EP from the UK as well as the two left over tracks from the first album (I Took My Baby Home could not be used as it appeared as the b-side to Long Tall Sally on the Cameo label originally in the states and thus untouchable by Reprise. Once Kinks-Size was made up and compiled, the Kinks had finished their second proper album, Kinda Kinks, but Reprise had already invested enough time to where they would put the actual new material on hold and issue Kinks-Size in March of 65 while Kinda Kinks was issued the same month in the UK. Since Reprise used the both sides of the Tired single for the Kinks-Size album, they had to rework the Kinda Kinks record so as to not have repeats. This meant adding the sizeable US hit Set Me Free and the new American flip side Ev’rybodys Gonna Be Happy. After that singles relative flop in the UK, Reprise chose not to issue it and instead waited till another hit turned up so in the US, Set Me Free was issued first, but still fearful for failure, Reprise switched the sides making Who’ll Be The Next In Line the A and surprising a decent charting single. The reworked version of Kinda Kinks was issued in August, with its two UK singles songs missing but also the absence of Naggin’ Woman. Shortly afterwards the Kwyet Kinks EP was issued in the UK and became a popular disc for its Well Respected Man. Reprise issued this as single instead but due to the instant success, quickly wanted another album to capitalise on it. But the Kinks were back at home trying to rush out their Kontroversy album before the end of 65. So once again Reprise went to work to make up another album. This would be called Kinks Kinkdom or Kinkdom depending on your source. Unlike Kinks-Size this American LP was made up from all kinds of different tracks. The entire Kwyet Kinks EP was used as was both sides of the See My Friends single, which had only reached bubbling under status in the states, Naggin’ Woman was finally given a home as well, plus the Set Me Free B-side I Need You and the UK B-side but US A-Side Who’ll Be The Next In Line. Desperate for two more songs to round out the album, Reprise went all the way back to the You Really Got Me single and included it’s B-side, It’s All Right and likely since they couldn’t find anymore material, Reprise decided to simplify repeat Louie Louie from the Kinks-Size album on Kinkdom (so much for no repeats.) When all was said and done, the album, Kinkdom was scheduled for November 65, just as the Kinks proper 3rd album was being readied. Reprise, once again, decided to hold off on the release of Kontroversy as well as the Till The End Of The Day single until March of 66 and issue Kinkdom in November of 65 as planned, the same month as Kontroversy’s UK release. However, by this point it seemed Reprise’s concerns to space things out fell by the wayside with their decision to issue the Dedicated Follower single in later April 66, only 2 months after the Till The End of The Day single was issued in the US. Reprise made no changes to the track listing for Kontroversy or any other Kinks studio album from this point onwards. I’m not sure why but it’s likely that they stopped being enough of a hitmakers act for Reprise to put what they felt was wasted effort on. Adverts for Kinks material on Reprise 66-69 was extremely minimal with early 65 photoshoot shots being used as late as 68 to promote Wonderboy. They’re were attempts to release further US made Reprise albums, notably 1968’s Four More Respected Gentlemen album, an intended US Version of Village Green compiled by Ray. But this, while getting very far, never happened. Reprise wouldn’t make up any more albums until after the Kinks would leave reprise in 1971. Reprise would continue to issue the groups albums noticeably later on though with Face To Face issued in Dec. 66 stateside, Something Else Jan. 68, and Village Green Jan. 69. Arthur was the first reprise album issued nearly simultaneously. Also the Live At Kelvin Hall album WAS weirdly issued in the States in August of 67 under the title The Live Kinks rather than Jan. 68 like the UK. The story with that seemed to be that Pye wanted to wait till after the new album, Something Else was issued whereas Reprise at this point likely did not care. Anyway, if you could follow any of that and got all the way to the bottom of this long winded comment, I applaud you sir! Just wanted to give some insight on the weird world of US Kinks releases. Great vid, I love your content, keep doing what you doing! Cheers!
Lots of good information here, and it jibes with my experience. "Kontroversy" was released in late March/early April '66 and Reprise supplied an LP cover "slick" to be stapled into the binding of an issue of Billboard Magazine during that time. At the time, a local record store owner let me take all of his old Billboard and Cash Box Magazines off of his hands, when he was done with them, and that's how I came upon the "slick". I had just purchased "Kinkdom" - my first Kinks LP - that February, and had become keenly interested in the band, going on to purchase all of their previous Reprise LPs during that year. I purchased "Kontroversy" immediately - not knowing anything about the band's troubles. Most - if not all - American teenagers knew nothing, either. Here's a personal account of what happened just before they left for their 1st, all-important, American tour, in June 1965. richardhfox.wordpress.com/2017/01/30/the-night-the-kinks-exploded/ NOTE: "Four More Respected Gentlemen" was listed, with tracks, in the Schwann Catalogue, by summer 1968.
@@total.stranger Yeah, there was next to no Kinks news in the U.S. from 65-69. I blame reprise for that. They did nothing to help with the ban and they did nothing about promoting them until Arthur came out. As a Kinks fan in those days all you could do was scrounge around record stores looking for new releases. Always figured they had broken up until a new record came out. Practically no promo's no nothing from reprise for years.
@@chrisbotelho7212 That's correct. By 1967, with the short attention span of the average teenager, The Kinks were considered to be an Oldies band, and Reprise did nothing to promote them until "Arthur", in October 1969. By the way, as an historical note, yesterday and today (10/18) mark the 55th anniversary of The Kinks return to the US, when they played two nights at the Fillmore East. 👍😃Cheers!
Andrew. Great episode. I really like the new Kinks compilation. I've never understood why they don't have the same cache as the Stones or Who. For other sixties bands as you mentioned, how about the Shadows non cliff richard albums? I think up to and including Jigsaw is a superb collection and I wish some company could put out a reissue box set as was done so well with the polydor years when the material was much weaker.
I fully agree! They were amazing with their quirky and offbeat style and were IMHO going to be as big as the Who or Led Zeppelin in the upcoming years, but they disbanded after the release of Odgen's...album in the year 1969 notably Steve Mariott wanted Peter Frampton to join but the rest of the band didn't want to.
@@sandgrownun66 Most people here in the US have only heard one Small Faces tune, and that's Itchycoo Park. (Maybe Lazy Sunday.) All Or Nothing never even charted in the US. (Released on RCA Victor!)
The Move would be a good band to cover !They were a great singles band who created 4 excellent albums! Also the Harold Wilson court case would make an interesting edition to their story!
My first Kinks albums were Kinda Kinks and Kontroversy. I still value them greatly. The Kinks Greatest Hits was great. This was actually my favorite Kinks period, although I do like the later material. The Kinks were my favorite British invasion band.
😃Thank you Andrew for bringing the Journey compilation to my attention.I've downloaded and listened to part one already and the sound is nothing short of great and enlightening.Once I saw Kevin Gray's name on the mastering I knew it would be treat,even to a long time fan like myself. The song listing is like an added bonus-works so well.Ty for the many Beatle videos-they have greatly enhanced my life by following your tips and your great knowledge the process of their making.
The Kink Kontroversy and Face To Face were the first Kinks albums that really got me. Lots of great songs to my ears. I'd like to see a retrospective on *The Move.* Or perhaps two, on the Carl Wayne and Jeff Lynne eras of the band.
Damn! You found my favorite band... and I don't know how Kevin Gray does it but these remasters of his equal 2014 Beatles mono which is fitting The Kinks. It's like heaven.
Thank you very much for The Kinks, Andrew. One of my favorites. Will wait for more great stories about them and other bands. To see Led Zeppelin album covers was a huge joy
Another great video Andrew - I’ve always been a huge fan of the Kinks. Arthur, Something Else & Village Green are my own personal favourites, such brilliant albums 👌
I wish their early Raven's demos would officially get released one day. Their demo 'Ooba Diooba' is an essential track IMO. It starts my own Kinks compilation I made and remastered for my own listening.
Just bought The Journey Part 1 last week mainly because it wasn’t just another greatest hits album. Can’t wait for Part 2. Great video Andrew, looking forward to the rest.
Hi Andrew Great Video as always.... You were talking about the inaudible noise at the beginning of some of the Kinks recordings.... I'm not sure were I heard this but PYE 's recording studios didn't always use virgin tape for their recording sessions. They used bulk erased tapes which sometimes leaves a noise residue on playback. Anyway knowing me with my technical efforts I'm probably wrong.
I've also read that original Kinks tapes were erased and recorded over to save money. These wouldn't have been erased by Pye, but by Talmy, with Ray's consent. True? False? I don't know. I wasn't there.
@@total.stranger It is partly true that Pye re-used session tape once the production master had be finished. That would have been Pye, not Talmy doing that. All the extant master tape was (poorly) stored in the PRT warehouse in Mitcham and most of it was lost when there was a fire there.
Thank you for doing this. I've been wanting to watch a Kinks album review for a long time. I bought The Journey a great collection of songs. The Kinks made some great songs a lot I think are underated. Can't wait for your next one on the psychedelic era I call of The Kinks . And The Journey Part 2. I would like to see a review of Nick Drakes albums. I remember you mentioning Five Leaves Left before. 👍
You mention their later albums, and I used to be a "The Kinks lost it after 'Lola'" advocate, but although they do get v patchy in the 70s, tracks like 'Oklahoma USA' and 'Celluloid Heroes' are now definitely among my favourites of theirs, if not of all-time. Re future videos: would love to see something on UK psych, whether original, lost-classic albums (Tomorrow, SF Sorrow etc) or the best compilations.
What a wonderful video Andrew, I've lined up The Journey Pt1 for my listening tonight (via TH-cam Music). I think a series on other British artists would be amazing! The Searches and The Hollies obviously, but also pioneering singles by artists from Joe Meek! Keep up the good work please 👌👌👌
I'll add a vote for the Searchers, one of the most musically adept British bands of the period, with a great run of singles, which seems to only be remembered for a handful of songs these days.
Thanks again ,Andrew. I have the first mono U.S. pressing of their first album. I have much respect for them but have never been an actual "fan". It just didn't click with me. But as you were closing, you flashed some covers for some artists that you may plan to do videos on soon. Please, do the David Bowie video. I would bet that I'm not alone in asking for this one topic. Thanks again and keep up the fantastic work you put into every one of these clips for us.( We all love you for it ! ).
My first exposure to the Kinks in the early 70s was through the Kink Kronikles compilation in the US, so hopefully this new similarly themed comp (great tracks and many deep cuts) will connect with a new generation of fans.
This is brilliant Andrew. The Kinks aren’t exactly underrated given how popular they are, but I think they are greater than they are given credit for, if that makes any sense. I love the way your videos give an insight not only into the music but also the British (and American views of British) culture at the time. For an Anglophile like me who has made a living teaching British literature and having visited England fifteen times, these videos bring me great joy. I love the early Kinks (that opening riff on You Really Got Me is so iconic!), but the Kinks of the 70s and 80s are also great. I’m thinking of the Sleepwalker album in particular. Their 1980 live album One for the Road is worth hearing. Thanks again Andrew for making my Sunday brighter. How about a video on arid Stewart, one if my faves?
Hello Andrew, It always good to watch a new Kinks vid. Just a couple of pointers. Their debut (Kinks) in true stereo was a proper' UK commercial release. It was however, Kink Kontroversy in faux stereo (by adding bass in one channel and reverb in the other) that indeed pressed for export only, along with the true (and pretty awful) stereo mix of FtF. As far I can make out the majority of export copies went to either the middle or far east or other areas where British overseas forces were stationed at the time. BtW Kinda Kinks got the faux stereo treatment in 1969 with a budget re-release on Marble Arch label. I'm pretty sure Ray is quite rightly proud of the FtF album, he was when I worked on the re-issues 🙂 Keep up the good work.
Really appreciate your videos and this is another great one. 'The Kink Kronikles' is for me, the greatest Kinks compilation and my favourite comp by any artist. Originally a North American release on Reprise, it received a Record Store Day issue in 2020. Not just a 'hits' collection, it covers the period roughly from 'Sunny Afternoon' until 'Lola' (and the 'Percy' lp). But though there are precious few hits, the songs are from this vintage period when they were banned from U.S. touring until 1969 and is a wealth of fantastic music from what I consider to be their best period. For greatest hits, I too have the single lp 'Best of the Kinks 1964-1970' mastered by Kevin Gray and it is my go to when I want hits only. But that is rarely the way I want to listen to them. Another great compilation is the hard to find 'The Kinks' double album known as 'The Black Album'. But anything that gets new listeners to discover The Kinks is most welcome in my book!
Those early albums are great, they grew rapidly as a band and Ray and Dave are incredible. I picked up a copy of “Face to Face” just prior to the pandemic as that was the one album I’d not heard - it certainly helped me through those times. It is very overlooked because of the 3 albums that followed, but it’s become my favorite Kinks album. Cheers
Nice to see you cover The Kinks.Been a diehard Kinks fan since I was a preschooler in 1965. Being in the US, I never found a 60s Kinks EP until I started buying on ebay, just before the turn of the millennium. I have them all. Since I bought those 60s LPs as a child, it took me over twenty years of digging to complete my set of those tri-colour Reprise albums in mint minus condition, replacing copies I played to death. And I was able to find mono and stereo versions of both, in mint minus shape . In all my years of digging, I have never seen an original UK pressing Pye Kinks LP, but have found the occasional original German and Australian pressing from these years, in the same condition. Those original Pye albums are expensive! Original 60s Kinks LPs in top condition are very difficult to find, regardless of country, which you sort of imply when you mention poor sales. Ray Davies is one of the greatest songwriters of the 20th Century. Even the much maligned RCA period has some of his greatest songs. While it took a couple of years before Ray hit his stride, with songs like "A Well Respected Man", but many of those early songs are outright rock & classics. Any interest in covering The Searchers in future videos?
In Junior High School I visited a friend's home. His dad had a fancy Hi Fi set up with tape deck, in wall speakers throughout the house, etc. That was where I first heard the first KinKs compilation the Reprise Greatest Hits album. I later got Kronikles and Great Lost and a couple of those Golden Hour albums and the Come Dancing compilation. Reports that the sessions for those first albums were rushed, low budget and sometimes "one take only" remind me of a line about a fictional band - Spinal Tap or the Masked Maruaders... "Their next album was only 23 minutes long and was recorded in even less time than that." I was startled to see the thumbnail that included Face To Face with the "early" KinKs. It was certainly a huge step forwards - which the video does acknowledge. Personally, I always tend to listen to Face To Face and Something Else as if they were a two record set and I quite seriously consider them to be The KinKs versions of Rubber Soul and Revolver. While I can think of at least a half dozen KinKs albums I like better, Face to Face and Something Else (the band's 4th and 5th studio albums) were certainly an incredible "starting point" which in my opinion ranks them as equals to The Who and The Stones and, you know, those lads from Liverpool.
Great video as always Andrew; informative, and put together in a very visually pleasing way. It’s great that you’re branching out from what I’m sure is both of our favorite band. I’m delighted to say I saw the Kinks twice; later in their careers. Really good tickets the second time, as a friend of mine was dating the opening act’s singer! Great after party! I’d love you to do a piece on 10cc, another band I had the great fortune to see live. The history of the members is fascinating; as is the story of how they made their biggest hit, ‘I’m Not in Love.’
Other than the Four Kings of EMI my all-time favorite band (yes, that is a picture of me and Ray Davies in March of 2006) Born on March 22, 1963 (the day of the Beatles first LP release) I was late to the party. A college radio DJ in the late 70's in Atlanta turned me on to FACE to FACE. Ray actually signed my PYE copy on the day we met. Thanks for the video
Your content really is excellent and so well put together. If I could make suggestion. There’s a Hifi review channel fronted by a guy called John Darko. He, somehow or other, has managed to have an “ad break” placed in his videos. This makes the annoying adverts bearable and it doesn’t spoil the flow so much. Great stuff and what a potential gold mine of material you can investigate and present. Cheers
Hi Andrew, Great job ! I love that you mentioned the enhanced You Really Got Me👍 I had it back in the 7Os on a European collection and didn’t find it again until the stereo/mono cds that came out about 20 years ago. Definitely my favorite version ! Can’t wait for part 2 !
I’m going out tomorrow to pick up “The Journey pt. 1”, it looks fantastic! Love the 3 cuts on side 2 from “Schoolboys in Disgrace” one of the all time underrated LPs. That alone makes me think it’s gonna be a winner! I garbage picked a US Kinda Kinks in mono that is in great shape. It got criticized for the mixes but I didn’t know any better and I kinda like it. BTW the primer on British currency was a bonus!!
If you are in the US, all of their Kinks albums were on the Reprise label, the one that brought you Frank Sinatra. As you know, Frank Sinatra founded Reprise where he did a series of his albums, and then the label had Dean Martin, Sammy Davis Jr., Nancy Sinatra and others, including the Kinks.
Really enjoyed this episode Andrew. Thanks. :- )I can't tell you how many Kinks compilations I've seen over the years ad nauseam, but I do think they've quite possibly now surpassed The Searchers in these type of packages... LOL. Looking forward to the next installment.
Yes, and he said so, himself, in a full-page interview published in an American "Tiger Beat"-type magazine. The interview was formatted as: QUESTION followed by ANSWER. QUESTION : LP COVERS ANSWER : "I hate ours. I'm doing the next one, myself". (Paraphrase:) It'll have butterflies coming out of a man's head. In the same printed interview, Ray mentioned that Mick Avory would be singing a song called "Lilacs And Daffodils" and that Mick had a singing voice "like Mr. Magoo". Many years later, Ray disparaged the cover, implying that it was done by the record company, and not him. He stated that the cover should have been black because the LP was depressing - or something to that effect.
Thank you Andrew! Two thumbs up! (Something else by the Andrew😊)Some interesting info about tape machines they used at PYE: all the Ampex machines at PYE were American 110-volt models, due to the fact that they were considerably less expensive than the equivalent 230-volt versions produced for the British market.
I’m surprised the kinks have the most compilations. I would have thought The Who have been the most overwrought with greatest hits, compilations and best of collections.
The difference between the Kinks and the Who is that the Kinks were on Pye Records, a label that also specialized in low budget (pun intended) compilations aimed at the bargain bins of Woolworths and Marks & Spencer, and issued countless repackagings of their music with little rhyme or reason on labels like Marble Arch. The Who were treated as more of a prestige act by their labels in the U.K. and the U.S., although for a while there it seemed like there was a new Who best-of released every couple of years.
Being a fan of The Kinks, I bought The Journey Part 1 a few weeks back and find it to be a fascinating collection with the inclusion of lesser known tracks. Loved your history of Pye Records and their Golden Guinea label! Also your assessment of the early albums. Ray Davies was such a prolific songwriter who wrote so many quality songs for the Kinks. Compare this situation to the Beatles who boosted three songwriters -four if you include Ringo. No wonder Ray had a nervous breakdown in 66 considering the extreme pressure he was under. Compare Really looking forward to part 2, Andrew!
Hi My number three British bands, behind The Beatles and The Rolling Stones. Especially the years 1966 - 1972 are so great, from Face To Face up to Everybody's In Showbiz included. I consider Ray Davies the best "short story in a three minutes popsong" writer. I love that it's just English, typical English.
Nice video. I bought an original copy of Kink Kontroversey many years ago from what must have been one of the most messy record shops in the UK. Mr Tees in Kidderminster. Felt more like I was rescuing it from there. Always liked that lp. I also really like all of the bonus tracks on the cd reissue of the first album. Fantastic drumming on those from Bobby Graham.
Very well done. Love The Kinks. So hard to find original pressings of these albums too. Re-issues are good but I'd prefer the original label than what was used. Look forwards to the next Kinks video.
The Kinks were undoubtedly influenced by The Beatles , but I wonder if it was vice versa? Both Davies and McCartney seemed to be pushing boundaries of British social commentary in their songwriting with Eleanor Rigby coming out shortly before Dead End Street. But I often thought that 'Rosie Won't You Please Come Home' on Face To Face from 1966 has similar subject matter to Sgt Peppers ' She's Leaving Home' released the following year. Also 'Two Sisters' on Something Else in 1967 has a similar contemporary baroque fairytale feel to ' Cry Baby Cry' . Thanks for another great episode. Looking forward to the follow up.
Thanks Andrew, fascinating and insightful review as always. I loved the link to the Pathé documentary. I think that is the best quality in which I have ever seen the Searchers. That tape recorder must have been running at 15ips, at least. And isn't nice to see young men turning up for work in a suit and tie - very smart! Elsewhere in the documentary is some great footage of the Beatles - I think that must have been 'colourized', but still wonderful to see. Thanks again!
As a kid I inherited all my mum's records. Which was basically all the Beatles LPs up to the White LP, she told me the others were lent out and never returned. What interested me more were the singles, mostly Beatles, Cliff/Shadows and two Kinks singles. Even as a kid You really got me and All day and all of the night really stood out. Never understood why she never owned the albums. I assume she was a much bigger Beatles fan as she told me she met the Beatles a couple of times, bunking off school to go to the Cavern and had all their autographs on a leather cap.
I'd definitely describe myself as a hard-core Kinks fan. I even saw their debut apperance on Ready Steady Go back in February '64. Who'd have ever guessed that bunch of scruffs would turn out to be one of the major British bands of the last sivty years? i haven't seen them live for a while, but did see the Kast Off Kinks with Mick Avory about three months ago (and they were pretty good.). It would have been nice if you could have mentioned the Kwyet Kinks EP, as that was a bit like their album 2 1/2, but that's just a minpr quibble.Thanks for this series, Andrrew, I'll be heading back to replay those first four LPs soon.
I have the first four of the Kinks original American Reprise stereo LPs as I bought them in the 1970s and they sound like they were recorded in a large cave. Of course, they are reprocessed, Duophonic fake stereo much like Capitol used with the early Beatles singles. Glad the great Kinks song catalogue is being celebrated. Great idea for a video and please consider delving into the Who catalogue as well.
Nice one Andrew. Super interesting to hear more about The Kinks - a group I haven’t explored that much myself but obviously aware of Ray Davies impact on popular music of the time. I was at Glastonbury in 2009 and Ray was in the acoustic tent - that was special to see. Regarding other British groups of the 1960’s - I see you already have Zeppelin there. For me personally, they’re right up there with The Beatles. Would love to see you explore their music, history, and vinyl : ) Those early UK red/plum labels are rather beautiful!
I only listened to their hits album, which was loaded with gems, but the video comments have piqued my curiosity to belatedly dig into the vault of their albums.
The Kinks have always been one of my favorite bands besides the Beatles. To me, they were the most British in all of the British Invasion groups. They were the soundtrack to my senior year in high school by listening to the Kink Kronikles album on my walkman. I would love to see you do a video on the Bee Gees and their 60s output.
It was hard to buy the Kinks in the US…without much press you were on yer own to study the cover and read the back for something that would pull you in to purchase it. Hype works to a degree. I always bought them because they were “kinky” looking and figured you couldn’t go wrong🥴…my issue with the US versions were the tinniness of the audio compared to other recordings. Most all of Small Faces pressings were, to my ears, tinny. I will default to have been playing drums for a few years by then and developed a burst eardrum (which didn’t stop me after it healed)…but I loved the Kinks. From beginning to the present. Great show…looking forward to more about them! Thanks again Andrew! (Maybe a mention about the Ravens?)
10 Reasons to be a Kinks Fan:
1. They have lots of music: 24 studio albums and 5 live albums.
2. They cover 4 decades: sixties, seventies, eighties, and nineties.
3. They have many popular songs: 26 Top 40 hits.
4. They have a wide variety of music styles: rock, pop, R&B, ballad, music hall, hard rock.
5. They have concept albums!
6. They were key members of the original British Invasion
7. Dave Davies: inventor of the “hard rock guitar riff”.
8. Ray Davies: master of social commentary and hero of the working class.
9. You can dance to The Kinks!
10. They were inducted into the Rock and Roll Hall of Fame in their first year of eligibility.
11. And they kick ass.
@@vdggmouse9512 12. Kinks songs are great sing-alongs - sober, drunken, or otherwise.
@@total.stranger 13. And I curse myself for the life I've lead - and roll myself a Harry Rag and put myself to bed!
@@phillipanderson7398 And Phillip - what about 1972 - the second record of 'Everybody's In Showbiz' ?
@@vdggmouse9512 And there's two versions of To the Bone - with different tracks.
No one ever mentions what a phenomenal B side 'I gotta Move' was, incredible performance
15.6kHz is a frequency old CRT computer monitors used to produce. You can find it all over the place in 90's and 00's recordings. However it's hard to imagine why there would be a CRT monitor in the mastering studio and how it worked it's way onto the audio.
Interesting. Thanks for the info, Paul.
This means it must be very uncomfortable for the 'younger generation' to listen to, as they can hear the 'whine' such a frequency produces; so I understand. Perhaps it wasn't noticed when it was remastered by those unaffected by the sound? Just a thought!🔊📢
ray davies is a gift the universe gave to us. a vivid scene unfolds from each and every one of his songs, a completely vicarious experience.
I think i'm a part time missionary/evangelist for the worth of The Kinks music and why they were done so dirty by the music industry at large, so happy to see you talk about them.
To me, the pantheon was always The Beatles, The Stones, The Kinks, and The Who - not necessarily in that order (or in any order), and not necessarily my favorite bands throughout the years, but simply the ultimate important rock bands of the boomer era.
The Kinks have spent the most time at the top of that pantheon for me, especially as I've gotten older. Ray wasn't writing music that spoke to the 1960's, he was writing music that spoke to people in their 60's.
Face To Face is a superb LP. Essential Kinks with a lot of terrific tracks and for me, second only to Revolver as British LP of the year. I'm amazed it didn't sell better than it did.
I think it shows what another label would have handled the Beatles. Such great songs by the Kinks but such a toll on Ray and the rest of the band. A hard way to live. Great info Andrew.
"You pay tradesman in Pounds but gentlemen in Guineas" feels like it explains a lot about Britain.
It’s great to see you cover the kinks, I would love to see you dive into the who’s albums from 1965-1978
That would be a great idea!
I second that. Along with The Kinks, The Who seems to get overlooked as they are a fantastic straightforward hard hitting rock group.
@@projectpat006 Do they though? Is any group not named the Beatles considered overlooked these days?
@@projectpat006 Gee Mack, The Who is one of the most famous and most highly-praised rock groups of all time: The Who were only the second rock group to grace the cover of TIME magazine in December 1979 at a time when being placed on the cover of TIME was still a big deal in the USA (only The Beatles had achieved this honor prior to '79).
Enjoyed this Kinks overview. A guide to the best Kinks retrospective collections would be welcomed. There are so many.
I think The Kinks were a great singles band at first, but it wasn't until "Face To Face" from 1966, that they really hit their stride as a great albums artist. And they continued making albums of the highest standard, from 1966 - 1971. One of the best runs of consecutive albums ever.
You wrote my post !
Well to be fair, almost nobody (yes to Beatles and Stones) was making.great albums prior to 1966. Record companies pushed 45s and fake live albums loaded with American R&B covers. I've got a few hundred pre-1966 rock albums in my collections.
@@mikemyers1912 "Kinda Kinks" comes really close to greatness. With better production and the cover songs replaced, it could've been great.
Something else is my all time favourite... not a poor track on it, even "Harry rag"
Excellent as usual, we seem to receive nothing less from you.
Thanx
I really enjoyed this video Andrew. I saw the Kinks three times in the mid-70's mostly during the Misfits/Low Budget era. One show at Orchestra Hall in Minneapolis, Dave was off his rocker drunk and tried to give his guitar away to someone in the front row (probably a gal). So a couple of roadies instantaneously ran out and grabbed it back. I do remember "You Really Got Me" and "All Day and All of the Night" on AM radio in the mid-60's (I was born in 1960 and I also clearly remember the Fab's "Eight Days a Week" when it was a current hit). Schoolboys in Disgrace, Muswell Hillbillies and Lola vs Powerman... are I think my favorite LP's. My late brother's favorite was "A Soap Opera". He saw them perform that in Hopkins, Minnesota before the LP was released. Pretty sure it was presented as a stage show/concert. Must have been amazing. Cannot wait for the rest of this series Andrew!
I grew up in the 80s and didn't start buying Kinks albums until the late 80s, early 90s. For me, the Kinks artistic peak was in the late 60s and mid 70s, prior to them signing with Arista Records, the Misfits/Low Budget era. What I found interesting was that my Mom had a friend who was a huge Kinks fan, but her love for the group mainly came from seeing them in concert in the 70s and from their Arista material (as well as their 60s/early 70s greatest hits). I mean, when I asked my Mom's friend about the albums Something Else and Village Green Preservation Society, she didn't really know much about those albums; she only responded with, "Oh, that's their early stuff." I think it just goes to show how important touring was to the Kinks in America.
Grea times, Todd!
I would love to hear your take on the Pretty Things S.F. Sorrow Lp.........recorded at abbey road in '67
Dedicated Follower Of Fashion was covered even in (Soviet) Estonia by a band called Toomapojad and was titled "Pilv puistab lund" ("Cloud is Spreading Snow").Check out.
Great video Andrew! I discovered the Kinks later in life. Although I bought the Kinks Greatest Hits on Rhino record in 1990, I did have much else in my collection until about 8 years ago when I started getting their 1960s albums Face to Face, Something Else and Village Green. I have all of their mono vinyl reissues up through Arthur and they sound great. Thanks for sharing
Glad you enjoyed it, Bill!
Fantastic video!
God save the Kinks. When people would ask me, Beatles or Stones, I would say the Kinks.
As always, a very informative and entertaining video, Andrew. I’d love to see you have a go at untangling the mess that is The Yardbirds catalogue.
There seems to have been a ridiculous number of great British bands during the mid 1960s.
The Beatles, the Stones, the Who, the Kinks, the Hollies, the Moody Blues, Herman's Hermits, the Animals, the Small Faces, Cream, the Incredible String Band etc
Anyway I cant wait for part 2 when the Kinks really take off.
[Ahem!] ... you missed out The Move!
Fabulous band!
Maybe being born during the war. Something about that era. The Yardbirds, Them . . . And the surviving artists are still giving.
I have got the 15 kHz issue on several recordings too and detected it peaked at 15.625 hz. IMHO it has something to do with the horizontal scan rate of the PAL-system. I am not quite sure and I don't know how this tone is getting on a remastered copy.
Besides thanks for your content. Mach weiter so.
Absolutely no reason why it should make it onto an audio remaster, particularly a digital one. The fact it appears even in the rills shows it's not on the masters of the titles themselves and I suspect isn't even on the banded master. It seems to me like bad earthing in the connection between the audio source and the cutting equipment. Very bad form in this day and age really and I bet Ray would kick up a stink when he finds out.
my original 1983 CD copy of Phil Collins Face Value has it all throughout "in the air tonight". and indeed someone must have had a CRT television in the studio
I've always loved the Pye label, their stereophonic material has always sounded fantastic and well balanced, compared to their contemporaries at EMI.
PYE was a record label based in the UK and one of the artists came to the label including Donovan with his first single “Catch The Wind” which was later released in the US on a small Hickory label in the early 1960’s. In the 1970’s, PYE was also a US label outside of the UK where they had “Sad Sweet Dreamer” by Sweet Sensation, “Black Superman (Muhammad Ali)” by Johnny Wakelin and “I’ll Go Where The Music Takes Me” by Jimmy James & The Vagabonds, all were just singles during 1975 to 1977. PYE in the UK also released a soundtrack to “The Muppet Show” and it went to #1 in the UK album charts. It was also released in the US on the Arista label in 1977 with the 2 songs “Hugga Wugga” and “Pachalafaka” were not on a US release.
I always blamed Pye for the limited success of the kinks, they were good with MOR artists, but couldn't handle serious artists like the kinks or status quo, their damage to the reputation of the late 60s kinks and quo, meant both bands never recovered, at least until quo signed with vertigo, but Kinks were finished despite releasing brilliant material
Hopefully a video on the small faces maybe on the horizon? Another great band, fronted by in my opinion one of the greatest singer songwriter of that generation
Very worthy deep dive into The Kinks! Can’t wait to listen to your video on the period 1967-71, my favorite years in The Kinks. I like The Journey, Part 1 very much and appreciate the coming of Part 2 also this year.- I’d like to hear your thoughts on Small Faces and The Moody Blues in future videos.- But please don’t walk away too far from holy Beatles territory. Your Beatles videos are essential!
The kinks blow your holy Beatles out of the water
Hi Andrew! Great stuff for a great group! I did wanna mention that the Kink Kontroversy actually did come out much later in the US on Reprise, with a March 30th, 1966 release date. This was do to many factors but namely Reprise’s inpatients for new material.
After the You Really Got Me Reprise album was issued only a month after the UK counterpart, Reprise was keen to have an album to cash in on the All Day and All Of The Night and Tired of Waiting On You singles, so rather than wait, they started to compile their own album. This would be called Kinks-Size was made up of both the As and Bs of the previous mentioned singles and the Kinksize Session EP from the UK as well as the two left over tracks from the first album (I Took My Baby Home could not be used as it appeared as the b-side to Long Tall Sally on the Cameo label originally in the states and thus untouchable by Reprise.
Once Kinks-Size was made up and compiled, the Kinks had finished their second proper album, Kinda Kinks, but Reprise had already invested enough time to where they would put the actual new material on hold and issue Kinks-Size in March of 65 while Kinda Kinks was issued the same month in the UK. Since Reprise used the both sides of the Tired single for the Kinks-Size album, they had to rework the Kinda Kinks record so as to not have repeats. This meant adding the sizeable US hit Set Me Free and the new American flip side Ev’rybodys Gonna Be Happy. After that singles relative flop in the UK, Reprise chose not to issue it and instead waited till another hit turned up so in the US, Set Me Free was issued first, but still fearful for failure, Reprise switched the sides making Who’ll Be The Next In Line the A and surprising a decent charting single. The reworked version of Kinda Kinks was issued in August, with its two UK singles songs missing but also the absence of Naggin’ Woman.
Shortly afterwards the Kwyet Kinks EP was issued in the UK and became a popular disc for its Well Respected Man. Reprise issued this as single instead but due to the instant success, quickly wanted another album to capitalise on it. But the Kinks were back at home trying to rush out their Kontroversy album before the end of 65. So once again Reprise went to work to make up another album. This would be called Kinks Kinkdom or Kinkdom depending on your source. Unlike Kinks-Size this American LP was made up from all kinds of different tracks. The entire Kwyet Kinks EP was used as was both sides of the See My Friends single, which had only reached bubbling under status in the states, Naggin’ Woman was finally given a home as well, plus the Set Me Free B-side I Need You and the UK B-side but US A-Side Who’ll Be The Next In Line. Desperate for two more songs to round out the album, Reprise went all the way back to the You Really Got Me single and included it’s B-side, It’s All Right and likely since they couldn’t find anymore material, Reprise decided to simplify repeat Louie Louie from the Kinks-Size album on Kinkdom (so much for no repeats.)
When all was said and done, the album, Kinkdom was scheduled for November 65, just as the Kinks proper 3rd album was being readied. Reprise, once again, decided to hold off on the release of Kontroversy as well as the Till The End Of The Day single until March of 66 and issue Kinkdom in November of 65 as planned, the same month as Kontroversy’s UK release. However, by this point it seemed Reprise’s concerns to space things out fell by the wayside with their decision to issue the Dedicated Follower single in later April 66, only 2 months after the Till The End of The Day single was issued in the US.
Reprise made no changes to the track listing for Kontroversy or any other Kinks studio album from this point onwards. I’m not sure why but it’s likely that they stopped being enough of a hitmakers act for Reprise to put what they felt was wasted effort on. Adverts for Kinks material on Reprise 66-69 was extremely minimal with early 65 photoshoot shots being used as late as 68 to promote Wonderboy. They’re were attempts to release further US made Reprise albums, notably 1968’s Four More Respected Gentlemen album, an intended US Version of Village Green compiled by Ray. But this, while getting very far, never happened. Reprise wouldn’t make up any more albums until after the Kinks would leave reprise in 1971.
Reprise would continue to issue the groups albums noticeably later on though with Face To Face issued in Dec. 66 stateside, Something Else Jan. 68, and Village Green Jan. 69. Arthur was the first reprise album issued nearly simultaneously.
Also the Live At Kelvin Hall album WAS weirdly issued in the States in August of 67 under the title The Live Kinks rather than Jan. 68 like the UK. The story with that seemed to be that Pye wanted to wait till after the new album, Something Else was issued whereas Reprise at this point likely did not care.
Anyway, if you could follow any of that and got all the way to the bottom of this long winded comment, I applaud you sir! Just wanted to give some insight on the weird world of US Kinks releases. Great vid, I love your content, keep doing what you doing! Cheers!
Thanks forall the extra info. Glad you enjoyed it!
Lots of good information here, and it jibes with my experience. "Kontroversy" was released in late March/early April '66 and Reprise supplied an LP cover "slick" to be stapled into the binding of an issue of Billboard Magazine during that time.
At the time, a local record store owner let me take all of his old Billboard and Cash Box Magazines off of his hands, when he was done with them, and that's how I came upon the "slick". I had just purchased "Kinkdom" - my first Kinks LP - that February, and had become keenly interested in the band, going on to purchase all of their previous Reprise LPs during that year. I purchased "Kontroversy" immediately - not knowing anything about the band's troubles. Most - if not all - American teenagers knew nothing, either.
Here's a personal account of what happened just before they left for their 1st, all-important, American tour, in June 1965.
richardhfox.wordpress.com/2017/01/30/the-night-the-kinks-exploded/
NOTE: "Four More Respected Gentlemen" was listed, with tracks, in the Schwann Catalogue, by summer 1968.
@@total.stranger Yeah, there was next to no Kinks news in the U.S. from 65-69. I blame reprise for that. They did nothing to help with the ban and they did nothing about promoting them until Arthur came out. As a Kinks fan in those days all you could do was scrounge around record stores looking for new releases. Always figured they had broken up until a new record came out. Practically no promo's no nothing from reprise for years.
@@chrisbotelho7212 That's correct. By 1967, with the short attention span of the average teenager, The Kinks were considered to be an Oldies band, and Reprise did nothing to promote them until "Arthur", in October 1969.
By the way, as an historical note, yesterday and today (10/18) mark the 55th anniversary of The Kinks return to the US, when they played two nights at the Fillmore East.
👍😃Cheers!
Andrew. Great episode. I really like the new Kinks compilation. I've never understood why they don't have the same cache as the Stones or Who. For other sixties bands as you mentioned, how about the Shadows non cliff richard albums? I think up to and including Jigsaw is a superb collection and I wish some company could put out a reissue box set as was done so well with the polydor years when the material was much weaker.
Another great band is the small faces from 1965-1969 the music they released between those years goes up with many fantastic bands such as the beatles
Small Faces.
I fully agree! They were amazing with their quirky and offbeat style and were IMHO going to be as big as the Who or Led Zeppelin in the upcoming years, but they disbanded after the release of Odgen's...album in the year 1969 notably Steve Mariott wanted Peter Frampton to join but the rest of the band didn't want to.
Their '66 UK#1 All Or Nothing remains an undiscovered classic!
@@louiebee6745 What do you mean, "undiscovered"?
@@sandgrownun66 Most people here in the US have only heard one Small Faces tune, and that's Itchycoo Park. (Maybe Lazy Sunday.) All Or Nothing never even charted in the US. (Released on RCA Victor!)
The Move would be a good band to cover !They were a great singles band who created 4 excellent albums! Also the Harold Wilson court case would make an interesting edition to their story!
Nice little Sgt. Pepper cover easter egg on the Golden Guineas inner sleeve at 12:48 with the photo of Max Miller on his 'Max At The Met' album.
I love that this is something different! I love love LOVE The Beatles, but it’s a nice change of pace to see other stuff highlighted!
The Kinks were awesome in the 60's but also made great songs in the 70's and 80's. Another Pye signed band I like is Mungo Jerry.
Love the Kinks! I’ve seen them so many times, I feel like I could comfortably ask Ray for a loan. 😂
Lol
My first Kinks albums were Kinda Kinks and Kontroversy. I still value them greatly. The Kinks Greatest Hits was great. This was actually my favorite Kinks period, although I do like the later material. The Kinks were my favorite British invasion band.
😃Thank you Andrew for bringing the Journey compilation to my attention.I've downloaded and listened to part one already and the sound is nothing short of great and enlightening.Once I saw Kevin Gray's name on the mastering I knew it would be treat,even to a long time fan like myself. The song listing is like an added bonus-works so well.Ty for the many Beatle videos-they have greatly enhanced my life by following your tips and your great knowledge the process of their making.
Thanks for watching, Thomas and enjoy The Journey!
The kinks and the Who!! Absolutely the best!! Great job Andrew!!! Excellent work
The Kink Kontroversy and Face To Face were the first Kinks albums that really got me. Lots of great songs to my ears. I'd like to see a retrospective on *The Move.* Or perhaps two, on the Carl Wayne and Jeff Lynne eras of the band.
Damn!
You found my favorite band... and I don't know how Kevin Gray does it but these remasters of his equal 2014 Beatles mono which is fitting The Kinks. It's like heaven.
Thank you very much for The Kinks, Andrew. One of my favorites. Will wait for more great stories about them and other bands. To see Led Zeppelin album covers was a huge joy
Another great video Andrew - I’ve always been a huge fan of the Kinks. Arthur, Something Else & Village Green are my own personal favourites, such brilliant albums 👌
I wish their early Raven's demos would officially get released one day. Their demo 'Ooba Diooba' is an essential track IMO. It starts my own Kinks compilation I made and remastered for my own listening.
Just a few 60s British artists I’d like to see
-The Who
-The Stones
-Zeppelin
-Pink Floyd’s 60s stuff
-
A lesser known hit, but my favorite was "A Well Respected Man" by The Kinks.
Just bought The Journey Part 1 last week mainly because it wasn’t just another greatest hits album. Can’t wait for Part 2. Great video Andrew, looking forward to the rest.
Hi Andrew Great Video as always.... You were talking about the inaudible noise at the beginning of some of the Kinks recordings.... I'm not sure were I heard this but PYE 's recording studios didn't always use virgin tape for their recording sessions. They used bulk erased tapes which sometimes leaves a noise residue on playback. Anyway knowing me with my technical efforts I'm probably wrong.
I've also read that original Kinks tapes were erased and recorded over to save money. These wouldn't have been erased by Pye, but by Talmy, with Ray's consent. True? False? I don't know. I wasn't there.
@@total.stranger It is partly true that Pye re-used session tape once the production master had be finished. That would have been Pye, not Talmy doing that. All the extant master tape was (poorly) stored in the PRT warehouse in Mitcham and most of it was lost when there was a fire there.
The kinks were so good live saw them.many times in the 80s in chicago. High energy shows so much fun.
Hey Andrew, great episode! I would absolutely love to see your take on the early Stones and Who albums.
Thank you for doing this. I've been wanting to watch a Kinks album review for a long time. I bought The Journey a great collection of songs. The Kinks made some great songs a lot I think are underated. Can't wait for your next one on the psychedelic era I call of The Kinks . And The Journey Part 2. I would like to see a review of Nick Drakes albums. I remember you mentioning Five Leaves Left before. 👍
You mention their later albums, and I used to be a "The Kinks lost it after 'Lola'" advocate, but although they do get v patchy in the 70s, tracks like 'Oklahoma USA' and 'Celluloid Heroes' are now definitely among my favourites of theirs, if not of all-time.
Re future videos: would love to see something on UK psych, whether original, lost-classic albums (Tomorrow, SF Sorrow etc) or the best compilations.
Oklahoma USA is a beautiful song. Ray Davies at his best.
What a wonderful video Andrew, I've lined up The Journey Pt1 for my listening tonight (via TH-cam Music).
I think a series on other British artists would be amazing! The Searches and The Hollies obviously, but also pioneering singles by artists from Joe Meek!
Keep up the good work please 👌👌👌
Thanks Marks. Glad you enjoyed it!
I'll add a vote for the Searchers, one of the most musically adept British bands of the period, with a great run of singles, which seems to only be remembered for a handful of songs these days.
Thanks again ,Andrew. I have the first mono U.S. pressing of their first album. I have much respect for them but have never been an actual "fan". It just didn't click with me. But as you were closing, you flashed some covers for some artists that you may plan to do videos on soon. Please, do the David Bowie video. I would bet that I'm not alone in asking for this one topic. Thanks again and keep up the fantastic work you put into every one of these clips for us.( We all love you for it ! ).
Those albums are sheer legend. You MUST own all of them!
My first exposure to the Kinks in the early 70s was through the Kink Kronikles compilation in the US, so hopefully this new similarly themed comp (great tracks and many deep cuts) will connect with a new generation of fans.
The Kinks are so great! I really like The early stuff!! Takes me back
This is brilliant Andrew. The Kinks aren’t exactly underrated given how popular they are, but I think they are greater than they are given credit for, if that makes any sense. I love the way your videos give an insight not only into the music but also the British (and American views of British) culture at the time. For an Anglophile like me who has made a living teaching British literature and having visited England fifteen times, these videos bring me great joy. I love the early Kinks (that opening riff on You Really Got Me is so iconic!), but the Kinks of the 70s and 80s are also great. I’m thinking of the Sleepwalker album in particular. Their 1980 live album One for the Road is worth hearing. Thanks again Andrew for making my Sunday brighter. How about a video on arid Stewart, one if my faves?
Thanks Michael. Glad you enjoyed it!
Hello Andrew, It always good to watch a new Kinks vid. Just a couple of pointers. Their debut (Kinks) in true stereo was a proper' UK commercial release. It was however, Kink Kontroversy in faux stereo (by adding bass in one channel and reverb in the other) that indeed pressed for export only, along with the true (and pretty awful) stereo mix of FtF. As far I can make out the majority of export copies went to either the middle or far east or other areas where British overseas forces were stationed at the time. BtW Kinda Kinks got the faux stereo treatment in 1969 with a budget re-release on Marble Arch label. I'm pretty sure Ray is quite rightly proud of the FtF album, he was when I worked on the re-issues 🙂 Keep up the good work.
Really appreciate your videos and this is another great one. 'The Kink Kronikles' is for me, the greatest Kinks compilation and my favourite comp by any artist. Originally a North American release on Reprise, it received a Record Store Day issue in 2020. Not just a 'hits' collection, it covers the period roughly from 'Sunny Afternoon' until 'Lola' (and the 'Percy' lp). But though there are precious few hits, the songs are from this vintage period when they were banned from U.S. touring until 1969 and is a wealth of fantastic music from what I consider to be their best period. For greatest hits, I too have the single lp 'Best of the Kinks 1964-1970' mastered by Kevin Gray and it is my go to when I want hits only. But that is rarely the way I want to listen to them. Another great compilation is the hard to find 'The Kinks' double album known as 'The Black Album'. But anything that gets new listeners to discover The Kinks is most welcome in my book!
Those early albums are great, they grew rapidly as a band and Ray and Dave are incredible. I picked up a copy of “Face to Face” just prior to the pandemic as that was the one album I’d not heard - it certainly helped me through those times. It is very overlooked because of the 3 albums that followed, but it’s become my favorite Kinks album.
Cheers
Nice to see you cover The Kinks.Been a diehard Kinks fan since I was a preschooler in 1965. Being in the US, I never found a 60s Kinks EP until I started buying on ebay, just before the turn of the millennium. I have them all. Since I bought those 60s LPs as a child, it took me over twenty years of digging to complete my set of those tri-colour Reprise albums in mint minus condition, replacing copies I played to death. And I was able to find mono and stereo versions of both, in mint minus shape . In all my years of digging, I have never seen an original UK pressing Pye Kinks LP, but have found the occasional original German and Australian pressing from these years, in the same condition. Those original Pye albums are expensive! Original 60s Kinks LPs in top condition are very difficult to find, regardless of country, which you sort of imply when you mention poor sales.
Ray Davies is one of the greatest songwriters of the 20th Century. Even the much maligned RCA period has some of his greatest songs. While it took a couple of years before Ray hit his stride, with songs like "A Well Respected Man", but many of those early songs are outright rock & classics.
Any interest in covering The Searchers in future videos?
Yes Roger. The Searchers are on my list.
In Junior High School I visited a friend's home. His dad had a fancy Hi Fi set up with tape deck, in wall speakers throughout the house, etc. That was where I first heard the first KinKs compilation the Reprise Greatest Hits album. I later got Kronikles and Great Lost and a couple of those Golden Hour albums and the Come Dancing compilation.
Reports that the sessions for those first albums were rushed, low budget and sometimes "one take only" remind me of a line about a fictional band - Spinal Tap or the Masked Maruaders... "Their next album was only 23 minutes long and was recorded in even less time than that."
I was startled to see the thumbnail that included Face To Face with the "early" KinKs. It was certainly a huge step forwards - which the video does acknowledge.
Personally, I always tend to listen to Face To Face and Something Else as if they were a two record set and I quite seriously consider them to be The KinKs versions of Rubber Soul and Revolver. While I can think of at least a half dozen KinKs albums I like better, Face to Face and Something Else (the band's 4th and 5th studio albums) were certainly an incredible "starting point" which in my opinion ranks them as equals to The Who and The Stones and, you know, those lads from Liverpool.
What a wonderful video Andrew
Thanks Tom!
Great video as always Andrew; informative, and put together in a very visually pleasing way. It’s great that you’re branching out from what I’m sure is both of our favorite band. I’m delighted to say I saw the Kinks twice; later in their careers. Really good tickets the second time, as a friend of mine was dating the opening act’s singer! Great after party!
I’d love you to do a piece on 10cc, another band I had the great fortune to see live. The history of the members is fascinating; as is the story of how they made their biggest hit, ‘I’m Not in Love.’
Other than the Four Kings of EMI my all-time favorite band (yes, that is a picture of me and Ray Davies in March of 2006) Born on March 22, 1963 (the day of the Beatles first LP release) I was late to the party. A college radio DJ in the late 70's in Atlanta turned me on to FACE to FACE. Ray actually signed my PYE copy on the day we met. Thanks for the video
Hi Andrew, you mentioned suggestions... The Move and The Idle Race would be great! Thanks
Your content really is excellent and so well put together.
If I could make suggestion. There’s a Hifi review channel fronted by a guy called John Darko. He, somehow or other, has managed to have an “ad break” placed in his videos. This makes the annoying adverts bearable and it doesn’t spoil the flow so much.
Great stuff and what a potential gold mine of material you can investigate and present.
Cheers
Very interesting and informative. The Animals would be great, and Gerry and the Pacemakers…
My sister's Reprise Lp "Kinks Size" was the first time I heard the Kinks. Was always in my listening queue when learning to play drums
Hi Andrew, Great job ! I love that you mentioned the enhanced You Really Got Me👍 I had it back in the 7Os on a European collection and didn’t find it again until the stereo/mono cds that came out about 20 years ago. Definitely my favorite version ! Can’t wait for part 2 !
I’m going out tomorrow to pick up “The Journey pt. 1”, it looks fantastic! Love the 3 cuts on side 2 from “Schoolboys in Disgrace” one of the all time underrated LPs. That alone makes me think it’s gonna be a winner! I garbage picked a US Kinda Kinks in mono that is in great shape. It got criticized for the mixes but I didn’t know any better and I kinda like it. BTW the primer on British currency was a bonus!!
"No More Looking Back" is one of Ray's great songs - out of a large field of great Ray Davies songs.
Face To Face is incredible. There is so much going on and it is all so clever (and some of it is dark, in a good way).
i have all the original uk pye pressings nice to see you cover the kinks.
If you are in the US, all of their Kinks albums were on the Reprise label, the one that brought you Frank Sinatra. As you know, Frank Sinatra founded Reprise where he did a series of his albums, and then the label had Dean Martin, Sammy Davis Jr., Nancy Sinatra and others, including the Kinks.
Really enjoyed this episode Andrew. Thanks. :- )I can't tell you how many Kinks compilations I've seen over the years ad nauseam, but I do think they've quite possibly now surpassed The Searchers in these type of packages... LOL. Looking forward to the next installment.
Worth noting that Ray himself painted the cover artwork for Face To Face!
Yes, and he said so, himself, in a full-page interview published in an American "Tiger Beat"-type magazine. The interview was formatted as: QUESTION followed by ANSWER.
QUESTION : LP COVERS
ANSWER : "I hate ours. I'm doing the next one, myself". (Paraphrase:) It'll have butterflies coming out of a man's head.
In the same printed interview, Ray mentioned that Mick Avory would be singing a song called "Lilacs And Daffodils" and that Mick had a singing voice "like Mr. Magoo".
Many years later, Ray disparaged the cover, implying that it was done by the record company, and not him. He stated that the cover should have been black because the LP was depressing - or something to that effect.
Was this a trick question? The answer with the Kinks work, especially their groundbreaking early work, is hell yes.
This was sooo much fun to listen to, ill have to make today an All Kinks music day here in San Diego.
Thank you Andrew! Two thumbs up! (Something else by the Andrew😊)Some interesting info about tape machines they used at PYE: all the Ampex machines at PYE were American 110-volt models, due to the fact that they were considerably less expensive than the equivalent 230-volt versions produced for the British market.
I’m surprised the kinks have the most compilations. I would have thought The Who have been the most overwrought with greatest hits, compilations and best of collections.
they certainly had a lot but my submission for who are up there with the most compilations would be the Beach Boys
The difference between the Kinks and the Who is that the Kinks were on Pye Records, a label that also specialized in low budget (pun intended) compilations aimed at the bargain bins of Woolworths and Marks & Spencer, and issued countless repackagings of their music with little rhyme or reason on labels like Marble Arch. The Who were treated as more of a prestige act by their labels in the U.K. and the U.S., although for a while there it seemed like there was a new Who best-of released every couple of years.
Wow very interesting Handsome. With all the Kinks compilations out there, it's good to have an objective view.
Being a fan of The Kinks, I bought The Journey Part 1 a few weeks back and find it to be a fascinating collection with the inclusion of lesser known tracks. Loved your history of Pye Records and their Golden Guinea label! Also your assessment of the early albums. Ray Davies was such a prolific songwriter who wrote so many quality songs for the Kinks. Compare this situation to the Beatles who boosted three songwriters -four if you include Ringo. No wonder Ray had a nervous breakdown in 66 considering the extreme pressure he was under. Compare Really looking forward to part 2, Andrew!
Hi
My number three British bands, behind The Beatles and The Rolling Stones.
Especially the years 1966 - 1972 are so great, from Face To Face up to Everybody's In Showbiz included.
I consider Ray Davies the best "short story in a three minutes popsong" writer.
I love that it's just English, typical English.
Nice video. I bought an original copy of Kink Kontroversey many years ago from what must have been one of the most messy record shops in the UK. Mr Tees in Kidderminster. Felt more like I was rescuing it from there.
Always liked that lp.
I also really like all of the bonus tracks on the cd reissue of the first album.
Fantastic drumming on those from Bobby Graham.
Back in the late 70's I couldn't find a copy of Face to Face here in the US to save my life, it was long out of print and a real rarity.
Well done Andrew! Throw in another vote for The Small Faces.
Very well done. Love The Kinks. So hard to find original pressings of these albums too. Re-issues are good but I'd prefer the original label than what was used. Look forwards to the next Kinks video.
Is that line in the waveform some kind of copyright stamp?
I'll watch this later after work. Decent channel 👌
Looking forward to your Arthur review. To me that is their best body of work.
Superb video as usual, thank you. How about a future programme on the Small Faces please?
The Kinks were undoubtedly influenced by The Beatles , but I wonder if it was vice versa? Both Davies and McCartney seemed to be pushing boundaries of British social commentary in their songwriting with Eleanor Rigby coming out shortly before Dead End Street. But I often thought that 'Rosie Won't You Please Come Home' on Face To Face from 1966 has similar subject matter to Sgt Peppers ' She's Leaving Home' released the following year. Also 'Two Sisters' on Something Else in 1967 has a similar contemporary baroque fairytale feel to ' Cry Baby Cry' . Thanks for another great episode. Looking forward to the follow up.
Thanks Andrew, fascinating and insightful review as always. I loved the link to the Pathé documentary. I think that is the best quality in which I have ever seen the Searchers. That tape recorder must have been running at 15ips, at least. And isn't nice to see young men turning up for work in a suit and tie - very smart! Elsewhere in the documentary is some great footage of the Beatles - I think that must have been 'colourized', but still wonderful to see. Thanks again!
Thanks Roland. Glad you enjoyed it.
As a kid I inherited all my mum's records. Which was basically all the Beatles LPs up to the White LP, she told me the others were lent out and never returned. What interested me more were the singles, mostly Beatles, Cliff/Shadows and two Kinks singles. Even as a kid You really got me and All day and all of the night really stood out. Never understood why she never owned the albums. I assume she was a much bigger Beatles fan as she told me she met the Beatles a couple of times, bunking off school to go to the Cavern and had all their autographs on a leather cap.
Of COURSE they’re worth owning!! 👍👍
I'd definitely describe myself as a hard-core Kinks fan. I even saw their debut apperance on Ready Steady Go back in February '64. Who'd have ever guessed that bunch of scruffs would turn out to be one of the major British bands of the last sivty years? i haven't seen them live for a while, but did see the Kast Off Kinks with Mick Avory about three months ago (and they were pretty good.). It would have been nice if you could have mentioned the Kwyet Kinks EP, as that was a bit like their album 2 1/2, but that's just a minpr quibble.Thanks for this series, Andrrew, I'll be heading back to replay those first four LPs soon.
Great stuff as usual, Andrew. Also, I'm very happy to see Syd Barrett's "Barrett" and "Madcap Laughs" in the teaser at the end.
Thanks Errol. Glad you enjoyed it!
I have the first four of the Kinks original American Reprise stereo LPs as I bought them in the 1970s and they sound like they were recorded in a large cave. Of course, they are reprocessed, Duophonic fake stereo much like Capitol used with the early Beatles singles. Glad the great Kinks song catalogue is being celebrated. Great idea for a video and please consider delving into the Who catalogue as well.
Great video for a great band, Andrew. I'd suggest videos for The Pretty Things, The Small Faces and The Yardbirds.
Great video! Happy that you enjoy the Kinks as much as me.
Thanks Alex. Glad you enjoyed it!
Nice one Andrew. Super interesting to hear more about The Kinks - a group I haven’t explored that much myself but obviously aware of Ray Davies impact on popular music of the time. I was at Glastonbury in 2009 and Ray was in the acoustic tent - that was special to see. Regarding other British groups of the 1960’s - I see you already have Zeppelin there. For me personally, they’re right up there with The Beatles. Would love to see you explore their music, history, and vinyl : ) Those early UK red/plum labels are rather beautiful!
Thanks Andrew. I will cover those Led Zep albums in a future video.
I only listened to their hits album, which was loaded with gems, but the video comments have piqued my curiosity to belatedly dig into the vault of their albums.
The Kinks have always been one of my favorite bands besides the Beatles. To me, they were the most British in all of the British Invasion groups. They were the soundtrack to my senior year in high school by listening to the Kink Kronikles album on my walkman.
I would love to see you do a video on the Bee Gees and their 60s output.
I haven't had a chance to read all the comments. I would love to see you cover The Small Faces albums. What an underrated band.
It was hard to buy the Kinks in the US…without much press you were on yer own to study the cover and read the back for something that would pull you in to purchase it. Hype works to a degree.
I always bought them because they were “kinky” looking and figured you couldn’t go wrong🥴…my issue with the US versions were the tinniness of the audio compared to other recordings. Most all of Small Faces pressings were, to my ears, tinny. I will default to have been playing drums for a few years by then and developed a burst eardrum (which didn’t stop me after it healed)…but I loved the Kinks. From beginning to the present.
Great show…looking forward to more about them!
Thanks again Andrew!
(Maybe a mention about the Ravens?)
Thanks Brian. The Ravens will feature in a more in-depth vide about the group.