Samuel Barber - Adagio for Strings (audio + sheet music)
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- เผยแพร่เมื่อ 17 ต.ค. 2024
- "Adagio for Strings" for string ensemble, Op. 11a, by American composer Samuel Barber. (March 9, 1910 - January 23, 1981) (dedicated to his aunt and uncle, Louis and Sidney Homer -- year piece composed 1936)
Adagio for Strings is a work by Samuel Barber, arguably his most well known, arranged for string orchestra from the second movement of his String Quartet, Op. 11. Barber finished the arrangement in 1936, the same year that he wrote the quartet. It was performed for the first time in 1938, in a radio broadcast from a New York studio attended by an invited audience, conducted by Arturo Toscanini, who also took the piece on tour to Europe and South America. Its reception was generally positive, with Alexander J. Morin writing that Adagio for Strings is "full of pathos and cathartic passion" and that it "rarely leaves a dry eye." The music is the setting for Barber's 1967 choral arrangement of Agnus Dei. Adagio for Strings can be heard in many TV shows and movies.
Adagio for Strings begins softly with a B-flat played by the first violins. The lower strings come in two beats after the violins, which, as Johanna Keller from The New York Times put it, creates "an uneasy, shifting suspension as the melody begins a stepwise motion, like the hesitant climbing of stairs." NPR Music said that "with a tense melodic line and taut harmonies, the composition is considered by many to be the most popular of all 20th-century orchestral works." Many recordings of the piece have a duration of about eight minutes.
The Adagio is an example of arch form and builds on a melody that first ascends, then descends in stepwise fashion. Barber subtly manipulates the basic pulse throughout the work by constantly changing time signatures including 4/2, 5/2, 6/4, and 3/2. After four climactic chords and a long pause, the piece presents the opening theme again, and fades away on an unresolved dominant chord.
Music critic Olin Downes wrote that the piece is very simple at climaxes, but reasoned that the simple chords create significance for the piece. Downes went on to say: "That is because we have here honest music, by an honest musician, not striving for pretentious effect, not behaving as a writer would who, having a clear, short, popular word handy for his purpose, got the dictionary and fished out a long one."
(Wikipedia)
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to 480p if the video is blurry.
Performance by: Los Angeles Symphonic Orchestra (?), conducted by Leonard Bernstein
(original audio: • Samuel Barber - Adagio... )
![“อาร์ต พศุตม์” เกือบเอี่ยวทุกคดีดัง เอ๊ะไว้ก่อน ไม่มีอะไรได้มาง่ายๆ | แฉ 16 ต.ค. 67 [2/3] | GMM25](http://i.ytimg.com/vi/0Gx-0-kUBv8/mqdefault.jpg)
I had the honor to play this piece and it still brings tears to my eyes just listening to it.
concordo
I first heard it in Platoon, then went mad searching high and low for the score - I was on the verge of tears for days afterwards, so moving
For my brother, the life and times he went through are sorrowful, failed to get help so he could get better and the times together are always remembered.
As a musician I really want to play this again. As a bassist, I hope to never play this again lol
Just curious, why is that?
@@tondog54 Basses have rests for a majority of the piece, including the climax
I understand ; yet , my primary instrument is violin .
i dont have any chamber music/orchestra experience, i wonder if its possible to just sit back and enjoy the music if the rests are that long and u know when u need to play
Hey, I'm a violist. I understand what it's like.
I get the honor of playing this piece as a cellist
Bernstein and your extreme interpretive sensitivity. Wonderful!!! I can't get enough of listening.
Shivers, tears... thank you for sharing this beautiful piece...
Sure, no problem. :)
Thanks Samuel for not religating the Violas to the barking dogs of Vivaldi. Violas need love too.
Wonderful performance better style Bernstein. Emotion Full!!! Extreme inspiration!!!
I completely forgot to breathe between 6:45 & 7:07
The is one of my favorite classical music pieces and composer. But I've never heard that it can be played on a piano.
6:40 the climax 💔 🥺
A lovely post. Thank you and bless you sir!! :)
You're welcome. :)
I was wondering if you knew what ratio of the strings the original 1938 performance had? This audio sounds to me as it's been recorded many years ago and could be the original. Anyway, just curios to know the number of Violins 1, 2, etc. If anyone knows?
It's originally a string quartet. The orchestral version first aired on NBC radio conducted by Toscanini. This is not the original recording. This is: th-cam.com/video/vC8f1VknVqk/w-d-xo.html
Thank you so much
non mi capacito di come questo pezzo sia finito nella playlist delle postazioni di playerinside
me lo stavo chiedendo pure io HAHAHAHHAHAHA
The piece does not end on the Bb minor tonic. How do you interpret this?
Not a specialist. But I think it is because this is an arrangement of Barber’s op.11 string quartet, the second movement. So I suppose it has not to always resolve as the Bb tonic would return directly in the 3rd movement.
wish the audio quality was better :(
*nods*
Tellement pénétrant.
Mms 54-56 (just after the double corona==the resignation of Death. Following that, the Afterlife/Denouement. The Viola leads us there (who?) What is there for us?
Do you have this score in a paper version?!?!
How could I get the complete score this piece?
You can try searching it at en.scorser.com.
Homeworld anyone?
Anybody have tips/notes for playing this as a Violist?
I was going to ask the same
Just count
Shouldn't it be called «molto adagio for string»? lol jk
it's really TOO adagio!
If i play this then i will force myself to stop hating viola so that I'm in tune for performance
Not a professional musician, I wonder why Mr Barber chose B-flat minor, with its five flats? I am not being adversely critical; just curious.
I too am not a professional musician nor classically trained or trained at all musically for that matter, but I suspect he knew the solemn mood he wanted the piece to be played in. Some other keys would just be too bright and wouldn't suit.
@@davidkennedy4845 I don't believe key signatures have a particular mood. I simply believe that this piece is in that key simply because it needs to be.
Bflat minor? I think its a F phrygian mode and it is really interesting.
@@isidoromoreno5185
It's definitely b-flat minor and not F phrygian
It is in this key so the musicians can cry too! Our orchestra is a teaching orchestra and we are in an easier key. Still sounds lovely.
последнее проведение темы 07:44
7:09 jai paul
Here the Agnus Dei : th-cam.com/video/PCc5lrR3oh4/w-d-xo.html
Is this a remix of Tiesto - Adagio for Strings??
Tiesto sure did bastardize the work.
Choir version is much better