Straordinario come sempre! Il pollice ha una incredibile morbidezza e flessibilità e il vibrato è sempre calibrato sul suono e sulla musica. L' effetto, in brani come questo, è commovente
This video is a true masterclass, an open book. I remember studying it thoroughly couple years ago in preparation to performing Clair de Lune - taking Oistrakh's fingerings and bowings as well. Thanks for sharing it on your great channel!
Indeed, this video is a treasure as it reveals the secrets of the old school which is not taught since Oistrakh’s time. Glad you enjoy the content of the channel.
@@vladimirdyo7301 His relaxed use of vibrato is so wonderful - using other 'non-vibrating' fingers as a leverage to generate effortless vibrato. I think this is especially useful for the first finger vibrato, as the free weight and momentum of the other fingers can be used to generate motion with great success - I like the analogy of butterfly moving its wings :)
@@stewartsiu1960 in mainstream pedagogy today, the thumb moves simultaneously during position changes, while in old school the thumb operates independently assisting technical needs of the fingers. It rarely shifts simultaneously, sometimes before sometimes after the finger movement, sometimes it doesn’t move at all during shifts to neighboring positions. In Oistrakh’s case it was an instinctive move of the thumb to support whatever he wanted to do with his slides.
Thanks for pointing that out. My daughter is quite little but she’s progressed very fast. She has that thumb sometimes and some modern teachers were concern, they even try to put her on shoulder rest but she always said no 😂
Oistrakh’s edition violin part PDF download link:
vladimirdyo.gumroad.com/l/clair-de-lune
Oistrakh uses his bow and varieties of vibrato like a great masterpiece painter uses a paintbrush.... Amazing!
Straordinario come sempre! Il pollice ha una incredibile morbidezza e flessibilità e il vibrato è sempre calibrato sul suono e sulla musica. L' effetto, in brani come questo, è commovente
This video is a true masterclass, an open book. I remember studying it thoroughly couple years ago in preparation to performing Clair de Lune - taking Oistrakh's fingerings and bowings as well. Thanks for sharing it on your great channel!
Indeed, this video is a treasure as it reveals the secrets of the old school which is not taught since Oistrakh’s time. Glad you enjoy the content of the channel.
@@vladimirdyo7301 His relaxed use of vibrato is so wonderful - using other 'non-vibrating' fingers as a leverage to generate effortless vibrato. I think this is especially useful for the first finger vibrato, as the free weight and momentum of the other fingers can be used to generate motion with great success - I like the analogy of butterfly moving its wings :)
His vibrato is gold
Oistrakh always makes pieces sing...
Look at Gods left hand L.B.Kogan❤
Но,по моему,они оба ,необыкновенные покорители скрипки...вершины мастерства.
-keeps his thumb in place
А школа то,русская,лучшая в мире....
The thumb💪🤚💥
His thumb is debunking modern pedagogy
@@vladimirdyo7301 Could you explain? Also I wonder how he decides when to bend his thumb kunckle joint, like in 0:25?
@@stewartsiu1960 in mainstream pedagogy today, the thumb moves simultaneously during position changes, while in old school the thumb operates independently assisting technical needs of the fingers. It rarely shifts simultaneously, sometimes before sometimes after the finger movement, sometimes it doesn’t move at all during shifts to neighboring positions. In Oistrakh’s case it was an instinctive move of the thumb to support whatever he wanted to do with his slides.
Thanks for pointing that out. My daughter is quite little but she’s progressed very fast. She has that thumb sometimes and some modern teachers were concern, they even try to put her on shoulder rest but she always said no 😂