David Bowie - Day-In Day-Out, 2018 (Official Audio)
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- เผยแพร่เมื่อ 11 ต.ค. 2018
- Official audio of Day-In Day-Out (2018) by David Bowie, reproduced by Mario McNulty for the Loving the Alien (1983 - 1988) box set. Buy now: lnk.to/LovingTheAlien
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About David Bowie:
David Bowie redefined musical genres and the potential of live performance for generations of music lovers. Creating and discarding a variety of personae and restlessly challenging musical boundaries, Bowie released timeless albums including Space Oddity, Hunky Dory, The Rise and Fall of Ziggy Stardust…, Aladdin Sane, Diamond Dogs, Young Americans, Station to Station, "Heroes,” Let's Dance, Heathen, The Next Day and many more. Blackstar, Bowie’s 28th and final studio album, was released on his 69th birthday, January 8, 2016. David Bowie died on January 10, 2016, two days after the release of Blackstar. His body of work, his influence on the worlds of music, art, fashion, film, theatre and beyond, and his legacy of innovation and reinvention will live forever. 2022 kicks off with Bowie at 75, a celebration of his 75th birthday with the Brilliant Adventure box set, the previously unreleased Toy, the 50th anniversary of Ziggy Stardust and a series of special events.
#DavidBowie #DayInDayOut #LovingTheAlien - เพลง
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Wow, it's great that they put the whole album online. I'm surely gonna listen it!
This is the reworked version of the album. They stripped the songs down and removed the keyboards, drum machine sounds, and other things.
Love this. Always one of my favorite Bowie songs. Great new version.
This partial remake, partial remix is great.
cttgaegoaktd
😛😛😛😛
I'm in love with this one! Bowie's voice sounds fantastic here!🎼💛-Eugene
i like the drums on this as it doesn't overshadow the song while the horns just feel more organic. while i still have a fondness for the original yet this is still an incredible version.
I think the drums are well engineered but they sit too low in the mix. They kind of disappear between the other instruments...
Love this. Big sound.
Great new version. Ĺove Reeves guitar on it. I always thought that this is one of David's best vocals. This is awesome.
I had this Cassette also had Recorded the Video from Vh 1 My 1st and only Album was Hereos ! David Bowie was a Great Artist !! And Fade Out ! RIP MR BOWIE !!
Nice to hear the real horns back in the mix. But I'm missing the Frampton solo... glad they used the final verse version (My cassette I bought on April 20th, 1987 featured the *radio edit* only).
Might be the only mix on this project that falls slightly short of the original version.
The solo on this song apparently wasn't played by Frampton, but by Sid McGinnis.
Anyone hearing this for the first time, check the "1999 Remastered (original)" version. If you are learning about recording/producing it's a good example of someone getting their hands on greatness... and killing it 30 years later.
sorry i didnt understand! 1999 remastered is OK, or this one?
Sorry, Mr. Know It All here didn't clarify - the 1999 remaster is the original album which I prefer over the new remixes. Bowie did not give every song the same feel, the same tempo. The remix makes it all generic.
@@rbennettmusictube thank you!
Or vice versa...I hate all of the original Never Let Me Down, and Bowie hated it too. So, you are in that boat called 'will love anything Bowie did'. You listen to Tin Machine? I am a producer too, and find your saying what you said indefensible. Its just not a good Bowie record, and the sales (fans) agreed.
@@amindfulmeditation9614 And you're in the Tidy Bowl boat, lol. Completely ignorant to assume I "love everything Bowie ever did" while you believe :everything Bowie ever said!? Listen, arrogant little no name producer, but The NLMD remix SUX.
I prefer this version to the original - greatly improved
Love that vocoder
Grande de grandes...Cómo te extrañamos por acá! Saludos desde Argentina.
Love it.
4 years ago. Time s fly
#BowieForever
The original is way way better and more organic.May God rest your soul, David.
"Day In Day Out"
Day-In Day-Out
Stay-In Fade-Out
Day-In Oo Oo
Day-Out Oo Oo Oo
She was born in a handbag
Love left
on a doorstep
What she lacks is a backup
Nothing seems to make a dent
Gonna find her some money honey
Try to pay her rent
That's the kind of protection everyone is shouting about
[CHORUS]
Day-In Day-Out
Stay-In Fade-Out
Day-In Oo Oo
Day-Out Oo Oo Oo
First thing she learns is
she's a citizen
Some things they turn out right
When you're under the USA
Something rings a bell
and it's all over
She's going out her way
Stealing for that one good rush
Day-In Day-Out
Stay-In Fade-Out
She could use a little money
She's hangin' on his arms
like a cheap suit
She's got no money, honey
She's on the other side
Oh come on little baby
Late night, big town,
police, shake down
Oo Oo
Oo Oo
Day-In Day-Out
Stay-In Fade-Out
Oo Oo
Oo Oo
Day-In Day-Out
Stay-In Fade-Out
She's got a ticket to nowhere
She's gonna take a train ride
Nobody knows her, or knows her name
She's in the pocket of a home boy
Oo she's gonna take her a shotgun Pow
Spin the grail spin the drug
She's gonna make them well aware
She's an angry gal
Day-In Day-Out
Stay-In Fade-Out
Suddenly there's angels everywhere
Angels in a ton of sound
And they shootin' her down
Shootin her with video-drugs-bullets and promises
Reeves guitar makes this, good effort!
Oh yes! It is an excellent reworking of this song. It sounds as though the intention was to make the song sound more contemporary and well craftted and less 1980s.
cttgaegoaktd
😛😛😛😛
Now it sounds like Black Tie White Noise album outtake
Exactly, as if it was done in 1993.
WUUUUUUHUUUUU
Epiç
Always love DIDO. The vids are still GREAT after all the times
[Chorus]
(Day in) Day in
(Day out) Day out
(Stay in) Stay in
(Fade out) Fade out
(Day in) Hoo hoo
(Day out) Oh hoo hoo
[Verse 1]
She was born in a handbag
Love left
On a doorstep
What she lacks is a backup
Nothing seems to make a dent
Going to find her some money, honey
Try to pay her rent
That's the kind of protection everyone is shouting about
(Hey, hey)
[Chorus]
(Day in) Day in
(Day out) Day out
(Stay in) Stay in
(Fade out) Fade out
(Day in) Hoo hoo
(Day out) Oh hoo hoo
[Verse 2]
First thing she learns is
She's a citizen
Some things they turn out right
When you're under the USA
Someone rings a bell
And it's all over
She's going out of her way
Stealing for that one good rush
(Ah)
[Chorus]
(Day in) Day in
(Day out) Day out
(Stay in) Stay in
(Fade out) Fade out
(Day in) Hoo hoo
(Day out) Oh hoo hoo
[Verse 3]
She could use a little money
She's hanging on his arms
Like a cheap suit
She's got no money, honey
She's on the other side
Oh come on little baby
Late night, big town
Police, shake down
[Chorus]
Day in
Day out
Stay in
Fade out
Hoo hoo
(Day in)
(Day out)
(Stay in)
(Fade out)
[Verse 4]
(Day in) She's got a ticket to nowhere
(Day out) She's going to take a train ride
(Stay in) Nobody knows her, or knows her name
(Stay out) She's in the pocket of a home boy
(Stay in) Oh she's going to take her a shotgun, pow
(Stay out) Spin the grail spin the drug
(Stay in) She's going to make them well aware
(Stay out) She's an angry girl
(All over)
[Chorus]
(Day in) Day in
(Day out) Day out
(Stay in) Stay in
(Fade out) (Fade out) Fade out
[Outro]
(Day in) And there's angels everywhere
(Day out) Suddenly shooting her down
(Day in) Shooting her with video, drugs, bullets, and promises
(Day out) Angels in a ton of sound... And it's-
(Day in) Day in
(Day out) Day out
(Day in) You stay in, or ya...
(Day out) Ya fade out, fade out
(Day in) Fade out
(Day out) Ha, and ya...
(Day in) Fade out
(Day out) Fade out, fade out
(Day in) Hoo hoo
(Day out) Oh hoo hoo
(Day in)
(Day out) (Day out)
(Day in) (Day in)
(Day out) (Day out)
(Day in) Hoo hoo
The drums are more pleasant to listen to, but they have the constrained, New York wank-off sound that won't age as well as they think it will.
A good song can be played on spoons!!! Not bad... Still clings to the original, particularly with the synth-horn accents... just intriguing, nothing so revised...
80s Bowie was my favourite era
What about the remix version of Julie and Girls?
They remade the album. Those are not album tracks.
Pity, as Julie is a great and very catchy straight-forward rock-'n'-roll track. Great vocals and melody too.
Toby Richmond ....agreed ... could have been a top 40 I reckon.....?
@@thoughtsonfitness3249 If memory serves me correctly, Julie was on the B-side to Day In Day Out, at least on the 12 inch (which I had).
A shame, because Girls should have been a massive single.
not bad. #bowieforever
Weird, was kind of hoping they'd stick to the original arrangement and just make it sound more organic. I miss the piano in the bridge and Frampton's guitar. Not my favourite reworking, I feel like the "million things at once" aspect of the production was one of the few real charms of the original album.
I love how they rerecorded the whole album as if the 80s production was the whole reason the album flopped and that they didn't hate the songwriting itself
Check out the versión in spanish
th-cam.com/video/K3XS9tdX4mk/w-d-xo.html
Ofiiciality David prepares US to the XXI century
" Sound and vision "...
The man sold the world
Spiders from Mars
Ziggy stardust
Thin white Duke
Etc...
Once more : Thanks David !😔
If he’d met Reeves Gabrels 3 years earlier...
This actually reminds me of Peter Gabriel’s late 80s music and is like an alternate version if he’d had better production on this album
Guys, this is something special. 😈☠😜
It's the same a me having a go at Replicating Vincent van Gogh's Sunflowers. It's all good but should be taken for what it is.
Don't know what to make of this one. The strange noises are a bit off putting. The subject of the song is very strong, not sure the whistley squeaky noises suits it. Some good bits added to it.
goed nr
Framptons guitar solo is better by far.
According to the liner notes, Sid McGinnis actually played the solo on the original album track (unless you're talking about live versions from the Glass Spider Tour). But I agree whole-heartedly, the original was superior.
The 1987 Dance mix here: th-cam.com/video/4PC8NteP3WM/w-d-xo.html
Think I prefer the original, but still very good. Just my opinion.
sttgaegoaktd
This version is not Bowie's choice ! For sure !
I'll listen to anything Bowie, but so far apart from glass spider, I've preferred the originals. I love NLMD. It's awesome! Outside I can't stand
how is he releasing music from beyond the grave? Some sort of necromancy at play?
This is a remix of a previous David Bowie song from 1987.
elfoxy : the entire album has been remade.
Sorry,it may not be fashionable but I much prefer the original. In fact I'm not that keen on the tinkering on this album after the event. Could a lot of the songs benefitted from a better mix ? possibly. But I'm not as enamoured as some over the wholesale changes on this album. Just my opinion.
She Woman. I Man. Remix sturdy yet Fragile. No Comparison.
It's a well known fact that Bowie and Visconti put some of the instruments WITH their effects down on tape because THAT'S how that particular instrument should sound like (be it drums or guitars, whatever) - this version without the punchy gated reverb drums really just sounds so weak....
why tamper with that album and not just leave it as postcard of where Bowie was at the time? (going through a post-Tin Machine crisis)
The Zeroes however, sounds better, like a demo from Hunky Dory....
Despite this commercial peak, Let’s Dance began a chapter of creative deficiency for Bowie, wherein he fell out of love with his art. He later looked back on this period with intense disdain, with his duo of following albums, 1984’s Tonight and 1987’s Never Let Me Down, the two he hated most from his extensive career. Reflecting negatively on this era, he described it as his “Phil Collins years”.
Although Bowie thought Tonight did have some redeemable aspects, it was its successor, Never Let Me Down, that the singer loathed more than any other release. He went as far as to describe it as his lowest artistic moment and even the “nadir” of his entire career. Bowie said: “My nadir was Never Let Me Down. It was such an awful album.”
Better more Bowie like. Like Reeves on it
One of the weaker new versions. For me the original version is much better
I’d rather have the over produced NLMD than a badly produced Reeves Gabrels self indulgence.
Rework of Never let me down is interesting. 2024. Like Tin Earthling
If you like any David Bowie music after "Let's Dance" then you are a Reeves Gabrels fan, even if you don't know it. Reeves did a lot of work on this re make too.
I thought David died not too long ago?
No, he's alive & living in The Bronx
Great News!
Shhh, we don't talk about that
Frogboy talked with several people in the last 30 years about his wish to redo album...approved a remix of one song some years back..co producer on one of his final projects organized to do this early in 2018.. album is included with original album in latest edition of bowie career retrospective boxed set.
Youre face to face with the voice that made gold
This version is kinda flat and feels like a skeleton of the first version.
Original was much better, what a waste of time this was
I really disliked the original. This is a bit better but I just don't like this as a song so not a lot can be done with a weak song like this
This is even worse than the original. Bowie should have burned the masters along with those awful Glass Cockroach stages.
Feels totally emasculated.
The original is a mess.
Nothing Bowie does is ever merely "a mess."
everyone makes mistakes, David too. for me, this version is better.
This album has long been considered Bowie's worst, for good reason. Bowie lacked inspiration when he composed the songs and has stated in interviews that he was disconnected from his muse during that period. This re-arrangement is interesting, but it can't escape the reality that the compositions aren't particularly noteworthy. The songs have deeper problems than how they are mixed/arranged.
It's improved a little though always disliked the track. There's better on this album. Probably the worst Bowie single ever I think. Still sounds like a lot of bluster and not much of tune.
How can people say the original is better with that murky mix? Also Reeves is so much better than Frampton c'mon.