In all the world people ask to buy their course and there you giving your knowledge for free , i appreciate your hard work and willingness to teach, thanks you sir ..... Respect
Thank you Harshit. I’m aware a lot of people can never afford a course, or there are other reasons that make a course not possible, but TH-cam is available to most people I think. And I do hope to make some income as a creator, but from Google, not from the people who watch my videos. So if you can tell your friends that you find my channel helpful, that would be great. All the best with your drawing. 😀 I really appreciate your thanks.
I do a lot of these things when I draw trees, but you gave me more to think about (like drawing the depth of the tree by recognizing that sometimes you're drawing the other side of it, or drawing through it). Mostly I LOVE how you address the problem of "you SEE too much" which leads to "you want to draw the impossible"--maybe that's what's been keeping me back from tackling scenery. Thank you for this! :)
I have a tree playlist if you want to see some more of my approach to trees and foliage. I think how we think must come before pen on the paper, but perhaps most of all so with trees. Observe, strategise, then attack! Have fun with the trees that lie ahead. 😀
I try to paint forests very often ... I get obsessed with making every branch, leaf, cloud or sky that you can see through the canopy of other trees, sometimes multiple layers deep ... It gets tedious and i have abandoned multiple projects because of it ... I always thought i just needed to practice more, get better and faster, now i need to rethink and try a 'less is more' approach.
Oh, and one more thing, i always loved bill watersons trees, he is my inspiration for even trying them. I was very suprised to read in an interview that he was never happy with his trees either. Its so odd that dissatisfaction is such a strong motivator.
One of the most useful tricks I've discovered recently to avoid "knowing too much" about what I'm drawing; is to turn the canvas and reference image upside down. Particularly when I do portraits and difficult details such as the nose and mouth which has lots and lots of unintuitive shadows it makes it so much easier to actually see the shapes and forms rather than than the "symbol" of a nose or the "symbol" of a mouth.
Yes, this is a great exercise to convince us of the need for observation. But I think to use it as standard practice would put too much of a focus on drawing accurate lines with context. Part of how we draw a line should relate to its location in the object in the overall composition. Hmm Maybe I’ll do a video on that. 😀
After watching a bunch of your video’s I can confidently say you are the best drawing teacher here on TH-cam!! Thank you so much for taking your time and putting in a lot of effort to make these video’s for the benefit of other artists!
I've learnt more in two weeks watching your video than in the past 5 months. Being colour blind was proving very difficult to use watercolour effectively. But going to detailed sketches has proved fruitful. Now trees seem within reach
The note regarding the lighter touch as you get closer to the light direction/peak due to density was an extremely useful tip. It makes perfect sense, but as I rarely do any pen work it's something I hadn't quite pieced together for some reason for the medium. Much appreciated!
You're by far the most mature person I've ever seen in art industry. You've enlightened me, you made me realise that sometimes less details are more. We can convey messages by reducing or increasing the amount of detail. Magnificent. Please keep making content like this sir
Once, at the end of a plein-air week, one of the staff told me he liked my trees. "Thanks; what about them", I asked? He was looking at a little river scene of a bridge. He said, 'I can tell what everything is in your painting. I see oak trees and maples, and all that stuff around the river. I don't know what those plants are called, but I recognize them.' This was a totally unexpected observation for me. He'd observed that artists in the show treated trees as "foliage" without giving all that greenery the extra level of recognition. I like this video, because it addresses something very important that too many landscape artists don't pay enough attention to.
Stumbling across your video couldn't have come at a better time. I'm in the middle of painting an Australian scene with river red gums in acrylics - and the leaves have been a constant challenge, turning it into an exhausting and demotivating task. Now you have given me a way to visualise it that will help simplify it. Thank you very much for your lovely assistance.
@@stephentraversart It's good to know that your creativity was 'developed' over time with oils. This is my first landscape and I'm trying too hard to get it to look exactly like the reference photo :)
One of your videos appeared seemingly unbidden on my whatever it is on youtube, and I've been feasting on them ever since. Living in Perth I was particularly glad to hear your Australian voice in the familiar idiosyncrasies of the Sydney accent which triggered an almost melancholy nostalgia for one who'd spent her childhood and youth on the northern beaches. Having watched perhaps hundreds of videos of artists sharing their advice (in various accents not Australian) I conclude yours (advice, that is) is the most useful.
That’s great Helen. I’m always amused to have my accent referenced because of course that’s something other people have. 😆 Yes, thank you Mr Algorithm for the introduction, and I’m so glad you’ve found my approach helpful. It’s been rather a whirlwind experience for me. 😀
Excellent video. Not only do I love your drawings, but you have an exceptional ability to put into words what you draw making it so understandable for me to improve my tree drawings as I tend to get lost in the details. Will definitely employ your technique when I try to draw trees. Thanks so much!
Thanks Evelyn. I’m really glad you find my technique helpful. I have another 20 videos in a playlist on trees, foliage and branches if you’re interested in more. 😀
I hope it’s a very productive approach for you to try. And try it more than once. You may only start to really understand what I’m say as you put it into practice, so it may take a few trees to start to make a difference. Just resist the urge to go back to what you were doing earlier. 😀
I'm just getting into drawing as of two days ago. So watching this is really funny because you draw this stunning amazing tree and I think "Wow, that's so good" and then immediately afterwards it's "well, it is recognizable as a tree but it's not the best." I have so much to learn!
This channel is AMAZING. I'm a concept artist in the videogame industry, and I like sketching, but I definitely want to improve in sketching from real life and this channel is a golden mine of USEFUL information and lessons. Thank you so much for putting this content out, it's all very well explained and showcased.
I’m really glad my channel is so helpful, and quite surprised at the wide range of art areas it seems to be helpful for. All the best with your concept art, and please tell your friends. 😀
Thank you for sharing this. I haven't done any drawing at all for quite a few years, and want to start again. I'm sure this sort of tutorial will get me back into it. Clear and concise!
So true. An important point. I’ve just posted a video to celebrate my first million views on TH-cam with my considered top three tips from all the advice/ teaching that I’ve given in over 470 videos. Have a look if you’re interested. 😀
How great to hear Kitsuyomi, it’s I hope will happen with my videos. I would appreciate it if you could tell your friends about my channel. That would help me out. Have fun with your drawing. 😀
I have use a fountain pen as a medium of communication since always. Your videos had help me add a new dimension of expressiveness using this tool, thanks Steve
I would be thrilled to be able to draw the first tree you drew. I thought it looked great! Of course the second one was fantastic. I not sure everyone can learn to draw in NEGATIVE. I CAN ONLY DRAW WHAT I SEE. I DONT THINK I CAN DRAW NEGATIVE SPACE AS YOU DO. IT IS LIKE SCULPTING. YOU DONT Sculpt what YOU SEE but sculpt away the negative material to cause the positive material to appear. I don’t think my brain works like that. I think it’s a certain part of the brain that some have. I think you are phenomenal. I’m 76 and I’ve never been able to draw a straight line but decided to take up sketching as a hobby. I’ve been watching lots of artists and I’m drawing millions of circles, ovals, square boxes and ellipses I don’t expect much to come out of it but just the enjoyment I get when I see the slightest bit of improvement in my sketches. Thank you so much for your generosity in sharing your gift with the rest of us
Thank you for all your drawing videos. It's refreshing to have a skilled artist break down their creative process in such a practical and approachable manner. Your comment about starting to draw before really observing our subject really rang true for me.
Phenomenal. The way you explain & demonstrate art actually makes it look approachable. If there's one small suggestion, It would've been nice to see the outline sketch (the "clumps" of the canopy represented as bubbles) side-by-side with the final product, just to further convey how one leads to the other. It's easy to screen-cap them for comparison, so it's by no means a big deal, but quickly comparing them in the video might've been helpful for those who wouldn't think to go the extra step.
My, oh, my! I just discovered your channel and I feel like I stumbled upon a gold mine! You just changed my drawing life today, sir! Thank you so much for you amazing videos and amazing way of explaining! Greetings from Colombia!
This is a very good lesson. There seems to be another problem with the way the trunk is drawn. The trunk appears to be thicker at the point where the branches converge. A trunk never increases in diameter greater than the trunk below.
Thanks. Generally, no. In Australia we have lots of trees where because of bushfire damage the lower down growth no longer goes around the whole tree, even where the centre core of dead wood has burnt away, but where higher up the living tissues rejoin around the whole circumference. This can create the effect of the trunk of looking narrower lower down. But this tree was in Vienna. I’m not sure I think my trunk thickens at the branch join, but clearly my focus was on the foliage. It’s not a very well drawn lower half. 😀
Thank you so much!!!! I really needed those advice to draw trees! Most of the people make videos like "copy my drawing", "learn to draw trees step by step", etc. does not make me understand ;-; I'm happy that I found out this video! ❤ Again, thank you so much❤ (To be honest, I used to draw trees exactly like the 1st one in this video, lol💀)
Thanks Mauro, that’s great to hear. I really want to be practical. I teach mostly from my own experience. Please help me, and tell your friends about my channel. All the best. 😀
This was terrific. Thank you for your time and excellent explanations. I will go out today and draw some trees which I've been struggling with --i.e., too much detail!
This actually helped me in a way not even mentioned in the video---- draw the leaves first! I've tried numerous methods of drawing trees. I can draw the leaves fairly fine, but I can never make the canopy look right. And it's because I'm trying to draw the trunk first, and then think about how the branches all connect into all the different clumps of leaves. It's not necessarily that I'm drawing the trunk first that's the problem, it's that I'm trying to connect the branches into imaginary leaves that I must try to draw after the fact. I might continue to block out the trunk first, but I'm definitely going to be attempting to get the leaves figured out before I do the finer details and branches. I imagine it would be fun to draw a tree without a reference, and let the shape be dictated by how the weight of the trunk/branches would react to where I've placed clumps of leaves. Very excited to try this out.
Gosh, I fundamentally draw trees from the canopy first so much it didn’t even strike me as a technique. Yes, a big problem with trees is the trunk and branches looking too thick for the amount of canopy. Drawing them second makes this much less likely to happen. Excellent point. 😀
This is a good lesson for many things, we first learn to draw by using lines, and I think that's a mistake, it's light that we see. Cameras don't caputure lines.
Hi Stephen thanks so much for this video. I love, drawing trees but find they can turn out flat without being able to catch their essence. I try to draw too many leaves. I'm going to try and see them differently. I believe if we see and spend time looking we can see so much more. 😊Thanks so much for your informative videos.
I love that you love it Ben! Great to hear. Hope it really energises your tree drawing. I’ve just posted a video to celebrate my first million views on TH-cam with my considered top three tips from all the advice/ teaching that I’ve given in over 470 videos. Have a look if you’re interested. 😀
This video is extremely helpful in learning how to SEE, as trees can be intimidating because of all the detail. I am grateful for your videos because the books I have gotten leave out details. Anyway thank you for the best tutorials I have found so far. I always try to figure out how the branches relate to the clumps, and sometimes you cannot see what is going on underneath. I see you drawing from one clump of the tree rather that lightly sketching out the whole thing in pencil first? If I did that it might end up going off the page. I will have to draw a few trees with circles first to really begin to see all the clumps and learn to simplify a bit so the sketch doesnʼt appear too labored and has a nice composition. Takes lots of practice.
On the second drawing, draw the clumps smaller and closer. If they’re still going off the page, on the third try, draw them still smaller and closer. And so in. At some point they will be perfectly sized and you can move onto the next thing you are focussing on. This is how we learn. That includes me. You can do it Jan. All the best with your drawing. 😀
Thanks, great vid. My low self esteem prevents me from being creative. I can't find a reason to do anything anymore. Why bother when others are already way better than I am. What could I possibly achieve when there are others way better out there. I wish I could get rid of these feelings but I just can't.
It’s fascinating I recently started to paint with oil and with oil you actually think I can’t draw all the details I only want the light and shadows and when drawing with pen I want to draw all details which is impossible, starting to paint helped me a lot to understand how to draw with a pen. Actually I think you shouldn’t wait to long until starting to paint, I see some people saying learn draw first then paint I don’t think this is true.
I painted in oils for ten years before I started drawing and I’m sure it helped my drawing immensely as it taught me to draw the effect of the detail. rather than the actual detail. 😀
I found your channel today and my god I never subscribed so fast. I swear you every video I watch is the thing I needed and I mean EVERYONE... I can never thank you enough. Keep up the awesome work.
That’s so great Yassine. I’m glad it’s so helpful for you. If you could share your enthusiasm for my channel with your friends, I’d really appreciate it. All the best with your drawing. 😀
Lovely thanks. The idea that some bits if the tree are further away is really helpful! I could use some further comment on the nature of the marks you used and the thought behind how you vary them. It's deft for you, but not working out when I try it. Looks to be squiggles which are longer on the outside silhouettes. None of them seemed to closed loops that indicate single leaves. With a tree closer to the viewer would you indicate individual leaves?
Hi, Stephen nice to see your tutorial about how to avoid mistakes about tree drawing. Your explanation is a key to many people who don’t know how to handle the leaves when drawing a tree. I am one of them,😂. Having watched this video , i am convinced that with the correct method , the job can be done easily. One question , when you hatch the dark area , you use vertical lines but you did not hatch it heavily to create the deep black colour like the photo, right ? Thanks !
Yes, all good points. That tree look heavier than the bldgs. I know it happens but the trunk leaning to the left bothers me. Looks better to have a strong vertical line of the trunk. My 2 cents.
@@stephentraversart Great and Thanks. You've lightened the tree, gave it the proper "weight", so to speak. GREAT work. Then left it looking like the Leaning Tower of Treesa. I can already tell you what the authorities are gonna say. (wink)
I just discovered your channel and I'm already freaking excited to dive into your other videos also 😮😊 I'm strugglin with making plain and boring trees (my medium is watercolor), but this may help me get them more interesting! 😊
I've watched several of your videos about drawing trees and I think this one gets the closest to really making me understand WHY it's hard to draw trees. It's interesting to think about and I was trying to come up with an analogy...(former English teachers like analogies, right?) and I thought maybe it's like if I tried to draw you (or any person) by drawing every hair follicle on your head and your neck and your arms, etc. Or leaves are like cells in a body and you don't wanna draw every cell, you don't even want to think about cells! Right? What do you think? Thanks for another great video!
Very helpful Stephen. Thanks. I will say this: when I try to map what you are drawing, in a particular instance, to what is in the model, I cannot. Any comment on this?
Drawing is in my opinion often as much about "unseeing" what we "know" about the subject/motif as it is about seeing it "in situ". Because our knowledge and preconceptions influence and often"contaminate"(unduly influence) our conception of what we are actually trying to illustrate. Case in point we know the trees have leaves, but by letting that"knowledge containinate" our conception of the illustration it"comes out" looking disproportionate and"busy" Best regards
Yes, at times we are really seeing our memories of an object in different circumstances rather than what’s in front of us. It’s an important point in understanding observation. Thanks 😀
I liked drawing like a kid because it was one of things without rules. You can draw what you want, how you want it and use any color. When drawing have rules, it is not fun anymore. Drawing according manual is like some annoying work you need to do.
Sure, instead of creating a tonal effect using hatching, use colour of varying darkness. I’ve just posted a video to celebrate my first million views on TH-cam with my considered top three tips from all the advice/ teaching that I’ve given in over 470 videos. Have a look if you’re interested. 😀
The fact that you done the inefficient way of drawing a tree for the sake of example and explanation amazes me. *As a person who has an extremely hard time drawing trees and, if in your shoes, would be skipping to my idea of an effective way.
Hi Rajaa, glad the videos are helpful. Did you have a general question? I’m afraid I can’t start critiquing your drawings as I get asked so much to do this it’s just not possible for me any more. 😀
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In all the world people ask to buy their course and there you giving your knowledge for free , i appreciate your hard work and willingness to teach, thanks you sir ..... Respect
Thank you Harshit. I’m aware a lot of people can never afford a course, or there are other reasons that make a course not possible, but TH-cam is available to most people I think. And I do hope to make some income as a creator, but from Google, not from the people who watch my videos. So if you can tell your friends that you find my channel helpful, that would be great. All the best with your drawing. 😀 I really appreciate your thanks.
Couldn’t agree more!!! Really appreciated!!
I am too happy to be apart of your teaching thank you for quenching my thirst to draw
This channel is taking all my students! He must be a racist!
Thank you for teaching
❤
I do a lot of these things when I draw trees, but you gave me more to think about (like drawing the depth of the tree by recognizing that sometimes you're drawing the other side of it, or drawing through it). Mostly I LOVE how you address the problem of "you SEE too much" which leads to "you want to draw the impossible"--maybe that's what's been keeping me back from tackling scenery. Thank you for this! :)
I have a tree playlist if you want to see some more of my approach to trees and foliage. I think how we think must come before pen on the paper, but perhaps most of all so with trees. Observe, strategise, then attack! Have fun with the trees that lie ahead. 😀
I try to paint forests very often ... I get obsessed with making every branch, leaf, cloud or sky that you can see through the canopy of other trees, sometimes multiple layers deep ... It gets tedious and i have abandoned multiple projects because of it ... I always thought i just needed to practice more, get better and faster, now i need to rethink and try a 'less is more' approach.
Oh, and one more thing, i always loved bill watersons trees, he is my inspiration for even trying them. I was very suprised to read in an interview that he was never happy with his trees either. Its so odd that dissatisfaction is such a strong motivator.
Hands down the best guide on drawing trees I've watched or read.
Thank you
Thanks. Very generous of you to say. 😀
One of the most useful tricks I've discovered recently to avoid "knowing too much" about what I'm drawing; is to turn the canvas and reference image upside down. Particularly when I do portraits and difficult details such as the nose and mouth which has lots and lots of unintuitive shadows it makes it so much easier to actually see the shapes and forms rather than than the "symbol" of a nose or the "symbol" of a mouth.
Though, I'm a little worried that soon I'll become so used to see faces upside down that this trick stops working...
Yes, this is a great exercise to convince us of the need for observation. But I think to use it as standard practice would put too much of a focus on drawing accurate lines with context. Part of how we draw a line should relate to its location in the object in the overall composition. Hmm Maybe I’ll do a video on that. 😀
Can't see the tree for the leaves! Sort of like the phrase: can't see the forest for the trees.
After watching a bunch of your video’s I can confidently say you are the best drawing teacher here on TH-cam!! Thank you so much for taking your time and putting in a lot of effort to make these video’s for the benefit of other artists!
Wow. Not sure a comment can get any better than this. Thanks Nikki. I hope your drawing is benefiting from my efforts. 😀
@@stephentraversart my drawing has definitely benefited from your content, I learned so much from your video’s!! 😄
@@stephentraversart - ⛳️Totally agree with Nikki.. you are the best. I plan to see more of your videos. You must take online workshops. 🙏🏻
Thank you Nikki. So many possibilities, so little energy☹️
@@stephentraversart Resting is also very important, please don’t forget about yourself Stephen! Take care ☺️!
You continue to amaze me. It is so helpful to see through your eyes and words. Thank you for making these videos and sharing your work.
Such a generous comment to make. Appreciate that Coco so much. Thanks. 😀
Actually by far the best explanation of easy interpretation of drawing trees. Also great to have for making and sharing the works
That’s great to hear Sasi. Please tell your friends who draw about it. 😀
i only draw trees, and have always resented the “leaves stage.” thanks for offering me a new perspective :) i will try it out next time i draw
That’s great. I have over 20 videos on trees etc in a playlist if you’re interested in more ideas about drawing them. 😀
@@stephentraversart ive since noticed! haha, making my way through them. have a nice day
Thank you. Drawing a tree and moving hand fingers was my hardest thing to draw and it took me many unsuccessful tries so that I gave up.
I’m glad this was helpful for trees. I’m afraid I’m no good for fingers!😩
I've learnt more in two weeks watching your video than in the past 5 months. Being colour blind was proving very difficult to use watercolour effectively. But going to detailed sketches has proved fruitful. Now trees seem within reach
This is awesome 👍🏻
That’s so great to hear. Thanks for telling me. All the best with your trees. I have a trees playlist if your interested. 😀
I'm impressed you actually drew out all those leaves for the initial demo!!!! Didn't you go nuts?!? How TEDIOUS! 😂 Thanks for the info.
Trees are a bit of a commitment - even to draw badly, so we might as well spend our time drawing them well!😆
3:52 you nailed it. This is so true! Sometimes knowledge drags us down.
The problem I guess is knowing how to respond to our knowledge. Glad the video was helpful 😀
@@stephentraversart that's an even greater insight! haha thanks!
The note regarding the lighter touch as you get closer to the light direction/peak due to density was an extremely useful tip. It makes perfect sense, but as I rarely do any pen work it's something I hadn't quite pieced together for some reason for the medium. Much appreciated!
Glad it was helpful for you Jared. Fortunately I just like looking at trees!😀
You're by far the most mature person I've ever seen in art industry. You've enlightened me, you made me realise that sometimes less details are more. We can convey messages by reducing or increasing the amount of detail. Magnificent. Please keep making content like this sir
How generous of you to write. I really appreciate it and hope you continue to benefit from my videos. 😀
Once, at the end of a plein-air week, one of the staff told me he liked my trees. "Thanks; what about them", I asked? He was looking at a little river scene of a bridge. He said, 'I can tell what everything is in your painting. I see oak trees and maples, and all that stuff around the river. I don't know what those plants are called, but I recognize them.' This was a totally unexpected observation for me. He'd observed that artists in the show treated trees as "foliage" without giving all that greenery the extra level of recognition.
I like this video, because it addresses something very important that too many landscape artists don't pay enough attention to.
That’s certainly what we all would love to hear about our tree drawings. Congratulations Dave 😀
Stumbling across your video couldn't have come at a better time. I'm in the middle of painting an Australian scene with river red gums in acrylics - and the leaves have been a constant challenge, turning it into an exhausting and demotivating task. Now you have given me a way to visualise it that will help simplify it. Thank you very much for your lovely assistance.
I actually developed my tree drawing technique from painting tree canopies in oils for ten years earlier. 😀
@@stephentraversart It's good to know that your creativity was 'developed' over time with oils. This is my first landscape and I'm trying too hard to get it to look exactly like the reference photo :)
One of your videos appeared seemingly unbidden on my whatever it is on youtube, and I've been feasting on them ever since. Living in Perth I was particularly glad to hear your Australian voice in the familiar idiosyncrasies of the Sydney accent which triggered an almost melancholy nostalgia for one who'd spent her childhood and youth on the northern beaches. Having watched perhaps hundreds of videos of artists sharing their advice (in various accents not Australian) I conclude yours (advice, that is) is the most useful.
That’s great Helen. I’m always amused to have my accent referenced because of course that’s something other people have. 😆 Yes, thank you Mr Algorithm for the introduction, and I’m so glad you’ve found my approach helpful. It’s been rather a whirlwind experience for me. 😀
@@stephentraversart If that's the case let's hope you don't stop spinning.
Very easy to understand how draw.
I loose a lot of steel wool and I get vivid trees.
I really appreciate you.
I’m glad my videos are so helpful to your drawing. 😀
Excellent video. Not only do I love your drawings, but you have an exceptional ability to put into words what you draw making it so understandable for me to improve my tree drawings as I tend to get lost in the details. Will definitely employ your technique when I try to draw trees. Thanks so much!
Thanks Evelyn. I’m really glad you find my technique helpful. I have another 20 videos in a playlist on trees, foliage and branches if you’re interested in more. 😀
This video is a huge help for me. I have struggled with clumpy, flat-looking trees; I look forward to trying this method later today. Cheers!
I hope it’s a very productive approach for you to try. And try it more than once. You may only start to really understand what I’m say as you put it into practice, so it may take a few trees to start to make a difference. Just resist the urge to go back to what you were doing earlier. 😀
I'm just getting into drawing as of two days ago. So watching this is really funny because you draw this stunning amazing tree and I think "Wow, that's so good" and then immediately afterwards it's "well, it is recognizable as a tree but it's not the best."
I have so much to learn!
Haha. Sounds like you’re well on the way on this great journey. Glad you found my channel James. All the best with your drawing 😀
This channel is AMAZING. I'm a concept artist in the videogame industry, and I like sketching, but I definitely want to improve in sketching from real life and this channel is a golden mine of USEFUL information and lessons. Thank you so much for putting this content out, it's all very well explained and showcased.
I’m really glad my channel is so helpful, and quite surprised at the wide range of art areas it seems to be helpful for. All the best with your concept art, and please tell your friends. 😀
@@stephentraversart I definitely will :)
Thank you for sharing this. I haven't done any drawing at all for quite a few years, and want to start again. I'm sure this sort of tutorial will get me back into it. Clear and concise!
Sounds great. All the best with diving back in. 😀
Thank you for the encouragement! 🇦🇺
It is quite motivating and I love you teaching us how to “see” differently. That has always been my biggest challenge. Thank you for your lessons
We underestimate so much the importance of first observing. Sounds like you’re on a good track with this. All the best with your drawing. 😀
This is the most helpful tree drawing lesson I have ever seen. Thank you
That’s great to hear Kevin. I have a tree playlist if you want to see more from me on this topic. All the best drawing them. 😀
Terrific lesson., Thank you !
One never stops learning ... In this case, how to view things by first deleting preconceptions.
So true. An important point. I’ve just posted a video to celebrate my first million views on TH-cam with my considered top three tips from all the advice/ teaching that I’ve given in over 470 videos. Have a look if you’re interested. 😀
You're teaching me a whole new world of art that I've been looking for for so long- thank you for introducing me to this line of thinking :)
How great to hear Kitsuyomi, it’s I hope will happen with my videos. I would appreciate it if you could tell your friends about my channel. That would help me out. Have fun with your drawing. 😀
I have use a fountain pen as a medium of communication since always. Your videos had help me add a new dimension of expressiveness using this tool, thanks Steve
Excellent to hear Mario. Thanks
I would be thrilled to be able to draw the first tree you drew. I thought it looked great! Of course the second one was fantastic. I not sure everyone can learn to draw in NEGATIVE. I CAN ONLY DRAW WHAT I SEE. I DONT THINK I CAN DRAW NEGATIVE SPACE AS YOU DO. IT IS LIKE SCULPTING. YOU DONT Sculpt what YOU SEE but sculpt away the negative material to cause the positive material to appear. I don’t think my brain works like that. I think it’s a certain part of the brain that some have. I think you are phenomenal. I’m 76 and I’ve never been able to draw a straight line but decided to take up sketching as a hobby. I’ve been watching lots of artists and I’m drawing millions of circles, ovals, square boxes and ellipses I don’t expect much to come out of it but just the enjoyment I get when I see the slightest bit of improvement in my sketches. Thank you so much for your generosity in sharing your gift with the rest of us
Glad to be of help. Keep exploring whatever processes seem to be working for you Joann. 😀
Thank you for all your drawing videos. It's refreshing to have a skilled artist break down their creative process in such a practical and approachable manner. Your comment about starting to draw before really observing our subject really rang true for me.
My pleasure 😊
Phenomenal. The way you explain & demonstrate art actually makes it look approachable. If there's one small suggestion, It would've been nice to see the outline sketch (the "clumps" of the canopy represented as bubbles) side-by-side with the final product, just to further convey how one leads to the other. It's easy to screen-cap them for comparison, so it's by no means a big deal, but quickly comparing them in the video might've been helpful for those who wouldn't think to go the extra step.
Thanks. It would have been easy just to place them side by side. It didn’t occur to me I’m afraid. Appreciate the suggestion. 😀
My, oh, my! I just discovered your channel and I feel like I stumbled upon a gold mine! You just changed my drawing life today, sir! Thank you so much for you amazing videos and amazing way of explaining! Greetings from Colombia!
Such a generous comment, Julian, has put a huge smile inside me. All the best with your drawing 😀
Really excellent lesson… thank you.. i’ll now observe differently when i draw a tree (shapes & shadows).
Sounds like you’ve taken it all in Barbara. All the best with your drawing. 😀
This is a very good lesson. There seems to be another problem with the way the trunk is drawn. The trunk appears to be thicker at the point where the branches converge. A trunk never increases in diameter greater than the trunk below.
Thanks. Generally, no. In Australia we have lots of trees where because of bushfire damage the lower down growth no longer goes around the whole tree, even where the centre core of dead wood has burnt away, but where higher up the living tissues rejoin around the whole circumference. This can create the effect of the trunk of looking narrower lower down. But this tree was in Vienna. I’m not sure I think my trunk thickens at the branch join, but clearly my focus was on the foliage. It’s not a very well drawn lower half. 😀
I actually quite like the abstract look of the pebble tree drawing. Great video, has helped me a good bit. Thanks 😊 👍
Yes. I can imagine them as polished Jade of various deep green shades. 😀
Thank you for this video. I am going to give your technique a try, right after I watch the video on shadow and shade!
Sounds great Donna. Hope it works well for you. 😀
Thank you for this great tutorial. 😊 At 75yrs I'm just starting to understand that maybe..just maybe..I may learn how to draw.
And why not? You’ll get advanced standing Helen, for life experience. 😀. Have a fun time with it.
Thank you so much!!!! I really needed those advice to draw trees! Most of the people make videos like "copy my drawing", "learn to draw trees step by step", etc. does not make me understand ;-;
I'm happy that I found out this video! ❤
Again, thank you so much❤
(To be honest, I used to draw trees exactly like the 1st one in this video, lol💀)
Haha. I’m so glad you found my channel. I have a playlist on drawing trees which looks at every aspect you could imagine. Hope you check it out. 😀
@@stephentraversart Yoooo fr???? 👀
Then I'll definitely check it out! :>
I’ve recently started to follow your channel ans I wanted to thank you for the profusion of practical, but not only, tips and suggestions. Thanks!
Thanks Mauro, that’s great to hear. I really want to be practical. I teach mostly from my own experience. Please help me, and tell your friends about my channel. All the best. 😀
Fascinating tutorial! Thank you for sharing this with the world!!
Thanks. I appreciate that. 😀
Wow! What a mind blowing technique 🎉. Fascinating process! Thanks for sharing your experience with an easy to follow “recipe”.
Glad it’s given a framework for drawing trees. But careful observation is still the foundation. Have fun with your drawing. 😀
This was terrific. Thank you for your time and excellent explanations. I will go out today and draw some trees which I've been struggling with --i.e., too much detail!
Great I could help. Have fun with them now. 😀
Wow! Who knew? So interesting to draw shadows instead of leaves. Thank you so much from Canada.
It’s worked well for me in Australia with gum trees. I assume it’ll work just as well with maples! 😀
This actually helped me in a way not even mentioned in the video---- draw the leaves first!
I've tried numerous methods of drawing trees. I can draw the leaves fairly fine, but I can never make the canopy look right.
And it's because I'm trying to draw the trunk first, and then think about how the branches all connect into all the different clumps of leaves.
It's not necessarily that I'm drawing the trunk first that's the problem, it's that I'm trying to connect the branches into imaginary leaves that I must try to draw after the fact.
I might continue to block out the trunk first, but I'm definitely going to be attempting to get the leaves figured out before I do the finer details and branches.
I imagine it would be fun to draw a tree without a reference, and let the shape be dictated by how the weight of the trunk/branches would react to where I've placed clumps of leaves. Very excited to try this out.
Gosh, I fundamentally draw trees from the canopy first so much it didn’t even strike me as a technique. Yes, a big problem with trees is the trunk and branches looking too thick for the amount of canopy. Drawing them second makes this much less likely to happen. Excellent point. 😀
Just found your channel and you are such a beam of sunshine! Great information, thank you so much!
Welcome aboard Danielle. I hope there are many more benefits ahead of you from my videos . 😀
This is a good lesson for many things, we first learn to draw by using lines, and I think that's a mistake, it's light that we see. Cameras don't caputure lines.
Good way of putting it. Thanks for sharing 😀
Thanks for this tutorial that has uplifted my skills!❤
Exactly what I was hoping for Kathy. Thanks for telling me. 😀
Wow, using this method in digital art would be very effective, it's so good, thank you very much!!
I wouldn’t know myself, but I believe you. Have fun exploring it. 😀
Hi Stephen thanks so much for this video. I love, drawing trees but find they can turn out flat without being able to catch their essence. I try to draw too many leaves. I'm going to try and see them differently. I believe if we see and spend time looking we can see so much more. 😊Thanks so much for your informative videos.
It’s great to hear my videos are being helpful for you Pauline, observation is so important. Have fun with 3D trees!😀
This is one of those youtube tidbits that others have probably heard only while sitting in a college lecture hall; love love love it
I love that you love it Ben! Great to hear. Hope it really energises your tree drawing. I’ve just posted a video to celebrate my first million views on TH-cam with my considered top three tips from all the advice/ teaching that I’ve given in over 470 videos. Have a look if you’re interested. 😀
Excellent tutorial. New way of thinking when drawing trees. Thank you very much.
Great to hear it was helpful Janaki. Thanks. 😀
This video is extremely helpful in learning how to SEE, as trees can be intimidating because of all the detail. I am grateful for your videos because the books I have gotten leave out details. Anyway thank you for the best tutorials I have found so far. I always try to figure out how the branches relate to the clumps, and sometimes you cannot see what is going on underneath. I see you drawing from one clump of the tree rather that lightly sketching out the whole thing in pencil first? If I did that it might end up going off the page. I will have to draw a few trees with circles first to really begin to see all the clumps and learn to simplify a bit so the sketch doesnʼt appear too labored and has a nice composition. Takes lots of practice.
On the second drawing, draw the clumps smaller and closer. If they’re still going off the page, on the third try, draw them still smaller and closer. And so in. At some point they will be perfectly sized and you can move onto the next thing you are focussing on. This is how we learn. That includes me. You can do it Jan. All the best with your drawing. 😀
@@stephentraversart Thank you... yes each time it looks better and better. And I need to work on a convincing squiggle that suggests leaves.
Great tutorials, your skills are amazing. Shapes of masses over conceptualization! 🙏🏻
Thanks. That’s very kind of you to say 😀
Thanks for the algorithm taking me here. I learnt a lot, it was really well explained and I wouldn't mind having a go at drawing a tree
I’m glad as well and that you found it helpful. Why not have a go at drawing the same tree?😀
@Stephen Travers Art thats a good idea. I'll have a look at the source image.
Thanks, great vid. My low self esteem prevents me from being creative. I can't find a reason to do anything anymore. Why bother when others are already way better than I am. What could I possibly achieve when there are others way better out there. I wish I could get rid of these feelings but I just can't.
We can’t help our feelings, but I can only encourage you to make choices not based on them, but on what you want to be doing. 😀
Thanks for the video. I felt like I was watching "BOB ROSS"..... (That's an enormous compliment)
Please continue to make them.
Thanks for such a kind compliment. Hope your drawing is bringing you joy. 😀
It’s fascinating I recently started to paint with oil and with oil you actually think I can’t draw all the details I only want the light and shadows and when drawing with pen I want to draw all details which is impossible, starting to paint helped me a lot to understand how to draw with a pen. Actually I think you shouldn’t wait to long until starting to paint, I see some people saying learn draw first then paint I don’t think this is true.
I painted in oils for ten years before I started drawing and I’m sure it helped my drawing immensely as it taught me to draw the effect of the detail. rather than the actual detail. 😀
I found your channel today and my god I never subscribed so fast. I swear you every video I watch is the thing I needed and I mean EVERYONE... I can never thank you enough. Keep up the awesome work.
That’s so great Yassine. I’m glad it’s so helpful for you. If you could share your enthusiasm for my channel with your friends, I’d really appreciate it. All the best with your drawing. 😀
Best Tree Tutorial for making it more 3 Dimensional.
Thank you. That’s encouraging to hear. 😀
Lovely thanks. The idea that some bits if the tree are further away is really helpful! I could use some further comment on the nature of the marks you used and the thought behind how you vary them. It's deft for you, but not working out when I try it. Looks to be squiggles which are longer on the outside silhouettes. None of them seemed to closed loops that indicate single leaves. With a tree closer to the viewer would you indicate individual leaves?
Hi, Stephen nice to see your tutorial about how to avoid mistakes about tree drawing. Your explanation is a key to many people who don’t know how to handle the leaves when drawing a tree. I am one of them,😂. Having watched this video , i am convinced that with the correct method , the job can be done easily. One question , when you hatch the dark area , you use vertical lines but you did not hatch it heavily to create the deep black colour like the photo, right ? Thanks !
How much we hatch just depends on the effect we want to correct. It’s whatever we choose. 😀
Wonderful lesson,thank you for sharing. ❤️👏🏻👏🏻👏🏻👏🏻
Hope it was helpful for your drawing Cathy. All the best with it. 😀
Many thanks Stephen. This is a great lesson.
Thanks Julia. That’s encouraging to hear. 😀
wow, this is special, what an incredible difference. THANK YOU
Glad it’s been helpful for you Sonia. 😀
It was amazing master, thanks for sharing your experience with us, I learned a lot, greetings from Bogotá Colombia
My pleasure Jorge. I hope trees are even more fun for you to draw now. 😀
Thank you very much Stephen, this has been very informative for me.
Thanks Jerome. I hope you put it into practice. 😀
Yes, all good points. That tree look heavier than the bldgs. I know it happens but the trunk leaning to the left bothers me. Looks better to have a strong vertical line of the trunk. My 2 cents.
Thanks. I’ve passed on your tree trunk preferences to the appropriate authorities. I expect it will be changed forthwith!😆
@@stephentraversart Great and Thanks.
You've lightened the tree, gave it the proper "weight", so to speak. GREAT work. Then left it looking like the Leaning Tower of Treesa. I can already tell you what the authorities are gonna say. (wink)
No it’s more natural and it brings the eye back inward towards the drawing.
Beautifully done video. Thank you so much for this.
I appreciate your telling me. Thanks 😀
Really good. Trees are tricky. I'm going to try this today.
I have a drawing trees playlist if you want some more teaching and practice. All the best. 😀
I just discovered your channel and I'm already freaking excited to dive into your other videos also 😮😊 I'm strugglin with making plain and boring trees (my medium is watercolor), but this may help me get them more interesting! 😊
I started painting tree canopies in oils for ten years before drawing architecture. Everything overlaps. Hope you have fun with it Ida 😀
Extremely helpful video!! Thank you! ❤
Glad it was helpful Pat😀
Thank you so much for your videos Stephen, they are really helpful!
Thanks Alice. It’s great to hear and kind of you you tell me. Please tell your friends if they’re helpful. 😀
I've watched several of your videos about drawing trees and I think this one gets the closest to really making me understand WHY it's hard to draw trees. It's interesting to think about and I was trying to come up with an analogy...(former English teachers like analogies, right?) and I thought maybe it's like if I tried to draw you (or any person) by drawing every hair follicle on your head and your neck and your arms, etc. Or leaves are like cells in a body and you don't wanna draw every cell, you don't even want to think about cells! Right? What do you think? Thanks for another great video!
It sounds like you’ve got it worked out. All the best putting it into practice in your drawings Carrie. 😀
Excellent instruction!
Thanks Dana. Appreciate that. 😀
Thankyou for sharing this technique 🌟
I hope it’s a lot of use for you. Have fun exploring it. 😀
Oh my goodness this channel is golden. This is such a helpful video, truly appreciate your work sir.
Thanks for saying so Gareth, I really appreciate it. 😀
@@stephentraversart it's because of your videos that I feel I can be able to get back into traditional pencil/pen art.
Very helpful Stephen. Thanks. I will say this: when I try to map what you are drawing, in a particular instance, to what is in the model, I cannot. Any comment on this?
I’m afraid Andy I don’t quite understand what you mean by map the model. Could you explain it another way?
Drawing is in my opinion often as much about "unseeing" what we "know" about the subject/motif as it is about seeing it "in situ". Because our knowledge and preconceptions influence and often"contaminate"(unduly influence) our conception of what we are actually trying to illustrate. Case in point we know the trees have leaves, but by letting that"knowledge containinate" our conception of the illustration it"comes out" looking disproportionate and"busy"
Best regards
Yes, at times we are really seeing our memories of an object in different circumstances rather than what’s in front of us. It’s an important point in understanding observation. Thanks 😀
Thank you Stephen you help me a lot ! I will follow you from now on to learn more. 👴
Welcome aboard my channel Juan. I have a tree playlist if you’re interested more in trees in particular. All the best with your drawing. 😀
Obrigada, aprendi muito! Thank you, it’s really helpfull!!
Great to hear. Thanks. 😀
excellent. Helps tremendously.. thankyou
Great to hear this. All the best with your drawing. 😀
Awesome tutorial. Perfect in line with Alphonso Dunn tutorials.
A great compliment. Thank you Spruce. Please tell your artist friends. 😀
I liked drawing like a kid because it was one of things without rules. You can draw what you want, how you want it and use any color.
When drawing have rules, it is not fun anymore.
Drawing according manual is like some annoying work you need to do.
We all get still get to draw any way we want Antonín. Always your choice. 😀
Thank you for the video :) I definitely have to work on my trees and stop drawing every... single... leaf :D
Sounds like you’ve taken in my reasoning pretty well! Enjoy trees. 😀
Excellent tip. Thanks, mate!😊
My pleasure. I have a Drawing Trees playlist if your Interested in more thought on foliage and branches. 😀
Very well demonstrated!
Thanks Michael. 😀
THanks you man i had been strugling with tress in my sketches ur vidio may help me so thank you
Really glad it was helpful Angad. Keep drawing!😀
Breeding your own competition ? Very clever !
😆
Oh this is soooooo good! Thank you for telling how to do this❤
Glad it was helpful Vicky. Have fun drawing trees now. 😀
very enlightening - thanks Stephen
My pleasure. Happy tree drawing. 😀
can you make a video on clouds? i think clouds are one of the most beautiful things that you could see everyday especially the big ones
I’ve only really drawn them, using marker, once, so I’m not sure I’m overly qualified. But maybe in the future. 😀
Thank You Stephen, a Aha moment for me with my attempts at trees. Looking forward to test your method.
Wonderful! A have a trees playlist if you want to see more. 😀
This was absolutely wonderful ❤❤❤
Great to hear Lucy. 😀
Super helpful. Thanks! ❤
Thanks for a great tutorial
My pleasure Ezme😀
thank you for showing us! I can't find a way tp sae the video tho, so I can come back and watch again - Any tips?
I thought my videos are always available on my channel. And that you can save any TH-cam video with a bookmark onto your own reference list. 😀
I have a playlist on my tree videos, and this is on that one as well. 😀
@@stephentraversart thank you :) for the speedy response! It's showing up now, so I don't need to panic lol
Any thoughts on using this technique for pencil and watercolor?
Sure, instead of creating a tonal effect using hatching, use colour of varying darkness. I’ve just posted a video to celebrate my first million views on TH-cam with my considered top three tips from all the advice/ teaching that I’ve given in over 470 videos. Have a look if you’re interested. 😀
Thanks for sharing!
The fact that you done the inefficient way of drawing a tree for the sake of example and explanation amazes me.
*As a person who has an extremely hard time drawing trees and, if in your shoes, would be skipping to my idea of an effective way.
I suppose I wanted people who have drawn trees the first way to really understand the problem with it - and contrast is a good teaching method. 😀
Thank you very much for sharing , I'm struggling with a drawing and wonder if you could help me if you have time please.
Hi Rajaa, glad the videos are helpful. Did you have a general question? I’m afraid I can’t start critiquing your drawings as I get asked so much to do this it’s just not possible for me any more. 😀
@@stephentraversart I really appreciate your answer ; no worries I understand your point. Thank you 😊